Author: Jason Zingale (Page 66 of 154)

The Shield 7.10 – Party Line

The last thing Shawn Ryan needed to do was to give his wife (Cathy Cahlin Ryan) a bigger part to play in the final stretch of his grand opus known as “The Shield.” Of course, I should have known that if anyone was going to bring down Vic Mackey it would be Corrine, and, well, that only makes her character that much more annoying. Is Vic Mackey a good guy? Not really, but the reason he went crooked in the first place was so that he could give his family a better life. Now, Corrine is punishing him for doing exactly that by turning to Dutch and Claudette for protection.

Protection? Has it really come down to that, even though Vic has stated time and again that he would never lay a finger on the mother of his children? And while we’re at it, would you like some cheese with that whine? Fer chrissakes, can someone just kill this woman already? She’s done nothing but cause trouble for Vic throughout the course of these last seven years, and he’s done nothing but protect her from the consequences. If anyone needs protecting, it’s Vic. Unfortunately, that’s not how the cards have fallen, and after being guaranteed immunity by Dutch and Claudette (even though the Assistant Chief would rather just arrest her instead), she spills the beans on everything she knows.

Of course, Vic isn’t aware of his ex-wife selling him out, because if he were, he might’ve gone on the run with Ronnie as soon as the idea was brought up. Instead, he convinces his last loyal friend to stick by his side, hoping that if everything goes as planned, he can land both him and Ronnie a gig with the feds. That isn’t going to be possible with Aceveda stealing all his thunder, though. Just when Vic tries to prove his worth to Pezeula and “the cause” in front of his new cartel friend, Beltran, Aceveda hijacks the meeting and beats the shit out of Pezuela as a way of saying, “Who’s dick is in who’s ass now?” It was a rare shining moment for Aceveda, but at what cost? Vic is quick to jump at the chance to talk directly to Beltran, and his first order of business as a member of Team Drug Cartel is to assassinate Pezuela. Instead, Vic fakes his death and brings him to the feds so that he can testify against Beltran, and in doing so makes himself look all the more important to the case.

Meanwhile, as everyone in town is busy looking for Shane, the happy couple is having a gay old time in their temporary living arrangements – skinny-dipping in the pool, cooking out on the back porch, and playing hide-and-seek in the house. That is, until a real estate agent walks in on them and Shane is forced to lock her in the pantry as they make their escape. With only one more day until the motorcade comes to town, Shane is persistent that they just lay low, but he didn’t plan on Vic putting a bounty on his head. When a couple of gang members recognize him while he’s picking up some groceries, they hold him at a gun point while they call their boss for the reward. Desperate to escape, Shane offers them twice as much ($20,000) only for them to take all $100,000 when they notice there’s still money in the bag. In response, Shane gives Vic a call to let him know what a terrible mistake he’s just made. Not only has he sent Claudette a letter exposing “one of his many sins,” but he demands that the money be repaid by tomorrow.

What Vic doesn’t know is that while Mara is on the other line with Corrine filling her in on the details, Claudette jumps in to offer Mara immunity and Shane a better deal than Vic will get if they turn themselves in. Luckily for Vic, I don’t think Shane is going to take the bait. Of course, I’ve been wrong before, but it just doesn’t seem like a smart move on Shane’s part – especially when their ride to freedom is less than 24 hours away.

Dragon Ball Z: Cooler’s Revenge / The Return of Cooler

By far two of the best “Dragon Ball Z” movies released, the Cooler-themed double feature is much shorter in comparison to the earlier films, but it’s a vast improvement on a tired formula that felt stale the first time around. The first film, “Cooler’s Revenge,” opens with a prologue that shows how Freiza’s older brother let the escape pod carrying Goku as a child get away unharmed. When he discovers that a Saiyan killed his cocky little brother during his attempted takeover of Namek, however, Cooler heads to Earth with his Armored Squadron to exact revenge. Following Goku’s eventual defeat of Cooler (who’s seemingly burned to a crisp by the Sun), the Z Warriors are contacted by Dende warning of an alien takeover of Namek’s new home planet. When they arrive, a new and improved Metal Cooler is there to welcome them – and this time around, he’s got the help of a rogue computer chip that automatically rebuilds him every time he’s destroyed. Sure, he’s kind of like Cell (who had a similar regenerative power), but anyone who enjoyed the Namek and Freiza sagas (and really, what “DBZ” fan didn’t like them?) will absolutely love both of these films. Short, sweet and loaded with wall-to-wall action, “Cooler’s Revenge” features Piccolo in one of his most badass appearances yet, while Vegeta’s team-up with Goku in “The Return of Cooler” is a welcome surprise.

