Year: 2006 (Page 109 of 228)

HBO’s new shows

“Lucky Louie” features comedian Louis C.K. playing Louie (big stretch), a muffler shop worker who struggles to be a good husband and father. The half-hour sitcom is shot in three-camera format in front of a studio audience, which is kind of an old-school way of shooting as compared to HBO’s one-camera hits, “Curb Your Enthusiasm” and “Entourage.” Predictably, the show deals with subject matter too “inappropriate” for network television – in the premiere, Louie’s masturbation habits took up much of the half hour. It’s strange to see that type of topic dealt with in front of a studio audience, so it’s a bit of an adjustment to watch the show. So far, the performances are a bit rough, but that’s to be expected to some extent from any new series recorded live. The terrific Pamela S. Adlon plays Louie’s wife. Adlon has been in a ton of stuff, usually playing the role of “sassy friend,” but she’s also known as the voice of Bobby Hill on “King of the Hill.” Comedian Jim Norton appears as Rich, one of Louie’s work friends, but so far, he hasn’t been given much to do. Through the first two episodes, the show has been mediocre, but it’s better than most three-camera sitcoms on network television. I’m not a big fan of the format, so I’m somewhat jaded.

“Dane Cook’s Tourgasm” follows – you guessed it – Dane Cook as he tours the country with three other comedians: Gary Gulman, Robert Kelly and Jay Davis. You might know Gulman as the “cookie guy” from “Last Comic Standing.” This is a reality show that focuses on the interaction between the comics during their travels as well as bits and pieces of the foursome’s standup routines. The group occasionally stops for an excursion (horseback riding, wall climbing, etc.) in order to expose the comedians to experiences they wouldn’t have otherwise attempted. For instance, Gulman had a run-in with an anti-Semitic horse. Of course, Cook is the star of the show, but he’s not always trying to entertain. There are times when he’s forced to mediate a conflict, such as the ball-busting gone bad between Kelly and Davis. Davis is a sensitive guy and he felt Kelly went too far with some needling after the group’s sound check. It actually got to the point where Cook had to console Davis, who was literally crying in his bed on the tour bus. That’s some heavy, uncomfortable stuff – but it’s oddly compelling. Comics are some of the world’s most tortured souls, so it’s interesting to see some of the scars behind their personas.

Paging Robert Smigel

gayduo

Clearly inspired by Smigel’s “Ambiguously Gay Duo” cartoons on Saturday Night Live, Cracked magazine has published a list of “10 Movie and TV Duos Who Were Probably Gay.” While some of the usual suspects made the list (Maverick and Iceman come to mind), there are some surprises there as well.

Okay, Brandon Walsh and Dylan McKay I totally buy (no wonder Dylan always wore that squinty-eyed look of inner torment), and even Schroeder and Linus are a conceivably cute couple…but “Pulp Fiction”’s Vincent and Jules?! No way. That’s going too far. No self-respecting gay man would accessorize with a wallet that says “Bad Motherf*$ker” on it, despite the potential lowbrow camp appeal.

Oh, and Miyagi and Daniel-San? That’s just sacrilegious…no matter how fey that crane kick may have looked. Let’s let poor Pat Morita rest in peace, shall we?

It’s Monday morning. Why work?

Remember that image that made the rounds a while back that had cleverly embedded pictures representing 75 different band names in it?

Well, now there’s a movie version, and they’ve upped the ante: the image contains representations of 100 different movie titles.

I capped out at 76 last night, and that includes a couple of feeble guesses. If anyone has ideas about the dog or the Nike shoe, I welcome your input. Happy time-wasting!

The thorny olive branch

George Hearst is one tricky bastard. He sends Al a note, giving him the positions of two/four killers in his saloon, which allows Al to defend the Gem. I’m not sure why Al trusted Hearst enough to visit him at his digs, but when he does, Hearst shows his true colors (Alma’s stake in the camp) and wants Al’s help. Al doesn’t cooperate, which was actually a bit surprising given his penchant for survival, and Hearst takes a finger as punishment. After the meeting, Al stumbles out into the camp, causing Bullock’s ears to perk up. Bullock wants to take the bastard down, but Al rebukes the idea by saying, “I’m having mine served cold.” This represents some serious foreshadowing, which will likely take several episodes to come to fruition.

