Author: Will Harris (Page 7 of 261)

A Chat with Lisa Cholodenko, director of “The Kids Are All Right”

Lisa Cholodenko isn’t a household name as writer/directors go, but that may change somewhat after her latest film, “The Kids Are All Right,” which was released smack in the middle of the summer, and came out on DVD and Blu-ray last week. The movie features three of our greatest actors – Annette Bening, Julianne Moore, and Mark Ruffalo – doing some of the most astute work of their careers. Expect the movie to snag some Oscar nominations for one or more of the trio, and if there’s any justice, Cholodenko and co-writer Stuart Blumberg will be nominated for Best Original Screenplay as well.

The movie is blisteringly funny while at the same time painfully honest. It tells the story of a lesbian couple (Bening and Moore) who’ve been together for 20 years and raised two children (played Mia Wasikowska and Josh Hutcherson) who are now at an age when they’re interested in meeting their sperm donor (Ruffalo). Human comedy ensues with unexpected results. “The Kids Are All Right” is one of the best movies of the year, and Cholodenko, whose previous films include “High Art” and “Laurel Canyon,” is a huge factor in its success. Now you might be thinking that a movie about two lesbians and their kids isn’t exactly what you’re looking for. If so, you’re exactly the person who should see this film, because it’ll change your ideas of what makes a family in this day and age. And it will make you laugh – loud and hard.

Cholodenko took some time out to talk to Bullz-Eye on the occasion of the film’s home video release and after some introductory chit-chat we discussed the lesbian right, gay porn, and new meanings for the word “tribe.”

lisa_cholodenko

Bullz-Eye: “The Kids are All Right” was like this oasis of reason in an ocean of CGI and fart jokes this past summer. Do you get frustrated when you look around see the types of movies that rake in the big bucks these days?

Lisa Cholodenko: I wish we would kind of go back to the time where there were more interesting, idiosyncratic human kinds of comedies and dramas, and not such the kind of broad and farcical, box office driven fare, but that’s where we are right now, so, I just accept it, and I’m glad that there’s space for films like this.

BE: Well, so am I. There was some fairly vocal criticism of the film from the most unlikely of places – the lesbian community. Where do you think that kind of outrage comes from and, outside of raising awareness for the film itself, does that kind of anger serve any worthwhile purpose for a thoughtful movie like this?

LC: I keep referring to them as the lesbian right (chuckling), and I think that in any kind of group there’s going to be a contingent of people that are more extreme in their views of things, and more politicized and so, I think there’s room for everybody, and I don’t have a problem with that. It’s gets a little tedious speaking to it – not to you – but when I’ve heard it in Q & A’s and stuff, but I’m sympathetic. There’ve obviously been no great representations of lesbians in cinema, or certainly there hasn’t been in a long time, and it’s kind of an old school doctrinaire, “Oh of course the lesbian goes off with a man.” But if you look at the film with any kind of care, it’s really not about that at all.

BE: No, no, it isn’t.

LC: She really goes off with her partner. So it gets a little knee-jerky and tedious for me, but I’m sympathetic that there’s no representation, and with starvation sometimes you get a lot of mixed feelings.

the_kids_are_all_right_1 Julianne Moore and Annette Bening

BE: Well, here’s a weird question, and you gotta help me out here, because it was the one thing in the whole movie that baffled me. Lesbian couples watching gay male porn to get in the mood. Is this common? Is this something that I’m just totally unaware of?

LC: You know, I don’t know because I’m not a social scientist. I just thought, you know, different strokes for different folks, and it’s always fascinating to find out what people do to turn it on. Stuart [Blumberg, co-writer of the movie] and I stumbled on that idea, and wrote a scene, and laughed and I said, “No, it’s too risqué,” and he said, “No it’s not. It’s funny. It’s great.”

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Boardwalk Empire 1.11 – Thou Hast Fulfilled the Judgment of the Wicked

At last, after several references to him during the course of the season, we finally get a first-hand look at Hardeen, brother of Houdini. His performance, while ostensibly impressive, receives little more than a yawn from Nucky. Margaret, meanwhile, is on the verge of offering a standing ovation. Harry and Annabelle are also in attendance, with Harry looking particularly nervous. He claims it’s because it makes him nervous to see Hardeen tied up. I’m skeptical. I don’t know what’s going on, but Harry’s clearly up to something…

Angela’s drifting off in thought while sitting at the dinner table, which really apparently pisses off Jimmy. Fair enough: he’s still smarting from the situation with the photographer, clearly distrusting his wife despite her assurances that she never slept with the man…which is true insofar as it goes, but let’s not go there right now. What’s more important is that he receives a phone call. It sounds like business, but he says it was his mother, letting him know that his father is dying. Given that Jimmy seemed to have viewed Nucky as a father figure when the season kicked off, I think it’s fair to say that the bond between him and his real father must be pretty weak.

