Author: Jason Zingale (Page 100 of 154)

Back Off Bitch

“The Shield” went back to the days of old this week, where an episode would focus on a single case, and the topic at hand was the San Marcos massacre. After the Biz-Lats retaliate against the El Salvadorians by killing women and children at a street fair, tensions are heightened leading to a personal threat from the Asst. Chief to shut down the Barn. Blaming Hernan for the misinformation that has caused the case to remain unsolved for so long, Vic makes a deal with the undercover agent that will help him earn his stripes within the gang. Even though Vic thinks the guy “is kind of an asshole,” it’s difficult for him to turn down such a promising venture.

I have a feeling that Hernan is just looking out for himself (and quite possibly integrating into the gang he’s supposed to be investigating). Although his intel did land the Barn three of the six San Marcos murderers (who were engaged in a private gangbang when the Strike Team picked them up), his sudden disappearance at the end of the episode doesn’t bode well for the future.

Meanwhile, as Vic wraps up his end of the San Marcos case, Dutch and Billings set out looking for the final piece: Eduardo Ramiro, the Mexican bureaucrat whose right arm was found amongst the eleven other chopped up bodies at the motel. When they finally track him to a seedy hotel (sans right limb and in possession of a luggage full of money), Dutch can’t help but to bring him in, despite the fact that the guy has diplomatic immunity. Claudette chews him out for it, too, but it was definitely a smart move on Dutch’s part. Immunity or not, if this guy is the only surviving victim of a massacre, there’s no doubt in my mind that he’s incredibly important to the case.

The rest of the episode was pretty lackluster, filled up mostly by Shane’s counteraction to Vic’s threats. The guy’s hard at work covering his ass (gathering info on every dirty deal from Vic’s past) and he’s even made a request for transfer back to the vice unit. Oh boy, here we go again. Shane’s back to his season four evil self again, including dealing with criminals for some extra cash (this time with the Armenians), and he’s not afraid to let Vic and Ronnie in on his plan. He’s given Vic a copy of all his “notes” (assuring him that the original is in a safe place) and is ready to play ball. The only question is: does Vic have the onions to take the fall himself, taking Shane with him and saving Ronnie from any legal outfall? I think so, but we’ll surely have to wait a whole season to find out.

Victory; for now, anyways.

It’s been a long time coming, but Drama’s big day is finally here – the premiere of his new drama “Five Towns” – and in celebration, the guys have catered to his every desire. They’ve let him sleep in, destroyed every copy of Variety in his vicinity, and they’ve even detailed his classic junker that he brought with him when he first came to Hollywood. Unfortunately, during a “rub and tug” at his favorite massage parlor, Drama happens upon a copy of the latest Variety to discover that the critical response isn’t quite as accommodating. In fact, every television writer in the country has panned Drama’s performance on the show – despite the fact that all of the guys seem to genuinely enjoy it – and so he sets off in his newly detailed car to blow off some steam. It isn’t until the next day that Drama wakes up in the middle of the Grand Canyon to hear the good news: “Five Towns” is a hit, nabbing 16 million viewers in its first night.

Drama wasn’t the only member of the pack that had his share of good luck, either. While waiting to pick up the car at the detailed shop, Turtle is introduced to the owner’s daughter, Kelly, and is instantly taken with her. Not only is she smoking hot, but she also shares the same crazy hobby of collecting shoes. As Turtle puts it: “She’s me, but with boobs.” Actually, that isn’t quite the compliment it should be, but that doesn’t change the fact that Turtle (after much bargaining with her father, Rufus) has scored a date with the woman of his dreams.

I’m happy for the little guy. After the whole Saigon subplot just sort of fell apart during the first half of the season, Turtle had sunk back into his usual role as the group lackey. As far as I’m considered, if Drama’s going to get a little happiness in his life, so should Turtle. And, well, so should everybody else too, it seems.

I made a remark last week that Vince’s obsession with “Medellin” had posed the biggest question of the past three years: will this damn movie ever get made? Well, we didn’t exactly reach an endpoint during this week’s episode, but we’re definitely closer. Visiting Ari at his office for the first time since they so brutally fired him, Vince and Eric are quick to make clear that Ari is most certainly not back. First, they want “Medellin,” and though Ari informs them that the movie is dead (or as he puts it, “an unbeatable super germ”), that doesn’t change things. So, in keeping with his promise, Ari sets up a meet between the three guys and wealthy movie producer Joe Roberts. The problem is, Roberts is only willing to finance “Medellin” if Vince agrees to make his passion project “Matterhorn” (“Die Hard” at Disneyland) first.

