Year: 2006 (Page 49 of 228)

Heroes, Week 2: Hiro Goodbye

Better to get the awful Hiro pun out of the way now, don’t you think?

So things start off not long after where Episode 1 ended, with Peter in the hospital as a result of having jumped off that building…but while Peter’s convinced he remembers seeing his brother Nathan flying up to save him, Nathan assures him that, no, he actually tried to kill himself. Nice work, bro. Cheerleader Claire wants to find out who her real parents are, but her dad – who clearly has some connection to these people developing superhuman abilities – tells her not to grow up so fast, that he doesn’t want her to get hurt. Moninder continues to be unable to go five minutes without someone breaking into his father’s apartment, but he does develop a friendship with his dad’s very cute next-door neighbor. I dunno, I just get this feeling she’s hiding something…and might well be in on all the secret goings-on. And when Hiro gleefully walks through the streets of New York, he’s shocked to find a comic book that reproduces the events that have led up to his arrival in the Big Apple…though we’re not entirely surprised to find out that it was written and drawn by Isaac Mendez, the artist who sees the future.

Dammit, I’m doing it again. Sorry, I’m trying to get more into the flow of doing these blog entries, so I hope you’ll forgive me as I get the hang of chatting as though you’ve already seen the episode; I’m still tempted to just recap what’s happened.

Okay, I grinned when it turned out that Nathan wasn’t just lying about having flown himself but, in fact, was completely leaving out the fact that they both flew; you could tell from the way the camera was moving that Peter was going to turn out to be standing in mid-air, but it was still a cool reveal. Niki’s story continues to be the least light-hearted of the bunch – hers is unfolding more like a horror movie – but at least she’s getting a new car out of the deal. Just don’t look in the trunk, for God’s sake. Claire’s clearly gonna break sooner than later and tell everyone about her powers, if only because she’s so pissed off over her bitchy cheerleader buddy lying and pretending that she saved that fireman last episode (that was an awesome shot, by the way, of Claire getting her neck twisted completely around after getting hit by a out-of-bounds football player)…but God only knows how Daddy’s gonna react to that, especially now that he’s swiped the videotape that documents his daughter’s abilities. He might be a loving father, but he comes across as so evil that you just know he could turn on Claire at the drop of a hat. Isaac continues to be a whiny junkie asshole, just as Hiro continues to be the guy you want to cheer for…which would explain why I actually said out loud “oh, shit, what are you doing?” when he happened upon Isaac’s lifeless body and promptly picked up the gun lying beside it. His powers continue to be the most powerful of the bunch; he’d better figure out how to use them quick.

There were quite a few more superhero touches to the show this week, including the frozen bodies with their tops of their skulls removed. It’s also cool to see Greg Grunberg (“Alias”) on TV again; he’s playing policeman Matt Parkman, a cop who’s developed the ability to read minds…and the inability to explain them to others, hence his getting arrested for knowing something he shouldn’t. “You told me!” No, dude, she only thought it.

So here’s a topic of conversation to along with any comments you might have: what other super powers would you like to see pop up on the show?

Friday Night Lights premieres tonight…

…and in celebration of that fact, here’s what the stars and producers of the show had to say when Bullz-Eye got to ask them a quick pair of questions about the show:

Bullz-Eye: This is for all of you: do you feel a sense of hesitation about entering into the genre of TV shows spun off from movies?

Brian Grazer (producer): I produced the movie and worked on the movie for about thirteen years and struggled through…I guess about five different directors ‘til I got together with Pete Berg, who I felt – in order of priority – understood the movie, understood the culture of Texas, understood that it was about boys’ and girls’ identity in that period, and, finally, was about football…but he really, I felt, got the culture so well. I have some anxiety as a movie producer about having a movie then become a TV series. I’m very happy with the show – I thought Pete did a most outstanding job on the pilot – but there’s some tension on that.

Peter Berg (producer): I think that, Brian, if there is tension or anxiety about it, it’s recognizing that…well, we really were very happy with the film and happy with the pilot, and we’ve been very happy with the way the show’s begun to unfold, but we recognize the inherent limitations of television production, and we’re working really hard to try and maintain a certain level of quality. And I think that as long as we can continue to do that, we’ll be comfortable with the transition from film to television.

