Year: 2006 (Page 180 of 228)

24 Hour 13: I predict a riot

This is getting ridiculous. Has President Buck Buck Brawwwwk ever said no to anyone’s idea? Besides his wife’s, that is?

First he lets Walt the Weasel talk him into shipping his wife off to the loony bin when she starts interfering with Walt’s misguided attempt at patriotism. Then he lets Mike Novick talk him into giving up the Russian president to a terrorist cell, a thread that will surely come back to haunt him. And now, he’s adopting Vice President Leland Palmer’s plan to declare martial freaking law in Los Angeles. Palmer’s not just a hawk: he’s a fucking velociraptor. Maybe Logan’s afraid that Palmer will eat him if he dares to stand up to him.

The rest of the episode took place inside the nerve gas-riddled CTU, and the gas is not content with this safe zone nonsense. It’s eating the sealing in those rooms, and they will all die, unless Samwise Gamgee gives himself up to disable a program on a computer in a contaminated zone. Doing so meant taking a security guard trapped in the safe zone with him, who had the best line when he found out how the whole thing happened: “So we’re all going to die because you were embarrassed?”

Note to self: if you can choose your cause of death, try to avoid syntox VX nerve gas. Nasty stuff, that. Samwise’s death scene was not pleasant. But in defense of Samwise, his death scene was much more realistic than Edgar’s.

Are Kim and Ponyboy gone for good? If so, that was the sorriest excuse for bringing Kim back to the show that I have ever seen. She comes back to get locked into a room for an hour and then leave? Lame. She tells Jack that she doesn’t blame him for all of the bad stuff that goes down when they’re together, but Kim, that’s exactly what you’re doing. She sounds brainwashed, and I’m disappointed that the writers did nothing with the whole Ponyboy-slept-with-his-patient angle. You think Jack wouldn’t have kicked his sorry ass all over the room? God, it was painful to watch how neutered Jack was. Oh, and Ponyboy, shave that ridiculous beard, stat. (There’s actually a reason for that facial hair. Go see these shots from that TV remake of “War of the Worlds,” you’ll see that Father Time has not been too kind to our Hitcher-happy friend. Did you know there was a video sequel of “The Hitcher” in 2003? And that it stars my beloved Kari Wuhrer? Sigh.)

Looks like Bill Buchanan is about to get the boot, again. This Karen Hayes from Homeland Security, who plans on gutting CTU like a fish, has bigger balls than Logan does. How soon before Jack goes rogue in order to Get The Job Done?

But back to the martial law thing. This is bound to blow up in Logan’s face. When you declare martial law before the public is aware of any known threat, you don’t look proactive; you look scared, and Velociraptor Palmer, if the musings of Marty and Mike are to be believed, is counting on that to ruin Logan and pave the way for his ascension to the Big Chair. The public is not going to cooperate with the clampdown – not only are they Americans, who were founded on the principle of revolution, but they’re Los Angeles residents; rioting is in their blood – and when the city of Los Angeles erupts in civil disobedience, Logan’s going to wish Marty had died along with the Suvarovs, just so he doesn’t have to hear her telling him “I told you so” for the next 40 years. Do you suppose that Leland Palmer is the phantom menace here, the other person in the President’s inner circle that is behind the day’s events? It’s as good a guess as any. I still like my Wayne Palmer angle, though.

Lastly, we send a sad farewell to Tony Almeida, who was about to kill Robocop, only to have Robocop kill him when Tony gave him a half-second window of opportunity. Tony’s dying thought surely must have been, “Man, Robocop moves pretty fast for a guy whose nervous system has supposedly shut down.”

Okay, one more last thought: Desmond, the possibly magical resident of “Lost,” has a great agent, landing him spots in two of the biggest shows on television. What next, a slot as a terminally ill patient on “House”? A three-episode arc on “Entourage”?

“Goodbye, children!”

The email had the following subject:

“ISAAC HAYES requests release from ‘SOUTH PARK'”

Obviously, as a huge “South Park” fan, that caught my eye. Here’s what the press release said:

Legendary soul man Isaac Hayes has officially requested a release from his contract with the “South Park” television show, and the Comedy Central cable station. Mr. Hayes has been a cast member of “South Park” since 1997 as the voice of “CHEF”.

Mr. Hayes has decided to part ways with “South Park” because of recent episodes and press that have embarked upon what he feels are inappropriate ridicule of religious communities. While fully acknowledging “South Park’s” right to freedom of speech, Mr. Hayes is disappointed with what he perceives as a growing insensitivity towards personal spiritual beliefs, not only with “South Park” episodes but also the recent Danish cartoon controversy.

“There is a place in this world for satire, but there is a time when satire ends and intolerance and bigotry towards religious beliefs of others begins.” Mr. Hayes adds, “religious beliefs are sacred to people, and at all times should be respected and honored. As a civil rights activist of the past 40 years, I cannot support a show that disrespects those beliefs and practices.”

In all honesty, I’ve expected Hayes to walk away from the show for years; in fact, Trey Parker and Matt Stone said in an interview several years ago that they couldn’t believe Hayes signed on in the first place. The only thing missing from the press release is Hayes calling Parker and Stone “a couple of crazy crackers”.

