Month: January 2007 (Page 11 of 14)

“24,” Hours 1 & 2: That sound you heard was the cast of “Heroes” breathing a sigh of relief

I love “24,” I really do.

But this was the weakest opening they’ve ever done.

Perhaps that’s a tad unfair. To be honest, I don’t really remember any season premiere other than Season One (Death from Above) and Season Five (The CTU Massacre). But this one, despite an abundance of torture (that knife through the kneecap was grueling to watch), not much happened. Well, a lot happened, but very little of it made sense.

President Wayne Palmer (any chance they’ll explain how a former Chief of Staff ascended to the White House in 20 months?) springs Jack Bauer from the clutches of the Chinese in order to use him as collateral in exchange for the whereabouts of the man behind the numerous bombings taking place all over the country. What does this say about the effectiveness of the US government? For things to get this bad, they would have to be either incompetent or corrupt on a scale that this country has never known, which makes the premise a tad hard to swallow. Picture the government offering to allow terrorists to kill you because they have no other scenarios to stop the attacks. The former Eli Cash would call this a You Must Suspend Disbelief moment, and he wouldn’t be wrong.

Boy, have things changed at CTU. Director of Homeland Security Karen Hayes and CTU director Bill Buchanan are married, which means one of them will not live to see the credits to the season finale. Milo is back, and Morris O’Brien, Chloe’s ex-husband, is his insubordinate subordinate. There’s a girl named Nadia above Chloe and below Buchanan. Her most valuable asset at this point seems to be the ability to speak Arabic. But the most entertaining casting move so far is Peter MacNicol (who will be referred to from this point on as The Biscuit) as President Palmer’s chicken hawk advisor Thomas Lennox, a guy who seems hell-bent on using the Constitution as toilet paper. He should be a fun foil, but I have to say that he doesn’t make me miss Agent Aaron “Old Yeller” Pierce or Mike Novick any less.

The most egregious, preposterous character addition, on the other hand, has to be the introduction of Regina King as Sandra Palmer, the sister to Wayne and David Palmer that, mysteriously, had never existed before today. Would it have been so hard to make her a half-sister or an ex-wife? Perhaps a hooker with a heart of gold? Anything but a blood relative to David Palmer. That’s insulting to both his memory and ours.

Oh, and for their big twist? The man giving up the goods on the terrorist is the terrorist, and he’s trying to have his reformed brother in arms dispatched by the very people reformed terrorist is trying to work with. Clever, no? No. It’s easy, that’s what it is. And the reaction by Palmer, Buchanan, Hayes and everyone else when Jack tried to explain to them they were about to take out the wrong man was maddening. This guy has saved the country five times already. I don’t care if he had bamboo shoots stuffed underneath his fingernails for the last 20 months: dude knows what he’s doing. He just bit a guy to death, okay? Listen to him. Oh, and was it just me, or was everyone else screaming, “Hotwire the car and drive, you moron!” after Jack escaped from Fayed’s lair?

Lastly, there’s the former stoner horn dog Kumar Taj as…wait for it…a terrorist. Ho, ho, and indeed, ho, as Will Harris once said. He did have one good line when he pointed the gun at the neighbor kid across the street. “Friend? You can’t even pronounce my name right.” Still, if he’s a terrorist, then so is Jeff Spicoli, or Brad Pitt’s character Floyd from “True Romance.” Puh, lease.

Tomorrow night promises to “change everything.” That’d be a nice change of pace, if you ask me. Not a good start, people. Time to start killing good guys.

Box Office Roundup: It’s on. Don’t get F’d in the A.

