Author: Will Harris (Page 174 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

TCA Press Tour: How I Met The Best Sitcom You’re Not Watching

So why did the informal panel for “How I Met Your Mother” involve only one member of the cast? Not that we’re complaining, you understand – if you’re gonna have one member, it might as well be Neil Patrick Harris – but, y’know, the absence of Cobie Smulders, Josh Radnor, Jason Segel, and Alyson Hannigan was certainly an obvious one…so obvious, in fact, that co-creator Carter Bays didn’t even wait for anyone to mention it.

“You probably read it in the paper,” said Bays. “It was just creative differences. The other four…we’ll figure it out. We’ll write around it.”

(Actually, Smulders was in London, doing Shakespeare, while Hannigan showed up later in the evening at CBS’s all-star party; no word on where Segel or Radnor were, but the former was probably working on the movie “Forgetting Sarah Marshall,” which he wrote and stars in. As to the latter, I got nothing.)

I know I wasn’t the only critic in the house to be completely psyched about this panel, and, certainly, Harris, Bays, and Bays’ fellow co-creator, Craig Thomas, left everyone laughing.

* Earlier in the morning, Nina Tassler indicated that the show would finally, finally begin to get around to answering the question as to who the mother of Ted’s kids is, but one of the other reporters asked what all us were more or less thinking: “How much can you hint around before it starts to get annoying?”

“That’s the question we hope to answer,” said Thomas. “In episode one (of the third season), we’re going to see…basically, it’s going to be the biggest connection to the sort of larger search for the mother; episode one will show that we have not forgotten the title of our show, in a very exciting way.”

Bays also confirmed that, much as longtime fans have theorized, there have indeed been hints in previous episodes which will, in retrospect, become notably important. “Yeah, the thing that we love to do…sometimes, we plant things intentionally. Sometimes, little things grow out of…we’ll write one joke in season one, and that will turn into a entire episode in season three. So yeah, I think everything’s up for grabs. It’s in there.”

* The fantastic mall episode – which brought us the wickedly insidious Robin Sparkles song, “Let’s Go To The Mall” – was written by Kourtney Kang. The reason for Robin being Canadian occurred organically – Smulders is from Canada as well – but the writers have had to start taking it easy on the jokes about our neighbors up North. “It’s such filthy luctre for writers,” says Bays. “At first, it was just like, ‘We’ll just throw in a joke about how she’s Canadian,’ and we just couldn’t stop ourselves. And in every episode, we’re just making fun of it.”

Craig Thomas clarified the situation a bit more. “We approached Cobie and we said, ‘We’re going to make Robin Canadian. We’re going to do some comedy about that, but it’s going to be really smart. It’s going to be, like, our smart way of, like, showing the absurdity of American culture.’ And we didn’t do that even one time. We just completely sold her out immediately.”

Continue reading »

TCA Press Tour: “Cane” raises the bar on quality drama?

Would you accept an answer of “probably”? I haven’t seen the show yet – the CBS pilots arrived not long before I left for L.A., so I wasn’t able to check ’em all out – but based on the star power of the series (Jimmy Smits, Hector Elizondo, Rita Moreno, and Nestor Carbonell) and the feel of the material shown in the preview clip, it sure seems like it’ll be great.

“Cane” is the creation of executive producer Cynthia Cidre, who’s more or less writing from experience. “I’m Cuban, I have done two pilots for them previously, (and) I’ve done Cuban shows before,” she explains, “and (Nina Tassler) said, ‘You should write about what you know.’ And my father was in the sugar business in Cuba; he was a sugar chemist.”

As far as the pulling-together of such an impressive cast, producer Jonathan Prince explains it away with one simple phrase: “If you write it, they will come.”

“Cynthia wrote a beautiful pilot,” said Prince, “and the commitment from CBS to give it the production value it needed, we kept saying we really want to do something big and epic and felt like it wanted to get bigger each week. So the first cast member to come on board was Jimmy. And Jimmy came on board early enough that he could help us shape the vision and the script, and so then a good script got greater. And suddenly, I guess — the most fun about the casting process is this: Who will be Jimmy Smits’ wife? Who will be his adoptive parents? And as you begin to look at lists, you guys know how it works. Some casting director gives you a bunch of lists, and suddenly the list is Hector Elizondo. You say, ‘Well, he would never do this. He would do this show? Oh.’ Or Rita Moreno. ‘Rita Moreno wouldn’t do this show. She would do this show? Oh, sure.’ And then you get surprises. We had never met Paola. We had never met Lina. We knew Nestor’s work. I’d never met Eddie. He came in and auditioned on a weekend one day. It’s not the way it sounds. He was charming and blew us away. I’d never met Michael. So some of them were complete surprises. Others, Cynthia and I kept — we would go home at night, thinking, ‘We got Hector.’ It was crazy. But Jimmy led the way by, I think, example, but also helping us create a better script for these roles. One of the people who is not up here today is Polly Walker, who is a British actress. If you watched the show ‘Rome,’ you would know who she is. She plays — it’s a small part in the pilot, (but) it’s a very large part in the series. She plays a woman who is having an affair with Nestor’s character. She plays the nemesis. She plays Ken Howard’s daughter. When she signed on, it was sort of like — it was icing on the matza. It was like, ‘This is crazy.’ So the cast got better.”

