Author: Will Harris (Page 212 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

The return of the Amazing Screw-On Head…?

In an interview with Comic Book Resources, Bryan Fuller – creator of the “The Amazing Screw-On Head” pilot (which we discussed a few months back) as well as a consulting producer on “Heroes” – reveals the possibility of viewers seeing more of the Head:

Q: What’s going on with “Amazing Screw-On Head?” Critics loved it, but then it didn’t do too well in the ratings. I heard a rumor you guys wanted it at Cartoon Network now.

A: Mark Stern at the Sci Fi Channel was the lone champion of the show. Everyone else at Sci Fi didn’t get it. Now we are waiting very patiently for our pass from Sci Fi so we can take it to Adult Swim. It was a very different experience than what I was used to doing with live action, and I would love to continue. We have three backup scripts. They are as bizarre and interesting as the pilot. We have Emperor Zombie working with Darwin on Galapagos Island determining that the ultimate evolution is zombification; we have Screw-On Head encouraging Indians to assimilate to the ways of the white man only to discover they’ve taken it too far – horrifically too far; those sorts of stories. It is a new way to do a twisted soap opera. Hopefully, the show will find a home on another network.

Making bad movies good again…

…three alumni from “Mystery Science Theater 3000” – Mike Nelson, Kevin Murphy (“Tom Servo”), and Bill Corbett (“Crow T. Robot”) – have rejoined forces as The Film Crew. They’ve been entrusted with a very important mission, and one that’s decidedly familiar to them: “providing commentary tracks for every movie that doesn’t have one.” As with “MST3k,” the movies in question will be pretty darned terrible, and they’ll be begin to be released through the fine folks at Shout! Factory in April 2007…but, at the moment, they’re still trying to decide which film will be first.

Head over to their site to vote for one of the following (and to see a video introduction from Murphy):

Giant of Marathon (1959, starring Steve Reeves)
Hollywood After Dark (1968, starring Rue McClanahan of “The Golden Girls”)
Killers from Space (1954, starring Peter Graves)
The Wild Women of Wongo (1958)

Gosh, they all sound so darned bad…but hearing that Rue McClahanan plays a stripper in “Hollywood AFter Dark” just might turn the tide in its favor.

Must See NBC Thursdays are back.

And I mean they are REALLY back, baby. Remember the good old days, when you’d tune into NBC at 8 PM and you wouldn’t feel the urge to turn it off ’til the 11 PM news? Okay, so you might’ve taken an extended bathroom break during “The Single Guy,” but you know what I’m saying. Well, “E.R.” might not be everyone’s cup of tea anymore, but, by God, NBC has finally put together a 2-hour block of comedy from 8 – 10 PM that’s going to be a fucking BEHEMOTH!

8:00 PM: “My Name Is Earl”
8:30 PM: “The Office”
9:00 PM: “Scrubs” (starting Nov. 30)
9:30 PM: “30 Rock” (starting Nov. 16)

Seriously, that’s the dream line-up for me…and for anyone who enjoys laughing for two solid hours. It’s about time NBC put “Scrubs” back on Thursday nights, and thank God they’re saving “30 Rock” from the ratings no-man’s-land it was experiencing against “Lost,” because it’s a really funny show. “Scrubs” is showing up a bit earlier than anticipated, possibly because “Twenty Good Years,” the Lithgow-Tambor lovefest, has been yanked and put on hiatus for the time being.

Man, I’m psyched. This is gonna be awesome.

Jericho, Episode 6: WORST. ENDING. EVER.

Oh. My. God.

I don’t think the producers of “Jericho” could’ve come up with a more annoying ending unless they’d had everyone join hands and sing “Good Morning, Starshine” over the goddamned closing credits.

But I’m getting ahead of myself.

This week’s episode begins where last week’s ends: with those missles going into the air. A few minutes later, there’s an electromagnetic pulse and the power goes out. Cut to the opening credits (such as they are), then go to commercial. When we come back, we get a title card that informs us that two weeks have passed…but, strangely, the only thing that seems to have happened in that time is that kids are now playing baseball with their cell phones. I guess that’s supposed to show us that the phones are all dead now, thanks to the EMP.

Actually, there have been a few developments in that time. The Mayor has “the flu,” or at least that’s what everyone’s being told. Robert is still majorly paranoid around his family, but he’s managed to incorporate himself into the local police force pretty well. Stanley’s crops are infested with bugs, which turns him into an instant asshole. Also in those two weeks, Dale started running with a bad crowd, though we don’t really get much clarification as to how that came to pass, and Eric is steadfastly avoiding talking with his bartender babe, even though he and his wife don’t seem to have been getting along that swimmingly.