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

1) Stomp the Yard: $22 million (owner: Bill Clark, A Don’t Call Me Shirley Joint)
Don’t Call Me Shirley had a huge week, owning the first, third and fourth place movies this week to come within $8 million of Mark Pfeiffer and Reel Times. I’ve said it prematurely before, but enjoy the view, Mark.
2) Night at the Museum: $17.1 million, $185.7 million to date (Will Harris, What’s All This, Then?)
Shockingly true fact: The last four movies that featured Ben Stiller in a starring role have grossed over $100 million.
3) The Pursuit of Happyness: $9.1 million, $134.4 million to date (Bill Clark: A Don’t Call Me Shirley Joint)
Scary Clown would be in second place had they picked this movie instead of “Stranger than Fiction.” Sigh.
4) Dreamgirls: $8.1 million, $64.9 million to date (Bill Clark: A Don’t Call Me Shirley Joint)
Bill’s onslaught continues, and “Dreamgirls” still hasn’t opened fully yet.
5) Freedom Writers: $7..1 million, $18.4 million to date.
Easily the most profitable free agent of the season.
6) Children of Men: $6.4 million, $21.3 million to date (David Medsker, Scary Clown Studios)
After winning the award for Best Picture by the lauded Central Ohio Film Critics Association, we would have expected this to do better. After all, everyone knows that those central Ohioans are known for their impeccable taste.
7) Alpha Dog: $6.1 million
Not even Mr. Sexy Back can make this movie worth seeing.
8) Primeval: $5.9 million (Jason Zingale, Seven Strangers Productions)
JZ’s wishing he had kept “Freedom Writers” right about now.
9) Arthur and the Invisibles: $4.3 million
Five words: Madonna and Jimmy Fallon are siblings.
10) The Good Shepherd: $3.9 million, $54.2 million to date (Bill Clark, Don’t Call Me Shirley)
In this instant-gratification society, and significant percentage of the public insists on being bored for two hours and 45 minutes at a time.

Current standings:
1) Reel Times Pictures $291.5 million
2) A Don’t Call Me Shirley Joint: $283.4 million
3) TSSU Productions: $279.1 million
4) Punch and Pie Pictures: $266.2 million
5) What’s All This, Then?: $256.1 million
6) Seven Strangers Productions: $195 million
7) Scary Clown Studios: $181 million
8) Nights and Weekends: $171.8 million

Don’t Call Me Shirley puts Reel Times away with the unnecessary remake of “The Hitcher,” while Scary Clown hopes that “Letters from Iwo Jima” will finally get released wide before the season ends.

The Office: “Traveling Salesmen”

A couple of the season’s biggest plot points struck this week as Dwight gallantly resigned under a shroud of mystery and Karen finally found out about Jim’s (former?) crush on Pam.

Andy is hell bent on being Michael’s right-hand man – in fact, I think he’d actually like to be his right hand – and he’s willing to do whatever it takes to move up the office ladder. He effectively pushed Dwight out of the office, by playing on Michael’s suspicions about Dwight’s loyalty. But all he’s done is put himself squarely in Angela’s crosshairs. This could get ugly.

It was interesting to see the sales force actually go out and make sales calls. Despite their many differences, Dwight and Jim make a pretty good team, even though Dwight has to spend a few minutes in the parking lot, psyching himself up to Motley Crue’s “Kickstart My Heart.” Meanwhile, Phyllis took Karen to the beauty salon before hitting up one of her customers who apparently loves women who wear a lot of make up. Karen’s makeover was hilarious.

Andy and Michael didn’t jive in the sales call. If nothing else, Michael is an excellent salesman, which is why, despite his shortcomings, he’s survived so long at Dunder-Mifflin. It’s clear that Andy is not so good at selling paper, which may be his downfall, if Angela doesn’t get to him first.

He did have a great line when they were packing up Michael’s car: “Sebring by Chrysler. Heck of a motor carriage.”

Jim and Karen talked about Pam over coffee, and it seems like Karen did move to Scranton to be near Jim. He calmed her down, but I wonder how honest he’s being with her (and himself). I stand by my prediction that the two will stay together until Pam gets back together with Roy.

What’s going to happen to Dwight? There’s no way that he’s off the show, but it would interesting to see him flounder in unemployment for a few weeks before Angela throws herself under the bus to get him rehired. His resignation speech was great, but I really liked the line he said in private: “One of my goals was to die right here in my desk chair. And today, that dream was shattered.”

Don’t worry, Dwight. You’ll be back.

