Author: John Paulsen (Page 71 of 79)

Braff a miracle worker

I’m not sure how he did it, but Zach Braff has parlayed a few television appearances in the late nineties into a starring role on “Scrubs” and his own feature film, “Garden State,” which he wrote and directed. Braff is pretty good on “Scrubs” but I think the writers (along with John C. McGinley) are the real stars of that series.

The thing that gets me is that someone is convinced that Braff’s characters are worthy of leading ladies like Heather Graham, Mandy Moore and, in “Garden State,” Natalie Portman. Braff is not a handsome man. Watching him woo these lovely ladies is testing the limits of my ability to suspend disbelief.

I recently watched “Garden State” for the second time and, while Braff did a reasonably good job with the story and directing, his acting was quite flat. I realize that his character is supposedly off his meds for the first time in years, but even that would make his character a little livlier.

Despite this, I would say that I moderately enjoyed the movie until the final scenes, where Braff and Portman declare their love for one another in the airport. I can’t believe this schmuck would even consider leaving a beauty like Portman to “sort things out” back in L.A.. The ending, especially the acting, is so incredulous that it basically ruins the movie for me.

But kudos to Braff for fulfilling his dream. I am impressed by his accomplishment (writing and directing your own feature is no small feat) but I am befuddled by its existence.

A priest and a one-armed deputy walk into a bar…

Another week, another good episode of “Invasion.” The look on Sheriff Tom’s face is absolutely priceless when his 17-year old daughter comes out of his one-armed deputy’s tent dressed only in a towel. They both claim they’re “just friends,” but one has to wonder why she’s not dressed. For those that wonder what’s underneath Alexis Dziena’s towel, I point you to her appearance in the Bill Murray vehicle, “Broken Flowers,” where she bares her considerable assets for the camera. (By the way, this picture doesn’t do her appearance justice – she goes full frontal.) If you’re worried about the whole underage thing, she’s 22 now and was 20 when she filmed the movie.

Creepy old men stuff aside, something is stalking the Varon household. It’s lightning quick, which doesn’t make a whole lot of sense when it turns out to be the unfinished torso of Dave. Unless these hybrids have enhanced speed and strength, I don’t know how a torso with stumps for hands can move that quickly. Regardless, the freak factor was in overdrive when Dave was searching around the house for the Torso.

I had a feeling, when they didn’t show the one-armed deputy actually shooting the Sheriff, that he was not the guy. The writers did a nice job of pointing us in another direction before finally revealing the priest as the true shooter. I’m a little unclear on his justification for trying to kill the Sheriff – it definitely seems un-priest-like.

And don’t fall for Sheriff Tom’s nice guy act. He is actively sending hybrids to the camp in the Keys where they appear to be training an army. The hybrids are eventually going to attack and, when they do, it is going to get ugly.

Not sure this is applicable…

Though I think it’s by far the worst of the three men’s magazines (aimed at younger readers – Maxim and FHM being the other two), Stuff really hit a home run with this month’s phenomenal cover shot of “Dancing With The Stars” Stacy Keibler.

I may have to start watching the show.

Too much diversity?

Is there such a thing?

Two recent premieres got me thinking – if every show maxes out diversity, aren’t they just homogeneous?

Case #1

During the premiere of “Emily Reasons Why Not” (and what turned out to also be the series finale, a rare feat indeed), Heather Graham sat in a living room with two friends, a woman (who looked to be mixed race) and a black guy. (Note: I’m told that using the term “black” is okay again.) Heather’s character, Emily, is complaining about her love life. The girlfriend chimes in and, as the black guy is about to speak for the first time, I pause the recording and say to my wife, “I predict that, by the end of this guy’s first sentence, we will know he’s gay.” I push play and the guy makes a wisecrack to the effect that he “can’t choose the right guy.”

Case #2

On the premiere of “Love Monkey” (which shows promise, by the way) white lead character Tom has three friends: 1) his white brother-in-law 2) a white former pro athlete and 3) a rich black man. By the end of the show, we discover the former pro athlete is actually gay.

Now, I have no problem with diversity on television. America is a diverse country and television is beginning to represent that. My question is: when is enough enough? If you have ten shows about single people navigating the dating scene, and all of them have casts like the ones I described, aren’t they just homogeneous?

NBC cancels “The West Wing”

After a seven-year run, NBC has axed “The West Wing.” The show has been quite compelling this season, alternating between Jed Bartlett’s final year in office and the ongoing campaign to replace him. The series was set up nicely to transition to a new President, with either Democrat Matt Santos (Jimmy Smits) or Republican Arnold Vinnick (Alan Alda) taking over the lead role.

The cancellation leaves me scratching my head. I’m not sure how “Commander In Chief” can survive while “The West Wing” cannot. Don’t get me wrong, “Chief” is decent, but it isn’t on the same level as “The West Wing.”

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