Year: 2006 (Page 216 of 228)

Now we’re getting somewhere

Could it be? After straying woefully from the path of righteousness, could the quality-impaired writers of “Desperate Housewives” actually be veering close to getting back on track?

Maybe. Sunday’s episode suggests they may be on to something. Don’t hold your breath just yet…but there might actually be some life left in the old dames.

Not that the episode was stellar; far from it, actually. A Jaded Cliffs Notes summary of the plot would read as follows:

Gabrielle and Carlos storyline: Stupid and boring, as usual
Susan storyline: Stupid as usual, but less boring than Gabby and Carlos
Bree storyline: Less stupid than Gabby or Susan, but significantly more boring
Edie storyline: What Edie storyline?
Applewhite storyline: Not particularly boring, but exceedingly stupid
Lynette storyline: Somewhat stupid at first, but not at all boring–and dripping with future potential
Felicia storyline: Felicia’s back?! Where have you been, Bebe, my delightfully devilish vixen?

The last five minutes of the episode redeemed the earlier fifty-five, with the knockout one-two punch of Tom’s refusal to let Lynette literally emasculate him, and Bebe’s unexpected presence as the new nurse for dearly departed Deirdre’s ailing father, administering Lord knows what to the man indirectly responsible for the murder of her sister Martha.

Tom’s unhappy in his marriage. He should be: Lynette’s behavior has been abominable all season. She’s been out dancing in bars while Tom’s home with the kids, and she even faked a kidnapping of her own children to point out Tom’s shortcomings as a caretaker. He’s had enough, and neither Tom nor Lynette knows what to do about it. At last, some real drama on Wisteria Lane, with not a contrivance in sight. Should be fun to watch.

And that Bebe…you’ve just got to keep an eye on her. She won’t let you do anything else. Even if she did, I wouldn’t advise it.

DVD shuffle: 01/17/06

Out on DVD this week:

1) Lord of War – RENT: An entertaining-at-times satire on the how-to of gunrunning, this film is certainly worth checking out. I haven’t had a chance to preview the two-disc special edition release of the movie, but by the looks of it, this is one special edition to stay away from.

2) Two for the Money – RENT: Another entertaining movie that just isn’t good enough to recommend for a purchase. Both Pacino and McConaughey are great, but there’s hardly any bonus features worth watching more than once.

3) The Man – PASS: The sheer fact that this film was #2 on my Worst Films of 2005 is more than enough reason to stay away from this piece of garbage.

4) Underclassman – PASS: Almost as bad as “The Man,” this teen comedy was one giant cliche. Oh, and Nick Cannon isn’t funny. He never was, and he never will be.

Also out on DVD this week is the teen horror flick “Venom” and the corporate documentary “Enron: The Smartest Guys in the Room,” as well as season releases of “Doogie Howser, M.D.” and “Lois & Clark.”

Box Office Roundup: Shit floats

Based on Monday’s estimates:

1) Hoodwinked: $16.6 million (first weekend)
“Little Red Riding Shrek” lost us at the snowboarding grandmother.
2) Glory Road: $16.5 million (first weekend)
The same way that some grandmother walked into “The Aristocrats” expecting to see a bunch of animated cats, someone surely walked into this movie expecting an altogether different kind of “glory” movie.
3) Last Holiday: $15.7 million (first weekend)
Hey, if you’re going to torpedo any and all momentum your career received after making a star turn in an Oscar-winning movie, you may as well do it while hanging out with LL Cool J. Beats the hell out of doing another movie with Jimmy Fallon.
4) The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe: $12.2 million ($263 million, sixth weekend)
Also known as “The Chronicles of Jehovah: The Movie That Wouldn’t Leave.”
5) Hostel: $11.6 million ($36.8 million, second weekend)
They’re getting a little heavy handed with this whole sex-is-death metaphor, aren’t they?

The best ’70s b-movie ever – The Van!

Hello kids, Roy Munson here with another suggestion for your fun time movie viewing schedules. If you’ve never seen it, than I suggest you check out the groovy van-centric/dope-addled flick “The Van” from 1977. It’s all about this goofball named Bobby (played by Stuart Goetz) who gives up his crappy car for an awesome van nicknamed “Straight Arrow” in a quest to lay chicks. Straight Arrow’s got it all – a waterbed, shag interior, TV, tea maker, the works! There’s even a disturbing scene where Bobby shows off the van to his mom and she starts almost orgasming on the waterbed. Creepy!

The Van is chock full of memorable moments, especially when it comes to Bobby’s come-on lines. You’ll thrill seeing him hitting up girl after girl with the classic line, “Wanna go out to my van and share a joint?” Hell, who wouldn’t, especially after all that Lucky beer they imbibe throughout the feature! There’s cheeseball sex a-plenty, good dope smokin’, and even some jug wine drinking! Whooo! And if that’s not enough, Danny DeVito himself stars as Bobby’s boss at the local car wash. Danny’s also doubling as a bookie, so you know wacky mayhem eventually ensues. And don’t miss the big scene where Bobby and the gang check out a roadside van convention!