“24” Season Six Preview

The producers of “24” are always crazy sneaky when it comes to doling out the goods before the highly anticipated season premiere. I’ve seen the ads on Fox for the last few weeks – though I must admit that I have not gone far and wide looking for spoilers, since I, like the rest of you, want to be surprised – and here is what I’ve learned about the upcoming season:

– The U.S. government, somehow, managed to secure the release of Jack Bauer from the torture-happy Chinese.
Did the Chinese government get bored with him after he screamed the exact same way every time they ripped off one of his fingernails? The Chinese were very clear in Season Four that they wanted Bauer’s head on a silver platter. For them to give him up must have required a deal of Faustian proportions.

– Wayne Palmer is now President of the United States.
In the 18 months of “24” time since the end of Season Five, Wayne Palmer has, inexplicably, ascended to the White House despite holding an office no higher than that of Chief of Staff for his now-deceased brother, President David Palmer. Of course, this turn of events makes me positively giddy, because it puts my Season Five conspiracy theory back into play.

– Jack is being asked by the government to sacrifice himself.
You realize that that line by itself is totally useless and misleading. “Sacrificing” Jack Bauer could mean literally anything (which is to say, nothing), and besides, show me the government that gives up the location of its #1 to their opponent’s Spy. Oh, right, they changed the rankings in Stratego, didn’t they? Now the #10 is the most powerful one on the board. Oh, well, you get my drift.

– CTU finally learns of the existence of Dr. Romano.
There is a scene where the onetime Dr. Romano (his character’s name is Graham, but he’ll always be Dr. Romano to us) tells Jack, “You’re hurting me.” Jack’s response sums up all the frustration we felt about this shadow group and how it was able to manipulate the President so easily: “Trust me, I’m not.” Translation: welcome to the House of Pain, sucka.

– President Buck Buck Brawwwwwwk and the First Lady of Crazy will be back for an episode.
Sweet. I’m always curious to see what happens to the fallen “heroes” of seasons past. Maybe this one will end in a murder/suicide. That’d be cool.

– Everyone and his brother is guest-starring on “24” this season.
James Cromwell, Kal Penn, Rick Schroeder, Peter MacNicol, Powers Poothe, the former Mr. Hilary Swank (Chad Lowe), and Eddie freaking Izzard are ALL in on the action this season. While I feel that nearly all of those are fantastic casting decisions – mainly because it doesn’t leave any room for Elisha Cuthbert to get caught in another bear trap – this will surely cut into the screen time of Agent Curtis, Bill Buchanan, official girlfriend of Bullz-Eye Chloe O’Brien and her hilarious ex-husband Morris.

– Official Bullz-Eye girlfriend Chloe O’Brien is now a brunette.
I think I speak on behalf of the entire staff when I say that we just can’t get behind that. Chloe isn’t Britney Spears, Mandy Moore, or that Tonks character in the “Harry Potter” series. She’s Chloe, complicated, snarky and wonderful. Most importantly, she’s the polar opposite of a stereotypical blonde, which is why we loved her so much. Everyone expects the brunette to be smart and sassy. With her dye job, Chloe’s given up her ace in the hole. Hopefully, though, she still has her taser.

Sunday can’t come soon enough. Are you ready? I know I am.

Piven claims high ground, throws Cusack under bus


Piven: “I hate that he’s taller than me, too…”

They were the best of friends…until one of them got too famous for the other one’s liking. Given that the individuals in question are Jeremy Piven and John Cusack, you’d think it would be Piven who’s being accused of letting petty jealousy get in the way of a decades-long friendship…but you’d be wrong.

According to an upcoming interview with “Best Life” magazine:

“No comment. I mean, you could fill in the blank, I bet,” the 41-year-old actor says when asked how Cusack has handled Piven’s recent success. […]

“… I was always proud of him, and I was always in his corner,” Piven says of the 40-year-old Cusack. “Always.”

[…]It just says so much about a person if he has space for other people’s success,” he says.

“I have always been so proud of my friends’ success. I own that proudly because I come by it naturally. I was raised on that spirit of collaboration. … You start getting into trouble in life when you start comparing and contrasting your life to anyone else’s. You don’t win when you do that.”

Of course, you also don’t win when you flaunt your superior moral fiber in the media (and in Best Life magazine, of all places: not exactly a Vanity Fair cover story…), accusing a longtime pal of behavior that’s not altogether different from, say, your recent snubbing of Jack Black because of his breakout success in your buddy’s pet project SIX YEARS AGO.

We’re just sayin’.

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