Category: Action Movies (Page 55 of 165)

Weekend box office preview: It’s a “Nightmare” all around

So, we have just two major releases this week and while one is hard-edged remake of a franchise-spawning eighties horror hit and the other is a purported family film, to me all signs this weekend in terms of major new releases (and one tiny release) scream: “Be afraid, be very afraid.” For the most part, the critics aren’t disagreeing.

For starters, we have “A Nightmare on Elm Street” which brings us Jackie Earle Haley in the role made famous by Robert Englund — the child-murderer of everyone’s dreams with the specially augmented fingers, Freddy Kruger. Now, as someone who is such a wuss that he was unable to get past the first twenty minutes or so of the original on VHS — that Wes Craven guy really knows how to scare people — I’m not really one to judge. However, the critics are thoroughly unimpressed with the new version directed by another music video alum, Samuel Bayer, granting it a dismal 11% “Fresh” rating on Rotten Tomatoes as of this writing.

nightmare_on_elm_street01

Still, even if the original version is regarded as something of a classic today by critics, this movie has “critic proof” written all over it. Indeed, jolly Carl DiOrio, assures us that it’s “tracking” very well and will top the box office with “as much as” $30 million for Warner Brothers. He also gets a bit less jolly in his video this week and actually complains about the use of the word “reboot” to describe films like “Nightmare.” Well, considering that you’re starting over an existing franchise as if the original had never happened, I’m not sure what you’re supposed to call it. It’s not only a remake.

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“I cut myself shaving”

I couldn’t tell you how many comic stories I read back in the day featuring Jonah Hex, the slightly creepy and not-so-slightly disfigured DC comics gunslinger, but I can tell you they were the only western comics I ever read and I that I once liked some of them quite a bit. The only problem is that I can’t help staring at that little piece of skin-and-what-not that goes from the top to the bottom of his mouth. It never quite made anatomical sense to me. Besides, I can’t help but think it would devilish hard to eat with that thing. If I’d were Hex, I’d probably find a doc who wasn’t too stingy with the laudanum and ask him to remove the dang-blamed thing and just hope he was up to date on that newfangled Louis Pasteur sanitation stuff.

Anyhow, that’s just me. Below, we have the trailer for the film starring Josh Brolin, Megan Fox, and John Malkovich. It comes via AICN’s Beeks, who is none too positive. At the same time, a good, silly B-picture can really be fun sometimes, so maybe this will be better than he thinks. It doesn’t look particularly witty, but it doesn’t look boring either. Who knew there were so many massive explosions in the era of western expansion? Hex is also the first western hero that I know of to have his own Q.

A capery, spy-ey, hobbity, clashy, ghosty midweek movie news

A sprained ankle and other unexciting matters sidelined me yestereday, but now I can use my imposed semi-immobility for bloggy purposes.

* THR is claiming an exclusive that a date has finally been set for the two-part Peter Jackson/Guillermo del Toro collaboration, “The Hobbit.” (That’s with an assist from the late J.R.R. Tolkien, of course.) There was some apparent confusion earlier in the day, but it now looks like the two films will be released in Christmas of 2012 and 2013. That’s a year off from the original plan for the LOTR follow-up/prequel (though LOTR is technically the sequel here). Though this article doesn’t mention it, at least part of the problem was widely supposed to be the decline and fall of MGM.

* I’m not at all sure how the “poison pill” actually works but it appears that a decision by authorities up in British Columbia — which is, like, part of an entirely different country than ours and everything — will make it easier for Carl Icahn to attempt his hostile takeover of Lionsgate.

* Does anybody really want a “Clash of the Titans” sequel? Well, we’re getting one anyhow.

Clash of the Titans

* Bill Murray is apparently bound and determined to be the proverbial turd in the “Ghostbusters 3” punchbowl. It wasn’t a punch I had my heart set on, in any case, much as I liked the first one.