Click to buy “Dragon Ball Z: Cooler’s Revenge / The Return of Cooler”

The Shield 7.9 – Moving Day

To call this week’s episode of “The Shield” a disappointment would be to admit that the cast/crew did something wrong, and, well, that’s just not the case. Nevertheless, I found it to be less eventful than most shows, and that probably has something to do with the fact that with four episodes to go, Shawn Ryan and Co. seem to be holding off on playing their final hand. This is something that I warned against a few weeks back, and though it isn’t so bad that it feels like the characters are just standing around waiting for the end to come, this week’s episode felt like it was stretching out the story a little more than usual.

The spotlight was shifted to Shane this week now that he’s on the run from the cops, and though his initial check-in with Corrine doesn’t go as planned (he knows Vic is there coaching her the minute she asks too much), Shane really seems to have a handle on how to properly evade capture. For starters, he’s not planning on leaving LA anytime soon, since he knows the entire police department is out searching for him, and he’s quick to trade in his flashy Lexus for another car with clean papers. The wrench in his plans, however, is that Mara forgot to bring Jackson’s medicine with her before leaving, and the kid’s whooping cough could escalate into pneumonia at any minute. This forces to Shane to head to a nearby pharmacy to pick up new medicine, and when that causes some bad reaction, Mara begs him to take Jackson to the hospital. It’s there that Vic finally catches up with him, but when he pulls out his gun to take Shane down, a squad car pulls up and the cops arrest Vic instead.

Now, I find it hard to believe that every cop within the city limits wasn’t shown a picture of Shane before heading out on patrol, but even if they didn’t recognize him in the dark, don’t you think one of the officers would have at least pulled Shane and Mara aside to take down a statement? It seems like a pretty sorry excuse for Shane to get away, especially considering the circumstances. Still, he’s free for the time being, and though he suggests that Mara go turn herself in so that she may properly take care of Jackson, she refuses, claiming that family sticks together. And for all the trouble that Mara has caused over the last few years, you’ve got to respect that she’s still standing by Shane’s side.

The only really interesting Strike Team-related event of the night is when Claudette, officially tired of all of Ronnie’s lying, gave him an ultimatum: either tell her the truth about why Shane was gunning for him or risk losing his job. Perhaps unsurprisingly, Ronnie tells her just enough (including Shane’s murder of Lem) without incriminating him or Vic. I’m not exactly sure Claudette actually buys into or not, but at least Ronnie has bought himself a little more time at the Barn. Unfortunately, he no longer has a Strike Team to run now that Claudette has disbanded the team, leaving him chained to a desk until Shane is captures, and Julian forced to head back to the street with Tina.

The rest of the episode was made up of little mini-subplots that weren’t especially productive, but they still proved to be more interesting than the main story. Dutch still believes he can prevent Lloyd from turning to the Dark Side; Billings taps into his inner Vic Mackey in order to get a registered sex offender thrown back in jail; and Aceveda wrestles with Pezuela over his increasing control of his campaign. Pezuela is starting to get really cocky now that his boss is in town (“The dick is up your ass, and I am the one who decides if and when it comes out.”), and it’s only a matter of time before DEA takes him down. Or is it? They’ve already screwed it up once before, so what’s to say they won’t do it again? And where in the world is Danni? She was clearly planning on skipping town at the end of last week’s episode, but has anyone actually realized that she’s gone?

Entourage 5.8 – First Class Jerk

It’s been awhile since we’ve seen an episode of “Entourage” as good as the one tonight, but after weeks of pointless subplots, Doug Ellin and Co. finally delivered some of that old school flavor that has been sorely missing from the new season. But before I get into any of the specifics, first thing’s first. In last week’s blog, I made a comment about how it might be fun to see Vince represented by Adam Davies for a while, but what I meant to say was Josh Weinstein. I know that doesn’t make any difference in the grand scheme of things, but it’s still an important distinction – especially considering tonight’s episode revolved around exactly that.