As Ari expects, Vince doesn’t bite, and because we all know he’s a little crazy, Vince announces his desire to outbid Roberts for the rights to “Medellin.” Impressed by his passion for the project, Roberts ends the bidding war and Vince walks away with the rights for a measly $5 million. Oh, and did I mention that means Vince will have to sell the house? Or that Eric has invested all $200,000 of his savings? It’s definitely an interesting angle for the series to take (and admittedly one I never even thought of), but do they really think that they can make money off a 3-hour art flick? An Oscar, maybe, but this thing has box office failure written all over it.

The Man Behind the Curtain

Holy crap, did that just really happen? I’m completely speechless, since it seemed Locke would be one of the few survivors who’d actually make it to the final season. Of course, it’s only a gut wound, so it is possible that he’ll still live, but the sheer fact that Ben shot him point blank in cold blood definitely made for one hell of a cliffhanger. We certainly know that he’s capable of it (especially after learning all about his childhood on the island), and when you think about it, he was only protecting his place among the Others.

It’s funny to think that with only ten minutes left in the episode, I had already written the first line of the blog. It read: “Is it just me or has Locke officially regained his status as the island’s baddest badass after tonight’s episode.” It was in reference to Locke just beating poor Mikhail (who we learned didn’t die because the pylons weren’t set to lethal levels) to a pulp; and right in front of all the Others, no less. I don’t know what it is, but the Others seem to really respect Locke, and Ben is obviously threatened by that notion.

And so when Ben takes Locke to see Jacob (at the latter’s request, despite Ben’s assurance that “This is not a man you go to see. This is a man who summons you.”), it seemed like something (anything!) was going to go down. I just didn’t know what. When they arrive at Jacob’s place, Ben begins talking to an empty rocking chair with no visible person in sight. Locke thinks he’s simply being jerked around by Ben, but then things get all crazy ghostlike and Jacob speaks a few words… that Locke can actually hear. This doesn’t please Ben at all – since he led himself to believe that he was the only one who could communicate with him – and so, after shooting him in the stomach, Ben forces Locke to tell him what he said. It was two simple words: help me, which, coming from Locke, only made it all that more appropriate. Here’s hoping someone does, or I’d expect some serious backlash from the fans.

The rest of the episode was dedicated to Ben (in flashback form, of course – thank you kind sirs), and we learned quite a bit that helps to understand the man we all thought we knew. First off, he’s the son of an asshole. After his mother died while giving birth to him in the middle of the woods, his father (Jon Gries) takes him to the island where he’s been given a job as a janitor. Yep, that’s right – Ben’s father is Roger the Work Man, the dead guy that the A-Team happened upon in the blue VW van earlier in the season. Anyways, in between working a shitty job and drinking a lot of alcohol, Roger doesn’t find much time for his son. He constantly forgets his birthday because, as he puts it, “it’s kinda hard to celebrate the day you killed your mom.” Ouch, that hurts.

Flash-forward many, many years, and after dropping off some rations at the Pearl station, Roger attempts to rekindle a relationship by spending some long-awaited father-son time. It’s Ben’s birthday, again, but instead of nagging his father like previous years, he goes a different route, snapping on a gas mask and pulling the pin out of a gas grenade while the two are sitting in the VW van. Roger dies a very, very painful death, while Ben returns to discover most of the Others dead by the same means. It appears he was part of a coup to wipe out all of the weaker Others (joining Richard, the new Other we met last week), and this is how he rose to power within the camp.

Meanwhile, as Ben protects his leadership position by offing the one guy who the Others respect more, Sawyer returns to camp with evidence of Juliet’s treachery. It turns out Jack already knew about the raid (as Juliet told him a day before), but that didn’t exactly make the rest of the camp trust him any more. Not much happened past that, but it’s definitely an excellent catalyst for what looks to be yet another jaw-dropping finale.

Right Next Door to Hell

Remember that wave of emotion that washed over you while watching the final meeting between Shane and Lem? Well, multiply that by ten and you’ll just begin to get an idea of how breathtaking tonight’s showdown between Vic and Shane was.

Of course, I’m getting ahead of myself. The episode kicked off in grand fashion when Vic made a surprise visit to Antwon Mitchell in prison. Ever since Kavanaugh was arrested and his luxuries were reinstated, Antwon is living the good life, with almost every guard in his pocket and more perks than he had on the street. Vic isn’t there to make small talk, however, and he gets down to business: Lem’s killer. Antwon is quick to admit that while he’d love to take credit for the creative stroke of genius, it wasn’t him.

