Author: John Paulsen (Page 67 of 79)

This is why I don’t go to the movies…

Let me tell you about my Saturday. Since we had a gift certifcate, my wife (Amy) and I thought we would go see a matinee of “Pirates of the Caribbean.” I know, I know…going to see a movie of this magnitude during its opening weekend maybe isn’t the best of ideas, and it’s fair to expect some adversity on the logistical side of things (parking, lines, popcorn, etc.), but I wasn’t remotely prepared for what was to come.

I should preface the rest of the story by saying that I live in Newport Beach, the bastion of conservatism in one of America’s most liberal states. As anyone who has seen an episode of “The O.C.” could probably tell you, there aren’t too many people going hungry. It is a beautiful beach city, but it’s also a city of opulence and decadence. Soccer moms drive their 2.3 kids around in their tricked-out Escalades, Expeditions or Excursions, while their husbands (or ex-husbands) tool around in their sports cars, usually Porsches or Mercedes. Their kids aren’t really held accountable, and some of those kids do make it to adulthood.

Back to the movies. After building my own home theater, the only place I’ll go to see the movies these days is the Big Newport 6, across from Fashion Island. It has a giant theater that never sells out and has one of the biggest screens in the state. We planned to get there early so we could get decent seats – here’s how it went:

3:10 PM – Arrive at theater for the 3:45 showing only to find a huge line stretching all the way to the trash area. We take our spot at the end of the line and endure the smell of waste for 20 minutes. Shortly after we get in line, a nice couple takes their place behind us and five middle school age boys (5MSAB) are behind them.

3:15 PM – The 5MSAB are loud and obnoxious and begin to (unintentionally, I think) creep up in line, skipping the nice couple behind us. At one point, I hear one of the 5MSAB say, in increasing volume, “Do you know how hard that is? (nobody listening) Do you know how hard that is? (nobody listening) Do you know how hard that is? (nobody listening) Do you know how hard that is?” Generally, if I say something twice and no one is listening, the moment has passed, but you have to respect the kid’s fortitude.

3:18 PM – The bumping begins. The 5MSAB are in a circle trying to entertain each other for the half hour of their day where they don’t have some external entertainment. Amy and I each get bumped into once as the kids sort of walk around each other to talk to one of their other friends. One of the kids is leaning on a green convertible Jag that’s parked near the line. I’m sure the owner would be happy to see that.

3:35 PM – The line starts to move. We move about twenty feet and stop. One of the kids bumps into Amy again. She’s an Assistant Principal, so she uses her AP voice and says, “Excuse me.” The kid backs off. At this point I’m wondering – where are their parents?

3:37 PM – The line continues to move, slowly. I can feel the group of kids behind me. They have no concept of space. It’s almost like they think that if they climb up our backs it will make the line move faster. Off to the left, out of line, I see a guy dancing around with headphones on, almost like one of those guys you see on the street corner holding a sign, advertising for some apartment complex, only this guy didn’t have a sign.

3:39 PM – Three of the 5MSAB run off to look at a poster for “The Grudge 2” and one of the remaining kids runs right into me. I think that it’s unintentional, because I heard him say “Sorry” three times as I threw him a “What the-?” when he hit me. A few moments later, as Amy is staring at him, he tries a fake smile on her (probably his get-out-of-jail-free card at home) but she just stares at him (with sunglasses on), expressionless.

3:40 PM – A twentysomething man cuts perpendicular to the line, steps over a limp theater rope and walks in the theater’s open side door. The Big Newport is actually a few separate buildings with some outdoor walkways, and as far as I can tell, this guy used the layout to his advantage to sneak into the theater. Apparently, if you act like you own the place, most people will believe that you do.

3:41 PM – Hooray! Two of the 5MSAB’s dads show up as we’re almost in the venue, explaining that it “takes a long time to park.” Only I dropped Amy off at the same time they dropped the 5MSAB off and I found a parking spot within 30 seconds, and there were plenty of other spots available. It’s much more likely that they were at the Irish bar next door downing a couple of beers while they waited for the line to start moving.