Continue reading »

Random Fox revelations

The beginning of Fox’s two days at the TCA began with a Q&A session with Peter Ligouri, network chairman, and Kevin Reilly, the network’s new entertainment president, having just joined the network from NBC. (Well, technically, it began with a breakfast sponsored by “Hell’s Kitchen.”) The morning was a mixture of revelations from the pair coupled with a plethora of press releases which we found on our chairs when we arrived for the panel, so here’s a blend from the two sources:

* “So You Think You Can Dance” has already been renewed for a fourth season, to air in 2008; same deal with “Hell’s Kitchen.”

* Like its parallel-network counterpart, “The Singing Bee,” Fox’s very own missing-lyrics game show – “Don’t Forget the Lyrics!” – has been renewed for an additional 13 episodes.

* “COPS” will hit its 700th episode on Nov. 10th, during what will be its 20th season. (Man, I’m old. I still remember when it premiered!)

* “24” will have a female president this year, played by Tony Award-winning actress Cherry Jones. “Decisions are consistently made on ’24’ to reinvigorate the franchise,” says Ligouri, but he doesn’t want to give away any storylines to explain how a woman in the White House will change things. Also, the show will be trying to be as environmentally-friendly as possible, to the point where, if all things go as planned, the entire season finale will be, as the kids say, “carbon neutral.”

* Guest voices on “The Simpsons” this year will include Jon Stewart, Jack Black, Lionel Richie, Stephen Colbert, Steve Buscemi, Maya Rudolph, Dan Rather, Placido Domingo, Matt Dillon, Kelsey Grammer and David Hyde Pierce (Bob and Cecil Terwilliger, together again!), John Mahoney (as their dad!), Kurt Loder, “Weird Al” Yankovic, Keith Olbermann, Beverly D’Angelo (can it be possible that she’ll return as Lurlene Lumpkin?), and Topher Grace. Also appearing in the Jack Black episode will be…wait for it, comic geeks…Alan Moore, Art Spiegelman, and Dan Clowes.

* What happened to “Drive,” with its final two episodes being postponed twice and finally ending up solely for online viewing? “It will always be a complicated issue with serialized shows,” says Ligouri. “I do hope that, with all the broadband out there, loyalists will still get to see it, but if you’re going to dive into serialized shows, you have to realize that, somehow, you need to bring them some closure. It may not always be on broadcast with lot of marketing, but when shows have a narrow group of loyalists, you try to somehow satisfy them.” Gosh, what an utterly unsatisfying answer! It still doesn’t explain why those last two episodes got bumped altogether.

* MADtv” adds three new members to its ensemble: Johnny Sanchez III, Anjelah N. Johnson, and Dan Oster.

* Ligouri doesn’t think “Back to You” or any sitcom should be referred to as the savior of the traditional multi-camera comedy; Fox put it on the air because it’s funny, not because they were trying to bring back a particular comedic format.

* A controversial scene within the pilot for “The Sarah Connor Chronicles,” which involved a school shooting, was filmed prior to the horrific events at Virginia Tech and will be excised from the show before it airs.

* An episode of “House” will air immediately after the Super Bowl.

* On the accusations of “24” sucking really, really hard last year, Ligouri had about as little of substance to offer on that topic as he did on “Drive.” “Frankly, especially on ’24,’ that happens at the end and beginning of every season,” he claimed. “The show resets its table every year. They pick apart the weaknesses in their show; they don’t say that their show is perfect.” Ligouri doesn’t feel that it will require wholesale changes from the writers and producers to repair last year’s problems. “They’ve put on their game face, they know they have a bar to jump over, but those guys are very competitive and it fuels their creativity.”

* “Prison Break” may or may not have a break during its 22-episode run this season. It seems to be a time-will-tell situation…but, at the moment, the plan is for a break.

Best moment from the TCA Awards…?

When David Chase took the stage to accept the Television Critics’ Association Heritage Award for the cumulative run of “The Sopranos,” he said that he’d considered making a comment about the meaning of the finale of the series, then decided against it, but he did offer a very telling anecdote about the first time he ever saw “Planet of the Apes.”

“When the movie was over, I said to my wife, ‘Wow, so they had a Statue of Liberty, too!’ So, uh, that’s what you’re up against.”

Other Chase one-liners from the evening:

* “Here’s another clue for you all: the walrus was Paulie.”
* To critic Alan Sepinall, from The Star-Ledger, in Newark: “Would you explain to these people that it’s very possible to be sitting in a restaurant in New Jersey and everything just stops?”

