Month: February 2009 (Page 12 of 23)

Is Joaquin Phoenix faking it?

Joaquin Phoenix has created quite a stir with his bizzare appearance on the David Letterman Show last week. Was this real? Is he really quitting acting to pursue a career as a rapper, or might this be an elaborate hoax?

Chris Willman offers some interesting observations about Phoenix and the rumored hoax.

What to make, then, of the grainy video footage of this erstwhile perfectionist stumbling around on stage in Las Vegas, kicking off his supposed new career as a rapper? Of the announcement that he was retiring from movies to achieve new levels of excellence in his true calling, hip-hop? The documentary cameras tracking his every suddenly awkward move? Even if Phoenix never previously seemed like Mr. Levity, it seemed easy enough — to me, anyway — to write off his intentions to be the new Eminem (or Everlast) as a very elaborate gag. But after his appearance as a heavily bearded, disheveled catatonic on Letterman Wednesday night, which ended with the host invoking Farrah Fawcett as a comparatively more lucid guest, the stakes suddenly got higher. Columnists and bloggers predicted the end of Phoenix’s career, even if he should abandon hippity-hop and come crawling back to movies. Fans and detractors lamented his transformation from the potential Brando of his generation into the poster child for “just say no” (to drugs, Vanilla Ice, or both). Half the viewers thought the standoff with Dave was hilarious, and half deeply sad, but in either case, most figured the laughs or tears were on Phoenix.

Which makes this potentially one of the greatest performances any modern actor has ever given — or at least one of the most baldly courageous. The closest comparison would have to be Andy Kaufman’s utter commitment to his obnoxious Tony Clifton persona, but Phoenix is going Kaufman one braver here, by not slapping a fake name on the alter ego bur rather inviting the audience to mistake his damaged doppelganger for himself, over an indeterminate length of time that could leave his “real” career hanging in limbo. There is an end in sight: Phoenix’s pal Casey Affleck is shooting all this for what insiders presume is a mockumentary about the breakdown of a burned-out actor. The risk, of course, is how lame it might turn out to be if Phoenix and Affleck remove the masks and say “just kidding” when it’s time for their film to finally come out. My hunch is that if they’re taking it this far — and watching Letterman, it was clear that Phoenix is in deep, deep, deep cover — they might take it all the way into and past the premiere and continue insisting that Phoenix’s actorly dissolution was legit.

The entire article is worth a read.

Greetings to the New Show: “Eastbound and Down”

I’ve never actually seen “The Foot Fist Way,” the motion picture which really served to bring Danny McBride to prominence (he wrote and starred in the film), but when a review written by someone whose opinion you trust opens with the lines, “The first 30 minutes of ‘The Foot Fist Way’ are as intolerable as anything released in the last ten years,” it’s the kind of sentiment that keeps a movie from working its way up the hierarchy of your Netflix queue. I have, however, seen and loved “Tropic Thunder,” and I’ve heard a lot of good things about “Pineapple Express,” so I do still have a certain degree of respect for Mr. McBride. Therefore, when I heard that he was going to be starring in a new series for HBO that would be executive-produced by Will Ferrell and Adam McKay, the duo who have brought us “Anchorman: The Legend of Ron Burgundy,” “Talledega Nights: The Ballad of Ricky Bobby,” and “Stepbrothers,” there was every reason to believe that the combination would prove to be a successful one.

“Eastbound and Down” certainly starts promisingly, with a flashback laying out the career of Kenny Powers, a major-league baseball player who has seen the highest heights one can reach in the sport, including cover stories for every magazine from Highlights to Cat Fancy to American Woodworker. “Everyone wanted a piece of my shit,” says Powers, in a voiceover, describing himself as a man with “an arm like a fucking cannon.” Unfortunately, as with so many athletes who get a taste of glory and then dive headlong into the trough, Powers’ ego expands to a size far larger than his home state of North Carolina. He begins to blame his failures on his team, so he leaves Atlanta, becomes a free agent, and starts a career freefall which seems him moving from New York (“You mean Jew York?”), Baltimore and San Francisco (“I gotta tell ya, I thought the blacks in Baltimore were bad, but it turns out they’re nothing compared to these fags they got in San Francisco”), Boston, and Seattle.