3:42 PM – I see that they have one guy taking tickets for the long line. He’s dressed in a suit so he is obviously the manager of the theater. Shouldn’t he know that the line would move faster if two (or more) people were taking tickets? There is a group of people off to the left that the Ticket Guy lets in every so often. We assume that these are people that have tickets to other shows. Headphone Guy is in the group! He stands next to the Ticket Guy for a few seconds and then he sees one of his friends inside (a girl) who opens the door for him. He starts to walk in and the Ticket Guy leaves his post, to retrieve Headphone Guy, who protests, saying that he paid “$16 for the ticket” and calling the Ticket Guy “a liar.” Considering that tickets for the matinee are $7, we wonder if the Ticket Guy has some sort of side deal going on where he charges extra and people can skip the line.

3:43 PM – Hooray! We’re finally in the theater! We skip the long popcorn line and go to find some seats. There weren’t any good seats in the middle section available, so we sit near the aisle in the side section. I’m annoyed that these are the best seats we can get after standing in line for almost 40 minutes. We sit down and “enjoy” the first part of “The 20,” which is the name for the 20 minutes of commercials leading up to the 15-20 minutes of the previews. Joy!

3:45 PM – Headphone Guy is a few rows ahead with a group of friends! I don’t know if I’m more surprised that he got in after calling the manager a liar or that he has a group of friends willing to tolerate his shenanigans. Chances are he’s the annoying brother. I hear him say, “I’m not sitting back here. I can’t even see. I’m going up front.” He then walks to the aisle, only to return to say, “Don’t you want to sit up there? All I’m saying is that you should get ready for a crook’d neck.” He threatens to leave a few more times and I lose interest, as his sibling/friends probably did, years ago.

3:50 PM – I realize that the previews should have started at 3:45, and that the movie is going to start late. I am hungry and I see that the picture is paused on the “Turn off your cell phones” screen, so I go out to stand in the popcorn line. Outside the theater, there is still a line to get in.

4:05 PM – I return to my seat, $5 small popcorn in hand, only to discover that the previews have just started, 20 minutes late. Great. A few rows ahead of me, a man is throwing a tantrum as he is getting kicked out of the venue, saying “I want the name of your manager. (no response) I want the name of your manager. (no response) I want the name of your manager. (no response)” as he walks up the aisle with a theater worker. You’ve got to respect the guy’s fortitude.

4:08 PM – The Angry Man returns to gather his family. He says to his wife, “They’re kicking me out because of something you said. Come on, we’re leaving.” The family gets up and one of the theater workers says something to the Angry Man, and he yells, “Don’t ‘sir’ me. You didn’t have to act like that.” As he walks up the aisle, someone in the audience says, “Don’t yell.” His reply? “Screw you.” Nice.

4:10 PM – Watching a preview of “Talladega Nights: The Ballad of Ricky Bobby,” I must witness every single funny moment in the movie, effectively ruining it for me. I hate trailers that give away too much.

4:20 PM – A few too-detailed trailers later, the movie finally starts. I know it has a runtime of 2:30, and I’ve already been in my seat for almost 40 minutes and in line 40 minutes before that. Joy!

5:20 PM – After what feels like two hours, I ask Amy what time it is, dismayed at her answer. It’s only been an hour.

5:50 PM – I get hit in the head with a gummi bear.

6:50 PM – The movie ends. As people storm out of the theater, Amy and I marvel at how much trash everyone leaves behind. One lady next to us left about 40 separate candy wrappers on the ground beneath her seat. Looking at the rows around us, I’d estimate that 95% of the patrons just left their empty popcorn baskets and soda cups for the theater people to pick up. I grew up in Wisconsin, and that number is probably closer to 30% there. I was always taught to clean up after myself, but apparently my counterparts in Newport Beach were not.

