Month: May 2008 (Page 7 of 17)

Multiplex Mayhem: “Prince Caspian” to Fight Alone

There’s a slightly off vibe to this coming movie weekend. Hollywood is distracted by all the usual, largely indie-centric goings on at Cannes (though the response to the upcoming Dreamworks animated flick, “Kung Fu Panda” looks encouraging, critically speaking) and also by the big news that real-life (very) hardboiled Hollywood private eye Anthony Pellicano has an appointment with the slammer. And, with only one major new release coming on the heels of last weekend’s financially disastrous opening for “Speed Racer“, one movie is really poised to make a (PG rated) killing.

That new release is, of course, the second installment in the Narnia franchise, “Prince Caspian.” Regular readers of this feature will note a definite lack of Narnia pics to go with this, and that’s because, well, we’ve been ignored. There was no screening near enough for our esteemed Bullz-Eye critics to be able to catch it on time, and hence no pics for this blog. And, heck, while we’re at it, they’re getting no links to their movie website (my usual fallback when we don’t have a review up). That’ll show Disney and Walden Media for ignoring the likes of us.

Which is not to say they’re exactly quaking in their boots. As usually happens with non-lousy sequels to super-successful fantasy films. “Prince Caspian” seems safely on its way to stomping pretty much everything else this weekend, perhaps addding to the nearly $70 million opening of the first picture and making a cool $85 million, says Hollywood Reporter prognosticator Carl DiOrio. With decent enough reviews, there doesn’t seem to be any reason for the film not to outdo the prior installment. Still, as Variety reminds us, the prince’s reign will be shortlived, because next week the Shia LaBeouf-aided return of the Indiana Jones megafranchise is certain to dominate anything and everything when it comes to big mainstream films.

To my mind, the only suspense this weekend regards whether or not “Speed Racer” will hold on to its tenuous second place or drop further behind the leggy mass popularity of “Iron Man.” Not that the film doesn’t have it’s defenders — cinephile’s cinephile Dennis Cozzalio has written a lengthy discussion of the criticial reaction and a spirited defense of the film that’s well worth your time (figure an hour, if you’re into reading comments — five hours if you’re into writing them!). Still, “What Happens in Vegas” actually switched spots with “Racer” during the week, suggesting that unaccompanied adults are turning up their noses at the colorful action movie and seeing an Ashton Kutcher film instead. Each to his own, I guess, but coming in third or even fourth is a real possibility for the Racer family.

Even the indie world is looking a bit odd this week, with the only really notable action the continued widening of “Son of Rambow” into 91 theaters, where it should continue doing reliable business. And, hey, at least they finally gave us a screening.

Other than that, we have the kind of tiny releases that get ignored on Box-Office Mojo‘s theater counts, but manage to make the not always complete Rotten Tomatoes list of openings. Are any of these films going to get more than token releases? One at least: the sexy comedy “How the Garcia Girls Spent Their Summer,” starring America Ferrara and Elizabeth Peña, is getting great reviews and may get a little traction with the growing and underserved Latino market as well as non-Hispanics who like sexy comedies. (There are a few of us.) Though you’d never know it from the usual sources, “Garcia Girls” will be screening in a number of theaters, including several in California. You could probably do a lot worse.

The Office: “Goodbye, Toby”

You may (or may not) have noticed that I didn’t blog “The Office” the last couple of weeks. This is due in part to a relative lack of things to write about. With Jim and Pam getting along swimmingly, there really wasn’t a “will they or won’t they?” vibe going on anymore and I found myself simply scribbling down my favorite lines and transcribing them for you. It is much easier to blog a serialized drama where there are obvious things to talk about – season-long storylines, cliffhangers, mysteries to solve, etc. – but comedies can be tough. (I know, cry me a river, right?)

But tonight’s episode definitely warrants a post. It was the season finale, and the writers didn’t let us down. Once Pam and Jim got together, I was worried that the show would lose that heartwarming feel that offsets some of the mean-spiritedness of some (or most?) of its characters. But this season has been just as funny, and one of the season-long story arcs was Jim’s decision to propose. This almost came to a head tonight, but Andy beat him to the punch. I wish I could say that I was surprised, but they sort of hid Andy for most of the episode, and as soon as I saw him sitting there at the party with that big, goofy grin, I knew he was going to ruin Jim’s moment.

I didn’t like the fact that Pam was a little upset (or was it disappointed?) with the fact that Jim didn’t propose. Does it not run through her mind that, once Andy makes an ass of himself, Jim may have wanted to propose but couldn’t because Andy just stole the show?