All progress in the case seems lost when Vic suddenly suspects Shane of the dirty deed. You can’t blame him, either. One week Shane is on all of their asses about disrespecting Lem and tracking down his killer, and the next he’s acting normal again. Almost too normal, in fact, to the point that Vic has Ronnie look into how many grenades Shane logged in after the bust. The number matches up, but after taking a look at Lem’s autopsy report (courtesy of Dutch), Vic discovers a final report from Kavanaugh that states he was shorthanded the night of Lem’s death. And because Kavanaugh had only one extra man to tail the Strike Team, Shane was never actually followed, despite his claims that it took him a little longer than the others to lose his.

Caught in a lie, Shane finally confesses to Vic, telling him that he “did what [he] thought had to be done at the time.” Vic doesn’t buy into his bullshit, however, and though Shane tries to play the “we’re the same” card, Vic is intent on turning him in. Wait just a second, though. What’s this? Oh, right, Shane has enough dirt on Vic to land him in prison for life. So, what’s a crooked cop to do? If you’re Vic, you threaten him some more (“If I see you again, I will kill you”), but Shane’s not about to bow out so easily. He’s in this for the long run, and the ending has just begun.

There’s almost too much information in this episode to discuss in a blog, and while it would usually deserve a place any other week, it just doesn’t seem fair to steal any attention away from the above confrontation. Instead, I’ll just list the other highlights, as they may come into play in future episodes:

1) After quietly dismissing a murder case involving the daughter of a well-respected friend of the police department, Vic makes it known that he would like a little help in his upcoming appeal.

2) Following a visit from Guardo’s girlfriend, Dutch is clued into Vic’s possible involvement with his disappearance. It probably doesn’t help that he’s also learned about the Strike Team’s meeting with Hernan.

3) Tina’s back from her duties for the department PR blitz and returns to discover that Danni is her new partner. Danni continues to treat Tina like shit when Hiatt shows interest in the Latina rookie over her, but Tina’s made some new friends in high places, and she’s not going to let herself get bullied anymore.

4) And finally, Cassidy knows about Vic’s illegitimate child with Danni (via a phone call between her mom and grandma). She goes to see her baby brother (Lee) at the end of the episode, and suffice to say, she’s not in the least impressed.

Overall, this was a solid hour that begs comparison to the show’s early years. Mr. Ryan, you officially have my attention. Now, how about you show me why “The Shield” is still one of the best dramas on television.

A day at the races

There were a lot of questions left unanswered after the first half of season three, but if there’s just one that summarizes the last two years of “Entourage” best, it’s this: will “Medellin” ever get made? The on-again-off-again biopic has seen its share of troubles, and with Vince not working a day (the Vegas strip contest doesn’t count) since “Aquaman,” it’d be nice to see him finally get back to business. Of course, it looked like that question might finally be answered in tonight’s episode, but instead, things were only further complicated when Vince’s chances were reignited.

It’s Yom Kippur, and though Ari has promised his wife a quiet day with the family at temple, his attitude quickly changes when he learns through studio brat Nick Rubenstein (Adam Goldberg) that “Medellin” is back on the market. Benicio del Toro has official walked and the producers want Vince for the role. More out of love for their friendship than as a coup to win back his client, Ari informs Vince and Eric of the good news. Unfortunately, Amanda has bumped Vince’s asking price way too high for an indie art flick, making Ari more than a little suspect of Amanda purposefully sabotaging the deal.

Vince and Eric agree, but when they finally take things into their own hands, they learn that the deal has expired, “Medellin” has closed down productions, and the film will never be made. Of course, we already know that this isn’t true, since the preview of next week’s episode (damn you spoilers) shows that the movie is most definitely still going to get made. Except when the deal is finally inked, it’ll be with Ari by Vince’s side, and not Amanda’s. The duo isn’t officially back together, but with Amanda saying her goodbyes after Vince accused her of sabotaging the deal, it looks certain that Ari will be Vince’s agent once again.

That also means Vince can take off that silly “love bracelet” Amanda bought him, which the guys teased him for during their day at the races. Speaking of which, what’s with Drama laying down $5,000 for that horse? I know he was a bit upset to learn it was headed for the glue factory, but couldn’t he have just convinced the guy to donate it instead of paying for it? He certainly learned his lesson when the horse got loose and he was fined more than twice its cost by the police, and though he finally got rid of it in the end, I do feel bad for Ed Burns. Oh well, I guess he can afford it. And if not, it’s off to the glue factory for old King!

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