Author: Jason Zingale (Page 98 of 154)

Yo soy Pablo Escobar

With the beginning of season four only two weeks away, the idea of this particular story arc ending with a cliffhanger felt a bit out of place, and so I was glad to see that tonight’s episode ended on a rather positive note instead. Sure, you could say that the latest revelation of the ongoing “Medellin” debacle was a bit surprising, but Vince and the guys certainly made the best of it.

More cut and dry than most episodes, tonight’s “Entourage” dealt with only two plotlines: Vince and Eric securing a financier for “Medellin,” and Drama and Turtle shopping for a new apartment. The latter found Drama out on the town looking for a new place to stay, and while he initially planned to move somewhere cheap, as soon as he views a beautiful condominium by accident, everything else pales in comparison. The Beverly Hills condo is going for $1.4 million, and thus way out of his budget, but that doesn’t stop Drama from buying the damn thing. Prepared to bargain with realtor, he ultimately agrees to pay $100k more than the asking price. Here’s hoping his series gets picked up, or he’ll be back on the streets like the old days.

Unfortunately, while Drama’s side quests are always entertaining (look no further than last week’s run-in with Brett Ratner), tonight’s subplot only seemed to get in way of the more important of the two plots: “Medellin.” It seems Nicky Rubenstein has finally earned access to his trust fund, and his first order of business is to sign on as the film’s financier. Unable to afford the previously budgeted $60 million, Nicky agrees to $25 million, meaning Vince and Eric need to find a director who knows how to stretch a budget. Good thing they know Billy Walsh. The only problem is Walsh is now working as an adult film director (under the alias Wally Balls), apparently because he got sick and tired of studio intervention, but the sheer mention of Pablo Escobar changes his mind.

Of course, he wouldn’t be Billy Walsh without his laundry list of demands (including a bigger budget and final cut), and while he initially butts heads with Nicky over the money issue, the two settle on a slightly larger number: $30 million – written in a checkbook and handed to Vince like it was a five-dollar bill. Finally, “Medellin” is going to get made, and no one can do anything to stop it. Well, unless that someone is Walsh, who apparently wants to film the entire movie in Spanish. Say what? Who does this guy think he is, Mel Gibson? Nonetheless, Vince doesn’t seem at all surprised, and he and Eric are on their way to Columbia to begin shooting right away.

Can “Medellin” go down without a hitch? Will Vince’s performance earn him an Oscar nod? Has Eric really chosen work over Sloan? Can Drama continue his good fortune? And will Turtle ever get a decent story? Hopefully, we’ll get the answer to at least one of these questions in two weeks, but I wouldn’t hold my breath.

Patience

After a particularly lackluster week, the writers of “The Shield” got back on track last night with an episode that – for all intents and purposes – set up one hell of a season finale. The cards are on the table, the bets have been placed, and now all we have to do is sit back, relax and wait to see who comes out on top.

Vic’s mission to earn a little goodwill (and behind-the-scenes help) before going in front of the appeals board next week crashed and burned when the city controller who he protected a few weeks back (by failing to disclose the real reason behind his daughter’s murder) came up short on his end of the deal. Knowing full well that Claudette’s lack of pity certainly isn’t helping the case, Vic makes the threat of the century by informing her that not only will he solve the San Marcos murders, but that after he does, she won’t have any other choice but to keep him onboard. So what does he do? He solves the freaking case. Thanks to yet another tip from Aceveda’s city planning friend, Cruz, the Strike Team pick up one of the suspects, but Vic and Hiatt butt heads on how to deal with him. Way to burn yet another bridge, Vic.

When they finally convince the slicer-and-dicer to give up his pals, Vic goes over Hiatt’s head and swoops them up, stashing them away in a freight container before anyone else can find them. Vic then makes good with the Mexicans by handing over two of three El Salvadorians, and a tip that the third will be out of prison in 18 months. Unfortunately, Claudette couldn’t care less, and despite Vic closing the San Marcos case (or at least clearing all those red names from the board), she informs him that he’s still on his way out. Aceveda wouldn’t have it any other way, but his friend Cruz feels differently. Despite his obvious connection to the murders, he thinks Farmington needs as many good cops as possible, and in order to keep Vic on the force, he gives him the one thing that will secure his future: the infamous cell phone picture of Aceveda’s rape.

