Author: Bob Westal (Page 44 of 265)

First-time feature directors — especially when they’re essentially financing their films — tend to make low-key stories without much in the way of action. Often, they are offbeat romances or perhaps something about a bunch of guys in their teens or late twenties avoiding the responsibilities of adulthood. Directors who emerge from the world of commercials often wind-up making movies that rely on flashy visuals and employ the worst kind of ADHD editorial approach. To his everlasting credit, Patrick Hughes, a first-time self-financing feature director with a background in commercials, did none of those things in his first feature, “Red Hill,” an often violent suspense tale with elements of classic westerns, monster films, and a strong sense of its Australian heritage.

Its star, Ryan Kwanten, is by far best known as Jason Stackhouse of “True Blood,” an occasionally likable dim-bulb of a character who would pretty much be nothing if it weren’t for his athletic good looks and sexual prowess. But Kwanten as an actor is certainly no mere boy-toy, even if he remains a favorite of young female fans and looks about a decade younger than his actual age (he’ll be 34 later this month). As the rather archly named Shane Cooper, the earnest, violence-averse policeman hero of “Red Hill,” he must be believable dealing with the rampage of revenge waged by an Aboriginal escaped convict (Tommy Lewis) while protecting his loving and pregnant wife (Claire van der Boom), dealing with the barbs of his taskmaster of a new boss (Steve Bisley), and spending a good chunk of the movie marinating in his own blood and believably fighting on. If that isn’t proof that Kwanten is, you know, a real actor, his next non-“True Blood” role appears to be as Charles Manson.

I met with voluble writer-director Hughes and actor Kwanten – who, as befits this film’s low budget provenance, come across as remarkably down-to-earth in person – during a press day held at Strand Releasing’s east Culver City office. A short time later, Kwanten would be chatting telephonically for a solo interview with my colleague, Will Harris, who’d be concentrating on his career, definitely including “True Blood.” No prima dona, and you’ll see just what I mean by that later in the interview, he was fine with surrendering some of the spotlight to director Hughes, who kind of dominates the discussion during the first half of this interview. However, do not fear, Kwantenites: we do hear from the very talented actor starting just past this interview’s halfway point, as he discusses crucial matters of blood, guts, and pig poo.

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