Seattle, however, proved too much for the man, and after proving directly responsible for the team’s devastating loss against Los Angeles, things fade to black for Powers, and after a caption which reads, “Several shitty years later,” he find that he’s now out of baseball and has carried his remaining belongings back home to the state known as North Kakalaki to work as a middle-school substitute teacher…and it’s at this point that feelings about “Eastbound and Down” will begin to vary wildly.

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Soul Men

Considering just how little soul Malcolm D. Lee’s “Soul Men” has for a movie starring two of the industry’s most charismatic actors, it probably should have been called something else instead. Perhaps a more appropriate title would be “Motherfuckers,” because co-stars Bernie Mac and Samuel L. Jackson utter the word at least a hundred times throughout the course of the film. Now, I’m all for Jackson channeling his inner badass, but it doesn’t have the same comedic punch when everyone around him joins in on the fun. Mac and Jackson probably had the time of their lives playing two has-been back-up singers who agree to participate in a reunion performance honoring the death of their former frontman, but the audience wouldn’t know it from watching the film, which is littered with old fart jokes circa 2002. An all-too-familiar buddy comedy that hinges entirely on the chemistry of its two stars, “Soul Men” is mediocre at best, and I shudder to think at how bad it would have been had neither actor been involved. God rest Bernie Mac’s soul, because while he wasn’t exactly what you’d call a great actor, he certainly deserved a better sending off than this.

Click to buy “Soul Men”

Battlestar Galactica: No Exit

Wowsers. With Sam doing his little I’ve-got-a-lot-to-tell-you bit, this had to be one of the most informative episodes of the entire series. Let me run down what I think we know at this point…

– Those that are still holding out hope that Ellen wasn’t the fifth Cylon can stop – she is. She was resurrected 18 months ago and is considered to be the “mother” of all the skinjobs. The Ones (or one one in particular) seem to have a major problem with the fact that she made them (somewhat) human. By the end of the episode, the Ones were ready to open up her brain to find the secret of resurrection, but Boomer snuck her off to parts unknown. I’m not clear on when this escape coincides with current events, so if anyone has a clue, be sure to comment.

– Ellen still likes to drink, even after resurrection.

– The final five were living on Earth and they reinvented resurrection. Tyrol was credited for having done a ton of work towards this end, but Ellen was the one that made the final leap to make resurrection possible again. For whatever reason, they had a ship in orbit, waiting for Earth to be destroyed. (And, as far as I know, we still don’t know why Earth was destroyed.) The Cylons living on Earth were able to procreate, which is why they did away with resurrection in the first place. I believe that the implication is that all Earthlings are actually Cylons. That’s good to know.

– Once Earth was destroyed, the final five started off to the 12 colonies to warn them about creating Cylons (and/or treating them badly). They were not able to make jumps, so the travel was very slow, which is what accounts for the 2,000-year difference between Earth’s destruction and when the fleet fled the colonies.

– The final five found that the centurions had a belief in one true God, and that they were experimenting with making hybrids, but nothing would live yet. The cylons were at war with the colonies, so the final five made a deal with them that if they ended the war, they would show them how to make skinjobs. This is why the Cylons went away for a while.

– They made eight models, but the Sevens (Daniel) were apparently killed by the Ones, due to jealousy over Ellen’s favoritism towards the Sevens. Cavil was also the one that took Tigh’s eye.

– Cavil also banished the final five, stripping them of their memories and sending them off to live with the humans not knowing that they were in fact Cylons until a certain point in time. (We do not know why he did this. It would seem to work against his goals to place the five within the human fleet where they could eventually help the humans find a new home.)

A few other notes about this episode…

– The ship is falling apart and Bill had to make the tough decision to use Cylon technology to fix the hidden fractures throughout the ship. Between this and the Cylon FTL upgrades, if the fleet does in fact find a new home, they’ll have the Cylons to thank.

– Tigh had a great line – “Yeah, you point a finger back far enough and some germ gets blamed for splitting in two. No!”

– Cavil said to Ellen, “They destroyed the hub but they don’t know about the colony.” He’s referring to Earth, right? For that to be the case, this conversation had to take place after the hub was destroyed but before the fleet found Earth.

– Roslin passed the torch to Lee. Now he could become the “dying leader” that takes the fleet to find a new home.

– He did a great job as the “brain guy,” but it was a little distracting to see The Daily Show’s John Hodgman (a.k.a. “PC” from the Mac commercials). That guy is soooooooo funny.

– Even though the operation was a success, Sam is apparently brain dead. Hey, if he stays that way, at least he went out with a bang.

Awesome episode.

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