Author: Will Harris (Page 215 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

While I can’t say much for HIS movies…

…I’m nonetheless half-tempted to tune into Rob Zombie’s new hosting gig on Turner Classic Movies, called TCM Underground.

TCM executive vice-president and general manager Tom Karsch says the show “will serve as home to some of the truly visionary cult films that have been made over the past century, from stylish horror movies to offbeat black comedies. I can’t think of a better mix than having Rob Zombie host classic cult films made by heroes of the genre, people like George Romero, Ed Wood and Russ Meyer. And we think Rob will be a great asset in making these classics more accessible to a new generation of film fans.”

Strangely, RZ himself offers not even a single comment within the press release hyping the show, but that’s okay; the films that’ll be spotlighted on “TCM Underground” speak for themselves:

Night of the Living Dead
The Crazies
Bride of the Monster
Freaks
The Honeymoon Killers

Opening night is this Friday, October 13th, and it kicks off with this all-time classic:

Need I say more?

Tune in at 2:00 AM on the…wait a minute, 2:00 AM? That’s not the 13th, then; that’s the 14th. Whoops. Well, anyway, it’s on at 11 PM on the 13th if you’re on the West Coast…

We are the Knights who say…

…”What do you mean we’re not premiering ’til January?!?!?

After suffering the indignity of being the last of ABC’s new sitcoms to debut, the network’s best hope for the comedy market – “The Knights of Prosperity” (formerly known as “Let’s Rob Mick Jagger”) – has had its debut date of October 17th scratched. Instead, it’s now been officially put on hold until after the holiday season, with imprecise discussions of a premiere sometime in January. BOOOOOOOOOOO! This was my favorite comedy of the 2006 fall season, and I’m PISSED that it’s taking it so long to emerge…mostly because ABC decided to put such a huge promotional push behind the excruciating “Ugly Betty” that “The Knights of Prosperity” was going to be lost in the shuffle.

Okay, well, at least the good news is that, by January, the show it was supposed to be paired with – Ted Danson’s “Help Me Help You” – will surely have been cancelled; it was a terrible teaming of comedy sensibilities, and both shows probably would’ve ended up flopping as a result. I just wonder what they’re gonna find to put with it…

I’m cautiously opti…oh, to Hell with it: this scares me to death.

A live-action production of “The Year Without A Santa Claus.”

Eddie Griffin and Ethan Suplee as Jingle and Jangle…

Chris Kattan as Sparky…

Michael McKean as Coldmiser…

And although there’s no photo, playing the role of Heatmiser will be…Harvey Fierstein. Oh, yeah, and Santa and Mrs. Claus will be John Goodman and Delta Burke, respectively, with Carol Kane as Mother Nature.

Brrrrrr. I just got a chill. And I don’t think I can blame it on Coldmiser.

Heroes, Week 3: The Ties That Bind

Given the already-established tendency for everything in “Heroes” to tie into everything else, it was somehow unsurprising to find that the bodies Niki found in the desert would be connected to her ex-husband…but the threat she made to her sister-in-law was, given Niki’s “capabilities,” none too idle. Should be interesting to see what happens when Niki and her son meet up with Mr. Linderman…

Hiro’s buddy, Ando, starts off acting like he’s going to be one of the most skeptical characters in the history of television – I don’t know about you, but if someone showed me a comic book with panels featuring dialogue I’d just spoken seconds ago, I’d lose my shit – but after he and Hiro successfully team up to save that little girl from being hit by a truck, even Ando can’t deny that there might just be some truth in the craziness Hiro’s spewing. What luck that the prophetic comic book also reveals the fat lady resting her head on Ando’s shoulder during their flight to America. Gotta love Hiro’s snicker.

Am I the only one who wanted Peter to just go completely psycho and kick the living shit out of his brother for that move he pulled on the dais? I mean, the punches he got in were good, but there weren’t nearly enough to make up for having to deal with people think that he tried to commit suicide. It’s nice that he ends up with the girl of his dreams; he’s earned it. And I know I’m supposed to feel bad for Artist Boy, but, honestly, he still strikes me as a complete whiner. You know what your ability is, dude; do something with the information you’ve got!

