Author: Will Harris (Page 138 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

That Elaine Hendrix is so darned nice…

Given how busy the holidays were, you may or may not have even noticed when I posted a review of “The Munsters’ Scary Little Christmas,” but if you did, you might recall that I allotted a fair amount of the text to assuring people that the short skirts worn by Marilyn Munster – played by Elaine Hendrix, seen to your left – were just about enough reason to check out the film, even though it didn’t feature any of the original cast.

At the time, I dropped Ms. Hendrix an E-mail, asking if she could offer any reminiscences from her experience on the flick, but I didn’t hear anything and, well, I didn’t lose any sleep over it. Again, holidays are busy, people get caught up in their own goings-on, not a big deal.

Last night, however, I got a very belated but also very apologetic response from Elaine:

Oh, darn it, Will. I get these e-mails so late, and it doesn’t look like my assistant responded. I would have loved to give you some info on it. Please keep (my publicist) in the loop, and we’ll do the same with you for upcoming projects. I hope you were kind to “Marilyn” in the review. 🙂

It was a great project for 3 reasons –

1. Befriending Ann Magnuson
2. Shooting in Australia
3. Working on yet another cult classic franchise.

Thank you! Hope all is well.

Happy new year,

Elaine

Maybe my standards are slipping because of the writer’s strike…

…but I watched the premiere episode of “Gone Country” and got pulled in. And we’re talking the “hook, line, and sinker” kind of “pulled in,” the kind that has you popped into the control panel on your TiVo to set up a season pass.

Actually, I guess it’s not that surprising. When it comes right down to it, I tend to be a sucker for any show which features celebrities in a significant capacity, as long as it meets three caveats:

1. The premise has to be an interesting one.
2. The execution of the premise has to be done with a certain amount of humor.
3. I have to actually give a flying flip about the show’s celebrities.

“Gone Country ” meets all three criteria handily. The show takes six disparate musical artists, sticks them in a house together, and has them all go through a rigorous reinvention into the country lifestyle, culminating with one of them getting to release a country single produced by host John Rich (of Big & Rich fame). It’s an idea which – based on the first episode, at least – seems set to pay off far more handsomely than, say, MTV’s craptastic “Celebrity Rap Superstars.” But, then, this series comes from the same people who brought you “The Surreal Life” (like you didn’t already notice some similarities between that show and this one), so it’s already got a considerable leg up.

The artists who’ve signed up for this endeavor are Julio Iglesias, Jr., Carnie Wilson (of Wilson Phillips fame), Diana DeGarmo (“American Idol”), Maureen McCormick (known predominantly for playing Marcia on “The Brady Bunch”), Sis’Qo (who isn’t just about “The Thong Song,” goddammit), Dee Snider (of Twisted Sister), and…wait for it…Bobby Brown. And believe me, the rest of the cast is just as shocked to see Bobby arrive as you were to read his name, but mark my words: no matter how he places in the competition, he’ll come out of this show smelling a damned sight sweeter than Whitney Houston. Savvy move, sir. Very savvy, indeed.

I really don’t know anything about John Rich, but when I saw him arrive at his home – known as the Plowboy Mansion – by helicopter, then to see him disembark from the vehicle whilst wearing a pimp-daddy fur coat, I thought, “Jesus H. Christmas, this guy has got to be a complete asshole.” But, no, he turned out to be a downright sweet guy, talking up the contestants, making them feel comfortable about being in the competition and cheering them on…even despite Dee Snider saying outright that he hates country music. (Rich’s after-the-fact reaction: “I thought, ‘Are you an idiot?'”)

