Author: Will Harris (Page 140 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

“The Daily Show” and “The Colbert Report” are back!

I love Jon Stewart…and have since the days of “Short Attention Span Theater” on Comedy Central, in fact…but, frankly, I’m more interested in watching Colbert. Mind you, I’ve heard reports that he’s got it out for us here at Premium Hollywood, but I don’t know, it’s probably nothing more than a vicious rumor.

BTW, if you click on the pic, you can head over to the site where you can put yourself, your friends, and anything you might despise “on notice,” but what’s interesting is that I found out about it via James Urbaniak’s blog, a man you may know better as the voice of Dr. Venture on “The Venture Brothers.” The link came within the context of Urbaniak’s link to the blog of “Venture” creator Jackson Publick, who publicly vented about how Colbert – who’d previously voiced Professor Impossible on the show – would not be reprising his role, news which Publick received in an E-mail which stated, “”Stephen has neither the time nor the interest in participating in your project.”

Ouch.

What do you wanna bet that Colbert responds to this sooner than later? Somehow, I get the feeling that the request never got anywhere near Colbert, and when he finds out, he’s gonna be pissed. and the guy who sent that E-mail is never gonna hear the end of it…if, in fact, he isn’t fired outright.

Not that I don’t continue to fight for the survival of “Journeyman”…

…but as long as there aren’t any new episodes of the show floating around out there, anyway, I have to say that I’m really psyched for the new season of “Medium,” which premieres tonight at 10 PM on NBC, in the slot that once housed our current favorite time-travel drama.

I’ve long been on record as admitting that, for as much as I’ve loved each of the three seasons of “Medium” that have been released on DVD – and for the obligatory plug, you can find those here, here, and here – but I’ve never followed the show from week to week. I don’t even really have a good excuse for it; it’s just one of those cases where either it was up against a show I was already addicted to or, more likely, I just plain forgot when it was on. (So sue me: I’ve got a two-year-old, and my concentration ain’t what it used to be.) But after thrilling to Season 3, which ended by changing the dynamic of the series that felt realistic rather than an attempt at bringing in new viewers, I can honestly say that even if there wasn’t a writer’s strike and even if I wasn’t starved for new scripted programming, I’d still be tuning in to Season 4 of “Medium.”

Quick catch-up: Alison DuBois (Patricia Arquette) is a happily married mother of three little girls who went to school to study law before real life got in the way, so now she works part-time for the District Attorney of Phoenix, Arizona, and…oh, right, she has dreams and visions where she communicates with the dead – or vice versa, as the case may be – and uses the information she receives to solve crimes. Yeah, yeah, I know, it sounds like the makings of a show that’d be front and center on the Lifetime network…and the fact that the show’s reruns actually air on Lifetime makes it hard to disagree with that suggestion. But in addition to “Medium” containing one of the most realistic television marriages ever (thanks to the great chemistry between Arquette and her TV husband, Jake Weber) and some of the better child actors in recent memory (particularly Sofia Vassilieva as the teenaged Ariel), the show is also home to some of the creepiest shit this side of a Stephen King novel.

When Season 3 ended, the DuBois family was dealing with some serious issues. Alison’s abilities, which had always been kept under wraps by D.A. Manuel Devalos (Miguel Sandoval), were revealed by a very skeptical journalist – a deliciously sleazy turn from Neve Campbell – and resulted in Devalos being “given” a leave of absence and Alison being let go from the department and becoming persona non grata to everyone with whom she’d previously worked, including Detective Lee Scanlon (David Cubitt). And as if that didn’t shrinking the family income enough, Joe (Weber) ended up losing his job following a work-related hostage incident, due to corporate insurance concerns about his psychological well-being and his wife’s newfound reputation as a crackpot.

So now what?

Enter Anjelica Huston. Still having visions and dreams but unable to do anything with the information she’s receiving about a little boy who’s been kidnapped, Alison contacts Ameritips, an organization that’s been trying to solve the case, and meets with Cynthia Keener (Huston), an investigator with the group. Keener is decidedly skeptical when Alison explains how she came about her information, but she suggests that Keener Google her, and – no surprise – she soon gets a callback. Keener is still skeptical, but she’s willing to take Alison’s information with a grain of salt. The eventual result is a new, if uneasy, alliance between the two…and, more importantly, a paycheck coming into the Dubois’ bank account.

A word of warning: there’s a shot in tonight’s episode that is so downright disconcerting that it actually took my breath away for a second. It’s not really a spoiler to suggest that it involves the kidnapped boy, since it’s a longstanding tradition with “Medium” that Alison’s visions don’t always come to pass, but I’ll just say that if you’re a parent and you’ve ever even briefly allowed yourself to fear what could happen in that moment when you realize you don’t know where your kid’s run off to, it’ll make your blood run cold.

I’ve also seen next week’s episode, and while I’ll save most of my observations about that for next Monday, I will say that it’s also really good and, as with the upcoming new season of “Jericho,” I can’t help but think that the writer’s strike might actually pay off for “Medium.” People want new stuff to watch, they’re willing to consider shows that they might not ordinarily watch, and based on what I’m seeing so far, “Medium” – like fellow NBC show “Law & Order” – is starting so damned strong with its new episodes that it might just find a resurgence in popularity that it hasn’t seen in quite some time.

