Category: Action Movies (Page 47 of 165)

Your reward for a slow movie news day — the new “Scott Pilgrim vs. the World” trailer

I’ve never read the comic book but judging from the word on the street and this latest, dandy trailer, Edgar Wright’s colorful treatment of a black and white comic book series by Bryan Lee O’Malley sure looks like some thoroughly enjoyable nonsense. That’s something that the movies are supposed to be good at all but which remains an increasingly rare commodity. Enjoy.

“The Hobbit” needs a new director

So, I was trying to get some other stuff done during the long Memorial Day weekend and thinking I could take a break from constantly monitoring the news as surely nothing earth shattering would happen in the movie world over the three days. However, all it took was one quick look to find I was late to learn of the geek movie bombshell of all time, or at least this month.

Via Mike Fleming and Anne Thompson comes the following: it seems that MGM’s serious fiscal troubles have delayed things as long as cowriter-director Guillermo del Toro’s insanely busy career can stand. Therefore, despite the huge amount of preparation that’s already been done, he is stepping aside as director of the two-planned films of J.R.R. Tolkien’s “The Hobbit,” the “Lord of the Rings” follow-up inspired by the children’s novel that preceded the literary LOTR, later turned into the glorious three part epic directed by Peter Jackson.  Del Toro will, however, continue working on the screenplays for the upcoming films.

guillermo_deltoro_0601

Del Toro — one of my favorite filmmakers now working and, by all accounts and signs, a real stand-up guy — gave the bad news, alongside Peter Jackson, to those who care most, the devoted fans of the late author J.R.R. Tolkien, at theonering.net. It’s definitely being portrayed as the most amicable of semi-partings with both del Toro and Peter Jackson, the LOTR director who’s been overseeing the entire Tolkien project, chiming in. Here’s part of del Toro’s statement:

“After nearly two years of living, breathing and designing a world as rich as Tolkien’s Middle Earth, I must, with great regret, take leave from helming these wonderful pictures. I remain grateful to Peter, [co-writers] Fran [Walsh] and Philippa Boyens, New Line and Warner Brothers and to all my crew in New Zealand. I’ve been privileged to work in one of the greatest countries on earth with some of the best people ever in our craft and my life will be forever changed. The blessings have been plenty…Both as a co-writer and as a director, I wish the production nothing but the very best of luck and I will be first in line to see the finished product.”

Guessing about who the replacement director has already started. Early word is that it likely will not be the obvious choice, Peter Jackson, who it’s safe to say, has done enough for the Tolkien legacy — though Anne Thompson reports he told a New Zealand newspaper he would consider doing it if he had to “to protect Warner Brothers’ investment.” At this point, I’d say so many different things could happen it’s useless to speculate, but that won’t stop anyone.

Memorial Day with Mr. Eastwood, part 2

Following on my earlier post, here are a couple of moments from Clint Eastwood’s “Letters from Iwo Jima,”  his film made from the point of view of Japanese soldiers and primarily shot in Japanese. It seems to me a like a sign of possible creeping maturity as a nation a rather conservative sort could make a film which sets out to humanize an enemy, even a former one. Anyhow, “Letters” isa great piece of work from a filmmaker who has, rather remarkably, made most of his best films after reaching 70. It’s been an amazing decade for Mr. Eastwood.

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Memorial Day with Mr. Eastwood, Part 1

The titles pretty much says it. It’s Memorial Day and it’s also Clint Eastwood‘s 80th birthday. It seems appropriate to feature moments from his two elegiac World War II movies about the Battle of Iwo Jima.  Below, Eastwood and his cast discuss re-staging one of the most recreated moments in American history for the highly underrated “Flags of Our Fathers.”

More to come, but in the meantime be sure to take a look at the “Eastwood @ 80” page at the recently renamed MUBI.

“Sex and the City 2” insufficiently pleasured at the box office; the troll scores

Sarah Jessica Parker and Chris Noth in The long Memorial Day weekend is not quite half over but it doesn’t look like a barn-burner for anyone. Looking at the traditional three days which are used to cover the more competitive side of box office results, it’s looking like Carrie Bradshaw and the other women of “Sex and the City 2” have been stood up by a significant share of the expected audience, leaving “Shrek Forever After” the box office leader.

The $60 million guessed at for the entire “five day frame” by jolly Carl DiOrio on Thursday may still be possible” but it’s start to look like it’ll be lucky to hit even that modest number. (The first film in the series earned $57 million in its initial three-day frame.) In any case,everyone really did seem to expect the film to hit #1 and that certainly doesn’t seem to be the case. The present weekend estimate for Warners’ “Sex” according to Box Office Mojo is $32.125 million while the final Shrek film took in $43.345 million.

The pleasant surprise for Dreamworks/Paramount here is that their animated comedy about the world famous fairy tale troll experienced a better than average 38% percent drop from it’s opening — which was a big let down compared to previous films at just under $71 million, but far from disastrous. This may be more evidence that telling a decent story actually counts for something.

Shrek Forever After

The consensus on this “Shrek” is that it’s nothing great (Mike Fleming termed the reviews “mediogre” <yuck, yuck>), but a relatively decent ending to the series with some considering it one of the better entries in the four picture series, so word-of-mouth may be giving it a small boost. There’s also the factor of it in being in nearly a thousand more theaters than the other films and many of those being 3-D with higher ticket prices. The public may be starting to tire of those prices, but enough of them appear to still be willing to pay the added freight to keep the troll on top.

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