Chase, by the way, wasn’t the only winner tonight:

Individual Achievement in Drama: Michael C. Hall (“Dexter”)
Individual Achievement in Comedy: Alec Baldwin (“30 Rock”)
Outstanding Achievement in News and Information: “Planet Earth” (Discovery Channel)
Outstanding Achievement in Children’s Programming: “Kyle XY” (ABC Family)
Outstanding New Program: “Friday Night Lights” (NBC)
Outstanding Achievement in Movies, Miniseries and Specials: “Plant Earth” (Discovery Channel)
Outstanding Achievement in Drama: “The Sopranos” (HBO)
Outstanding Achievement in Comedy: “The Office” (NBC)
Career Achievement Award: Mary Tyler Moore
Program of the Year: “Heroes” (NBC)

To bookend this posting with “Sopranos”-related anecdotes, Alec Baldwin accepted his award for his performance on “30 Rock” by telling a story about how he actually changed management because his new managers told him that they could get him on “The Sopranos.” A year later, there’d still been no meeting with David Chase…but an encounter finally came about rather accidentally. Baldwin was in NYC, on his way to a meeting about some charity work he was going to do, and due to an error, he ended up at the Four Seasons Hotel rather than the Four Seasons Restaurant. He made a mad run from one place to the other, ending up at the restaurant drenched in sweat. Upon meeting his party, he apologized and made a dash to the men’s room, where he promptly removed his shirt and stood topless as he held the shirt in front of the hot-air dryer…and who should walk in?

Suffice it to say that Baldwin never made it onto “The Sopranos.”

(Chase’s version of the story: “All I thought was, ‘Omigod, that’s Alec Baldwin, the famous actor!’ I didn’t even notice he wasn’t wearing a shirt!”)

TCA Press Tour: A few random CBS tidbits…

…courtesy of the solo panel by CBS President of Entertainment Nina Tassler…

* “The Amazing Race” and “The New Adventures of Old Christine” will not return until mid-season.

* Tony Scott will be directing the season premiere of “Numb3rs.”

* Finally, three seasons into “How I Met Your Mother,” we will finally begin to get some hints as to who the hell “your mother” actually is.

* The season premiere of “Cold Case” will be an all-Nirvana episode, so I guess that means the case in question must take place in the early ’90s, presumably in Seattle. (Tassler hadn’t actually seen the script yet.)

* Jake, the half-man on “Two and a Half Men,” will be starting junior high.

* Writer P.K. Simonds, late of “Party of Five,” will be re-teaming with Jennifer Love Hewitt and become co-runner of “Ghost Whisperer” with John Gray; apparently, Simonds and Gray are reinvigorating the series by creating a new mythology which indicates that main characters Jim and Melinda didn’t choose the town of Grandview but, rather, vice versa. (I don’t know what this means; I don’t watch the show. I’m just spreadin’ the info.)

* There will be a “C.S.I.” / “Without A Trace” crossover this year, with William Petersen and Anthony LaPaglia appearing on each others series…and to alleviate the possibility of missing one half or the other, the episodes will air on the same night.

* On “C.S.I.: Miami,” Horatio Cane will discover that he has a biological son…and although this isn’t confirmed yet, Premium Hollywood is going out on a limb and predicting that Caine’s tip-off to his child’s identity is his red hair and stilted acting skills.

* They are in talks with Drew Carey to host “The Price Is Right,” but, then, they’re in talks with several people to host “The Price Is Right.”

* There is, at least in Tassler’s eyes, no reason to expect that “NCIS” will change dramatically in this, its first season with Don Bellisario at the helm. “It’s the natural evolution of a show that you groom your writers on your staff to take over the mantle so you can move on to develop other shows. It’s time that Don developed another show for us which is what we’re looking to do. The look of the show is not going to change, and it’s, again, a part of changes that happen on virtually — in many of the show. Personality aside, it’s time for Don to do something else for us, and the show will go on. It’s in very capable hands.”

* The network has been in talks with Rosie O’Donnell about a show. Some show. Don’t know what show. But definitely some show.

* Tassler conceded that the lengthy hiatus between the two half-seasons of “Jericho” “maybe…wasn’t good for the show.” Y’think…?

* Oh, and here’s what Tassler had to say about the whole Mandy-Patinkin-leaving-“Criminal Minds” thing: “Mandy came to us and came to me and asked to be released from the show, and we were able to accommodate that request on his part. And right now, it’s a personal issue. And, you know, I think the show is accommodating his needs. The creative on the show is very strong. The stories, as we know about the audience on ‘Criminal Minds’ — people come to that show for the ‘E ticket,’ you know, that white-knuckle ride that they’re going to get every week. And in the legacy of ‘ER’ and ‘Law &
Order,’ the show will go on. But right now, it’s personal.”

Tassberg couldn’t (or wouldn’t) provide any insight as to why Patinkin chose to make his departure from the second CBS series of his career. “I can only hope in the very near future that Mandy himself will be able to answer those very questions. I do not mean to sound like I’m avoiding the question. It is a personal issue. I wish I could say more. I just — I don’t feel that this is the forum in which I’d like to have that conversation.”

What about the fact that the CBS press release said it was “creative differences,” not “personal issues”?

“Well, I think ‘creative differences’ is a euphemism for ‘personal issues,'” said Tassberg…and then winked!

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