Shane, on the other hand, is busy making friends with the Armenian mob. Well, at least one of them anyways, and now that he’s become Diro’s right-hand man, it’s only a matter of time before the two of them hook up. Along with schooling her on the ins-and-outs of the mob life, Shane uses his position as a cop to take down Diro’s biggest threat: the man responsible for killing that gas station attendant a few weeks back. With him out of the picture, Diro can seemingly rule as the new boss, but Vic’s keeping an eye on Shane’s back-alley deals, because the last thing he needs is more trouble knocking on his door.

Unfortunately, it looks like he’s about to get some, and real soon too. While trying to convince Diro to keep him in on the game, Shane drops Vic’s name as the one responsible for taking down the Armenian money train. Of course, he manages to expunge himself from the heist, using his failure to cooperate as the reason why Vic has attached a target to his back. Nice move, Shane. Too bad it’s going to bite you in the ass when it’s revealed that you were involved. Well, I guess we can all mark that up as one less trigger Vic is going to have to pull when all is said and done.

And finally, how could anyone talk about last night’s episode without at least a mention of the ongoing feud between Dutch and Billings. Clearly pissed off that Dutch has played the quick-meal vending machine card a little often over the last few weeks, Billings decides to get his own form of revenge. Using Hiatt’s possible relationship with Tina to fire back, Billings follows the pair back to Tina’s place and sends Dutch a text message (using Tina’s phone, which he stole back at the Barn) inviting him over. Minutes later, Dutch arrives with a bottle of wine in hand, but when he hears sex sounds coming from the house, he goes around to investigate. Through the window he spies Tina and Hiatt going at in the nude (and on a chair, no less), and is then caught in the act by Hiatt himself. Let’s no forget that Billings managed to drop a hint to Hiatt earlier in the episode about Dutch’s obsession with Tina, so it’ll be curious to see what comes of that next week. Will Hiatt confront Dutch, and will Dutch find out that it was Billings all along? Let’s hope so, because a battle has been brewing between those two ever since Billings was first named Captain.

Animation Station: Volume One

Please welcome the latest column to the Premium Hollywood family: Animation Station, where you can read about some of the latest anime titles currently in stores. I don’t presume to be an expert in the field of Japanese animation, but I do respect the medium and agree that it has a place in the industry. So enjoy my commentary and reviews, and feel free to post your questions and comments below.

Burst Angel: The Complete Series

“Burst Angel” represents everything you could ever want in an anime: action, comedy, CG mech battles and, of course, big-breasted women packing semi-automatic weapons. The only thing it lacks is a story, so, yes, it doesn’t have everything, but that should be the least of your worries when watching a series that clearly chooses style over substance. The series takes place in a future Tokyo where the carrying of firearms is perfectly legal (as is firing it in public), but despite the inception of a new task force meant to keep crime levels at an all time low, the streets have become crowded with man-made monsters and machines. In response to the impending threat of annihilation, four women have joined together to fight evil. The summary may sound a bit generic, or at least a lot like “Bubblegum Crisis” (and it is), but that doesn’t make “Burst Angel” any less entertaining. Fans of sci-fi action animes will definitely enjoy the show, while the provided eye-candy doesn’t hurt either. The six-disc box set collecting the entire series is also one of the best sets Funimation has put out in a while and includes all 24 episodes, six guidebooks featuring character profiles, interviews and production art, as well as extras like director commentary, outtakes and more.

Tsubasa: Vol. 1 – Gathering of Fates

No, this isn’t the Japanese version of the delicious Polish sausage, but rather the very first collaboration between all-girl manga group CLAMP and anime producers Bee Train. “Tsubasa” tells the story of Syaoran, a young archeologist in love with childhood friend Princess Sakura. When Sakura’s soul is lost and broken into feather fragments spread across the universe, Syaoran embarks on a dangerous journey (along with a group of strangers accompanying him for different reasons) to retrieve the feathers so that Sakura can be brought back to life. Best described as a mix between “Cardcaptor Sakura” and the “.hack” series, “Tsubasa” is about as generic as animes come. That isn’t necessarily a bad thing, however, as it is the perfect series to recommend to someone looking to get into Japanese animation. Things do get complicated during the course of the first five episodes, as several new characters come and go with little explanation, but the included bonus material features a character guide that serves as a clear-cut appendix to the world.

