Author: Bob Westal (Page 206 of 265)

Writer guy Bob Westal was literally born in Hollywood and has commented on the worlds of movies, popular culture, politics, and food ever since. His interest in cocktails is more recent, but he made up for lost time with hundreds of “Drink of the Week” blog posts for Bullz-Eye. In addition to writing and editing, Bob also talks a lot.

Michael Jackson – This is It

The trailer for “This is It” premiered during the VMA awards Sunday and has been circulating since. The movie will be released for two weeks only, starting on October 28 and tickets willl go on sale an entire month early. It will consist of rehearsal and documentary footage primarily recorded at two Los Angeles area indoor stadiums (The Forum in Inglewood and the Staples Center downtown) documenting the preparations for Michael Jackson’s planned series of extravagant, Cirque du Soliel-style shows in London.

Michael Jackson’s This Is It

This trailer is cut way too fast for my taste and I feel almost certain the movie will be on the maudlin side, but I have to say that the footage of the actual show I’ve seen so far has surprised and impressed me. I had made some incorrect assumptions about where Jackson was creatively. Even if new music apparently eluded him since 2001, his dancing and sense of showmanship seems to have been more than intact in the days prior to his death.

Overall, not the best day in the world

I’ve been just a bit distracted and sleepy today and didn’t even hear about Kanye West’s little display at the VMA’s last night until just now. Of course, I’m strictly a movie blogger, more or less, so I don’t have to weigh in on — or even watch — last night’s no doubt mega-embarrassing spectacle. A small mercy.  Also, as I started to write this, we got the very sad news of the passing of film and television star Patrick Swayze from pancreatic cancer. Just below this post, Will Harris remembers him in high style.

Fortunately, not everything going on today is as really bad or really sad. Still, because I’m an irresponsible member of the media, I’m going to lead with the bad.

Megan Fox in * In political blogging, it’s common to refer to something called Godwin’s Law. The original version simply held that the longer an online discussion went on, the greater the possibility, or near certainty, that someone would invoke Hitler or Nazis. Over time, however, it’s use has extended and inapt Nazi/Hitler comparisons are held up for ridicule on Godwin grounds. Quoth the Wikipidians:

Godwin’s Law applies especially to inappropriate, inordinate, or hyperbolic comparisons…Whether it applies to humorous use or references to oneself is open to interpretation, since this would not be a fallacious attack against a debate opponent.

Well, I don’t think she was being particularly humorous (I guess you could call that the “Soup Nazi exception”), so I have to say that Megan Fox was definitely somewhere in Godwin’s Law territory when she compared controversial blockbuster director Michael Bay to, yes, Hitler last week. Now, I’m anything but a Michael Bay admirer, but on his long list of unfortunate qualities as a public figure, “genocidal mad man” simply isn’t there. He belongs in movie jail, not the Hague.

Anyhow, that would have been the end of it, but unnamed members of Michael Bay’s crew have, for whatever reason, gotten into the act and have written an unnecessary but nevertheless rather hilarious attack on Ms. Fox, which you can read all of over at Nikki Finke’s place. Apparently wanting to keep the peace with Fox, Michael Bay has gotten into the act to distance himself from the crew comments. He refers to Megan Fox’s “crazy quips.” I don’t think he understands what the word “quip” actually means. I guess he belongs in word usage jail, also.

Christoph Waltz in * Casting stories can get tedious, but awhile back I made a big deal about the casting of Taiwanese singer-kick-butt martial artist Jay Chou in Seth Rogen’s upcoming “The Green Hornet.” Now, the movie is starting to look even more fun with the placement of Christoph Waltz in the role of the bad guy. Waltz, of course, is the multilingual German TV actor turned international flavor of the month with his universally lauded, thoroughly enjoyable performance as the “Jew Hunter,” Col. Hans Landa, in “Inglourious Basterds.”

Not since Alan Rickman damn near stole “Die Hard” from Bruce Willis has a previously unknown actor playing a villain — particularly a more or less completely unredeemable villain — gotten anything resembling this kind of attention. Even Rickman didn’t get anywhere near this much praise, as important as he was to the massive success of that borderline-classic action flick.

It’s safe to say we’ll be hearing from Waltz a lot. I just hope he can find some really good leading man roles, too. If anyone deserves to suddenly become a full-on international superstar at age 52, he might be the guy.

* I’ve been guilty of ignoring the Toronto International Film Festival (aka TIFF). The favorite major festival of geeky cinephiles (a rep that was perhaps harmed slightly by a kerfluffle this year over blogger press credentials) is now well underway. The high profile films this year include Jason Reitman’s “Up in the Air” which wowed ’em at the Telluride Film Festival just a few days back, and the Coen brothers’ “A Serious Man.Anne Thompson and Karina Longworth are covering their ends of the festival very nicely.

Mad Men 3.5 – You can’t kill an idea (updated)

First, I have to comment on the irony that real-life father Will Harris is busy documenting tonight’s season finale of “True Blood,” while non-family guy me gets to write-up the episode where Don and Betty Draper finally have their third child.

Of course, that’s only one of the key events on tonight’s show. We also witness a financial squeeze from the new British overlords of Sterling Cooper while a mercenary variation of civil rights awareness descends on Pete Campbell. Also, Herman “Duck” Phillips returns to attack from the outside and prompts some proactive behavior from cash-deficient Peggy Olson.

peggy-ep5

****

“The Fog” opens as Don and the extremely pregnant Betty have a conference with Sally’s teacher prompted by a nasty fight with a schoolmate. Betty’s revelation of the sudden passing of Grandpa Gene last episode, however, causes the teacher to become upset and cut the meeting short. She mentions, however, that the death might explain Sally’s unusual interest in the murder of African-American civil rights leader Medger Evers.

Things aren’t too smooth at work, either. Don walks in late to a meeting in which Sal Romano is being grilled about the details of his expense account on his and Don’s nearly fateful trip a couple of episodes back. When he realizes that British honcho Lane Pryce is going to be discussing excess spending on pencils, he leaves abruptly. Later, Pryce appears in his office and, after some brief snippiness, complains about people drinking at work — reasonable enough by today’s standards. Don responds that creative people tend to be nonproductive, until they are productive, which is equally reasonable to anyone who knows anything about creative people.

Don pours a couple of Scotches and suggests a more proactive stance towards making money by working with Bert Cooper and Roger Sterling, rather than harming morale by cutting back on expense accounts. The meeting ends on a surprisingly cordial note.

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The Duke and the Dude

An item about a possible casting choice I missed last week, as per Cinematical’s Elisabeth Rappe:

At first glance, [Jeff] Bridges seems a pretty offbeat choice for Rooster Cogburn [in the Coen Brother’s planned remake of 1969’s “True Grit“]. But having just rewatched the John Wayne original last week, I think it might just be casting heaven. Rooster is a killer, but he’s also a fall down drunk, full of sarcastic quips, and surprisingly tender-hearted.

Why not? Bridges is, after all, an actor even if he’s rarely played someone you could call a bad-ass. Below, a comparison –and since the second video is from “The Big Lebowski” you can safely trust that it is NSFW for language, including an ethnic epithet along with a world of painful f-bombs.

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