Agents Van Alden and Sepso are enjoying a spot of Chinese when Van Alden unsurprisingly turns the topic of conversation to that of Sepso having killed Billy, and it’s not exactly what you’d call a polite dinnertime chat. Sepso maintains his cool, relatively speaking, but it’s clear that this won’t be the last time Van Alden brings up the matter.

The evening with Hardeen continues beyond his proper show, as he entertains the troops back at Nucky’s place. Once again, Margaret and Annabelle are enthralled, while Nucky shrugs and Harry sweats. It’s pretty funny to watch Hardeen play up his reputation even as he plays down his brother’s, but the fun stops when Harry explodes and at least explains why he’s been looking so sketchy all night: he’s lost a huge amount of money at the hands of one Charles Ponzi…and if the name sounds familiar, yes, he is the one who gave name to the so-called Ponzi Scheme, which most recently came to prominence via Bernie Madoff. So much for the relationship between Harry and Annabelle, eh?

Rothstein gets word from Chicago that things ain’t looking good for him with the whole Black Sox situation. His attorney suggests that he heads to Chi-Town, but to make sure he knows someone in the city who’s willing to do him a favor. Will it be Capone or Torrio?

No, The Commodore’s not dead yet, but you can’t blame his maid for fearing the worst. I mean, the guy’s already sick, and then his dog dies…? Talk about the kind of thing to send a guy into a tailspin. But, wait, who’s the Commodore’s guest? Jimmy?!? Wait a minute: Jimmy’s the Commodore’s son? Did we already know this? I’m pretty sure we didn’t. (Given the predilection of the majority of this blog’s few readers to only comment when they have a chance to criticize or complain, I can only presume someone will quickly confirm if I’m wrong.) Boy, Jimmy’s really pissed off that he’s had to make this visit, and it’s clear that he won’t miss his father when he’s gone. How else to explain the fact that, when the Commodore says he’s dying, Jimmy’s only response is to say, “Well, then, I will call you a priest.” Still, when the Commodore adds that the wrong person is running Atlantic City, it causes such mixed feelings in Jimmy that he promptly pukes. Still, I guess it would be a little confusing to realize that a man you’ve loathed for decades could well be the one who holds the key to the future you’ve been seeking.

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Boardwalk Empire 1.10 – “That’s Mommy’s kissing friend!”

At last, the spotlight is placed back onto Richard Harrow…and, wow, how utterly depressing it must be for him to go from a dreamworld where he’s still the man he used to be back into a reality where his face frightens children. Nucky looked like he might’ve been as least slightly more sympathetic about the situation than Margaret was (which stands to reason, given that it was her daughter who had the bejeezus scared out of her), but he’s right: after his assassination attempt last week, they are already on edge. Hearing the shriek of her child no doubt stopped Margaret’s heart cold.

Sepso’s trying to look as utterly innocent as possible as he swears up and down that he had no choice but to kill Billy in self-defense, even going so far as to claim that the incident will haunt him for the rest of his days, but Van Alden’s expression when Sepso’s exonerated reveals that he doesn’t even remotely believe him, and he only gets more exasperated and infuriated as he’s accused of being a bungler. He’s got one more chance before his career comes crumbling down around him…and, boy, does he know it. The later scene with him flipping through his paperwork, trying desperately to find a way to bring down Nucky, is pitiful.

Angela’s painting a peaceful beach scene when Jimmy emerges from the bedroom for his first cigarette of the day and compliments her on her artwork. She seems mildly surprised that he’s even been paying attention. When he first started groping on her, I thought she was getting annoyed, but instead she found herself titillated to the point of letting her canvas clatter to the floor and allowing Jimmy to have his way with her. Clearly, their relationship is getting at least somewhat back on track.

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Boardwalk Empire 1.9 – The Road to Oz

Eli may still be stuck in bed, recovering from his gunshot wounds, but he’s doing well enough to finger the guys responsible for taking him down while robbing the casino: the D’Alessio brothers. Their reputation as a bunch of full-fledged thugs more than precedes them, and Eli wants them taken down before they do any more damage. (The Thompsons’ take on criminal activity is of a much higher class, you know.) Nucky, however, is concerned about a mayoral candidate named Derwood Fletcher who’s been talking about all the corruption in the city. Eli shrugs it off, but Nucky’s concerned about how it’s going to affect the election. Something tells me that Eli’s desire to get out there and perform a bit of spin control is only going to backfire. I don’t know if it’ll damage Nucky’s career or Eli’s health, but I just can’t imagine something’s not going to suffer as a result.

