Month: July 2008 (Page 2 of 20)

Comic-Con 2008: Day Three – Fringe

Especially if you wanted to see panels on such phenomenon as “Dr. Horrible’s Sing-Along Blog” or “Battlestar Galictica,” getting into Comic-Con’s 4000 seat Ballroom 20 required fans to arrive significantly early, with some guests sitting through hours of events they cared little about to see the event they came to see in the first place. Such was not the case, however, if you wanted to check out the J.J. Abrams-led panel on “Fringe.”

The new show from super-creator Abrams (“Lost,” “Alias,” “Felicity”) and the co-screenwriters of Transformers as well as Abrams upcoming theatrical “Star Trek” reboot, has been the beneficiary of viral marketing and a significant amount of buzz, while also being the victim of an unauthorized Internet leak of an incomplete version of the show’s pilot. On Wednesday night, a complete version of the episode was screened as part of the Comic-Con’s preview night.

Though the pilot received good reviews from online critics for Time and MovieWeb, yours truly found those opinions fairly inexplicable. The eighty minute production slowly drains the energy from a fun and intriguing premise (what if most of what we now call pseudoscience was real science?). Though the cliche-ridden, often campy, dialogue was one problem, far worse was a dead-in-the-water performance by Anna Torv as an FBI agent racing to discover what mysterious force killed all of a plane’s passengers and is now severely endangering her coworker/lover (John Valley). “Fringe” also features Joshua Jackson (“Dawson’s Creek,” “The Skulls”) as a cynical adventurer/scientist and John Noble (ultimate bad dad Denethor in LOTR) as his father — an actual mad scientist…or possibly merely an eccentric one. Not surprisingly, Noble steals all his scenes.

Still, who cares what I think? It’s the judgment of fans that counts for team Abrams. But, with Comic-Con attendees apparently voting with their feet, it was the job of the panel, moderated by Television Week‘s Joe Adalian, to make that half-empty auditorium feel half-full. All the principles were on hand, including the three stars, Abrams, and writers Alex Kurtzman and Roberto Orci (“Transformers,” “Star Trek”). Abrams did most of the talking and, while the mood was upbeat on the surface, damage control was under way. Later on, when an audience member praised the pilot, declaring it “awesome,” two or three audience pairs of hands out of some two thousand applauded.

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Comic-Con 2008: Day Three – Dollhouse

Of course, the “Dollhouse” event was a love fest. Actually, a mega-love fest.

That’s absolutely no surprise if you know anything at all about the kind of admiration (both lusty and talent-wise) aroused by star Eliza Dushku (“Tru Calling,” “Bring it On”) and the Bono-esque stature of multi-hyphenate series creator Joss Whedon (“Buffy, the Vampire Slayer,” “Firefly“) across a huge swath of Geektopia — a swath recently made even larger by the net-success of his second acclaimed genre-blending musical, “Dr. Horrible’s Sing-Along Blog.” Add to that the appearance of Dushku’s excessively handsome costar, Tahmoh Penikett of “Battlestar Galactica” (a show with a few gazillion ardent fans of its own) and you have fanboy and fangirl critical mass.

And, indeed, the first three quarters of the panel was loaded with silliness, over-the-top praise, jokey-silly putdowns (a Whedon trademark) and flirtatious asides between the three folks onstage as well as with the audience. Topics early on included the peripatetic Ms. Dushku’s trips to such locales as Iran, where she survived a “terrorist attack” from some errant Persian rugs.

Moving to a Q&A, the first question was about the source of the premise of “Dollhouse,” in which Dushku will play an “active,” a sort of human blank slate who is downloaded with a new personality and skill set for each new assignment, with jobs that range from from pre-tailored love/sex object to hyper-skilled operative. The show appears to take place in a world much like our own, and this sort of thing sure sounds highly illegal, not to mention extremely immoral, and BSG’s Pennikett will play a cop wondering just why this beautiful woman he keeps meeting never seems to be the same person twice. The show is currently set to premiere this January.

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Comic-Con 2008: Day Three – The Simpsons

As mentioned near the start of this panel, “The Simpsons” has pretty much beat every other prime-time television show in terms of longevity, number of episodes, etc. — except for “Gunsmoke” and “Lassie,” which also makes it the all-time king of sitcoms with a reservoir of goodwill able to withstand more than one below-par season. This appearance by the show’s main creative team was a predictably relaxed and mirthful affair in which creator Matt Groening and writers Al Jean and Matt Selman did most of the talking — quieter panelists included director David Silverman, who helmed “The Simpsons Movie,” and writer Carolyn Omine.

