Category: Action Movies (Page 76 of 165)

“Inglourious Basterds” tops SAG Awards (updated)

The win for “Outstanding Performance by a Cast in a Motion Picture” for Quentin Tarantino‘s high-spirited war picture was the closest thing to a surprise for the Screen Actors Guild awards last night. Considering the genuinely outstanding performances “Inglourious Basterds” contains from such non-multiple award winners or nominees as Melanie Laurent, Michael Fassbender, Daniel Brühl, and Brad Pitt among others, this gives me a happy.

inglourious-basterds_pic2_m1

Otherwise, however, these awards getting almost as repetitious as our May and June weather forecasts in Southern California. (Say it with me, L.A. residents: “Late night and early morning low clouds followed by hazy sunshine in the afternoon.”)

So, guess what…The Best Supporting Actor trophy went to basterd par excellance Christoph Waltz, who at this point pretty much owns the category with his uber-first class bad-guy performance as the “Jew hunter” Colonel Hans Landa. Similarly Mo’Nique from “Precious” once again took the Best Supporting Actress for her work as the abusive mother of the title character in the lauded but controversial drama. The only thing likely to be more dramatic than her Oscar acceptance award would be the howls of disappointment if she somehow doesn’t win.

Jeff Bridges, too, is looking like a lock for a Best Actor Oscar for his performance as a down at heel country musician in “Crazy Heart,” as he picked up another trophy tonight. Apparently, everyone just decided this was Jeff Bridges’ year. It’s about time.

One award SAG has that the Oscars don’t, and probably should, is for stunt ensembles and that went to “Star Trek.” Well, that’s a refreshing change of pace.

A complete list of the SAG awards, which also covers television (three cheers for “Mad Men” and the great Betty White!), is viewable courtesy of the New York Times.

UPDATE: Oh by gosh by golly! I forgot to mention the one acting award where there will be some suspense at this year’s Oscars, and that’s Best Actress, which is shaping up to be a real battle between Meryl Streep’s interpretation of Julia Child in “Julie and Julia” and Sandra Bullock‘s red state Samaritan in “The Blind Side.”  Chalk the SAG awards as one up for Team Sandra.

I guess a little more graphic violence helps

We’ll be revisiting this tomorrow, but it looks like the mass-murdering-angels action-horror flick, “Legion” appears to be the #2 movie in the country this weekend. Right after “Avatar.”  Which leads me to wonder why “Dogma,” which took a comedic approach to the same material back in 1999 didn’t do better despite a lot of free-publicity generating controversry.

I know Kevin Smith is no one’s idea of a cinematic stylist, but he can write. Do the young men who go to these things have an actual aversion to decent writing? Just a thought. Anyhow, here’s the most “Legion” like scene.

Late Friday movie news dump

It’s been a long four day week, and the hits just keep on coming.

* Even as A-listers are wrapping up George Clooney‘s Haiti telethon, the Sundance Film Festival is now underway in earnest and under new management, although boss Bob abides, naturally. Anne Thompson has a report from the front. Yesterday, she reported on the notable acquisition of the super-fest, director David Guggenheim’s “Waiting for Superman” — which is not about to whole “when will the next Superman movie come out?” thing or even superheroes at all. Sorry.

More Sundance news to come next week, no doubt. Watch this space.

* Movie City News has compiled the results of 225 Top 10 lists and come out with a top 30 of its own. At the top, “The Hurt Locker” far ahead of nearest competitors, “Up in the Air” and “Inglourious Basterds.” At the bottom of the “best of” lists, Lars von Trier’s horror drama “Antichrist,” the most controversial film in a career filled with controversy.

* Speaking of films at the bottom, the Wrap brings us Forbes’ annoyingly hard-to-read list of the biggest fiscal flops of the last five years in more easily digestible form. Topping the list is the recent adaptation of Robert Penn Warren’s “All the King’s Men” which went from Oscar hopeful to complete dud in nothing flat when it came out. There are two films I personally like on this list, “Grindhouse” and “Walk Hard.” Anybody else out there have a favorite on the flop list? In any case, I wonder about the accuracy of the list as it doesn’t include DVD figures.

