Spoofs of reality television have become almost as ubiquitous as reality television itself these days, and fake documentary films are certainly not in short supply, but writer-director Daniel Minahan‘s 2001 dark comedic thriller Series 7: The Contenders is one of the best of both. Released before the rise of Arrested Development star Will Arnett, who provides the voice-over of the film’s fictional reality show, Series 7 benefits from its largely unknown cast in that, as unlikely as its central premise is, it often feels all too real. The film is wickedly funny, but simultaneously disturbing in its depiction of the ruthlessness of human nature, especially when a great deal of money or fame is involved.

Series 7 concerns the familiar idea of a game in which human beings hunt each other for sport. Beginning with Richard Connell’s 1924 story, The Most Dangerous Game, this concept has gone through a number of incarnations, most recently in the Japanese cult favorite Battle Royale and the immensely popular The Hunger Games. What sets Series 7 apart most of all is its relentless dark humor; for example, after blowing away a fellow competitor in a convenience store, the film’s protagonist, Dawn (Brooke Smith, best known as Buffalo Bill’s captive, Catherine Martin, in The Silence of the Lambs), calmly asks the clerk, “Hey, you got any bean dip?”

Dawn is the crowd favorite, having won the two previous seasons in a row (contestants are granted their freedom if they win three in a row) and being eight months pregnant. She is now presumably trying to win her freedom and her life in order to care for her baby once it is born, but the skills she has honed in the previous two seasons show in her apparent relish for the sport. As the film begins, she is seen stalking the other contestants and calling them on the phone in an attempt to psyche them out and make them easier prey. Other contestants include Dawn’s high school boyfriend, Jeff (Glenn Fitzgerald), which indicates that the supposedly random selection process is rigged; Lindsay (Merritt Wever), a perky high school student who has just turned 18, making her legal fair game for the show; and Connie (Marylouise Burke), a seemingly sweet, middle-aged nurse who proves to be the most fascinating and terrifying character in the film.

Though Series 7 frustratingly lacks a larger worldview to explain some of its more questionable conceptual leaps of faith – particularly the circumstances that led to the government’s sanctioning of the show’s selection process – its commitment to accurately recreating the look and feel of reality television pays off enormously. The undeniable entertainment value of the series makes for extremely effective satire, especially in the film’s ending, which is too viciously brilliant to spoil here.

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