Author: Will Harris (Page 116 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

Family Ties: The Fourth Season

Now that Elyse and Steven Keaton (Meredith Baxter Birney and Michael Gross) have gone and had baby Andrew, there’s an instant temptation to say, “Whoops, ‘Family Ties’ has jumped the shark, time to call it a day and start dismissing the show.” As it happens, however, it’s just as easy to argue that Season 4 is where “Family Ties” really hit its stride, since it’s the year that Alex (Michael J. Fox) started dating Ellen Reed (Tracy Pollan, who would soon go on to become Mrs. Michael J. Fox) and Mallory (Justine Bateman) started dating brain-damaged biker Nick Moore (Scott Valentine). We also get guest appearances from the late River Phoenix as a 13-year-old genius who tutors Alex in non-Euclidian mathematics, Martha Plimpton as a teenage shoplifter, and Peter Scolari as a fellow architect who falls head over heels in love with Elyse. All in all, it’s another enjoyable season of the series, but “Family Ties” fanatics will likely be most thrilled to find that the set kicks off with “Family Ties Vacation,” where the Keaton family goes to London and, as Alex learns the ins and outs of Oxford, Elyse and Steven deal with a highly ridiculous plot involving their accidental possession of some spy film. Oh, yes, and somewhere in the middle of it all, Mallory falls for Alex’s roommate at Oxford. Series creator Gary David Goldberg has never been a fan of the film, but once you get used to the lack of a laugh track, it’s fun to see the Keatons out of their element.

Click to buy “Family Ties: The Fourth Season”

If you haven’t been watching “My Boys” on TBS…

…you’re missing one of the funniest sitcoms on cable.

If I’m to be honest, I have to say that I’m not really enamored of anything else within TBS’s original comedy line-up (though I’m looking forward to the DVD release of “10 Items or Less,” so I can check out more of that series), but “My Boys” is a single-camera sitcom with a solid ensemble and the kind of humor that relies less on gags and slapstick and more on the observations and conversations that come out of close friendships.

Check out this clip from the upcoming second-season finale to get an idea of what I’m talking about:

Tune in tomorrow night (Aug. 7) at 10 PM EST to see the whole episode, which serves as the show’s summer finale, and if you like what you see, be sure to scour TBS’s listings to catch more episodes, because I totally want another season of this series, and tuning in to the reruns can only help.

In how many ways can “Gossip Girl” annoy me?

I can’t even keep track any longer.

It’s been well documented here on Premium Hollywood that I’m not exactly a fan of the show, and I’ve held that position since the very beginning. Granted, I’ve only watched a couple of episodes (though I do have every intention of watching the Season 1 DVD set when it’s released), but even those were enough to see that the series provides a really awful example of teenage lifestyles in the big city…and, even worse, those lifestyles are painted as being something to emulate as often as not. But when The CW decided to use this ad campaign to trumpet the return of the series’ first new episodes after the WGA strike, it seemed evident that they had nothing but contempt for concerned parents, anyway:

I mean, really, don’t tell me there aren’t kids seeing those ads and asking, “Mommy, Daddy, what does ‘OMFG’ mean?” Personally, I’m not looking forward to coming up with an all-new acronym invention on the fly. (“Why, sweetie, aren’t you familiar with the Oddly Melancholy Fat Giant?”)

Given this contempt, it should come as no real surprise that the network has continued with this theme with their newest promotion for the upcoming Season 2 premiere, using billboards which bear phrases from the show’s reviews, including The Boston Herald’s “Every Parent’s Nightmare,” The New York Post’s “A Nasty Piece of Work,” and the Parents Television Council’s “Mind-Blowingly Inappropriate.”

Steve Johnson of The Chicago Tribune says, “Let’s trust that any real-world kid with half an upbringing understands that what goes on in this show, and in its advertisements, is a cartoon extreme, meant to entertain rather than instruct,” and I’d like to think that I’m providing my daughter with that kind of safety net. But, then, I had a great upbringing, and I still grew up being sorely disappointed that high school didn’t play out like it did on TV and in the movies. Given that “Gossip Girl” just won a slew of Teen Choice Awards, I sense that the same thing’s going to happen with today’s kids, where they’re left thinking that what they see on that show is what’s cool…or, more likely, the cool kids will try to make stuff they’ve seen on “Gossip Girl” come to life in their own schools, and the peer pressure to live up those cool kids will inevitably trickle down to the other kids.

In other words, my child may be doomed…and if she is, I’m totally blaming “Gossip Girl.” (If she isn’t, though, I’m patting myself and my wife on the back for being good parents.)

Won Ton Ton: The Dog Who Saved Hollywood

If you’re a movie buff, you probably smiled when you saw the elbow-in-the-ribs joke of this film’s title, but to illuminate those who don’t know their Hollywood trivia, it’s been said that the success of “Where the North Begins,” which provided a similarly-named canine star (Rin Tin Tin) with his first starring role, was responsible for keeping Warner Brothers from going bankrupt. “Won Ton Ton: The Dog Saved Hollywood” takes that approximate concept – a dog becoming a bigger star than most human actors – and adds to the plot a would-be actress (Madeline Kahn) who’s the only person to whom Won Ton Ton will listen. Bruce Dern plays the aspiring director whose career takes off thanks to the dog, Art Carney is the studio head, and Ron Leibman gets a lot of laughs out of his role as Rudy Montague, a very thinly-veiled version of Rudolph Valentino, but the real fun of the flick comes from the number of old-Hollywood stars who make cameos. Indeed, “Won Ton Ton” might actually beat “It’s A Mad, Mad, Mad, Mad World” for the number of guest stars, though it’s a little sad to realize that, in 2008, only real cinemaphiles will appreciate how cool it is to see a cast which includes…wait, let me take a deep breath…Johnny Weismuller, Victor Mature, Rudy Vallee, Walter Pidgeon, Ann Miller, Ann Rutherford, Peter Lawford, the Ritz Brothers, Andy Devine, Alice Faye, Dennis Day, Broderick Crawford, Cyd Charisse, Fernando Lamas, Sterling Holloway, Dorothy Lamour, William Demarest, Jackie Coogan, Phil Silvers, George Jessel, Edgar Bergen, and even Stepin Fetchit. “Won Ton Ton: The Dog Who Saved Hollywood” isn’t a true classic of the ’70s, but when it comes to films which provide opportunities to say, “Hey, look, that’s (INSERT ACTOR HERE),” it’s in a league of its own.

Click to buy “Won Ton Ton: The Dog Who Saved Hollywood”

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