Author: David Medsker (Page 23 of 65)

What Else Ya Got? “Get Smart”

Welcome to a new installment we like to call “What Else Ya Got?” The market of home video is about much, much more than just owning your favorite movie these days; if a studio skimps on the bonus features – “What do you mean Alfred Hitchcock wasn’t available to do an audio commentary?” – some view it as nothing short of ripping off the customer, as if owning the movie were suddenly beside the point. We find this phenomenon amusing, but we also understand it; it’s what kept this writer from running out to buy either “Kill Bill” movie when they were released. Years later, he’s still waiting for the combo set that features Quentin Tarantino’s cut of both volumes together.

Our inaugural subject for What Else Ya Got? is “Get Smart,” Peter Segal’s high-octane reboot of Maxwell Smart’s Agent 86. Let’s get to it, shall we?

Disc One
There are two versions of the movie; the theatrical release, and the “Get Smart Takes” version, which has over 20 minutes of added jokes, alternate takes, etc. When a guy like Steve Carell is your lead, there is surely some comedy gold on the cutting room floor, so it makes sense that they would include a feature like this. The problem is that the only way of seeing these features is to watch the entire movie, meaning you’ll need two hours and ten minutes to watch 20 minutes of funny. Why they didn’t include the alternate jokes as a stand-alone piece is a mystery.

Disc Two
“The Right Agent for the Job”

This is a making-of featurette featuring interviews with Carell, Anne Hathaway, Dwayne Johnson director Segal and the movie’s producers, and includes screen tests between Carell and Hathaway, where they realized that the two had incredible chemistry.

“Man in Moscow”
A quick featurette about shooting in Red Square, which features Hathaway again sparring deftly with Carell.

“Language Lessons”
Steve Carell pretending to speak French, Italian, German, and sign language

“Spy Confidential”
A quick gag reel.

“Spying on Get Smart’s Bruce and Lloyd Out of Control”
Shameless plug for the straight-to-DVD release featuring Masi Oka and Nate Torrence, the gadget makers at CONTROL. But hey, the movie also features the lovely Jayma Mays, so perhaps it’s worth a look.

There is also a digital copy of the movie on Disc Two.

That’s it, kids. We’ll see you soon, covering something other than “Meet Dave,” which has one, count it, one featurette. And a lame one at that. But hey, can you blame them? The movie stunk on ice, and made about six bucks at the box office.

Terminator: The Sarah Connor Chronicles 2.6 – There must be something we can talk about

That sound of merriment you hear is the cast and crew of “Terminator: The Sarah Connor Chronicles” doing a happy dance upon receiving the news that their season has been extended by nine more episodes. If we’re lucky – and the producers are smart – they will take whatever episode they’re working on right now and make it the most ass-kicking, sexiest episode they’ve done to date. They seem to think they have all the time in the world to tell their story. They don’t. Give up the goods, or the machines win, and you don’t live to see Season Three.

John and Sarah uncover a name on Skynet’s hit list, and when they find him, they discover that…he’s a child psychologist. Why Skynet would want him is unclear, but Catherine Weaver could sure use his help, since daughter Savannah is scared to death of her “mother.” Curiously, they put John and Catherine in the same building in this episode, which makes me wonder: if she had made eye contact with him, would her CPU have told her to kill him? Catherine hasn’t shown the slightest interest in the whereabouts of the Connors yet. Does she know of them? She must, right?

Either way, the scene of Catherine doing a photo shoot was money. “Turn your head a quarter inch.” Whizz. “Perfect. Now another half inch.” Whizz. The way her face fell after the photographer gave up on trying to get a warmer smile from her was priceless – as was the therapist’s diagnosis of Cameron as having Asperger Syndrome – and her attempts to show warmth to Savannah were great in how difficult it is for her to show emotion in a convincing manner, which made it even sweeter that her pet AI project is starting to show some human tendencies as well, ignoring its task to throw riddles at the programmers. Catherine brings the therapist on board to consult with her “child” AI project, which now makes it unclear whether they wanted to kill the therapist (since he’s trying to help both John and Sarah with their issues) or use him to get their pet project off the ground. I’m sure we won’t see him again for another month, if we see him again at all.

“You want to know why I traveled back in time? Indoor plumbing. I haven’t taken a real shower in years.” Continue reading »

Jeffrey Ross: No Offense: Live from New Jersey

Comedy Central’s roastmaster extraordinaire headlines his first show in his home state of New Jersey, and on “No Offense,” the audience provides almost as many laughs as the comic they’re paying to see. Ross is easily at his best when dissecting the audience, and the audience gives him plenty of ammo with their choice of dress alone. (Word of advice: don’t wear flip flops to a Ross show.) The rehearsed material is cute but predictable; the roast-like bits, naturally, are much better, but the show’s highlight is when Ross invites two members of the audience to accompany him on piano while he reads “poetry.” Each of them lets loose with a zinger that produces as big a laugh as anything in Ross’ act. Being an insult comic is a slippery slope – ask Lisa Lampanelli, whose last album veered dangerously close to Andrew Dice Clay-ish desperation – and while Ross hasn’t quite figured out the right balance of stand-up and put-down, he’s close.

Click to buy “Jeffrey Ross: No Offense: Live from New Jersey”

“Watership Down,” or why it’s all right to scare the Bejeezus out of your kids once in a while

I saw “Watership Down” in the theaters as a little kid, and I remember being both fascinated and utterly terrified by it. In the animated adaptation of Richard Adams’ journey of a small group of rabbits looking for a new place to call home, death isn’t just a hazard – it’s a major character. Death, known as the Black Rabbit of Inlé in the movie, leads the prophetic Fiver to his injured brother Hazel, while Art Garfunkel’s “Bright Eyes” plays in the background. It is one of the most beautiful yet saddest things I’ve ever seen in an animated movie. All I knew about death as a child is that I was afraid of it, and while that sequence completely freaked me out, it also left an indelible mark in my memory that continues to this day.

Of course, if they made this movie now, that scene, and a lot of other scenes from the 1978 original, would never see the light of day.

Now, let’s be clear about something: the people responsible for animated movies today are making some exemplary work. The Pixar movies are as good as (and often better than) anything coming out of Hollywood today (though yours truly was not terribly fond of “Cars”), and while they will occasionally venture into themes that some parents might consider too intense for their kids – the barracuda and shark scenes in “Finding Nemo,” for example – the movies are primarily safe as kittens. There is no death, no bloodshed, and there certainly is no bargaining with God, or Frith, or whatever deity is worshiped in a movie’s universe. I shudder to think what would become of Old Yeller if they remade it today. He would probably be saved by some mystical Indian vaccine that cures his rabies.

I may have been freaked out by “Watership Down” at the time, but when it ended, I felt like I had grown up a little. (Needless to say, I was thrilled to see Warner Bros. recently reissue the movie on DVD.) Yes, it’s occasionally scary, but isn’t that the point once in a while? My generation saw this and many other movies like it, and we turned out fine. The kids today are even smarter and savvier than we were, and in return, we’re wrapping them in plastic so, as Marlin says to Crush in “Nemo,” nothing happens to them. Crush’s response is something that all parents today would be wise to consider: if you don’t let anything happen to your kids, then nothing will happen to them. That’s a far worse fate than sheltering them from the Black Rabbit of Inlé. Show “Watership Down” to the 10-year-old in your life. They’ll be better off because of it.

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