Policeman Matt manages to convince his new friend at the FBI (Clea Duvall) that he just might be psychic, which leads to one of the two best scenes in the episode: when they encounter the mysterious Skylar in the alleyway. The fact that he got up after being filled full of lead wasn’t a shock…but prior to that, when he without so much as a wave of his hand made the agent place her gun to her own head and begin to pull the trigger? That was sweet. And the second great scene was the unfolding of what Skylar’s apartment looked like as Mohinder and his cute neighbor explored it; it was highly reminiscent of John Doe’s place in “Se7en,” but creepy is still creepy…and that was creepy. Of course, I think everyone knew that when Mohinder brought the cops back, it was going to be completely empty. By the way, maybe I was wrong about the neighbor being shady…or is that what they want me to think?

Claire’s dad might turn out to be a really rotten guy – it certainly looks that way, anyway – but there was a look in his eyes at the beginning of the episode that said, “Even if I have to take Claire down with the rest of these super folks, God help me, I’m also taking down that bitch who lied and stole my little girl’s thunder.” Claire herself wants desperately to just ignore her new abilities and be normal. Yeah, I’m guessing she’s rethought that by episode’s end, where her words…the final words of the episode…echoed those of probably every viewer in America. By the way, if you needed any further proof that screenwriters use their writing skills to avenge the fact that they were at the bottom rung of the social ladder in high school, it’s right there when the quarterback ends up trying to rape Claire. Talk about painting a vulgar picture.

Talking “Galactica”

Bullz-Eye had a chance to ask a few questions to members of the cast and crew of “Battlestar Galactica” on the eve of the premiere of the new season, but we figured we’d wait until just after the season premiere before posting it…

Bullz-Eye: Mary, at the end of last season, your character left office and went back to teaching. What can we expect from the new season after the occupation?

Mary McDonnell (“Laura Roslin”): She’s still teaching. But I think One thing you can trust about Laura Roslin is her passion for the fleet and her commitment to getting them to Earth doesn’t really go away, so whatever hat she’s wearing, I think the agenda remains the same.

BE: And, David, it was pretty bold to close out the season with the start of the occupation instead of ending it with the blast or just after. What went into the decision to end the season a year later, when the Cylons arrived?

David Eick (Executive Producer): I think that it was very clear to us that, in order to advance the story to that critical point, you needed a believable amount of time to go by. And that period of time, in order for all of the colonial society’s guard to be adequately down, they needed to exist through that period in such a way that they believed themselves to be safe. As a practical matter, doing several episodes in which everyone thinks they’re safe and fine and nothing happens didn’t seem like a wise thing to do! So we advanced the story to that point, that sort of event horizon, in which the safety that they believed themselves to be fortunate enough to have found, is suddenly yanked out from under them, and it was really for no other practical reason than that. I know some people…I mean, there seems to be some division. People had their minds blown by it, people thought it was a trick, people thought it was a dream, people thought it was a gimmick. For the most part, people seemed to really respond to it in a very favorable way. But the truth is, the motivation for it…it wasn’t a gimmick at all; it was really just a practical way to tell that story.

BE: And James, what do you think drives Baltar more: power, fame, or the love of a good Cylon?

James Callis (“Dr. Gaius Baltar”): (Laughs) Um…

Mary: (Laughs)

James: It’s, uh…I don’t think he’s particularly interested in power. I think that’s why he’s not so good at presidential stuff. So I would say it’s probably the love of a good Cylon.

Mary: (Laughs)

BE: Do you think he’ll seek redemption for his past actions?

James: He’s constantly seeking redemption, every day. And in some way, the axis of his redemption is built…there’s a fulcrum, and on the other side is everybody else, and he kind of has to, uh, meet everybody else to get his redemption, if you know what I mean.

Mary: Can I say something?

BE: Sure!

Mary: It’s one of the things that I love about the character of Baltar…as a viewer. I’m not speaking as Roslin right now…but even as Roslin, there’s something going on in him that she can’t put her finger on, and I think that what James said has something to do with that. There’s something in him that you understand is seeking something good. Otherwise, there’s no reason why, knowing my character, she wouldn’t have tossed him out an airlock by now if she could!

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