On first assessment, I’m leaning toward thinking that Dee could take this competition, if only because he could be spotting strolling around the place, strumming his guitar and singing country-inspired songs about mundane things like finding the coffee. (The man’s a hardcore caffeine addict, by the way.) I know, it seems like Diana would be a lock, since she’s already proven on “AI” that she can bounce from genre to genre when the need arises, but, still, she’s right up with Maureen for having the least experience as a professional singer. Speaking of Maureen, Dee suggests at one point that she might need to be medicated, and you can see why; she’s enthusiastic to a fault, raving about everything from the snacks to the bedsheets, and bursts into tears from sheer happiness at one point. But she quickly forms a nicotine-related bond with Bobby, resulting in a surprising friendship from the word “go.” Julio doesn’t make much of an impression, so quiet is he, which makes Carnie his polar opposite, as it often feels as though she’s uncomfortable with the concept of silence. And Sis’Qo…? Well, he’s personable enough, but he’s got a hard road ahead of him to not be “the ‘Thong Song’ dude.”

“Gone Country” is silly fun, but there’s one point toward the end where you can actually kind of empathize with the contestants. The producers have gone through and asked people on the street in Nashville their thoughts about the possibility of these various artists trying their hand at country…and they’re fucking brutal. Some of the cast try to laugh off the comments, but it’s still gotta hurt to hear someone say, “Oh, no, they’re going to be AWFUL!”

Car wreck TV? No, it’s a level above that. If you’re a music fan, there’s something interesting about the idea of watching people test their abilities, find their strengths and weaknesses, and see what they can come up with. I ain’t saying I’m gonna buy the single from whoever wins this thing, but I’ll be there to find out who takes home the glory.

Well, there’s an hour and a half of Bullz-Eye’s time saved.

It’s not like we were planning to force anyone to endure “Meet the Spartans,” anyway – I mean, even the people on staff who we don’t like shouldn’t have to be subjected any film that features the tagline “From the makers of ‘Date Movie’ and ‘Epic Movie'” – but if you really feared that you might be missing out on something good, let Brian Orndorf at DVD Review set you straight.

The most interesting piece of trivia I’ve learned in the wake of Heath Ledger’s death…

…came via an article from Daily Variety which discussed the fate of Ledger’s films, “The Dark Knight” and “The Imaginarium of Doctor Parnassus.”

Offering some historical context to the sad but often financially necessary scenario of actors dying in the middle of a production, the piece cited examples like Brandon Lee in “The Crow” and Natalie Wood in “Brainstorm,” but it went on to speak to the matter of films that were in the early stages and could still be recast. I’d heard about “Interview with a Vampire,” where River Phoenix’s role ended up being passed to Christian Slater, but I was surprised to read that the title role in “Shrek” was originally to have been voiced by…Chris Farley?

True story…as you can read about in more detail at Jim Hill’s blog, which makes it sound – not unrealistically – that Farley’s attachment was a major reason the film got greenlighted in the first place.

The plot was notably different as well, as Hill explains:

Of course, back then, “Shrek” was supposed to have had a very different storyline. It wasn’t a movie about an ogre who just wanted to be left alone in his swamp. But — rather — it was about a teenage ogre who wasn’t all that eager to go into the family business. You see, young Shrek didn’t really want to frighten people. He longed to make friends, help people. This ogre actually dreamed of becoming a knight.

Y’know, I actually like Mike Myers, but, that said, I just get this feeling that I would’ve liked the Farley version better…and if you head over to the blog and read how impressed people were with Farley’s initial sessions, you might agree with me.

Heath Ledger: dead at 28.

I’ll just write here what I wrote to the other Bullz-Eye editors when I first read that Heath Ledger had been found dead of a presumed (but not confirmed) drug overdose:

* My first thought was a general, all-purpose “omigod.”

* My second thought was, “What an idiot,” which is invariably what I think when I hear about anyone dying from a drug overdose.

* My third thought was a more specific “omigod,” namely, “Omigod, his poor little daughter…”

And, lastly, I thought, “Somewhere at Warner Brothers, some suit has already said, ‘Goddamn motherfucking Heath Ledger! Oh, wait: this’ll be probably actually be good for box office. Never mind!”

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