Kyle Chandler (“Coach Eric Taylor”): From our side, trying to reach that quality is the optimum job that we’re looking to do. As well, though, we’ve got a certain process that’s allowing us to try to capture that…which is giving us, as the actors, an immense amount of joy and challenges and responsibilities. But it’s a process that we’re all coming together on, we’re and figuring out that that quality is reachable, and that’s our goal. So we’ve got a tremendous challenge, but it’s there. We see the light. It’s just an amazing challenge

Connie Britton (“Tami Taylor”): And having worked in a lot of television in the past, and now working on this show, the process is so substantially different…and having worked on the movie “Friday night Lights” and seen how great the pilot came out in comparison to the movie – which was also amazing – it’s very clear that this is a different TV experience.

BE: And to close with a quickie, Peter, were you responsible for the line in the pilot praising the inspirational power of early Black Sabbath?

PB: (Laughs) Yes, I was. “Get your Black Sabbath on.”

CB: I remember that moment well. He yelled it out from behind the camera.

PB: It just popped into my head.

MTV announces new sketch comedy series for 2007

The new series will be called “Nick Cannon Presents: Short Circuitz,” and will star Nick Cannon — who also headlines MTV’s “Nick Cannon Presents: Wild N’Out” improv comedy series.

“Nick pitched this show as a way to do for sketch comedy what ‘Wild ‘N Out’ did for Improv-infuse it with a hip-hop vibe and Nick’s own brand of edgy humor,” said Tony DiSanto, Executive Producer, MTV. “It is a scripted companion piece to ‘Wild ‘N Out,’ providing an expanded platform for some of the great comedic talent from that show and a way to break new talent.”

That’s great, and all…but surely MTV must realize that they once had one of the greatest sketch comedy series of all time in their possession, and they just pissed it away. Fortunately, episodes of that late, great series — “The State” — are now available for purchase via iTunes. Many of the best skits — including my personal favorite, which features a suburban dinner party at which the main course is muppet — are also available via YouTube:

Who knew that red wine goes best with blue muppet?

DVD shuffle: 10/03/06

New on DVD this week:

1) X-Men: The Last Stand – RENT: I may be the only fanboy that actually liked the saga-ending threequel, but that doesn’t mean that I’d spend my hard-earned cash on this single-disc release. Especially when a two-disc special edition will be in stores by Christmas.

2) Thank You For Smoking – BUY: Best. Movie. Of. The. Year. ‘Nuff said.

3) The Woods – RENT: Lucky McGee’s throwback horror movie may have been shuffled straight to DVD, but it’s still one of my Must See Movies of the Year. As in I still want to see it; like, really bad.

Also out this week are reisusses of classic guy flicks like “Scarface,” “Point Break,” “Lock, Stock and Two Smoking Barrels” and “Monty Python and the Holy Grail.”

Prison Break: R.I.P. Tweener

That was a nice twist at the beginning when the cop turned out to be the MILF’s daughter, and I liked how Lincoln disarmed her, though it’s funny how cops on TV never call for backup before investigating a suspicious situation.

I said last week that I thought Tweener was in a good spot to cut a deal with Mahone, and the agent made him a pretty good offer. (He would have been wise to get it in writing, not that it mattered in the end.) All Mahone had to do was show him a few pictures of the vet that T-Bag killed and Tweener started singing. Speaking of everyone’s favorite racist pedophile, he had the best quote of the week…

Watching a news telecast covering his latest misdeed, T-Bag moans, “This show makes me look like a sociopath.”

So someone got to the Governor before he could tell Sara what he knew about Agent Evil. At least she found the key that was on her dad’s body.

It’s interesting that Lincoln decided to go after LJ when the gang was so close to getting the money. Considering he had a day’s drive to Arizona, I don’t know what an hour or two in Utah was going to matter. But Lincoln is nothing if not stubborn, so now the brothers are split up.

It was another nice twist that Sucre heard that the cops had Tweener on the police radio. So the group knew that they had to bolt, but a moment later they found the money. Weeks and weeks of dreaming about it, and there it is, Westmoreland’s cash. As we watched Tweener walk up to the house, I had a feeling that he was going to take Mahone to the wrong address (that’s the third time they’ve pulled “The Silence of the Lambs” switcheroo – what’s the over/under for the season?), but I wasn’t expecting Mahone to flip out like that. It’s clear that he’s a few cards short of a full deck. I wonder why Tweener didn’t offer to roll over on the gang when his life was on the line – he was probably too busy shitting his pants.

And finally, was that a germ of concern I heard in Agent Evil’s voice when he learned that Sara’s life was in danger? I think he just might save her life next week. Ah, the power of a pretty face.

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