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The Escapist

There have been a wealth of jailbreak films throughout the course of history, but only a few can be considered true classics. Rupert Wyatt’s directorial debut, “The Escapist,” doesn’t quite make the cut, but it’s definitely one of the better entries in the genre. The always reliable Brian Cox stars as Frank Perry, a prison convict serving a life sentence who devises a plan to break out when he discovers that his daughter is dying. In order to do so, however, he’ll have to convince the right players (including Joseph Fiennes, Liam Cunningham and Seu Jorge) to join his crew and outwit the cell block’s brutal kingpin (Damian Lewis). There’s nothing here you haven’t seen before, but the cast does well enough to keep things interesting – especially Cox, who delivers yet another fine performance in an otherwise underrated career. Though “The Escapist” begins to drag towards the end, the film’s killer twist ending makes it more than worth sticking around for. It might not have gotten the U.S. release that it deserved, but this old-school jailbreak film is a smarter, better acted, and much more realistic version of FOX’s hit drama, “Prison Break.”

Click to buy “The Escapist”

Zzzzz….”Avatar”…zzzz

We’re deep, deep into the January doldrums this week with the studios putting out three new movies that will be lucky to be fodder for late night cable or very hard trivia questions after a few weeks. We also, of course, have one true-blue blockbuster dominating the box office for the sixth week in a row.

Sam Worthington in And so THR’s jolly Carl DiOrio is beyond certain that James Cameron will, by Sunday, not only be the director of the #1 and #2 moneymakers of all time (not adjusted for inflation) but also will be matching his own “Titanic” record of six consecutive #1 showings at the U.S. box office. He also says “Avatar” will make roughly $25 million. That sounds about right to me, but all I can really say for sure is that it does seem reasonably sure to wipe the floor with the three fairly lackluster looking films on tap for this weekend.

The Tooth Fairy,” at least, benefits from a quickly understandable premise which has some comic potential, as well as a very strong supporting cast. Dwayne “no longer ‘the Rock'” Johnson is an unpleasant hockey star forced to become the winged pixie of everyone’s childhood. Playing M to his emasculated James Bond is a slightly stern Julie Andrews, with Billy Crystal and Stephen Merchant of “Extras” as his Q branch operatives, while Ashley Judd performs love interest duties. The consensus on this one is that, while  it’s the very rare critic who will go so far as to admit to actually liking the thing — it has a lousy 11% “fresh” Rotten Tomatoes reading — it could have been worse. Talk about faint praise. The trailer isn’t exactly huge on laughs, but Crystal variation on his old Miracle Max shtick got a chuckle out of me. Considering the family factor and Johnson’s appeal, I suspect this Fox comedy will stand up nicely to the weak competition of the other new releases.

Speaking of weak competition, every review I glanced at, including the one from our own David Medsker, compared “Extraordinary Measures” to a TV movie. This fact-inspired maiden voyage for the newly formed CBS Films stars Brendan Fraser as a corporate executive with two children suffering from a rare disease who joins forces with Harrison Ford‘s curmudgeonly scientist to find a cure while battling the medical and corporate establishment.

Brendan Frasher and Harrison Ford take

This type of material can work in theatrical films as was proven by both Steven Soderbergh with “Erin Brockovich” and, before that, George Miller with the underrated “Lorenzo’s Oil.” (Nick Nolte’s Italian accent wasn’t all that bad, besides, he got the emotions right.) The consensus here, however, is that pedestrian execution destines this film to fairly instant obscurity — a familiar face and an aging superstar won’t be enough to attract major audiences to a film that really could have used a few some good reviews. Instead, it got only 23% percent of critics at Rotten Tomatoes admitting to even a mild liking for the film.

Only one critic we know of has even seen “Legion.” Released by Sony and made by a first time director with a background in effects work, this one sounds to me like an action/horror remake of Kevin Smith’s “Dogma” or “Wings of Desire” gone very, very wrong. The film has very literal killer angels besieging a diner — because hashhouses are always the best place to start an apocalypse. Starring Paul Bettany as the week’s second ass-kicking winged mythological being and Dennis Quaid as a sick looking middle-aged guy, DiOrio says this is “tracking best among young males” and I can’t imagine who else would see this one. Judging by Mr. One Critic’s ultra-harsh review, even they may find better better things to do. As for what religious people will make of a film which has angels wielding machine guns, I can only imagine.

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