Author: Jason Zingale (Page 67 of 154)

Claymore: Chapter One

Set in a land where a dark breed of flesh-eating beasts called Yoma terrorize the human race, “Claymore” tells the story of Clare, a beautiful human-Yoma hybrid who works for a secret organization that hunt and kill the very demons that make her who she is. When a young boy named Raki begins following her around after a Yoma kills his family, Clare takes him under her wing – learning more about how she became a Claymore, as well as the organization pulling the strings, along the way. “Claymore” is exactly the kind of anime you’d expect just from looking at the cover. It has a beautiful protagonist, tons of action, and is as shiny as the giant sword Clare carries. That may not sound very involved, but though the first volume of the 26-episode series doesn’t dig too deep into the mythology of the Claymores, it teases the audience just enough to ensure that they’ll be back for more. It’s quite rare to see such a dark and gritty anime that doesn’t take place in the future, but if you like you’re fantasy starring hot babes with big swords, it doesn’t get much better than this.

Click to buy “Claymore: Chapter One”

The Shield 7.8 – Parricide

If there was ever any doubt that “The Shield” was really coming to an end, tonight’s episode stamped it out with the boldest statement they could make: Vic’s decision to call it quits as a cop. I don’t think anyone imagined that he would give up fighting for his badge (even when his official termination had been all but confirmed), but after the events that transpired, it makes sense that Vic wouldn’t want the restrictions of law enforcement to get in the way of what needs to be done.

It didn’t take very long for Shane to go forward with his retaliation on Vic and Ronnie, and after setting up an alibi with Mara, he heads to Vic’s house to exact revenge. What he doesn’t know, however, is that Two-Man’s assassination attempt on Ronnie didn’t go as planned. Ronnie escaped unscathed, while his date just caught a stray to the arm, and when Vic gets a call about the situation outside of his house, Shane is there to watch as his chance slips away right in front of his eyes. What I don’t understand is why Two-Man didn’t take a similar approach. Granted, the last thing I want to see happen is Ronnie getting shot for all the shit that Vic and Shane have dragged him through, but it just doesn’t make sense that the guy would try and kill someone from afar when he could have just as easily done it at point blank range.

Nevertheless, with both Ronnie and Vic still alive, Shane is forced to go on the defensive – especially when Two-Man is captured and brought to the Barn for questioning. Dutch and Billings fail to trick him into confessing the first time around, but with the help of Vic (who suggests they just lie about having witnesses), they eventually get Two-Man to take the bait and give up Shane. Unbeknownst to everyone else in the captain’s office, however, Shane has already gotten the hell out of dodge. Claudette is curious as to why Shane would even want Ronnie dead, but as expected, Vic and Ronnie are both mum on the subject. In fact, Vic is so certain that Claudette will tie him to a desk for his final week on the job, that he just decides to up and quit right there, since it means he can go after Shane himself. Claudette warns him against it, but really, who’s going to stop him?

Of course, Shane has taken certain precautions as well. Though it seems he really did destroy that file he created on the Strike Team several months back, he sends Mara over to Corrine’s house to deliver a message: either Vic and Ronnie help Shane evade capture or he’ll testify against them in court. One thing he hasn’t considered, however, is Vic just killing him. I mean, that would solve all their problems, right? Perhaps Vic is worried about having to deal with Mara, but if he truly wants to move forward and make his current gig with the feds a permanent thing, he’s going to have to make Shane disappear – one way or another.

Stuck

Director Stuart Gordon’s “Stuck” is a strange little film. On one hand, it’s probably the most original thriller I’ve seen in quite some time, and on the other, it’s so absurdly illogical that a majority of the movie teeters on parody. Mena Suvari stars as Brandi Boski, a hard-working nursing assistant who’s just been informed by her supervisor that she’s in contention for a big promotion. When Brandi accidentally hits a homeless man (Stephen Rea) after a night out on the town, however, she panics and drives straight home, parking the car in the garage with the man stuck in her windshield. As she soon discovers, the man is still alive, and as the hours pass without any sign of medical help, he begins to fight back against his captor. Calling “Stuck” a horror movie is a bit of a stretch, but there’s definitely something horrific about the idea that one human could be so cruel to another human because they’re afraid of the consequences. Stephen Rea’s solid performance as the down-on-his-luck victim really helps drive “Stuck” through some of the more ridiculous moments, but it’s ultimately the film’s ripped-from-the-headlines story that proves to be the most engaging element. The fact that a woman really did hit a man with her car, drove home, and then waited for him to die is just crazy enough that it needs to be seen to be believed. Granted, the film takes a few turns along the way, but it only makes the ride that much more thrilling.

