Author: Bob Westal (Page 85 of 265)

Writer guy Bob Westal was literally born in Hollywood and has commented on the worlds of movies, popular culture, politics, and food ever since. His interest in cocktails is more recent, but he made up for lost time with hundreds of “Drink of the Week” blog posts for Bullz-Eye. In addition to writing and editing, Bob also talks a lot.

Press Conference for “Schmucks”

For those of us who enjoy contemplating the historical and political currents that run through film history, it’s tempting to look at the latest comedy from director Jay Roach (“Austin Powers,” “Meet the Parents,” “Recount”) as a possible reflection of American discomfort at the brutal nature of business and the growing disparities between the wealthy and the increasingly lumpen middle-class. However, when you’re talking about a movie that ends with a confrontation between a good idiot (Steve Carell) who designs amazing dioramas using dead mice and an evil idiot (Zach Galifianakis) with the power of mind control, but only over other idiots, that may be taking things a little seriously.

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Opening this Friday, “Dinner for Schmucks” borrows its premise and some of its plot from Frances Veber’s 1998 “The Dinner Game.” Paul Rudd co-stars as Barry, a rising L.A. executive who finds that entering his company’s upper echelon will mean participating in a competitive Dinner for Winners. All the guests are to bring an extraordinary person who has been unrecognized by society — in other words, a dithering idiot. The winner of the nasty game is the one whose guest is the most amusingly stupid.

Barry is initially appalled by the idea and assures Julie (Stephanie Szostak), his horrified art curator girlfriend, he’ll have nothing to do with it. On the other hand, he needs to pay for his Porsche and his absurdly large apartment at West Hollywood’s Sunset Tower Hotel (in real life, you’d need a billionaire’s wealth to afford that). It’s a choice between being nice and being unemployed and in debt. Then the fates seem to reward him when, driving through a quainted-up version of Westwood Village, he nearly runs over Tim Wagner (Carell), a clueless IRS employee and ultra-naive artist committed to his “mousterpieces.” Wagner, of course, turns out to be a goodhearted type whose attempts to help his new friend backfire in increasingly absurd ways. Fortunately, most of them are funny, particularly thanks to some outstanding and often completely unhinged supporting performances from Zach Galifianakis and Jemaine Clement of “Flight of the Conchords” as an absurdly pretentious and untalented, but hugely successful, artist on the make for Barry’s increasingly angry girlfriend and all other attractive women on the planet.

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“Dinner for Schmucks” isn’t going to electrify cinephiles or become a staple of screenwriting seminars, but a couple of weeks back it had proven itself to be a very effective laugh-getting machine at a West L.A. screening. Therefore, full of a free breakfast, a selection of journos were in a pretty good mood for a morning press conference at the Beverly Hilton with a number of funny and/or talented people, including stars Carell and Rudd, supporting bad guys Bruce Greenwood (“Star Trek“) and Ron Livingston (“Office Space“) as well as director Roach and writers David Guion and Michael Handelman, who are about to become directors themselves with the film version of the BBC comedy, “Cruise of the Gods.”

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Hurried and harried midweek movie news

I’m blogging tonight from the Gower Gulch Starbucks, right in the heart of deepest darkest Hollywood, and as I said in the post right below this, seriously pressed for time tonight. A bunch of work still to be done ,a studio screening, plus a bunch of other stuff that won’t interest you. Also, there’s a guy behind me conducting an impromptu revival service for an audience of none, which is a little distracting.

So, that Comic-Con thumb-sucker will just have to wait as I present only a few selected items of movie news to nourish your spirits.

* Speaking of Comic-Con, in terms of innovation, influence, and ability to tell a simple story very well, Will Eisner was pretty much the D.W. Griffith, John Ford, and Billy Wilder of comic books all rolled into one, but few people who aren’t serious comics fans even know his name. 2008’s despicable “The Spirit” most certainly did not help with his memory or in terms of encouraging a younger generation to check out his work. (I’m glad the movie did horribly because if kids had liked the hyperviolent and mean-spirited film, they would have had no time for the humanistic original.).

Now, via /Film’s Russ Fischer, we hear that an appropriately low budget/indie film version of Eisner’s groundbreaking non-genre comic, “A Contract with God,” is in the works. Among other points of interest, it was the book that caused Eisner to come up with the term “graphic novel” when he was led to believe the publisher wouldn’t want to be involved with a mere “comic book.” Ironically enough, it’s actually a collection of related short stories and the term “graphic novel” actually may predate the incident, so Fischer isn’t  wrong when he says it’s not the first graphic novel. I truly hope this turns out well and makes everyone forget that other movie. It was nice that this was announced at the awards named for Eisner, who died in 2005, at Comic-Con.

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* In the here-we-go-again file, it looks like Terry Gilliam’s “The Man Who Killed Don Quixote” is being delayed for the millionth time, says the Playlist. And check out that graphic making Gilliam look a bit like a certain Mr. Orson Welles, who also struggled for years to make his vision of Cervantes’ classic delusional non-knight-errant.

* Another Deadline story: Kudos to writer Phil Johnston and Zack Galifianakis for taking on the deadly scourge that is the “Reply All” button. The children must be warned.

* The Jack Sparrow comparison will come easily to many with news of Russell Brand’s possible swashbuckling debut, but any excuse for swordfighting comedies that might actually be good works for me. (Actually, the character as described reminds me more than a bit of George MacDonald Fraser’s “Royal Flash,” portrayed by a young Malcolm McDowell. Never read the book(s) or saw the movie, but since it was directed by the great Richard Lester, I really need to.)

A midweek trailer: “Titanic 2,” seriously

I’m blogging away from home. I’m seriously pressed for time and left my headphones (also my cell phone!) back at the ol’ O.C. homestead, so I’m going to have to take it on faith that the trailer below is no spoof, but an authentic cheapo knockoff that reminds us that you can’t copyright titles or lay exclusive claim to a particular piece of history. Enjoy.


Titanic II – Trailer
Uploaded by dreadcentral. – Full seasons and entire episodes online.

H/t Cinematical.

RIP Maury Chaykin

Via David Hudson comes the news that this great Canadian character actor, who I bumped into once or twice in Hollywood, has passed on very sadly on 61st birthday.

I had planned to do something longer tonight, but that can wait. Right now, Mr. Chaykin’s most high profile moment. Say what you like about “Dances with Wolves,” Maury Chaykin was the man for Major Fambrough — and many other — great parts.

“Let Me In” — the red band trailer

Don’t get too excited, it’ s just a touch more violent and scary than the green band trailer which has been circulating the last day or so. In fact, I swear I’ve seen green banders scarier and more violent than this.

In any case, assuming “Let Me In” doesn’t stray too far from the excellent prior film version of John Ajvide Lindqvist’s novel, “Let the Right One In,” and it looks pretty similar, this will not be a mega-gorefest, at least save for a few very crucial moments. Take a look.

The general consensus on this is that it doesn’t look bad. It doesn’t, but will it justify its existence beyond being the movie that people who refuse to read subtitles will watch? Working with a script by the very talented TV veteran Drew Goddard on “Cloverfield,” director Matt Reeves left me partially cold. How much better — or worse — will he do with his script? Only one way to find out.

H/t Filmofilia.

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