Meanwhile, on the boardwalk, Nan Britton – a.k.a. Warren Harding’s mistress – is musing to Margaret about how Warren’s love for her can’t compete for his love of America…not that she’s rationalizing her situation. They soon pop into Margaret’s former place of employment in order to get Nan a few new frocks, but Margaret also gets an earful from Madame Jeunet, who complains how much of her income goes straight into Nucky’s pocket. Oh, that woman: her complaints are valid, but the way she’s trying to play Margaret is despicable.

Hey, look, Jimmy’s back in Jersey! Once again, he confirms that his family isn’t his priority by conceding to Nucky that he came straight from the train station to his office. As I suspected last week, Richard Harrow is going to play a part, with Jimmy telling Nucky that he wants Richard to help him on the D’Alessio job. It’s interesting that Jimmy wants Nucky to admit outright that he wants him to kill the brothers, then makes a face when he gets confirmation that “the kid” has a death sentence as well. Criminals have the strangest take on ethics.

Speaking of the D’Alessios, they’re meeting with Rothstein, who clearly outclasses them by about 10:1, if not more. He knows it, too. First, he underlines the fact that he’s got a reputation to uphold, thereby indicating that he’s not sure they won’t embarrass him, then he discusses the methods of making money via bootlegging in such a way that he gives hem the opportunity to put their foot in their mouth with their stupidity. He wants to set up a scotch-importing business, and he’s hopeful that they might be able to assist him in bypassing Nucky in the equation, though he has them sign insurance policies to cover his bases. I had to laugh at Rothstein’s closing joke about the monkeys at the zoo, because he’s right: he and the D’Alessios are two completely different species of criminals.

I like how Nucky’s a fan of L. Frank Baum’s “Oz” books. I don’t know if you’ve read anything beyond the original “Wizard of Oz,” but there’s some really great stuff to be found in Baum’s exploration of the land of Oz…but I digress. He and Margaret soon descend into a political discussion, where Nucky lays out his theory on politicians: “If we only elected good men, we’d never have leaders.” Is that an original quote? Somehow, it seems too profound for Nucky. The topic quickly shifts to Madame Jeunet and her business, causing Nucky to tense up at the unsuitable nature of the topic and leave abruptly. Whoops: power struggle in the Thompson house.

Angela looks horribly uncomfortable with a man’s arm around her, doesn’t she? Not so when she’s being kissed by another woman, though. Hello, menage a troi…? If so, it’s going to be a decidedly uneven affair. But, no, the proceedings are interrupted by the return of Jimmy, who’s acting pretty shitty for someone who’s been away from home and virtually incommunicado for as long as he has. Her friends make a hasty departure, leaving Jimmy and Angela to…interact? I don’t really know what you’d call it. It hardly starts off as consensual, but it appears to end up that way, unless she’s just resigned to her fate.

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Boardwalk Empire 1.8 – It’s A New World

As Eli sits behind Nucky’s desk, trying to make everything look just so, only one thought comes to mind: “This man could not possibly look less comfortable in a position of power.” Clearly, everyone knows it, too. When Nucky’s in town, there’s always a line of people to see him, but with Eli in charge…? The place is a ghost town. As soon as Eli started mouthing off to his right-hand man about how easy it’d be for him to do what Nucky does, I knew that a major screw-up was destined to go down before the end of the episode. The only question was what it would be, and it didn’t take long to figure out that it’d have some connection to Neary’s replacement missing his route for a day to be with his polio-stricken daughter.

Similarly, it was inevitable that Nucky would cross paths with Jimmy at some point while he was in Chicago, but until that happened, we got to see him try to pull rank with a hotel concierge. I actually thought he might fail, given that he wasn’t on his home turf, but never underestimate the power of a big wad of cash. Sitting down for dinner, he flips open his brochure for the Republican National Convention and finds an ad for Colosimo’s, thereby securing a visit to that particular establishment in the near future, but before he can make any specific plans, Senator Edge swings by the table to invite Nucky to attend Harry Daugherty’s shindig on his behalf. Obviously, it’s funny in retrospect to hear them disparaging Warren G. Harding, but looking back at the race for the Republican candidate in 1920, you can see why. Even with all the bootlegging going on in the wake of prohibition, Harding’s nomination may have been the biggest crime to be committed that year, and Harry Daugherty was the man behind it.

Margaret and her gal-pal Annabelle (a.k.a. Harry’s woman) are gossiping it up over tea when a harried Madam Regina approaches, unexpectedly asking for assistance with…Lucy? Oh, God, this is going to be bad. Lucy’s trying to get a few more things on Nucky’s dime, but when Margaret tries to politely sway her into leaving calmly, it descends into namecalling that, somewhat surprisingly, leads Margaret to slap Lucy. Ouch!

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