As for his reasoning, it makes sense considering “South Park” has banged on Catholics, Jews, Mormons and, most recently, Scientologists (in the legendary “Trapped in the Closet” episode). Then again, they’ve been doing that for years. Could the Scientology episode really have been the last straw? Maybe Hayes and Tom Cruise are buddies, I don’t know.

The bigger question here is, what now for Chef? I can’t see Parker and Stone try to carry on the character with new voice talent. It just wouldn’t be the same. Granted, Chef’s profile on the show has diminished since the early days, when you could count on at least one vintage Chef song (“I’m gonna make love to you woman. I’m gonna lay you down by the fire.”) in nearly every episode, one of my personal favorites being “Chocolate Salty Balls.” But using someone else to voice Chef, even in a limited role, would be a disaster.

So the question is, how do they kill Chef off? That’s the only option, isn’t it? Then again, maybe they can get Barry White as a replacement….

The Family’s back…finally

“Woke up this morning, got yourself a gun.”

And then shot your nephew with it. You knew something was about to happen when Tony was in the kitchen by himself cooking loony Uncle Joon some dinner, I just didn’t expect Junior to shoot Tony in the gut. In hindsight, of course, it all makes perfect sense and seems blatantly obvious, but David Chase had me fooled last night. Whether or not this gets Tony to change his stance on admitting Junior into a retirement community remains to be seen, but it’s kind of hard to argue that your confused uncle doesn’t need professional assistance when said confused uncle tries to whack you while you’re making him some pasta. Somewhere, Tony’s mom is smiling.

“The Sopranos” has taken some heat from loyal fans the past couple of seasons for not being violent enough, but Chase made everyone happy with this season six debut. Aside from Junior capping Tony, we saw a few of Phil Leotardo’s thugs beat on Hesh’s son-in-law (Phil describes it as an unfortunate mistake), and Gene Pontecorvo splatter some fat guy’s blood all over the window of a fast-food joint. Gene later offs himself (hanging scenes always make me squirm, but this one was particularly disturbing for some reason), and I’m sure Gene’s suicide is going to be a source of immense guilt for Tony throughout the season. I mean, come on — the guy just came in to $2 million. Why not let him retire to Florida with his family?

Of course, as much as he’s going to beat himself up over it, Gene’s death is actually good news for Tony since (we learned) Gene was a “cooperator.” Now that the FBI lost both Gene and Ray Curto (who keeled over in the middle of a meeting with an agent), the big question is, who’s the next informant? I’m guessing it’s going to be someone big, like Pauley or Sil. Big Pussy’s informant days still stand as one of the show’s most compelling storylines, and with this being the final season, Chase will likely tap into that dynamic again. Considering what happened with Adriana last season, putting Chris in that position would be deliciously ironic.

And speaking of Adriana, it looks like Chase threw her a bone with that brief guest appearance. With “Joey” flopping, you can bet Drea de Matteo would kill for her old gig.

Finally, I’m going out on a limb and predicting that Chris is going to off Phil at some point this season. At the very least, someone from Tony’s family is going to off Phil (remember when Phil beat the snot out of Vinnie Delpino while hunting down Tony B?), which is going to make relations even worse between Tony and Johnny Sack. Considering how many times he told Tony how much he hates Phil last night, my money’s on Chris being the trigger man.

Box Office Roundup: Houston, we have a problem

Based on Sunday’s estimates:

1) Failure to Launch: $24.6 million (first week)
Living at home: it’s the new…oh, we can’t even joke about this. You’re all losers!
2) The Shaggy Dog: $16 million (first week)
Three screenings, two critics, one night. Guess which movie we chose to skip?
3) The Hills Have Eyes: $15.5 million (first week)
‘Who knew’ trivia: Big Brain is played by the same guy who played the chatty Brit who had the threesome with the two bridesmaids in “Go.”
4) 16 Blocks: $7.3 million ($22.7 million, second week)
You notice how the voiceover said, “From director Richard Donner”? That’s because they didn’t want to do on and say, “From director Richard Donner, director of “Lethal Weapon.” If they did that, you’d know how long it has been since he made a good movie.
5) Tyler Perry’s Madea’s Family Reunion: $5.8 million ($55.7 million, third week)
From first to fifth just like that. Man, those churchgoing folks are downright…impatient, narrow-minded and judgmental. Who’d a thunk it?

Shoulda been STV

Even Leslie Nielsen knew when to stop making movies for the theatres. So it should have been for Larry The Cable Guy: Health Inspector. All the trailers make it look like this is one flick for the 3rd grade crowd. Fart jokes! “Ball” jokes! Sushi jokes! Larry in drag! Booby jokes! A big, huge truck! Kid Rock! Unattractive women jokes!

Now, before it sounds like I’m trying to be above all this (like say the folks at PopMatters), let me just say that is not the case. This is just one of those flicks that boggles the mind as to how it got a major release. Sure, we’re still in that “dead of winter” part of the movie year, but…still…Larry The Cable Guy? Christ, not even Jeff Foxworthy had a movie, did he? If he did, I’m sorry for any of you who saw it. Hey Meds, you don’t have to go see this one, do you?

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