* Just the day before yesterday I was part of a press round-table with the affable, stylish French director Jean-Pierre Jeunet (“Amelie,” “City of Lost Children”). Someone brought up his adapatation of the acclaimed, fantastical Booker Prize-winning novel, The Life of Pi, a project which the vagaries of movie-making had apparently forced him to give up on. Today, Anne Thompson brings word that it appears that the project has been picked up by another strong directorial hand, Ang Lee.  And, guess what, it’ll be 3-D. Lee’s one of the movies’ great humanists still working, so I’m sure the film won’t be overwhelmed by effects.

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District 13: Ultimatum


As the creator of such beloved action films as “La Femme Nikita” and “Leon: The Professional,” Luc Besson knows a thing or two about staging a great action sequence. Although the French filmmaker has recently devoted his time to adapting children’s fare like “Arthur and the Invisibles,” he’s remained an integral player in the genre as a writer and producer on some of the best action movies of the last decade. For the follow-up to the 2004 cult hit, “District 13,” Besson has returned with a new story that brings super cop Damien Tomasso (Cyril Rafaela) and reformed criminal Leito (David Belle) back together to save the titular ghetto once again. It’s been three years since they last averted a plan to detonate a nuke within the crime-ridden alleys of District 13, but when a corrupt politician and his security force try to destroy the district for capital gain, Damien and Leito join forces with the local gang leaders to stop them before it’s too late.

Besson’s man-on-a-mission stories are about as predictable as they come, but while some of the exposition can seem a bit contrived at times (not to mention unbelievably boring), it’s a necessary evil that helps bridge together the incredible action sequences. And between Rafaela’s cleverly choreographed fight scenes and Belle’s jaw-dropping, parkour-inspired stunts, “District 13: Ultimatum” features some of the best action you’ll see all year. The fact that they’re actually performing every bone-crunching hit and gravity-defying leap only increases the entertainment level, with some stunts begging to be watched over and over again on a loop. The film’s uninspired story certainly doesn’t do it any favors, but between the high-energy action sequences and the chemistry of its two stars, “District 13: Ultimatum” is still a must-see for any fan of the original.

Click to buy “District 13: Ultimatum”

Your TCM Fest ultra-quick box office report.

It TCM Fest‘s closing day and I’m determined to see “The Magnificent Ambersons,” “The Good Earth” (with an appearance by centenarian film legend Luise Rainer), and the new, new, new “Metropolis” but today’s box office estimates are bit too interesting to ignore completely.

The short version is that, as per the mighty Box Office Mojo chart, “How to Train Your Dragon” won the weekend box office with just over $15 million. “The Back-Up Plan,” a comedy vehicle for Jennifer Lopez, opened with a rather lame $12.25 million which should please our own David Medsker, who hated, hated, hated it. Graphic-novel based action fest “The Losers” made only $9.6 million, but seeing as it’s budget was $30 million less than the J-Lo film, it’s actually doing a lot bettter despite grossing less.

Date Night” is hanging in there very nicely in its third week. Like, “Dragon” it defeated both newcomers and came in at the #2 spot, earning $10.6 million for an accumulation nearing $65 million, $10 million more than its budget. Familiar and reliable comedy faces still mean something at the box office if the movie makes people laugh. Expect to see more family films and wide-audience PG-13 comedies and a bit less ultra-violence.

And that leads us to Matthew Vaughn, a director who has a lot less luck than talent and smarts, is no doubt thanking his reasonably lucky stars for keeping the budget on “Kick-Ass” reasonable.  The controversial black-comedy action flick dropped by 52%, roughly average for genre films that aren’t setting the world on fire. Still, the total gross is actually already $4 million above the $30 million budget. Assuming  the budget number is correct and what I can only imagine will be a long and healthy life on home video, he’s actually done rather well even as a something of a disappointment. Hope for the best, prepare for the worst.

Oh, and I guess I should see “Kick-Ass” myself before it leaves theaters. I always seem to catch Vaughn’s films after they’re declared failures and find myself really liking them. I guess I like underdogs.

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