Year: 2006 (Page 47 of 228)

Jericho, Episode 3: Love is the Fifth Horseman

First, let me apologize for the lateness of this blog; I was in Los Angeles on Wednesday and Thursday, arrived home on Friday morning after haven taken a redeye, and was basically useless all day yesterday as a result. And second, let me apologize for the title of this post, which is referencing a Prefab Sprout lyric that most of you have probably never heard. (It’s from a song on Andromeda Heights, if that helps.)

So on with the show…

Finally, things begin with a feeling as dark as this series really should be, with people either trapped in a mine, waiting in a basement, or out in a thunderstorm. We also get an idea of exactly how much time has passed since the bomb (18 hours), which is something that we never got a feel for last episode. When Stanley Richmond finally makes it back to his house – it’s his basement that Jake, Ashley, and Bonnie are in (actually, it’s Bonnie’s, too; she’s his sister) – there’s considerable concern that his exposure to the possibly radioactive rain has begun to poison him. He seems okay, though, but he takes a dose of iodine for good measure and makes it to the medical clinic without showing any symptoms; they still want to give him a once-over, though, resulting in the funniest line of the episode: “I’m getting tired of being stuck with needles. They’ll be sorry when my spider-powers kick in!” (He also has a post-bomb meet-cute with the accountant who was trying to take his farm away; his flirting results in Madame Accountant getting the second funniest line: “Okay, but you still owe the IRS $130,000.”) It’s somehow apropos that the guy in the mine who starts having a loud and violent attack of claustrophobia is the one who ends up having a heart attack and dying, but you can see that the loss of someone like that would be disconcerting. As a result of his death, Mayor Green and his political rival, Gray Anderson, have a brief and well-warranted angry confrontation; Anderson makes a valid point that the clinic’s shelter should’ve been better maintained, but the mayor’s follow-up – that he’s causing more harm than good by attacking the man who’s trying to keep the town inspired and that he deserves to have his ass kicked for it – wins the argument hands down.

The combination of half a dozen tanks heading toward Denver and the tuning in of an Asian television broadcast that shows how many bombs have been dropped around the US (that’s right, Robert is now no longer the only one who knows) freaks the town out enough that they send people in four different directions, in an attempt to find out how far the damage extends. Jake’s discovery of downed planes and a blocked bridge on the way to Wichita sends him back to Jericho…but with a flight data recorder in tow. It’s as disconcerting as you’d expect to hear what’s contained on the recorder, but the news that Emily’s fiancee is still alive is the kind of news that sounds too good to be true. Eric’s continued affair with the bartender, even in the midst of everything that’s going on, seems downright cruel to his wife…but, then, she’s been nothing but cruel to him, so perhaps it’s warranted. Meanwhile, Robert’s coming off as really paranoid, and I’m looking forward to finding out just how much he knows…and why he feels like he can’t tell the rest of the town.

The ending is uplifting without being schmaltzy, and I’m back to believing that this show has major potential, but I’ll still close with two complaints:

1) I’m already over the teenage characters of the series; anyone who’s still concerned about social status and maintaining their cliques after the bomb drops deserves to die of radiation poisoning.

2) The choice of pop songs for the soundtrack sucks ASS.

Movie Tunes: The Top 40 music moments in film history

There’s nothing better for someone who’s a fan of both music and movies to sit down in a theater, watch a film, and find yourself in awe of how the director has utilized a pop song to set a scene or convey a mood. It’s easy to know that you need a romantic song for a romantic moment, but finding the right song…? That’s the hard bit…and it gets even harder as you have to provide the proper sonic backdrop for just about every key moment in the film. Bullz-Eye polled all of our movie and music writers (and then some) to get their favorite uses of pop songs in movies.

The only real criteria we set was this: the song couldn’t have been written specifically for the film or have made its debut on the film’s soundtrack. This was pretty rough on us at first, because it meant we had to say so long to Simple Minds’ “Don’t You (Forget About Me)” (“The Breakfast Club”), bid bye-bye to O.M.D.’s “If You Leave” (“Pretty in Pink”), and offer a fond farewell to Kate Bush’s “This Woman’s Work” (“She’s Having a Baby”).

