Author: Will Harris (Page 214 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

Thursday the 19th doesn’t have the same ring to it…

…but if you missed the debut of the Starz network’s new documentary, “Going to Pieces: The Rise and Fall of the Slasher Film,” on Friday the 13th, fear not: it’s being re-run at least three times during this month: 10/19, 10/29, and…what a shock…on Halloween.

If you enjoy the whole slasher genre, it’s really a fantastic look at a ton of different films…and, unlike so many of the more simplistic specials on VH-1, E!, or even Bravo, this digs really deep into the horror archives. It’s not just all about “Friday the 13th,” “Halloween,” and “Nightmare on Elm Street” (although, of course, it covers those films in detail), taking pains to detail some of the lesser classics – I wasn’t really familiar with “Happy Birthday to Me” or “Maniac,” and not only do I not remember “Terror Train,” but I was shocked to discover that Jamie Lee Curtis was the star of it – along with the blatant rip-offs and cheap flicks that came out in attempts to score a few bucks while the trend was hot. There’s considerable discussion about public outcry over the films, particularly when the Christmas-themed slasher flick, “Silent Night, Deadly Night,” emerged. The film concludes with a discussion about the revival of the slasher genre and how, unlike the old days, the new slasher flicks invariably have some major star attached to them. There are a ton of interviews, from stars (Betsy Palmer a.k.a. Mrs. Voorhees) to directors (Wes Craven, John Carpenter) to special-effects guys like Tom Savini; Rob Zombie also chimes in. Catch it if you can…but, seriously, if you don’t dig gore, stay far, far away.

Full season ahoy!

Any concerns you or I might’ve had about “Jericho” not being able survive for a full season are now officially wiped away with the news that CBS has given the show a full-season commitment.

Sweeeeeeet.

I said it before and I’ll say it again: this is due to CBS’s very wise move of placing the show as the only non-reality show in that timeslot. Good on them.

TV DVD QT, Vol. 2

Here we are, back again, with another bunch of shows…

The Facts of Life: The Complete Third Season – Fortunately, the show’s theme song sums itself up handily: you take the good, you take the bad, you take them both, and there you have…“The Facts of Life.” Except that instead of “good” and “bad,” you’ll want to substitute “cheesy fun” and “occasionally excruciating dialogue.” It ruins the flow of the song, but it’s far more accurate, I can assure you. By this time, the series had settled into its primary five cast members: Mrs. Garrett and her four favorite girls, Blair, Natalie, Tootie, and Jo. Ah, sweet Jo…I had such a crush on you. That must be why I recognize just about every episode here. That’s right, I watched “The Facts of Life.” You wanna make something of it…? Better you should complain about the total lack of special features on this set than my taste in television circa the mid-’80s.

Blue Thunder: The Complete Series – Did the world really need a series based on the Roy Scheider film about a hi-tech police helicopter? Well, considering that a fair amount of stock footage was recycled from the film and that, instead of Scheider, the series starred Dana Carvey, Dick Butkis, and Bubba Smith, I’d say, no, it did not…which would probably explain why it only lasted eleven episodes. Not even a cool theme song and James Farentino in the lead role of Frank Chaney…in no way to be confused with Scheider’s character of Frank Murphy, of course…could save this show from a quick demise. In a nutshell, it’s no “Airwolf.”

Three’s Company: Season Eight – Otherwise known as the last season of everyone’s favorite farce…and I’m sure you’ll be as shocked as I was to discover that there are a fair amount of misunderstandings and ensuing wacky hijinks contained within the plots of these 21 episodes. Only diehard fans will have stuck around for all eight seasons of the series, but the special features – bloopers, reminiscences of John Ritter, and the 30th anniversary special – will thrill that particular demographic to no end.

That ‘70s Show: Season Five – Hey, everybody! Donna and Eric are back together! Some would say the funniest thing about this season is that every single episode is named after a Led Zeppelin song (if you don’t believe me, check out the official episode guide and see for yourself ), but I love this show. It’s a great ensemble. The special features on these sets, however, have dropped off dramatically since the show went off the air; there’s not even a single audio commentary! But on the other hand, Donna wears a Catholic school uniform for most of the season, so, to come full circle, let us return to the “Facts of Life” theme song. You take the good, you take the bad…

Jericho, Episode 4: Dark Is The Night For All

WARNING: If you missed this episode, head over to CBS’s Innertube and watch it now. Otherwise, we’re getting ready to spoil it all to hell for you.

So we’re four days after the bombs have dropped and one day after the fallout has cleared; people are finally starting to run out of gas, and the attempts to gather more are the major goings-on in the background of this episode.

Eric and his wife continue to have their problems; he pisses her off by having a beer at the bar rather than coming to help her at the clinic, then when he runs around town to get gas to power the clinic’s generators but is beaten to the punch by brother Jake (who, I swear, I hear someone call Jimmy this episode), she basically says, “Yeah, whatever.” So he promptly turns around and – figuratively speaking – spits in the face of her profession as a saver of lives by allowing the out-of-towner with radiation poisoning to have a drug administered that leads to his death. Hopefully, these two will just cut the ties that bind sooner than later and be done with it. Oh, and about the aforementioned out-of-towner, it was a little odd that Gail (Jake and Eric’s mom) seemed to latch onto the task of caring for him so adamantly; I’m wondering if there’s some reason for that.

The ongoing saga of Robert Hawkins and his family is unfolding too slowly for my liking; he’s become progressively more unsympathetic with each episode. In fact, he’s barely the same guy we met in the first episode. Since arriving in town, he’s quickly gone from Mr. Gung Ho to Mr. I-Don’t-Think-So. Obviously, he knows more than he’s willing to reveal – as further evidenced by the fact that he turned out to know the guy with radiation poisoning – but as a character, I wish they’d write him more consistently.