A while ago, I pondered (on this blog) about the reason why Michael hates Toby so much and I hoped that they’d eventually reveal the back-story. A reader wrote that he thought it was simply because Toby is the HR guy and his role is to tell Michael when he’s crossed the line, essentially sucking the fun out of working at Dunder-Mifflin (as far as Michael was concerned). I honestly thought that there was more there, but tonight’s episode revealed no new information on that front, so I guess I was wrong. I will say that Michael’s song parody of Supertramp’s “Goodbye, Stranger” was pretty cool. (And I’m aching to hear “Beers in Heaven” as well, even if it is a bit sexy.)

But back to the romance angle, it was a disappointing episode for Michael, who finally found a girl that seemed to like him for him. By the way, Holly, the new HR rep, was played by Amy Ryan, who recently finished up her role as Beadie on “The Wire.” She also has a burgeoning film career, with recent roles in “Gone Baby Gone” and “Before the Devil Knows You’re Dead,” as well as “Dan In Real Life,” in which she co-starred with Steve Carell. Was that how she came to be on “The Office”? Hmmm.

Anyway, there I am, rooting for Michael not to mess it up with Holly, and Jan rears her ugly head. Don’t get me wrong, I think Jan is hilarious, but how she manages to rope Michael back into her life after refusing to use his sperm to get pregnant is beyond me.

As we look forward to next season, I wonder if Holly will be a recurring character and if that romantic triangle will be a season-long storyline. If so, I think it has potential.

In other news, it was great to see Jim messing with Dwight at the beginning of the episode. I think there should be a rule that every other week, the show has to open with Jim playing some sort of prank on Dwight. That’s great stuff. I also enjoyed Kevin the Mentally Challenged Accountant. Holly’s interaction with him was hilarious.

Lastly… Moes!

Now, for a few great lines:

Michael: “I should make you a mix.”

Ryan: “Congratulations. Congratulations on doing your job. Now enter the order on the website.”

(By the way, it was hilarious to see the cocky Ryan being escorted out of the DM HQ in handcuffs.)

Michael: “I think I love her.”
Jim: “You can think that, but you don’t say it out loud and you definitely don’t tell her.”

Pam: “Don’t tell him this, but I always thought that Toby was kind of cute.”

And then, of course, the tag…

Dwight and Angela hooking up in the office!

Lost 4.12 – There’s No Place Like Home (Part One)

Anyone that’s been watching “Lost” consistently for the past four seasons knows that no matter how bad the actual season may be, the season finales (and the episodes leading up to them) are always money. Though the pre-finale episodes tend to be more set-up than actual progression, I was surprised to discover that tonight’s episode (the first of a three-part season finale) also filled in a lot of gaps via a flash-forward that documented the Oceanic Six’s rescue and the beginning of their post-island lives.

The night opened with the Oceanic Six on a plane back to Hawaii. After Jack coaches the group on their “story,” they arrive to discover an Oceanic Airlines-moderated press conference set up to allow reporters to ask the survivors questions. Among the topics covered included the fate of Jin (Sun says he died when the plane crashed), the birth of Aaron (he’s being played off as Kate’s biological child), and confirmation that no other people could have possibly survived. But that wasn’t the juicy part.

Following their re-entry into society, Sayid is reunited with Nadia (no, not that Nadia, but his ex-flame), Sun uses her settlement money to purchase a controlling share in her father’s company, and Hurley receives a classic car as a birthday present. Unfortunately, the dreaded “numbers” just happen to be the reading on the speedometer, and he isn’t at all entertained. Finally, there’s Jack. After delivering a eulogy at his father’s funeral, Jack is approached by Claire’s mother, who informs him about Christian’s secret daughter, and the fact that she too was aboard Flight 815. Hmm. Maybe now we have a better understanding as to a) why Jack wants to take care of Aaron, and b) why he’s so depressed in the future.

Meanwhile, on the island, all of the major players are being positioned for the season’s final masterstroke. Jack and Sawyer have control of the helicopter (only to discover that Hurley’s in trouble), Sun, Jin and Aaron are on the freighter (thanks to Faraday, who has volunteered to begin ferrying people off the island), Sayid and Kate have been captured by Richard Alpert, and Locke and Hurley have just witnessed Ben’s surrender to Keamy at the Orchid station – the proposed location of the “secondary protocol” (i.e. Operation Blow Up the Island). It’ll be interesting to see how the Oceanic Six, who are seemingly in four different places, will manage reunite and get off the island.

We’ll find out in two weeks, along with why they’re the only survivors who escaped, what happened to Lapidus after he rescued them, as well as who was in that coffin at the end of season three. For those that simply can’t wait to find out the latter, feel free to check out this spy report here, where the deceased character has supposedly been outed by a spoiler-happy fan.

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