Click to buy “Stuck”

Entourage 5.7 – Gotta Look Up To Get Down

Lately, this blog has been getting a lot more comments than usual, and to that I say “thank you.” The debates might get a little heated once and awhile, but if there’s one thing we can all agree on, it’s that we love watching “Entourage.” With that said, however, this week’s episode was a bit of a mixed bag. On one hand, we have yet another totally pointless story about Vince falling for some model, and on the other hand, we have a subplot involving Ari that could potentially transform the series forever.

Let’s save the best for last, though, and jump straight into the other half of the episode first. It’s been a long time since Vince last worked in Hollywood, and in that time, he’s turned down an awful lot of opportunities to make some fast cash. Granted, some of them (like the “Benji” film) showed real integrity on Vince’s part, but why in the world would he turn down a one-day modeling gig for Dolce & Gabana worth $1 million? He may not care about money, but one of the reasons he’s suffering through such a job drought is because he ran away to Mexico for six months. That may not sound like a very long time to most people, but in Hollywood, it’s the equivalent to being gone for several years. That Dolce & Gabana gig would have gotten his face back out into the public (or at least the people that matter), and it would have gone a long way in helping to restore his image.

Entourage 5.7

Of course, he decides not to do it. Why? Because he likes the model that was fired, and instead of making a little extra cash and working on getting a job, he decides that hopping on a plane to Hawaii with a bunch of hot women is a much better idea. Under any other circumstance, it probably would have been, but Vince is supposed to be responsible these days and, well, that wasn’t a very responsible decision. He can party as much as he wants once he’s a star again, but honestly, why is he still being treated like royalty when he’s clearly far from it? Forget for a moment that the writers used this exact same storyline with Leighton Meester only a few weeks ago and ask yourself this: if it weren’t absolutely necessary to get Vince and Ari in the same room (or in this case, airplane hangar) together for the final scene, would this subplot have ever been written?

Speaking of which, if it hadn’t been ruined in the previews last week, I probably would have been genuinely surprised at Ari being offered Alan Gray’s job – and at his funeral no less. It’s just not something I ever expected from him (he seems happy doing what he does now), but if I’m going to be completely honest, I think it’s the best plot development of the whole season. It’s just too bad that it’s never going to happen. You know it just as well as I do that if Ari leaves MGA for WB, the show would lose that Vince-Ari dynamic that keeps everyone tuning in each week.

I just hope that he doesn’t turn it down outright, because I can’t believe that anyone in Ari’s position would ever pass up that kind of opportunity simply because he was friends with one of his clients. It just doesn’t seem plausible – especially when Ari could do so much more good for Vince at WB than he could in his current position. That doesn’t mean that Ari taking (and actually keeping) the job would be a bad thing either. The show has been in desperate need of some fresh blood for a while, and if there’s one person that could replace Ari Gold and help Vince become a superstar once again, it’s Adam Davies. Plus, it would give Dana Gordon the chance to come work for Ari as his second-in-command, and we all know how great that relationship is. Their conversation was the highlight of the night (“Ari, I want to be underneath you.” “Dana, I told you, my wife’s in the car.”), and it really makes me believe that this new setup would work. Now all we need is for the “Entourage” crew to man up and take the risk.

GQ names 25 sexiest women in film

Jessica Alba in Sin CityWhen it comes to women in film, GQ has never been afraid to speak its mind, but with its new feature on the sexiest cinematic gals of all time, it will likely cause some debate amongst men, and even a few women. That isn’t to say they’ve necessarily chosen the wrong group of women, but when it comes to a topic like this, well, it’s more about personal reference than anything else.

There are plenty of no-brainers included (like Jessica Alba in “Sin City” and Raquel Welch in “100 Rifles”), as well as a few that are debatable (is Sienna Miller in “Layer Cake” any sexier than the many other model-turned-actress in the biz)?, but I have to imagine there was definitely someone more appropriate than “That Chick from ‘Planet of the Apes’” for the final spot. As it turns out, there is, and her name is Sophia Loren, who the magazine has included as the list’s unofficial 26th member. Check out the full feature here, along with photos and short blurbs on why each actress was chosen.

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