Before the official start of the panel, Groening introduced some clips from next Fall’s “Treehouse of Horror” episode, including a brief segment involving Homer Simpson and a particularly violent form of vote rigging that goes well beyond the worst imagingings of Diebold-fearing liberals, as well as a spot on parody of “It’s the Great Pumpkin, Charlie Brown” with a Linus-like Milhouse accidentally tricking the supernatural pumpkin into a form of vegetarian cannibalism. (It’s complicated.)

Wasting no time, the event was immediately thrown open to questions. The first young questioner asked if the long-suffering Marge Simpson, tiring from her numerous attempts to get the permanently obese Homer to lose weight, would start gaining weight herself. The writers’
response was they would promptly steal the idea and that it would likely show up in a Simpsons comic book, if not the actual show.

Another question referred to a recent episode parodying the comic book world featuring an appearance by mad comic writing genius Alan Moore (“Watchmen,” “V for Vendetta,” “From Hell”) and a joke about an animated “Watchmen Babies” series. Writer Matt Selman expressed his own intimidation at working with the artistically and personally imposing Moore, who apparently got the joke but also stipulated that the gag itself was also an example of an evil corporation (this is Fox, after all) debasing one of Moore’s creations.

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Comic-Con 2008: Day Three – Disney

Much like last year, the Disney panel wasn’t even remotely as entertaining as some of the others, but that’s mostly because they tend to look more at the technical side of the production process. Big names draw big crowds, and though the panel itself delivered plenty of first-look footage, it didn’t exactly do much in terms of wowing the crowd.

“Bolt” (guests: directors Chris Williams and Byron Howard)

When I first saw the poster for “Bolt,” I promptly rolled my eyes and thought, “John Travolta is voicing a dog in a Disney movie? Yep, this is going to be shit,” but after seeing about 20 minutes of footage from the film, I’m happy to say that it actually looks much, much better. Now, it isn’t quite Pixar-standard, or even Dreamworks-standard for that matter, but it does look like an entertaining kid’s movie with a nice blend of action and comedy. Most of that comedy comes from the basic concept of the film (about a canine TV star who believes he has superpowers just like the character he plays), but it also comes from the fine cast of voice talent they’ve wrangled up, including Susie Essman, Malcolm McDowell, James Lipton, Diedrich Bader and Nick Swardson.

“Up” (guest: director Peter Doctor)

The second part of Disney’s presentation was dedicated to Pixar’s new film, “Up,” a “coming of old age” story about a curmudgeonly widow who transforms his home into a makeshift air balloon and travels the world. If that description scares you a little bit, well, you’re not alone. Pixar movies are notorious for sounding so simplistic that they couldn’t possibly work as full length features, but as both “Ratatouille” and “Wall*E” have proven, it’s just not worth doubting these guys any more. Does “Up” scare me? You bet, but director Pete Doctor’s latest will probably be just as good as the others. Aside from the two clips shown, the only other nuggets revealed were the cast (which includes Ed Asner, Christopher Plummer and, of course, John Ratzenberger) and the fact that the movie will be jam-packed with plenty of Pixar Easter eggs.

Comic-Con 2008: Day Three – Terminator: Salvation

Guests: Director McG and stars Sam Worthington, Anton Yelchin, Bryce Dallas Howard, Moon Bloodgood and Common

When it was announced that McG had signed on to direct a “Terminator” reboot staged in the future, it was met with a fair share of pessimism from diehard fans and moviegoers alike. There was no way the man behind “Charlie’s Angels” could ever make a decent “Terminator” flick, right? Well, after a presentation today that included a rough (but still impressive) trailer cut exclusively for Comic-Con, there’s not a doubt in my mind that those very same cynics are happily eating their words. It’s not that the trailer was so amazing that it’s all anyone could talk about for the rest of the day, but it definitely showed promise for a film that isn’t even done shooting yet. Take that Paramount, and kudos to McG for managing to scrap together some footage to show the crowd.

With Christian Bale away in Japan promoting “The Dark Knight,” McG brought the rest of his cast on stage to discuss the new film, including the possibility of Arnold returning for a cameo, and that pesky controversy over the film’s still undetermined rating. While speaking more on the latter, McG made it clear that the film comes first, and “if it’s an R-rated picture, it’s an R-rated picture.” The crowd seemed pleased with that response, and McG continued to play right into their hands with plenty of juicy details about the look of the film, as well as what Skynet creations to expect to pop up throughout.

Anton Yelchin also spoke on his preparation for the role of Kyle Reese, claiming that he studied the original “Terminator” in order to develop his younger version of the character into who he eventually becomes. Or as Anton himself put it: “I wanted to see him reach the point where Linda Hamilton would sleep with him.” I was actually quite surprised to discover just how much Anton and Sam Worthington (as a new character named Marcus Wright) are in the film, and though this is very much John Connor’s movie, that doesn’t mean there isn’t enough room for everyone to kick a little ass.

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