Category: Action Movies (Page 133 of 165)

Once more, for the record: Nestor Carbonell does NOT wear eye make-up!

During the panel for ABC’s “Lost” at the TCA Press Tour a few weeks ago, executive producer Carlton Cuse said that the true mystery of the series is, “Is Nestor Carbonell wearing make-up?”

Those familiar with the man who plays Richard Alpert, advisor to the inscrutable Benjamin Linus, have pondered this question for quite some time, and millions more wondered about it after seeing Carbonell playing the Mayor of Gotham City in “The Dark Knight,” but Cuse’s fellow “Lost” producer, Damon Lindelof, swore to an audience of TV critics that Carbonell is not guilty on all charges.

“When we first saw dailies of Nestor, we were, like, ‘Someone’s gotta talk to him about the eyeliner situation,’” Lindelof said. “And he does not wear any mascara, no eyeliner, nothing. He is completely 100 percent sans makeup. That’s the God’s honest truth.”

And, yet, there are those who still refuse to believe it.

Therefore, when I was given the opportunity to talk with Carbonell in connection with the DVD release of “Killer Movie” (he has a small but hilarious part as a Hollywood agent), I figured that this was the perfect opportunity to get confirmation straight from the horse’s mouth. Word of the TCA tour had clearly gotten back to Carbonell, however, since the mere mention of the event led him to start laughing (“My brother told me about it,” he explained), and the laughter increased dramatically, however, when I told him that the changing of my status to indicate my impending interview with him had immediately resulted in one of my friends – okay, it was Mekeisha Madden Toby, who writes for The Detroit News’ TV blog – replying, “OOOH! Ask him if he uses eyeliner!”

So I asked him.

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Bourne vs. Bond

Matt Damon is a pretty opinionated guy, and he didn’t hold back in a recent interview when asked about the James Bond films.

”They could never make a James Bond movie like any of the Bourne films,” Damon says scornfully. “Because Bond is an imperialist, misogynist sociopath who goes around bedding women and swilling martinis and killing people. He’s repulsive.

“Steve [Soderbergh, who produced yet another of Damon’s spy movies, Syriana] told me that years ago he was offered a Bond movie. He told them he’d do it if they gave him creative control. Absolutely not, they said. They have a formula, they stick to it, and it makes them a lot of money. They know what they’re doing, and they’re going to keep doing it.”

Maybe he should lighten up a little.

Hulk Vs.

There were quite a few surprises at last year’s San Diego Comic-Con, but none as enjoyable as Marvel’s world premiere of “Hulk Vs. Wolverine.” As one half of the studio’s Hulk double feature, the film isn’t very long, but it actually works better than the full-length movies that Marvel has been putting out . Part of that has to do with the fact that “Hulk Vs. Wolverine” is more focused than the other animated films (it’s essentially just a 37-minute brawl), and when you throw four of Wolverine’s most famous enemies (Sabertooth, Lady Deathstrike, Omega Red and Deadpool) into the mix, well, it’s bound to be awesome. In fact, it’s Wolverine’s fight against the Weapon X crew (and not The Hulk) that proves to be the most entertaining aspect of the film, and with any luck, we’ll get to see a rematch sometime in the near future. If nothing else, it only reaffirms why Deadpool deserves a movie of his own, because even alongside such heavy hitters as Wolverine and The Hulk, he steals the show every time.

Hulk Vs.

Unfortunately, “Hulk Vs. Thor” fails to do the same for the God of Thunder. Maybe it’s because the movie crawls in comparison, or that Thor has never really interested me as a character, but where “Hulk Vs. Wolverine” is riveting from start to finish, “Hulk Vs. Thor” is a bit of a bore. The last thing we didn’t need was another Avengers movie (especially after last year’s “Teen Titans”-esque “The Next Avengers”), but that’s exactly what it feels like. Still, despite the disappointing B-side, “Hulk Vs.” is hands down the best direct-to-DVD feature Marvel has produced, and they’d be wise to stick with this double feature format moving forward. It may not be ideal for telling the kind of epic stories that some of these characters require, but it’s the closest they’re ever going to get to bringing a comic book to life.

Click to buy “Hulk Vs.”

Underworld / Underworld: Evolution

Here’s a pair of movies that are so relentlessly tedious in their presentation that it only makes perfect Hollywood sense that a franchise was born out of the simple notion that vampires and werewolves would make a kick ass combo if they were beating the crap out of one another. Admittedly, the idea has a sort of kitschy appeal on paper; in practice, however, it leads to one repetitive fight scene after another, broken up by some of the absolute worst dialogue to be heard coming out of center channels in years. There isn’t an insightful or clever word uttered from even a single fanged mouth, which is a huge shame when you’ve got fantastic actors like Bill Nighy, Derek Jacobi and Michael Sheen thrown into the mix. There’s also Scott Speedman as the male protagonist, who is the blandest leading man ever to stream through a movie projector, and yet the dialogue manages to sound quite right as it tumbles from his lips (go figure). The real star of the “Underworld” movies, however, is Kate Beckinsale’s ass covered in tight black leather, since it’s the only thing that you can’t take your eyes off of during the proceedings. That ass will unfortunately be absent from the upcoming prequel, “Underworld: Rise of the Lycans” (probably to be replaced by Rhona Mitra’s posterior, and all things considered, that isn’t such a terrible trade-off). If someone is going to drag you kicking and screaming to what’s sure to be yet another misfire, you might impress them by beefing up on your “Underworld” history by picking up this affordably priced repackaging of previous releases (or, alternatively, use your experience with the set as the reason you don’t want to go).

Click to buy ” Underworld / Underworld: Evolution”

TCA Tour, Jan. 2009: “Spartacus”

For as long as this write-up may be, I don’t personally have a whole lot to say about Starz’s “Spartacus,” mostly because Starz didn’t have a whole lot to offer up about “Spartacus” except a lot of talk from the show’s creative team.

Executive producer Rob Tapert describes it as “our reinterpretation of the famous Stanley Kubrick movie,” calling it “a hard-core, testosterone-driven action drama unlike anything on television right now” and “a totally R-rated, hard, hard show that still has all the things that you need in storylines but that delivers the action component that theatrical audiences expect from their entertainment.” Sounds great…but it would sound a lot more impressive if they actually had anything at all to show us or, indeed, had even cast Spartacus yet.

“Goddammit, I said I’M Spartacus!”

Granted, it’s promising that the show is being produced by Tapert and his longtime associate, Sam Raimi, and to have Steven S. DeKnight as head writer and show-runner is certainly good news for those who’ve followed his work on “Buffy the Vampire Slayer,” “Angel,” and “Smallville.” (He’s also a major player in Joss Whedon’s “Dollhouse.”) But you’d be a fool to be but so optimistic when you’ve not seen a single frame of the series, and the fact that it’s going to be extremely CGI-heavy makes me a little nervous, but here are a few quotes from the creative team to help get your hopes up.

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