Meanwhile, Alma’s pregnancy has gone South, causing her to get her affairs in order. She surprises Ellsworth by giving custody of Sofia to Bullock, if anything were to happen to her. It’s clear that, for all Ellsworth has done, she still prefers Bullock, especially if someone is going to have to defend Sofia’s claim in the camp. Seth and Martha seem to be getting on a bit better, though their scenes together are still extremely uncomfortable and I wonder if the two will ever be happy as husband and wife. When you think about it – how weird would it be to marry your brother’s widow?

Jane is on the wagon again and her speech to the “little ones” was endearing. There was a nice moment between her and Martha as Jane left the school house. Speaking of nice moments, Joanie – who is still having a tough time dealing with Cy – opened up to Charlie. This is a romance that hasn’t quite gotten off the ground, but with his speech convincing Joanie that she shouldn’t be too hard on herself, I suspect he scored a few points.

So what’s up next? You can bet that Al is going to be spending most of his time figuring out a way to put Hearst in the ground. His uneasy alliance with Bullock has been an interesting twist in the series. Alma’s abortion appears to have gone well, but her entrusting Bullock with Sofia has to cause problems in her relationship with Ellsworth. I look forward to seeing some more of Trixie and Star – Sol bought a house and it looks like the duo will be able to spend many a night together without the camp knowing. Finally, based on the crowd’s reaction to the candidate’s speeches, Star and Bullock will with the mayoral and sheriff races, respectively.

Almost famous? Not anymore.

“After the year that I’ve had and on the most important day of my life, you’d think she would ask me what I wanted, ya know? A nice blowjob perhaps, where I could just sit back for the first time in nine months and do nothing but admire the top of her head and pray that this fucking movie opens so I can stop selling off assets like we’re fucking Michael Jackson. All right? Now, I have to answer the fucking Batphone when it rings three fucking times and it’s fucking Vince!”

And so goes this week’s Ari moment, which may also rank as one of the finest rants in television history. It’s the “Aquaman” premiere weekend and everyone is thinking about the numbers. Ari hopes the movie rakes in $95 million over the weekend, but when Turtle throws out a prediction of $114,844,117, or one dollar more than the opening record held by “Spider-Man,” imaginations run wild. The guys check out the movie at a theater in the valley, and the massive crowd is into it right up until a blackout shuts everything down mere seconds before the best part of the movie. Bad news. Even worse, the entire area starts experiencing rolling blackouts, which sends the lofty projections into a tailspin and prompts the above quote from Ari after his wife scheduled an emergency session with a marriage counselor at the worst possible time.

Nothing to worry about, though, as it turns out the blackout affected the reporting of the numbers more than anything else. In fact, projections now have “Aquaman” pulling in $116 million, news that Ari delivers personally to Vinnie and the boys at a high school party straight out of “Almost Famous.” No surprises there, as we all pretty much figured the film would be a monster hit, but when I suggested last week that a far more interesting path would be to have “Aquaman” tank, I did so because I wasn’t sure how much potential the “blockbuster” storyline held. I mean, I love watching these guys party balls and now that Vinnie’s the biggest movie star on the planet, as Ari told his wife he’d be, even more good times await. But a story needs conflict, and having everyone live the high life for the rest of the season without anything of real consequence happening would get boring. And what about Ari? We only get to see him scrambling for a few episodes before he’s back on top? I don’t know that anyone’s ever pulled themselves up by their bootstraps that quickly.

I may very well be selling the “Entourage” writers short. Then again, judging by how neatly and conveniently they wrapped up the finale last season, maybe not. This is setting up to be a good season, but the question now is, where do we go from here? I’m guessing now that the craziness of the premiere has passed, we’ll start seeing more depth to the story. Everything so far has been about Vince, which is understandable since the biggest movie of his career is opening, but what’s going on with Turtle’s music rep career and Drama’s own acting career? And where the hell is Sloan? While everything in the “Entourage” world revolves around Vince and his career, this show has always been at its best when the focus is off Vince and everyone is involved. With only two episodes in the books, there’s obviously plenty of time to shift the focus this season. Let’s just hope that shift starts next week.

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