A quick comment about the next two Friday nights

Y’know, it’s a good thing I checked out those two episodes of “Gossip Girl” before I checked out the next two episodes of “Friday Night Lights.” If I’d seen the latter first, I’d’ve probably used the former as a point of comparison for how impossible it is for the average kid to relate to most characters on TV; the latter, however, is about as real as any show this side of…well, actually, I don’t even have a ready point of comparison. That’s how realistic they feel to me…though I’m willing to concede that maybe it’s just the handheld camerawork that makes it feel more real. (At the very least, it gives the show a look that’s unique to most anything else on the air at the moment.)

My opinion on “FNL” can’t be trusted as much as our dedicated blogger, Mr. John Paulsen, who’s been in the show’s camp from the beginning, but I’ll just say that these two episodes – tonight’s and next week’s – made for great viewing, with both the teen and adult storylines unfolding in a manner that was consistently enthralling, both in the dramatic and the comedic sides of things. The teen characters have the kind of problems that adults will remember from their own youth, such as a girl trying to accept that the best person for her isn’t necessarily the school matinee idol, and the adult issues – like, for instance, Coach Taylor (Kyle Chandler) and his wife, Tami (Connie Britton), dealing with her sister’s refusal to realize that she’s being a nuisance of a houseguest – are pretty damned familiar, too. And damned if it isn’t true what people have been telling me all along: there’s precious little football in “Friday Night Lights.” And when there finally is a big game, which happens in next week’s episode, it brings with it one of those great “oh, shit!” moments that you don’t need to be a sports fan to appreciate.

Hmmm…looks like Season 1 of the show is only $18.99 over at Amazon. Maybe it’s time to finally take the plunge and get the full experience of what everyone’s been telling me is one of the best shows on TV…?

Who needs writers when you’ve got a beard?

If that’s not officially the new slogan of “The Late Show with David Letterman,” it might as well be, since it’s Dave’s facial hair that’s gotten more mention in the press than the actual content of his first few shows.

I’m always gonna pick Letterman over Leno, given that the former was directly responsible for a young high school student in Chesapeake, VA, to finally learn that you can be perceived as a lot funnier if you choose your moments, so I’m not going to be able to speak to how well Leno’s doing in his post-strike return. (I do, however, think he’s stirred up a hornet’s nest with this whole issue of whether or not he’s able to just whip himself up a monologue, given that he’s a WGA member.) I can, however, say that it’s good to have Letterman back…even if he is just doing the same old show he was doing before the strike started.

You gotta give the guy credit, though: he walked onto the stage amidst a crowd of leggy dancing girls holding “Writers Guide of America On Strike” signs, thereby announcing that, yes, he’s still fighting the fight for the WGA. Later in the show, however, he scored a far more specific hit by bringing on “Late Show” strike captain Bill Scheft on to interrupt a punchline about a pair of electric underpants.

“Unfortunately, we’re not going to be able to show you the conclusion of this joke. Why? Well, it’s to remind you that, even though the ‘Late Show’ writers are back at work, the WGA strike still goes on. Thousands of writers still walk the picket line every day until their legs cramp and their backs ache, only to return to a home they can now barely afford because of the producers’ greed. So to the arrogant media moguls who’ve gotten so fat over our sweat-soaked toil that they can no longer fit behind their oversized mahogany desk, I say to you, ‘Stop spending all your money on cufflinks, cocktails, and whores! Stick a crowbar in your wallet and start bargaining in good faith with the writers! Maybe then America won’t be denied the joy of seeing David Letterman hold up a pair of flaming underpants!”

God love Letterman, that’s what I say.

Another timely highlight was the top-10 list from the return episode, where Dave brought out writers from various other shows – “Law & Order: Criminal Intent,” “Late Night with Conan O’Brien,” and “The Daily Show with Jon Stewart,” to name but three – and had them offer up their top 10 demands. What was #1…? “Producers must immediately remove their heads from their asses.” Sounds fair to me.

As far as his guests go, Robin Williams is always a safe bet when a host wants to ease his way back into actually performing hosting duties – that’s what happens when you book a force of nature – but despite being as hyperactive as usual, Williams got off a lot of great jokes about Letterman’s beard, including greeting him as “General Lee.” Last night, however, Letterman had the best self-deprecating joke about his facial hair, referencing his former gig as Uncle Jesse on “The Dukes of Hazzard,” with an announcer intoning the immortal question, “Cooter, got yer ears on?” Last night also found the more entertaining first guest of Bill Maher, along with a later appearance from “Juno” star Ellen Page; musically speaking, though, I think I actually preferred the first night’s performance by Lupe Fiasco and Matt Santos rather than the song from “Young Frankenstein” we were favored with last night.

Oh, but who cares? All that really matters is that Letterman’s back. It might not solve the prime-time drought we’re suffering through, but at least we can count on new laughs at 11:30 PM, anyway.

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