However, my favorite moment of the whole movie is when Dugan, the big, brainless bully of the movie challenges Bobby to a van race. Bobby calls Dugan a turd, and Dugan replies “No one calls Dugan a turd!!!” He keeps repeating this over and over as they race down the street. Pure gold, I tell you. And what’s more, this flick features the Sammy Johns hit “Chevy Van,” as well as the best love song ever, “Early Mornin’ Love,” also sung by Johns. So if you want a movie that has it all, including the most carefree and moronic leading character ever seen in a flick, then “The Van” is for you.

Welcome to “24,” my little hobbits

Fans of ESPN’s “Pardon the Interruption” will recognize that as a frequent introduction from ringleader Tony Kornheiser, but during the third and fourth hours of “24,” it took on a whole new meaning. Samwise Gamgee himself popped into the office, the textbook definition of proper etiquette and effective management speak even as he’s emasculating the first in command and, consequently, saving everyone’s asses.

But in the most frustrating way imaginable. Hands up: was there anyone who didn’t know precisely what Jack meant when he said “I’m in a flanker two position” the first time he said it, never mind the second time? Any terrorist worth his salt is putting a bullet in Jack’s brain the nanosecond he’s finished saying, “I repeat: I’m in a flanker two position,” or at the very least whacking him in the back of the head with the butt of his gun. But no, Jack said it a third time, and the terrorists still didn’t figure out that it was code. And it was that third time that allowed Samwise Gamgee to save the day, and make Buchanan & Co. look like idiots. Come on: you think none of the people who worked with Jack remembered the previous protocols for an agent under duress?

That small incident aside, the episode had plenty of thrilling moments. We learned that there are no depths that are beneath Walt, including drugging the First Lady. We also learned that, to take a line from Steve Carrell’s speech at the Golden Globes, President Buck Buck Brawwwwwwwk should remember that his wife’s life is no less important than his own, though it’s clear that he doesn’t think that’s at all the case. A couple of people were killed during the hostage standoff, but one of the surviving hostages, inexplicably, received a key card from the lead gunman. Of course, he escaped by episode’s end.

Carl Spackler left an email for me saying that he totally thought that the cop in riot gear that corralled Diane and Derek after the standoff was a Russian spook (though not that Russian spook), and I think it’s too early to rule that out, since we didn’t see what happened to Diane and Derek afterwards. All I know is that when I saw that container full of canisters, I immediately yelled, “Nerve gas!” I may be totally wrong about which ones were the bad guys in previous seasons, but for whatever reason, I know nerve gas when I see it. Maybe it’s that copy of “The Rock” I have on VHS that I haven’t watched in 10 years.

And speaking of bad guys…

Some have asked me who my dark horse candidates for This Year’s Villain could be. I think I’m ready to tell you my main suspect, though keep in mind that I have nowhere near enough information to back this up. But I think it would make for one hell of a twist at season’s end, especially since he didn’t show up this week: I think the bad guy is Wayne Palmer.

Here’s the way I see it: Wayne’s brother, the first black President in United States history, was forced to resign in disgrace during the worst season of “24,” not that the American public that supposedly voted Palmer into office took that whole worst-season thing into consideration. Bauer lied to President Palmer about his undercover operations with two Mexican drug dealers during that season, and as a result put Palmer in an awkward position involving a bomb that that spread a plague-like virus all over Los Angeles. Still, David Palmer trusts Bauer to resolve an issue with the Chinese embassy in the fourth season, but Bauer fails Palmer again, and embarrasses new President Buck Buck Brawwwwwwk, who instantly calls for Bauer’s head. So Wayne sets a plan in motion that martyrs his brother, thus making President Palmer a hero, and he frames Bauer, whom he secretly blames for his brother’s entire downfall, for the whole thing.

Wayne Palmer, just a couple years ago, was Chief of Staff to the President of the United States. Now, he’s nothing. David won’t talk to his brother about what’s bothering him right before he’s assassinated, but that’s because he knows that Wayne is going to have him killed, and David even goes so far as to stand in front of the window in order to make sure that everything goes according to plan. Look for a secret tape of President Palmer to surface midseason, revealing clues to the day’s events.

I know what your next question is. Why didn’t Wayne turn Jack over to the Feds while he had the chance in the premiere, while Jack was in Wayne’s apartment? I think Wayne was trying to deflect blame, that if Jack came sniffing too close to the source, it would look suspicious. So he feeds Jack a credible but ultimately useless piece of information that gets him out in the open, in the hopes that, if the Feds don’t kill him, the Russians or the Chinese will. As for the question of why Palmer didn’t just call Novick with any talk of national security, it’s because he knew that the Oval Office had been compromised, which meant that not even the faithful Novick could protect or help him, and so he fell back on the emotionally unstable First Lady for assistance.

Yes, it’s absurdly early to make such bold predictions, but there it is. And in the odd coincidence that I am indeed correct, I have left instructions with Buffybot for what to do in the event of my untimely death. And, in the event that she’s the one responsible for my untimely death, well, then I’m toast. Nice knowing you all.

These government conspiracy shows are fun, but they’re not good for you.

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