Teenage Mutant Ninja Turtles: Fast Forward

When the Teenage Mutant Ninja Turtles returned to the small screen in 2003, creators Peter Laird and Kevin Eastman reintroduced them to a new generation as the darker, grittier versions that first appeared in the original comic book series. The show lasted four seasons – developing the Turtles far more than ever before – and was concluded with a cliffhanger episode meant to be resolved in a fifth season. Instead, the continuation of the Ninja Tribunal story arc was shelved in favor of a new concept (dubbed “Fast Forward”) that found our heroes transported hundred years into the future by Cody Jones, the great grandson of Casey Jones and April O’Neil. The result is a manga-inspired Saturday morning cartoon for the ADD-generation (much like the WB’s “The Batman” series) that clearly frowns upon the complex story development that made the 2003 series such a welcome revival of the classic property. Still, while many fans have openly voiced their disapproval of the new direction the show has taken, it’s really not that bad. Sure, the episodes are more standalone than ever, and the slapstick comedy is a bit overdone, but Laird and Eastman haven’t jumped the shark just yet.

Through the looking glass

While last year’s season finale ranks among the best ever cliffhangers in television history, tonight’s two-hour finale was a little rough along the edges. That doesn’t mean that Damon Lindelof and Carlton Cuse haven’t done it again, because they have, and the proof is in the number of “holy crap” moments that took place throughout the final twenty minutes of the episode. Instead of deconstructing the entire episode, however, I’ve decided to mix things up by focusing my attention on six events that everyone will be talking about tomorrow morning.

1) Sayid, Jin and Bernard’s sneak attack on the Others

I actually thought that Ben would radio his team to warn them of a possible attack after he discovered that Juliet had betrayed him, but the attack went off without a hitch. Well, sort of. Both Sayid and Bernard hit their targets dead-on, killing five of the Others, while Jin’s aim was a little off. He did manage to kill two more with his pistol before all three survivors were captured by the remaining Others: Ryan, Tom and some random dude.

2) Locke is still alive

This was a bit of a given, since we all know that Locke plays a major part in the good vs. evil dynamic between him and Jack. Of course, I wasn’t expecting a vision of Walt to be the thing that motivates him to live on, but Locke still seems to believe that he has a purpose on the island and he’s not about to give up now. On a completely unrelated note, I totally forgot how bad of an actor that kid who plays Walt is. It’s probably a good thing that we don’t have to see him on a weekly basis anymore.

3) Charlie talks to Penny

This is definitely one of the biggest revelations of the episode. After punching in the code to disarm whatever was jamming the radio signals, Charlie receives a video transmission from Penny. Not only does she know that Desmond is on the island and alive, but she also knows that the survivors of Oceanic Flight 815 are there as well. This will no doubt lead to the arrival of the “real” rescue team later in the show’s run. (More on this later)

4) Charlie makes the ultimate sacrifice

This one hurt the most to watch. I actually believed that Charlie was going to make it out alive (especially after him and Desmond found diving equipment for the both of them), but then that damn Mikhail had to foil our hero’s plans yet again (is that guy made out of metal or what?). When he discharged a grenade from outside the station, I actually said “What the fuck?” so loud that it woke my girlfriend in the other room. Of course, Charlie could have easily saved himself by running out of the transmission area and closing the door behind, but as we’ve learned from other season finales this week, sometimes the writers would rather make a ridiculous sacrifice instead of just being reasonable. And so Charlie, one of my favorite characters, is no longer. It won’t lead me to stop watching the show (especially now that we know only three more seasons remain), but it is enough for me to hold a three-year grudge against the writers of the show. Shame on you for killing Charlie; especially when it appears it was all for nothing. Well, I guess it wasn’t for nothing. Desmond knows that Naomi’s boat isn’t the rescue team they believed it to be, but will he relay the message to Jack and the other survivors in time?

