Year: 2006 (Page 200 of 228)

Breakdance 2: American Beauty Boogaloo

It happens all the time: One minute she’s the midriff-baring high-school tramp gleefully haunting the dreams of a million frustrated teenage boys…and then, what feels like only moments later, she’s willingly stepping out in public with a white-trash hip-hop fan.

No, for once we’re not talking about walking train wreck Britney Spears. This time, former “American Beauty” star Mena Suvari has taken up with…wait for it…a professional breakdancer.

Which begs the question: Do they even have those anymore? I mean, is there really that much pent-up breakdancing demand left over from the ‘80s that guys can actually earn a living off a few well-executed worms?

Apparently so, as Mena met her breakdancing beau, 23-year-old Mike “Murda” Carrasco, at “Battle of the Year” — which main man Murda helpfully described as being “like the World Cup of breakdancing.”

Which then begs the question: What, exactly, was Mena Suvari doing hanging out at the World Cup of breakdancing…other than trolling for white-trash hip-hop fans?

It may still not be safe to go into the water…

…but it’s safe to go back into the bookstore, at least. “Jaws” author Peter Benchley has died at the age of 65.

You have to give him credit: he didn’t just try to coast on the success of “Jaws.” Well, not really, anyway. He didn’t exactly go out of his way to leave the sea behind, given that his later work involved novels like “Beast,” about a giant squid, “Creature,” “The Deep,” and, oh, right, “Great White.”

Still, the guy wrote “Jaws.” He deserves every kudo in the world for being directly responsible for scaring the hell out of millions.

Box Office Roundup: People are stupid, stupid, stupid

Based on Sunday’s estimates:
1) The Pink Panther: $21.7 million (first week)
Okay, which part of this movie did you slack-jawed troglodytes think was funny, the part where he walks while reading a newspaper and falls down subway steps, or the part where he pulls out his badge, it flies across the room, and sticks in Kevin Kline’s chest? Have you people ever seen a movie before? Sweet Jesus.
2) Final Destination 3: $20.1 million (first week)
The best exploding-head scene since “Scanners.” Maybe even better.
3) Curious George: $15.3 million (first week)
The words “Songs by Jack Johnson” haunt my darkest dreams.
4) Firewall: $13.8 million (first week)
Little-known but well documented fact: every movie Harrison Ford has done since “The Fugitive” has sucked donkey donkey donkey donkey. The people, at last, have spoken.
5) When a Stranger Calls: $10.0 million ($34.8 million, second week)
This carries a 10% rating on Rotten Tomatoes. Ten, percent. And still, $10 million worth of babysitting money went to this in its second week. Come on, people. They won’t stop making these movies until we stop seeing them.

Because “Nights of Lightning” wasn’t as catchy

Let me begin by saying that I don’t blame Will Ferrell. One minute he was a nobody, the next a comedic breakout. If I were in that same position I would have probably signed up for “Kicking & Screaming” and “Bewitched” too. That doesn’t, however, excuse him from appearing in shitty movies for the rest of his career, so it’s a pleasure to see him finally getting back on track. His newest film, “Talladega Nights: The Ballad of Ricky Bobby,” is a comedy about a NASCAR superstar whose position in the sport is challenged when a French newcomer arrives. The first trailer just hit the Internets late tonight, so be sure to check it out here.

A quick note: While the trailer doesn’t make any mention of this, Ferrell is teammates with another driver played by John C. McGinley. The driving duo also go by the nicknames “Thunder” and “Lightning.” If that’s not enough to make you want to see this film, the trailer certainly will.

R.I.P. “Arrested Development” – We’ll miss you

Despite Fox’s blatant attempts at burying “Arrested Development” – the latest including the airing of the remaining four episodes during the opening ceremony of the Winter Olympics – the two-hour season (series?) finale proved yet again why the show deserves to stay on the air. It’s unique brand of humor is something that should be celebrated, not censored, and while Fox may think that low ratings are enough reason to cancel a show, we can only hope that another network will come along and swoop it up. So, for now, we say goodbye to a series that never faltered in the time of criticism, and hope, in time, to be reunited once again. HBO, that’s your cue…

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