I realize that this why the movie had to start late. It must take forever to clean the theater between showings, but had the previous group of people disposed of even half of their own trash, the process would have been a lot smoother. Sure, the theater is mostly to blame – they could do any number of things to make movie-going more enjoyable. Why don’t they use multiple ticket takers? Why don’t they get inventive, and have people selling popcorn and soda inside the theater like ballparks do? (I suppose the mad rush followed by two hours of dead time would make staffing such a business model difficult.) Why don’t they make an announcement before (and after) the show, asking everyone to take their trash with them? Certainly, that would guilt a certain percentage into cleaning up after themselves.

So, at 6:55, four hours after we left for the theater, we finally leave it. I can’t wait until the movie industry figures out a way to profitably deliver first-run movies to the home. I’d happily pay $10 to use my own equipment to watch a movie when it premieres.

Until then, no more opening weekends at the theater for me.

“Saved” built on successful template

TNT’s new drama, “Saved,” stars Tom Everett Scott (best known as the drummer in “That Thing You Do!”) as Wyatt Cole, a troubled paramedic with daddy issues. The character is not dissimilar to Meredith Grey of “Grey’s Anatomy.” Both have parents that are/were successful surgeons and both are coming to grips with the legacy they’ll leave in the medical world. Wyatt went to medical school for two years and his father insists that he return to finish, while it seems that Wyatt has decided the last thing he wants to do is please his father. Much like Meredith, Wyatt has a complicated history with a doctor, Alice Alden (played by Elizabeth Reaser), who is on the verge of committing to a relationship with another ER doc, but her attraction to Wyatt is holding things up.

Unlike “Grey’s,” “Saved” doesn’t have the tedious voice-overs and the “what lesson did we learn this week?” moments. Wyatt is a compulsive gambler, and while his dealings with the gay mafia are a bit odd, the show is grittier than its counterpart. Scott has good chemistry with Omari Hardwick, who plays his partner, John Hallon. Hallon has his own problems – he’s a recovering alcoholic who is just starting to become a father to his 8 year-old son, after being absent for most of his life.

Wyatt’s whimsical nature carries the show, and the rest of the characters play off of it well. It’s clear that the attraction between he and Alice is going to continue for the duration of the season, while he and his father continue to battle over Wyatt’s future. “Saved” isn’t must-see TV, but it’s solid viewing, especially for the summer. Along with “The Closer,” TNT has found a niche and is filling it well.

Nobody puts Swearengen in a corner

Deadwood Al Swearengen

During Al’s BJ philosophy, we found out a little about his past, and how he doesn’t like to be restrained. After being held down and losing a finger at Hearst’s hand, he’s having difficulty swallowing (no pun intended) the magnate’s offer to leave and let Al and Sy handle his affairs in Deadwood. As it stands, it looks like Hearst will leave peacefully – but what will he have Al do?

It was a big day in the camp as Alma opened up its first bank, with Trixie as its teller. Appropriately, this episode featured two real estate transactions. The first between Hostetler, who brought back the horse that killed Bullock’s child, and Steve, who had been tending to the stables in Hostetler’s absence. Steve is none too happy with Hostetler for abandoning the stock, and had a great rant in Tom’s saloon. Despite Steve’s attitude, Hostetler has agreed to sell him the stables as he was planning to move to Oregon anyway. Bullock has acted as a go-between in this arrangement, probably because he does not want any additional loss of life due to the accident involving his son. The deal is not complete yet, so it will be interesting to see if it can go off without a hitch. When we left them, Hostetler and Steve couldn’t agree on who would sign the title first, so I have my doubts.

Al’s friend, Jack, offered to buy Joanie’s building (currently the camp’s school) for use as a theater for his troupe. When she said it wasn’t for sale, he asked, “Perhaps you’d consider renting.” Her reply: “Perhaps you’d consider f*cking yourself.” You’ve gotta love that Joanie. She went to Charlie for advice, revealing that her biggest concern was that the schoolchildren have a place to learn. Charlie suggested that she ask Jack to build a new school as part of the transaction. Joanie trusts Charlie and I think this interaction is an indicator of how their relationship is going to grow over the final season.