5) Hurley the hero

Gotta hand it to the guy. Dude saved Sawyer and Juliet’s lives; not to mention the other three (Jin, Sayid and Bernard), who were being prepared for execution by Tom. When he rode on to the beach in that VW van and smashed into Ryan, it left me with the biggest smile on my face. It only got better as Sayid snapped that random dude’s neck with his legs, and then Sawyer shot Tom point blank in the chest. “That’s for taking the kid off the raft.” Classic stuff, and I’m glad that Sawyer finally seems fed up with giving these assholes countless second chances.

6) Future Jack wants back

I was saving the best for last as this is most likely the “rattlesnake in the mailbox” that Lindelof and Cuse were talking about during an interview earlier in the week. Styled as a typical flashback involving Jack dealing with some serious emotional issues, he’s driven to kill himself when he finds a newspaper clipping about a death to someone he knows. It’s never mentioned who, but that’s not really the point. By the end of the flashback, Jack calls who appears to be Sarah (his ex-wife) to meet him at the airport, but when the mystery guest arrives, it’s Kate. Yeah, that Kate. It wasn’t a flashback at all, but rather a flash-forward into the future. Jack doesn’t discuss how they got off the island, but he wants to go back. He seems to think they were never supposed to leave the island in the first place (sound a little like someone else we know?), and he’s been flying every week with the hope that he’ll crash again. So, do our survivors really get off the island, or is this future meeting all just taking place in Jack’s head?

The rest of the episode had some other great moments (like Jack beating the shit out of Ben, Kate pondering pregnancy, and Locke killing Naomi with a knife to the back), but none are worthy of serious commentary. Instead, think about this: it wouldn’t be “Lost” if they didn’t actually stay lost for the remainder of the series, so even if they do finally make it off the island in the end, it’s definitely not going to happen any time soon.

Dead Horse

With only two episodes left in the season, you’d think that this week’s show would have been a little more significant to the big picture, but alas, it only served to amplify the same points that have been made throughout the course of the last few episodes. Hernan is still missing and his handler isn’t at all pleased. Claudette couldn’t care less as long as he holds up his end of the deal (that being the arrest of the San Marcos murderers), but she might have a problem soon enough, as Hernan most definitely doesn’t want to be found. Vic seems to think it’s because he’s so deep undercover, but it’s more likely that he’s simply fallen for the gang life. If that were the case, however, why would he give Vic a heads up about the automatic weapons burglary? That remains unseen, but what is clear is that Vic has found an ally in Hiatt.

The only Strike Team member not involved in tracking down Hernan is Shane (obviously), who is spending his time doing a little side work for the Armenian mob. Pissed about the unexpected death of the gas station attendant, Shane goes to visit the mob boss, Mr. Kesakhian, but is instead greeted by his daughter, Diro (Franka Potente), who apologizes and pays him for his “troubles.” Little does Shane know that Diro is actually running the family business while her father withers away on his deathbed until, of course, he eventually figures it out. That doesn’t change his position with the Armenians, though, and it’s only going to land him in some serious trouble in the future. My money’s on the Armenian’s finding out about his involvement with the money train a few years ago, and it might just be Vic who pulls the trigger.

Nonetheless, Shane is clearly trying to make as many friends as possible, and that doesn’t exclude persuading Ronnie to his side. Of course, when Ronnie confronts Vic about Terry later in the episode, I have to admit that I was a bit surprised at how well he took it. In fact, he seemed to agree that it was necessary, and his only regret was that Vic didn’t tell him about it earlier. Wow. I always knew Ronnie was a cool dude, and I really hope he plays a major part in whatever Vic has planned for Shane.

The rest of the episode was relatively tame. Dutch and Billings work a “stab and grab” involving a designer purse racket, Tina relishes in her newfound fame, and Aceveda unleashes his plans to run for mayor. The latter is probably the most exciting prospect of the episode, but one that will no doubt be saved for the final season. After all, Aceveda is at the top of Vic’s list when it comes to people he plans to take down with him, and once Shane is out of the way, there shouldn’t be anyone else remaining.

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