Fortunately, we had a lot of great songs – and movie moments – waiting in the wings. But be advised: our descriptions contain spoilers galore.

Some sample choices:

36. “Closer,” Nine Inch Nails – Se7en

When I popped in the DVD of “Se7en” to refresh myself with the film’s usage of Trent Reznor’s composition, I was legitimately surprised to find that it didn’t actually begin with it; there are, in fact, four minutes of screen time preceding the song’s appearance. The thing is, the film’s opening credits – over which the harsh, thumping industrial beat of “Closer to God” plays – are so damned creepy and set the tone of the 123 minutes that follow that it never occurred to me that they weren’t the first thing in the movie. The quickly-cut close-up shots of an unidentified individual (later revealed to be our man “John Doe,” a.k.a. Kevin Spacey) filling journals with miniscule handwriting, blacking out lines in books, going through photos of various medical experiments, and – worst of all – using a razor blade to remove his fingerprints will make you shudder. Reznor’s music does most of the talking. In fact, he only sings one line at the very end of the credits: “You get me closer to God.” Uh, actually, it’s about as far away from heaven as you can imagine. If you’d had any idea that this would be the most comfortable you’d feel for the next two hours, you’d’ve walked out of the theater right then and there. – Will Harris

28. “Jump in the Line,” Harry Belafonte – Beetlejuice

With all due respect to the “Day-O” sequence in “Beetlejuice” – it does appear first, and therefore comes as a complete surprise – it is the movie’s closing number, as it were, that gets our vote. Perhaps it’s the song’s relative obscurity (it did not make the Top 40, while “Day-O,” actually titled “Banana Boat,” reached #5), or maybe it’s the song’s brash energy and instant familiarity that roped us in. Oh, who are we kidding, it’s then-fifteen-year-old Winona Ryder, suspended in air and lip-synching to Harry Belafonte, shake, shake, shaking her body line, while the dead football players do a hilarious callback as her backup singers. It was also great to see Michael Keaton’s title character get a, um, little dose of karma from a witch doctor as well. All in all, it is the perfect ending to an unforgettably loony movie. – David Medsker

19. “Tequila,” The Champs – Pee Wee’s Big Adventure

I think it’s safe to say that my entire generation discovered this classic rock song thanks to Pee-Wee Herman and his first flick. Seeing him turn a rowdy biker bar’s clientele into a bunch of grooving softies while dancing to the song on top of the bar in his trademark shoes was the highlight of the movie. How can you not hear this song and not get images in your head of Pee-Wee doing his great little dance? I recall seeing and hearing it for the first time and wondering just what the hell that song was; I even went so far to tape it from the movie itself onto a cassette, so I could groove along with it whenever I liked. Pee-Wee has always been one of the coolest, and we owe him so much thanks for introducing a ton of kids to this always-great song. – Jason Thompson

To see the entire list, click here. What music-in-movies moments did we miss? Let’s hear some of your favorites.

The Office: Hug it out, bitch.

Nothing much happened story-wise this week, so I thought I’d mention some of the funnier lines from this episode.

Angela: “You should be running this office.”
Dwight: (pause) “Michael would never let me.”

Kelly: “Fashion show! Fashion show! Fashion show at lunch!”

Jan: How do you know I like that store?
Dwight: Many of your blouses are Claibornes.
Jan: How do you know that?
Dwight: It’s part of my job.
Jan: No, it’s officially not.
Dwight: Noted.

Michael: What’s his name?
Dwight: Crentist.
Michael: That sounds an awful lot like “dentist.”
Dwight: Maybe that’s why he became one.

Michael: Does the tiger transfer the monkey to another branch? (smile & pause) Pun!

Dwight: (addressing the office) I plan to lead you into the black with ferocity!

Pam: I have this little vacuum cleaner that’s broken. Maybe if Dwight doesn’t work out, it can be manager.

