Author: Jason Zingale (Page 70 of 154)

The Shield 7.5 – Game Face

It doesn’t happen very often, but tonight’s episode was a complete bore. The whole subplot involving Claudette’s run-in with Kleevon Gardner didn’t accomplish a single thing, other than to reemphasize the fact that her duties as captain are being affected by her systemic lupus. It was a clever twist to have Kleevon not only act as his own lawyer, but to be smart enough to secure an empty pill bottle from Claudette’s trash for evidence, but when all was said and done (including a plea bargain that wiped the proposed death penalty off the table for Kleevon’s impending trial), it seemed like an utter waste of time. Sure, Claudette’s bosses now know about her illness, but with Danny double-checking everything she does anyway, I can’t imagine it being a problem further down the road.

As for the Strike Team, they’re part in the Mexican/Armenian gang war took a back seat this week as they helped Agent Murray sort out a federal matter involving a dirty businessman whose case could be blown if they don’t recover his recently kidnapped daughter. It all happened as part of a routine carjacking by a group of Caribbean thugs, and after making the rounds (including getting into a car chase with a suped-up ricer that they never would have caught in real life), the Strike Team tracks down the warehouse where they’re hiding out with the stolen car and girl.

Michael Chiklis and Walton Goggins in The Shield

Because it would alert the businessman to his investigation if a bunch of cops just raided the place, Vic comes up with an ingenious plan that, while Claudette approves, she doesn’t particularly like. It involves recruiting a couple of gang members to go in with Julian and pretend like they’re robbing the place – only to let the kidnapped girl escape amidst all the chaos – and it goes off without a hitch. Unfortunately, the whole takedown was about one-fifth as exciting as last week’s preview made it out to be. In fact, the only thing really worth mentioning about the whole encounter is when one of the gang members asked Vic if they could be deputized beforehand. Vic tells them to raise their right hand, and when the thugs all do so in excitement, he has them pat their head and rub their stomach at the same time.

They didn’t seem to think it was very humorous, but I thought it was the funniest thing I’ve seen Vic do in a long time – especially when he’s had to deal with his idiotic daughter for the last few weeks. This time, he discovers that she not only took part in a Pimps and Hos party that included drug use and the girls only wearing lingerie, but that she was the one who planned it. Hopefully, this gives Vic enough reason to punish her properly, because the last time he tried to scold her about her idiotic ways, she made it look like he was attacking her. Vic should just send her to Africa so we never have to see her again. Maybe then she’ll learn some freaking manners.

Of course, the big revelation of the night was that Agent Murray is, in fact, in Pezuela’s pocket, but I can’t imagine she won’t accept Vic’s help to get out. As it happens, the reason she became indebted to him in the first place was as a result of “losing” some documents in a racketeering case that her brother happened to be tied up in. Now, she’s looking for help, and she knows Vic is the only man that can give it to her. Unfortunately, he’s still not in possession of the blackmail box, and until that happens, everyone involved (Vic, Murray, Aceveda, Shane and Ronnie) will be sleeping with one eye open. It’s only a matter of time before the backstabbing begins, and I bet it happens sooner than we expect.

Bush gets Stoned in new GQ interview

Admit it: you were too busy drooling over Megan Fox on the cover of the October issue of GQ that you completely forgot to check out director Oliver Stone’s candid interview about his new film, “W.” It’s all right if you haven’t, because the brief chat can also be found online, and let me tell you, it’s well worth reading. Though it may seem like Stone is gunning for the incumbent president with his self-proclaimed political satire, the veteran director actually appears to have a good understanding of the man. In the article, Stone admits he’s cut from the same cloth as Bush, and if it weren’t for the fact that he took a completely different route growing up, he may have turned out the same way. Oh yeah, and “Vietnam drove out whatever arrogance [he] carried.”

The rest of the interview covers everything from the difficulties of making such a film to his long-running problems working within the studio system. Posted below are some excerpts, but to read it in full, click here.

On his first choice for the lead role:

“Originally I went for Christian Bale. We did some rigorous prosthetic tests and spent a lot of dough—thousands and thousands of dollars—and then Christian said, “I just don’t feel like I can do it.” I met Josh and liked him. He was more rural Americana. But man, he was scared shitless.”

On why “W” could be considered a comedy:

“Well, it has to be done with an ebullience and a certain fun, because the guy is goofy. He’s a goofball! And I think he endeared himself to people because he couldn’t get anything right. Kubrick was an idol of mine. I grew up on “Strangelove” and movies like “Network,” and they made a big impact on me. So yeah, W. is a satire.”

On the state of his Mai Lai massacre project, “Pinkville”:

It can probably only come back if UA would give us the movie without paying them the money they’ve already spent. We started to make the movie. I mean, we built a whole village in Thailand! We have tons of stuff sitting in crates! There’s $6 million against the movie. And I don’t have that kind of money. They didn’t even pay all the bills. They stuck us with a bunch of them.

