Author: Will Harris (Page 195 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

So long, pinhead…and I mean that in the best possible way.

Calvert DeForest – also known as Larry “Bud” Melman – is dead.

Yes, I know, Letterman once showed a retrospective of DeForest’s work on his show, only to have it end with DeForest coming out on the stage and shouting, “I’m not dead, you pinhead!” Would that he’d do the same thing this time. There isn’t any official news report on this yet, but Mark Evanier has posted the news on his site, based on a report from Don “Donz” Giller on the David Letterman newsgroup…and, honestly, I don’t think Evanier would’ve posted it if he didn’t believe it to be 100% true. Too bad. DeForest has been retired since 2003, but his face is one that you know the second you see it.

Letterman came down with a case of stomach flu and didn’t host “The Late Show” last night, but count on him paying tribute to DeForest as soon as he returns.

Jericho, Episode 15: “Well, the first clue was that they pronounced it ‘Semper FEE.'”

This week, Jericho is invaded by…fake Marines! Hey, thank God Johnston used to be a Marine himself, so he can spot their chicanery…!

Okay, I’m just kidding. This was actually mostly…not entirely (more on that at the end of this blog), but mostly a solid episode. When a bunch of guys and gals in USMC uniforms show up at your town hall driving tanks, why would you question that they’re who they say they are? I mean, especially if you’re getting as close to the end of your rope as these townsfolk are. It might’ve been nice if they could’ve stretched it out for more than an episode – it all seemed to move a little too fast, particularly the love connection between Jake and a sweet young Marine named Maggie – but it was an effectively dramatic episode.

The episode scores bonus points for having not one but two laugh-out-loud lines:

1) Mary Bailey gets up in arms when Maggie the Marine comes looking to borrow a transistor from the bar’s jukebox, but Maggie responds, “You’ve got three Spin Doctors CDs in that thing. I’d be doing a public service.”

2) Later, when in a deeply flirtatious discussion with Jake, she sagely observes, “You’ve really got this brooding bad boy thing down, don’t you?”

Mayor Anderson, ever the gloryhound, makes a point of trying to suck up to the Marines…only to be sorely disappointed when he discovers that they aren’t planning to leap to Jericho’s aid. (He also demonstrates that he can’t hold his liquor very well, sounding pretty well soused even before his mayoral predecessor makes a toast before the detachment heads out of town.) Once Jake discovers that they’re a big bunch of fakers, things fall apart in a hurry, and the USFMC are led to the city limits…in a hero’s farewell? Yeah, reasonably, it’s decided that the townsfolk probably draw more from the belief that the government is back together and working to save the country than they would from the news that they’ve been lied to. Let’s just hope that doesn’t backfire…

Hawkins spends the entire episode battling back and forth with his former partner, Sarah, who is keeping his family at gunpoint until he hands over the mysterious package he’s been holding on to…which turns out to be the missing atomic bomb that Hawkins never set off. Possibly not coincidentally, it was intended for the city which the faux Marines claimed was now the center of the US government: Columbus, Ohio. (Are the producers of “Jericho” attempting to curry our favor by giving such importance to the city where Bullz-Eye holds most of its editorial meetings…?) Although it takes too long to finally come to fruition, by the end of the hour, Sarah’s dead and Hawkins’ family is safe…but his wife’s finally had enough; as she departs with the kids, you can tell by Hawkins’ daughter’s tone that she doesn’t expect to see her dad again anytime soon. Things end on an uncertain note: is Hawkins secretly working for the same people that Sarah was answering to…?

In closing, it’s now official: Stanley and Mimi are EXCRUCIATING as a couple! When they were sniping at each other in the early episodes, that was entertaining…but the hackneyed lines they’re spouting nowadays are only getting worse. Seriously, it’s so bad this week that I feel obliged to quote them directly:

Stanley: Not now, Mimi!
Mimi: Like Hell not now, cornhusker!
Stanley: Cornhuskers are from Nebraska; I’m a jayhawk.
Mimi: Mimi: You drive me so crazy, and you know that I can’t stay here forever, but the truth is…I can’t live without you, either.
Stanley: Really?
Mimi: Yes, really!

Cue the music, the big kiss…and the impending waves of nausea. Thank God this subplot was the only piece of crap in an otherwise exemplary episode. I’m not a guy to wish harm even on fictional characters, but, geez, one of those two really needs to buy it sooner than later…and given that the preview for the next episode (arriving in two weeks) indicates that one of the main characters dies, I might just get my wish.

Comedy Central: The Web Shows

Seriously, what’s up with Comedy Central constantly going after the lowest common denominator…?

The network is furthering their original broadband programming market by premiering two new series: “Baxter and McGuire” and “Good God.” I don’t think I really need to tell you anything about the former except that it’s an animated show and its title characters are a pair of testicles.

As far as the latter, it’s a live-action series that takes place in the offices of God; there’s a really funny premise there, but its failing comes from being such a slavish attempt at ripping “The Office.” (It also doesn’t help that the first episode is literally potty humor, revolving around the question of whether or not God took a stinky dump in the office bathroom.)

There are, thankfully, others segments in the network’s web repetoire that are worth making note of. “I Love The ’30s” is a spot-on parody of the various decade-spotlighting series on VH-1; its creators also offer “All Access: The Middle Ages,” which is pretty funny as well. “Golden Age,” however, is full-on genius. It’s an animated mockumentary series about what happened to various animated commercial icons after their careers went downhill; the first episode involves a cereal spokesperson (think Sonny the Cuckoo Bird) who goes insane, kills three children in his rampage to get his favorite cereal, and is now living a quiet life in a sanitarium. “Guacamole” has its moments, with dialogue ostensibly coming from various food items, like a cabbage, a can of soup, and, yes, a container of guacamole. The only thing worth recommending about the surreal “Tiny Hands,” however, is that David Cross appears in its first episode.

Check out ComedyCentral.com for a list of all the web shows at your disposal, but, trust me, start with “Golden Age.”

Why exactly is Rob Zombie re-making “Halloween”…

…when he seems intent on removing so many of the things that made John Carpenter’s “Halloween” such a definitive horror film?

In a recent interview with MTV, Zombie indicates that “I have free reign to do whatever” with the flick, admitting that he loves the original movie but wants to expand on it. Unfortunately, in this expansion, he’s removing Michael Myers’ ability to drive…which means sayonara to Myers is in the station wagon…and he’s not of a mind to use Carpenter’s theme song in any capacity. What…? That’s like remaking “The Good, The Bad, and The Ugly” but ignoring Ennio Morricone’s score. He’s also going with a different Myers house, rewriting the character of Dr. Loomis to a considerable degree, and, basically, removing everything but the character names, the very general premise, and the fact that it takes place on Halloween.

And, yet, I can’t ignore the sheer coolness of having Malcolm McDowell playing Dr. Loomis…

…so I remain curious enough to consider checking out the flick.

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