Dwight: I’ll do your laundry for a month!
Michael: I…have…a laundry machine!

Michael: You can hug it out, bitch.

It does look like Pam might be starting to warm up to her ex a little bit. The look she gave him when he came into the break room says a little something. Meanwhile, Jim has the girl at his office in a tizzy. I wonder how long they’ll keep him at the other location.

It’s finally happened. When I watch this show, I don’t think about the characters’ English counterparts. The Office (US) has truly arrived.

“Kidnapped” no longer a problem

Well, it’s official. NBC’s “Kidnapped” has met its demise. Don’t believe me? Then just check out the page you get when trying to visit the show’s official website. I didn’t place bets on this one over at Brilliant but Cancelled’s deathwatch game. I keep betting on “Men In Trees” or whatever the heck it’s called. Now, my hindsight is 20/20 and I realize that when I saw the trailers for “Kidnapped” before it debuted, my first thought was, “How are they going to make a series out of that?” Well, there’s your answer.

Update: Brilliant But Cancelled just issued this statement regarding the show via email:

Although multiple sources have announced that production will be shut down after the completion of the initial 13 episode order, NBC has not officially cancelled Kidnapped.

Until further news, we have placed the show on life support.

“Get ready for it!” “For what?” “The big surprise.” “Oh, that isn’t till next week.”

You guys ready for the big reveal? The con artist formerly known as Henry Gale has a real name… and it’s Ben. Seriously? That’s the big secret? Oh boy, it looks like we’re in for yet another frustrating season of “Lost,” especially since tonight’s highly-publicized premiere was such a complete washout. Sure, the writers blew everyone away with an amazing opening sequence – which revealed that some kind of private community exists just on the outskirts of the island, where all of the Others lived before the plane crash – but aside from that, it was pretty much slow goings for the rest of the episode. Not only was most of the episode relatively uneventful, but the hour was plagued with so many commercial breaks that I didn’t even feel encouraged to pay attention.

Jack was chosen for the first flashback of the season (big surprise), and I can comfortably say that it was one of the worst in the show’s history. We learned a little more about his divorce from wife Sara and her assumed secret relationship with Jack’s father, but it turned out to only be a silly misdirection on the part of the writers.

A majority of the episode dealt more with what happened to Jack, Kate and Sawyer after they were captured at the end of season two. They’ve all been split up and placed in to different rooms. For Jack, it’s a dungeon-like hatch, but at least he gets a pretty girl (new character, Juliet) to talk to. She’s obviously been assigned specifically to Jack – maybe because she resembles his ex-wife, or maybe because they’re going to hook up later down the road. Whatever it is, Jack sure isn’t making it easy for the Others, and after taking her hostage, opens a door that he’s specially told not to open. The result? A giant wall of water that begins to flood the room. Nice going, doctor. His control of the situation doesn’t last long, however, and before you know it, he’s back in the room he started out in. Only this time, Juliet seems a little more willing to cooperate. First off, she doesn’t seem to mind telling him that they’re inside one of the many other hatches the island. This one is called Hydra because, well, it’s underwater. She also discloses the secret behind how she knows so much: they have a folder on him. What? That’s almost too ridiculous to discuss, so I’ll simply move on.

Kate’s incarceration isn’t quite so bad. She gets a shower, new clothes, and even a fancy breakfast with the head honcho. When asked why she was being treated as so, however, Ben simply replied: “The next two weeks are going to be very unpleasant.” Let the controversy begin, but I personally think that it has something to with grooming her to become a model citizen of the community – i.e. official baby maker.

Sawyer, on the other hand, definitely gets the worst of the bunch. He’s subjected to living in a zoo cage (at least we know where all those polar bears came from), and while it doesn’t take him very long to figure out the puzzle required to get food/water, well, it’s not exactly what you’d call quality. It’s a fish biscuit, or the zoo equivalent of a big ‘ol Milkbone. Yummy! At least he gets to dream of Kate while he rots in monkey hell…

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