First they kept cutting our budget. We had our locations, we had our actors, we had everything picked out, and it was a very reasonable plan. Then Bruce Willis walked, and they were thrilled, because that gave them the final excuse to call it, even though we got Nicholas Cage. That was three weeks before shooting and right before Christmas. Let me remind you, that’s 120 Americans and 500 Thais put out of work right before Christmas. It was a cruel, heartless decision, and it was probably made because “Lions for Lambs” was perceived as a mess, a failure, and we were linked to these Iraq movies that weren’t working.

Entourage 5.4 – Fire Sale

Can anyone say “déjà vu”? Maybe it’s just me, but with the on-again-off-again bidding war that dominated most of tonight’s episode, it sure felt a lot like last year’s Cannes-based season finale. Thankfully, it wasn’t as much of a letdown, and though not a whole lot was actually accomplished, it did bring up some very interesting story developments that will not only play a major role in the rest of this season, but next season as well.

For starters, Eric’s relationship with JB and Nick isn’t going quite as smoothly as you’d expect. The amateur screenwriters may have the hottest script in town, but at the end of the day, they’re still amateurs, and acting like a bunch of egomaniacal assholes isn’t going to help jumpstart their careers one bit. If anyone other than Eric was managing them, they probably would have already dropped them as clients. It isn’t enough that he’s gotten them a great deal ($100,000 with a $200,000 bonus if the movie is made) – Nick thinks they can get more money, and he’s not afraid to make his opinions be heard. As it turns out, he’s right, but nobody in town is willing to make the movie with Vince starring other than Amanda.

Entourage 5.4

When Vince graciously removes himself from the project and gives Eric the chance to sell the movie for more, however, Amanda flips out at the suggestion that Edward Norton get into a bidding war with every other studio in town. Ari is quick to jump at the chance of making the sale, and he comes back with an offer that any other first-time writer would kill for: $500,000 and Vinnie Chase in a supporting role. Unfortunately, Nick is not like every writer, and when he hears about Edward Norton no longer being part of the film, he’s disappointed. How cool was it, then, to have Eric take charge of the call by not only telling Nick that he plans on accepting the deal, but that he needs to say “thank you”? Eric may make mistakes every once and a while, but you gotta hand it to him – he’s doing a pretty good job for someone that still doesn’t know all the ins and outs of Hollywood.

The biggest development of the night, however, was Vince accepting a supporting role in “Nine Brave Souls” (now being called by the ultra-lame title “Smoke Jumpers”). This could be a big turning point for him in the series, as just two weeks ago I suggested that it would be fun to see him have to climb his way back to the top without the luxury of having Ari hold his hand. Now, that’s probably not going to happen any time soon, but the fact that he’s willing to settle for smaller roles certainly shows that he’s ready to begin a new (albeit different) era in his career. Not only does Vince have the chance to prove that he can still sell a movie, but he’ll also get the chance to act. Whether this means he might get that Oscar nomination just yet remains unseen, but you can’t deny that “Entourage” at the awards show would make for one hell of an episode.

First thing’s first. Just when it looked like a deal had finally been struck, Amanda came back with another offer ($2,000,000 plus the chance to work with Norton) that Eric’s writers probably won’t turn down. To make matters worse, the studio behind the deal is none other than Warner Bros., and with Allen Grey (you know, the guy who fired Vince from “Aquaman 2”) still at the helm, it’s going to take one helluva miracle keeping Vince attached to the project. Until then, it looks like he’s seriously considering starring in a new Benji movie set in Alaska, but let’s hope it doesn’t come down to that, because I have zero interest in watching a show about a movie star who isn’t even the star of some shitty kid movie.

The Rebel

Earning the title of highest-grossing Vietnamese movie of all-time is sort of like a Vietnamese chef who’s renowned for the best American hamburger in his country – true, but not exactly as amazing as it sounds. Credit the makers of “The Rebel,” then, for not only delivering the first true Vietnamese actioneer, but actually making it good enough to compete with China and Hong Kong’s nonstop supply of martial arts films. “The Rebel” takes place in 1922 Vietnam where French colonial rule is being challenged by a group of resistance fighters. In response to the rebel activity, the French government has hired Vietnamese agents to track down and kill them, but when one agent (Johnny Tri Nguyen) becomes tired of spilling the blood of his own countrymen, he teams up with the daughter (Tranh Van Ngo) of the rebel leader and incurs the wrath of his boss, Sy (Dustin Nguyen, of “21 Jump Street” fame), who’s been promised a promotion if he can capture the traitors. Directed by Charlie Nguyen, “The Rebel” is just as much of a historical drama as it is a martial arts film, and as such, it has a pretty decent story to tell when its characters aren’t busy kicking ass. Of course, as with most Dragon Dynasty films, the main draw of “The Rebel” is the action, and believe it or not, there’s some really great stuff here. Johnny Tri Nguyen, whose biggest role to date is as Tobey Maguire’s costumed stunt double in the first two “Spider-Man” films, isn’t the greatest actor in the world, but he’s got moves that most action fans have never seen before, and that alone is worth the price of admission.

Click to buy “The Rebel”

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