Deathwatch: George Hearst

I can’t imagine that George Hearst is long for Deadwood. His enemies seem to be growing by the day, while he only requires the protection of a single bodyguard. What’s stopping someone from sticking a knife into his heart at one of these meetings he’s so fond of having? Ellsworth hates him. Bullock hates him. Swearengen hates him. Cy hates him, and he has to work for him. So who will kill him? The odds are that Swearengen or Cy will do the deed, but something tells me that it will be one of the more honorable types that will take Hearst down.

My head is spinning from all of the subtext in the show’s dialogue. These people continue to speak politely to each other while there is thunderous anger under the surface. Take, for instance, Alma’s first meeting with Hearst. Ellsworth can’t stand the man, and can’t keep his emotions in check. Alma is embarrassed and she and Hearst continue to speak politely to each other, ignoring Ellsworth’s ramblings. In their next meeting – this one without poor Ellsworth – Hearst’s anger at Alma’s financial proposal was palpable. He told her he was offended, insulted her and then threatened her, all without any overt action. Moments later, when Bullock sees Alma in the thoroughfare, he knows – just from Alma’s expression – how her meeting with Hearst went. Creator David Milch had a similar writing success with “NYPD Blue” – you just knew how Andy Sipowicz was going to react towards any given situation. The subtext on “Deadwood” is just as dense, if not more.

Brian Cox joined the cast tonight, playing a character with a long history with Swearengen. This promises to be an interesting on-screen relationship as Cox is built for this type of supporting role. As far as I can tell, his character came into camp independently of Hearst’s group, so he might be a bit of a wild card.

Also, one observation of Trixie: she seems to be in Al’s pocket, but her interactions with Sol Star indicate that her feelings for him run deeper than she lets on. How she comes to terms with this should be one of the more compelling storylines of this, the final season. I also hope that Joanie and Jane have more of an impact on the camp’s happenings in the weeks ahead.

HBO’s new shows

“Lucky Louie” features comedian Louis C.K. playing Louie (big stretch), a muffler shop worker who struggles to be a good husband and father. The half-hour sitcom is shot in three-camera format in front of a studio audience, which is kind of an old-school way of shooting as compared to HBO’s one-camera hits, “Curb Your Enthusiasm” and “Entourage.” Predictably, the show deals with subject matter too “inappropriate” for network television – in the premiere, Louie’s masturbation habits took up much of the half hour. It’s strange to see that type of topic dealt with in front of a studio audience, so it’s a bit of an adjustment to watch the show. So far, the performances are a bit rough, but that’s to be expected to some extent from any new series recorded live. The terrific Pamela S. Adlon plays Louie’s wife. Adlon has been in a ton of stuff, usually playing the role of “sassy friend,” but she’s also known as the voice of Bobby Hill on “King of the Hill.” Comedian Jim Norton appears as Rich, one of Louie’s work friends, but so far, he hasn’t been given much to do. Through the first two episodes, the show has been mediocre, but it’s better than most three-camera sitcoms on network television. I’m not a big fan of the format, so I’m somewhat jaded.

“Dane Cook’s Tourgasm” follows – you guessed it – Dane Cook as he tours the country with three other comedians: Gary Gulman, Robert Kelly and Jay Davis. You might know Gulman as the “cookie guy” from “Last Comic Standing.” This is a reality show that focuses on the interaction between the comics during their travels as well as bits and pieces of the foursome’s standup routines. The group occasionally stops for an excursion (horseback riding, wall climbing, etc.) in order to expose the comedians to experiences they wouldn’t have otherwise attempted. For instance, Gulman had a run-in with an anti-Semitic horse. Of course, Cook is the star of the show, but he’s not always trying to entertain. There are times when he’s forced to mediate a conflict, such as the ball-busting gone bad between Kelly and Davis. Davis is a sensitive guy and he felt Kelly went too far with some needling after the group’s sound check. It actually got to the point where Cook had to console Davis, who was literally crying in his bed on the tour bus. That’s some heavy, uncomfortable stuff – but it’s oddly compelling. Comics are some of the world’s most tortured souls, so it’s interesting to see some of the scars behind their personas.

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