We get more clues about Jake’s reasons for leaving town, including his dad’s key line, “You left town and a boy was dead.” We meet his former cohort, Mitch, who’s apparently started stealing horses for fun and profit, and we get a little bit more detail from the conversations between Mitch and Jake, including Jake’s comment about how “I told you I wasn’t going to rob anyone.” Oh, yeah, and Jake’s mom gets trampled by some horses, which is actually kind of a scary scene…but maybe that’s just because I have friends who are equestrians and have told me about the dangers of finding yourself underfoot of one horse, let alone several.

Okay, fine, I’ve waited long enough: what about that fucking ending…?!? Oh, CHRIST, it was bad. After spending the episode with Stanley being an asshole about not wanting to share his crops with the town, then getting all whiny and asking, “Is this what we’ve come to,” the whole town shows up and, to a soundtrack provided by the new Jakob Dylan album (which is helpfully hyped after the credits roll), helps him harvest his crop. It was so schmaltzy that I just kept smacking my forehead with my notebook, repeating over and over again, “This is not happening, this is not happening.” We got no further details about the government, making the phone call and broadcast from last week nothing more than a tease, and the last few seconds of the episode, with that brief encounter between Jake and Mitch, was in no way enough to redeem the big steaming load of dung that immediately preceded it.

Okay, Mr. Paulsen, I’m with you. “Jericho” is now officially on notice. Enough with the conflicts within the town; give me more of the big picture sooner than later, or I’m on the verge of walking.

Heroes, Week 5: Yesterday When I Was Mad

I begin this week with a complaint: although I’m as much of a sucker for reading spoilers as the next guy, I like to have the option to read them, not have them thrust upon me as has been happening in the previews for the following week’s episode of “Heroes.” Yeah, I know, the whole point of the preview is to tease you about what to expect, but the ones for “Heroes” seem to give away major surprises and developments instead of just offering the teasing lines immediately before the surprises and developments. Like, the whole “save the cheerleader, save the world” thing was given up long before future-Hiro uttered the line at the beginning of this week’s episode. It just pisses me off, that’s all I’m saying. But, then again, even the fact that we saw someone shoot into the air in last week’s preview didn’t damage the sheer coolness of Nathan shooting upwards, into the clouds, and – it sounded like – breaking the sound barrier in the process; that was definitely still very much a “holy shit” moment. (By the way, did I miss it last week when they revealed that they’d taken Nathan rather than Niki? All I heard Claire’s dad say was “take one of them”; I never heard him say which one…but the show acted as though we were supposed to have known that he’d taken Nathan.)

So Alias Boy…sorry, I mean Matt…more than makes up for his brief appearance in last week’s episode by, if my calculations are correct, getting more screen time this week than any other character. Surely his wife’s gonna get pissed off when she finds out that he really IS getting inside her mind. (Is it me, or does she look like an older Katie Holmes?) Based on his mother of a headache toward the end of the show, it looks like Matt’s gonna end up crazy sooner than later if he doesn’t figure out how to reign in his abilities.

By the way, the subject line is partially a reference to that, but also to Claire feeling a bit of remorse for running the QB’s car into a wall. She finally opens up to her dad…sort of. About the rape, not about her abilities. Well, if nothing else, we’ve confirmed that no matter what his ulterior motive in all this turns out to be, he’s clearly still got a lot of love in his heart for his adopted daughter…or else she’s so crucial to his endgame that he’ll do anything to protect her. And Niki…sweet, sweet Niki…doesn’t get much forward motion in her arc ’til the end of the episode, except to discover that she had hot monkey sex with Nathan and doesn’t remember a thing about it. Oh, well, she can always order a copy of the DVD…

So exactly when did Hiro learn all that English? Finally, he gets Ando to help him with a phone call to Isaac, but, still, when he’s chatting with Nathan at the diner, it’s clear that he’s fluent enough in speakin’ American to be able to get his point across to Isaac…so why did he insist on speaking solely in Japanese when he called him? Nerves…? As long as we’re talking about the dynamic duo from the land of the rising sun, dammit, we were thisfuckingclose to seeing that Niki / Ando romance kick off…and, by God, I’m not giving up hope yet; there was a spark, I tells ya! As far as Hiro’s new buddy, I have to say, I never would’ve thought that he and Nathan would meet up so soon, let alone that Nathan would be amused with him rather than annoyed by him.

I noticed this week that at least one of the supposedly big reveals of the episode was pretty anti-climactic, that being when Peter finds Isaac’s painting of Claire; I mean, it’s not like we didn’t witness Isaac painting it last week…but they played it like it was something we’d never seen before. Rule of thumb, people: if it’s not a new revelation, it’s not cut-to-commercial worthy…!

If it was me, I think I would’ve ended the episode with Niki’s husband creeping around the corner…but, overall, it was a solid episode with lots of new info.

Funniest line: “That hurt more than I thought it would.”

Most chilling line
: “Hollow him out; take everything.”

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