Now, it didn’t pan out quite like I imagined it would, but it’s probably for the best. After seeing Weinstein sandbag the guys with a promise that Frank Darabont was interested in Vince for the lead role in an upcoming project, only to discover that it’s a TV show he’s executive producing, I’m more than certain that Weinstein (or Adam Davies, for that matter) wouldn’t be right for Vince’s career. They might get him the jobs he wants, but they’ll never care about him like Ari does. Which brings us to the biggest story of the night: Ari’s decision not to take the Warner Brothers job.

Entourage 5.8

At first, I was utterly perplexed by the decision. I mean, if most people were offered a promotion of that magnitude, they’d take it no questions asked. After all, isn’t the life of a Hollywood agent all about bigger and better opportunities? If it wasn’t, then no one would care who they were representing as long as they were good pals with their clients. One thing I didn’t considered, though, was that Ari didn’t like the consequences that might come with the new job – namely, less time with his family. When he finds out that Amanda Daniels is not only next in line for the job, but refuses to put Vince in “Smoke Jumpers” if Ari turns down the offer, however, Ari decides to take the job just to spite her. (On a side note, that shot of Amanda’s reaction as Ari left the office was great.)

In reality, Ari’s visit to John Ellis’ office wasn’t about him accepting the offer, but rather suggesting Dana Gordon for the job instead. It actually works out pretty well. Ari still gets to be Vince’s agent, Dana agrees to cast Vince in “Smoke Jumpers,” and perhaps most importantly, everything is back to the way it should be prior to the “Aquaman 2” fiasco that started this downward spiral in the first place. I still call bullshit on the fact that the real-life Ari would never turn down such an incredible opportunity, but kudos to the writers in making the best out of the situation.

The other major story of the night featured Turtle in his own subplot involving an unlikely meeting with Jamie-Lynn Sigler. Not only does he get her number after the guys return from their Hawaii getaway, but he also claims that she gave him a handjob on the flight back. Drama is more than skeptical (I loved how he kept referring to Jamie-Lynn as Meadow Soprano), and since Turtle refuses to prove that it really happened, Drama takes it upon himself to start asking around town. As it turns out, Turtle really was telling the truth, but when Jamie-Lynn discovers that Turtle was blabbing about it to his friends, he loses any chance he might have had of taking things farther. Still, you can’t feel too bad for the guy. Not even Vince has been so lucky as to get a first class jerk from Meadow Soprano.

Hell Ride

There’s a rule of thumb to follow regarding movies involving Quentin Tarantino: those he writes and directs are usually good, and those he produces are usually bad. There are a few exceptions to both sides of this rule (perhaps most famously Zhang Yimou’s “Hero”) which led me to believe that “Hell Ride” could be a fun little film, but as it turns out, it’s yet another low-rent vanity project from one of QT’s less-talented friends. Larry Bishop writes, directs and stars as Pistolero, president of the Victors biker gang. When one of their own is tortured and killed by rival gang member Billy Wings (Vinnie Jones) of the Six Six Sixers, Pistolero teams up with his two most trusted members, The Gent (Michael Madsen) and Commanche (Eric Balfour), and sets out to exact revenge.

Hell Ride

Unfortunately, the film isn’t even remotely as entertaining as the red band trailer makes it out to be, and in the process, puts some really cool characters to waste. Bishop sure has the look of a badass biker, but he can’t act the part, nor can he write the kind of dialogue Tarantino is famous for. He certainly tries with these silly rhymes and play-on-word conversations that he must think sound ultra-hip, but they only make the boring mess of a plot even that much more difficult to sit through. Only Dennis Hopper and David Carradine (as veteran members of the rival gangs) truly deliver performances worth remembering, and it’ll make you wish the film spent more time developing their characters instead of focusing so much time and energy on Bishop getting his freak on with a horde of naked chicks. “Hell Ride” may sound like one hell of a time, but you’d be better off checking out FX’s “Sons of Anarchy” instead.

Click to buy “Hell Ride”

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