There’s a throwaway line in the episode that I really liked, where Jake and Stanley are trying to figure out who’s going to put the gas in the steel tank, and one of them says, “Remember those pacts we made to live to be a hundred?” It’s about time they once again touched on the fact that these guys have been friends for years upon years. (It was indicated when Jake first returned to Jericho.) I also wish they’d focus more the pairing of Jake and Heather, as we saw a bit of tonight; the flirtation between Skeet Ulrich and Sprague Grayden is nice and realistic.

Additional observations:

* Mark my words, Mayor Green’s cough is a death rattle.
* That paranoid deputy who’s suggesting that the tanks spotted last episode might be Chinese or Korean? He’s gonna end up killing somebody.
* The guy at the gas station being concerned about the fact that his bosses might show up and get mad that he’s given away the fuel was just silly.
* And as far as the complete stupidity of the rich teenagers having a big-ass party…well, I’ve made my annoyance of this subplot pretty clear. To paraphrase “Say Anything,” bitches stay with bitches, and, hey, what do you know? The bomb went off, and their mutant genes DID still form the same cliques!

I was legitimately surprised when Jake led the townsfolk to where the 20 sick people were, only to find them all dead. That was dark. But the way-too-motivational speech by Mayor Green took away any edge it had. Talk about getting CBS’ed.

I heart Tina Fey.

Seriously, I really do. She’s totally the kind of woman who I’d make a fool of myself over if I were still single…but I’m not, so I won’t. And I was very proud of myself for keeping my cool when I got to talk to both Fey and her “30 Rock” co-star, Jane Krakowski, about their new show. Clearly, I was more focused on Tina than Jane, but, honestly, that’s more because – as I explain to Jane – I hadn’t yet seen the new version of the pilot when I was talking to the two of them. (Krakowski was added after the fact, as you’ll read below.) In closing, let me just say that it’s a good thing it was a phone call rather than an in-person conversation; it allowed me to get away with victoriously pumping my fist in the air whenever I succeeded in making Tina Fey laugh.

Bullz-Eye: Tina, do you happen to recall the obscenities that you uttered when you first heard about “Studio 60 on the Sunset Strip”?

Tina Fey: (Laughs) I swear so much all the time, anyway, that it probably wouldn’t even have interrupted my constant flow of swearing. That was probably happening over just the quality of my lunch.

BE: Did you find yourself a little disconcerted knowing that there was going to be a similar-premised show on the air at the same time?

TF: Well, it’s funny, because I had friends coming up to me, saying, like, “Oh, I’m so sorry that you’re not going to get to do your show!” And I said, “Well, y’know, I haven’t really heard anything…” And, really, within the same day, (NBC President) Kevin Reilly called me at home to assure me that we were still…because we were in pre-production for the pilot, and he assured me that we were still going to shoot the pilot and that he believed in both shows, and so I took him at his word. And so far, so good.

BE: And I’m one of those who has not seen the revised pilot yet, but I’m led to understand that, Jane, you’re taking over the role that more or less belonged to Rachel (Dratch) in the original pilot…?

Jane Krakowski: Um, well, I’m playing the star of “The Girlie Show,” which is the fictional show within the show. The role has been quite rewritten, I would say, and made a little bit different, but I love the show so much, and I was so thrilled to be asked to join into the cast.

TF: And what sort of what happened was, once we realized after doing the pilot that we were never going to see sketches, then we wanted to take Rachel, who’s a sketch player, and use her differently. She’s still in the show and she’s going to play a series of characters; if you do get a chance to see the revised pilot, you’ll see she plays a cat wrangler in that pilot, and then she’ll come back another week as a different character, and a week or two after that, she’ll come back as a different character.

BE: How much of Tracy Morgan’s character is inspired by Dave Chappelle?

TF: Well… (laughs) …I will say that I don’t know Dave – I’ve barely ever met him – but I do know Tracy, and, so, I would say that it’s primarily Tracy if Tracy were nuts, more than anybody else. But I think anything any celebrity does, let alone an African-American celebrity, is gonna be fair game for Tracy to do. Maybe Tracy will leave a bag with a million dollars in jewelry in the airport, I don’t know!

BE: Will “The Girly Show” have guest hosts or celebrity guests?

TF: I don’t think it will. I don’t think it’s that kind of show…unless all of us change our mind and it does. But I don’t think that’s really on the horizon right now. I’ve spent nine years writing for celebrity guest hosts, and I’m very excited to write for just my cast.

BE: Tina, what “Saturday Night Live” joke or sketch are you the most proud of?

TF: Oh, that’s a good question! Most proud of… (Pauses) I wrote a sketch once called “Census.” It was about a census taker, and it was just Christopher Walken and Tim Meadows, just the two of them, and that was maybe my favorite sketch that I ever wrote. Unfortunately, it was on the same show as “we need more cowbell,” so it has long since been forgotten! But that was maybe the best show that we had in the whole nine years that I was here, that show with Christopher Walken.

BE: Was there ever a sketch that didn’t make it on the air that you were really thought should’ve?

TF: Usually, the ones that don’t make it, it’s for very good cause! They’re usually pretty stinky!

BE: And a throwaway closer: has anyone ever approached you that was writing an unofficial biography of Lindsay Lohan, looking for dirt from the set of “Mean Girls”?

TF: (Laughs) No…but I am open to offers if they’re extremely lucrative.

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