Please, won’t you lend a television critic a hand?

The Television Critics Association has officially begun the gearing-up process for its 25th annual awards, which will honor the finest work of the 2008-09 season as selected by the association’s 200-plus member critics and journalists. One of those members is yours truly, and I figured I’d see what the readers of Premium Hollywood had to say about the nominations and who they’d like to see win the various categories. I’ll have to submit my votes by June 10th, but since the winners won’t be announced until August 1st (the ceremony takes place at The Langham Huntington Hotel and Spa in Pasadena, CA, with Chelsea Handler opening the ceremony), so speak up quickly. There are a couple of things I’m on the fence about, and I’d be interested to hear your thoughts before I make my final selections.

PROGRAM OF THE YEAR

* “Battlestar Galactica” (SciFi Channel)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT IN COMEDY

* “30 Rock” (NBC)
* “The Big Bang Theory” (CBS)
* “The Daily Show” (Comedy Central)
* “How I Met Your Mother” (CBS)
* “The Office” (NBC)

OUTSTANDING ACHIEVEMENT IN DRAMA

* “Breaking Bad” (AMC)
* “Friday Night Lights” (NBC/DirecTV)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT MOVIES, MINI-SERIES AND SPECIALS

* Summer Olympic Coverage (NBC)
* “24: Redemption” (Fox)
* “Generation Kill” (HBO)
* “Grey Gardens” (HBO)
* “Taking Chance” (HBO)

OUTSTANDING NEW PROGRAM OF THE YEAR

“Fringe” (Fox)
“The Mentalist” (CBS)
“No. 1 Ladies’ Detective Agency” (HBO)
“True Blood” (HBO)
“United States of Tara” (Showtime)

INDIVIDUAL ACHIEVEMENT IN COMEDY

* Alec Baldwin (“30 Rock”)
* Steve Carell (“The Office”)
* Tina Fey (“30 Rock”)
* Neil Patrick Harris (“How I Met Your Mother”)
* Jim Parsons (“The Big Bang Theory”)

INDIVIDUAL ACHIEVEMENT IN DRAMA

* Glenn Close (“Damages”)
* Bryan Cranston (“Breaking Bad”)
* Walton Goggins (“The Shield”)
* Jon Hamm (“Mad Men”)
* Hugh Laurie (“House”)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING

* “Camp Rock” (The Disney Channel)
* “The Electric Company” (PBS)
* “Nick News” (Nickelodeon)
* “Sid the Science Kid” (PBS)
* “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION

* “60 Minutes” (CBS)
* “The Alzheimer’s Project” (HBO)
* “Frontline” (PBS)
* “The Rachel Maddow Show” (MSNBC)
* “We Shall Remain” (PBS)

HERITAGE AWARD

* “ER” (NBC)
* “M*A*S*H” (CBS)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)
* “Star Trek” (NBC)

Blu Tuesday: A Bug’s Life, Batman and Terminator 2

The wealth of Blu-ray titles being released this week is actually pretty incredible (in fact, most of the month has yielded a nice selection for HD enthusiasts), but you’d be wise to get in on the fun now, because the future is looking pretty dim – at least in the short term. Nevertheless, there are plenty A-list titles to last you through the upcoming drought, and most of them are good enough to warrant headlining their own column.

“A Bug’s Life” (Walt Disney)

It may not be one of Pixar’s most popular films (in fact, it’s curiously missing from just about every marketing campaign of the last decade), but “A Bug’s Life” is still a solid entry in the studio’s 14-year history. A clever reimagining of Akira Kurosawa’s “Seven Samurai,” the film features all of the usual Pixar trappings (humor, heart and charm), not to mention an awesome voice cast including the scene-stealing Kevin Spacey and Richard Kind as the villainous grasshopper and his dim-witted brother, respectively. Oh, and that cute little girl providing the voice of Dot? It’s none other than “Heroes” hottie Hayden Panettiere in one of her very first film roles. What’s ultimately so great about the new 10th anniversary Blu-ray release, however, is that it not only includes the previously released bonus material, but two brand new special features as well. The first is a 21-minute roundtable discussion with co-directors John Lasseter and Andrew Stanton and producers Darla K. Anderson and Kevin Reher where they reflect on the making of “A Bug’s Life” with stories about pitching the idea to Disney and screening the film for President Clinton at Camp David, while “A Bug’s Life: The First Draft” offers a never-before-seen look at the film’s original concept starring a completely different main character. It’s exactly the kind of fan service moviegoers don’t see enough of these days, but when it comes to a company like Pixar, you shouldn’t expect any less.

“Batman” (Warner Bros.)

It’s hard to imagine anyone that wanted a copy of “Batman” on Blu-ray didn’t pick up the anthology box set collecting the first four films when it was released a few months ago, but those holding out strictly for the Tim Burton original will be pleased with Warner’s new digibook release. Though the 1989 film doesn’t quite hold up when compared to Christopher Nolan’s reboot of the franchise, it’s still a solid entry in the history of comic book films that, if nothing else, offers a great performance from Jack Nicholson as a more classic version of the Joker. The set is also jam-packed with all of the special features from the 2005 DVD reissues including a director commentary, an in-depth look at the history of Batman, and hours of production featurettes about the making of the film. The digibook release also features slick packaging with a 48-page booklet filled with essays and a script excerpt, as well as a digital copy for those on the go.

Read the rest of this entry »

24 7.23-24: Make decisions that you can live with

Man, I saw more trailers for upcoming movies in tonight’s season finale of “24″ than I did during the Super Bowl. Seriously, weren’t there ads for seven or eight movies? And do you know how many I stopped fast-forwarding through the commercials to watch? One: “Public Enemies.” Just sayin’, it does not look like a promising summer at the googoplex.

Maybe it’s just me, but I liked the second hour of tonight’s show more than the first one, which is odd, because they usually wait until the final minutes before fucking everything up. Remember the oil rig? The secret recording of President Logan? The last time the final seconds of “24″ were truly nerve-wracking was when Jack hacked off Chase’s arm. (The best endings, of course, were the death of Teri Bauer and the poisoning of David Palmer by Mandy the bisexual assassin.) Tonight’s ending didn’t pack that kind of punch, but I like that they left us to wonder what Jacqueline Bauer did to Alan Wilson in the interrogation room (too late to give him a nickname, though I lean toward Coach Yoast, his character from “Remember the Titans”), and even having Jack end the season in a coma. Yes, we all know that he will be back for an eighth day, but perhaps Kim will die from complications while donating the stem cells that ultimately save his life. Hey, a guy can dream.

Having said that, Kim did not spend these two hours playing the damsel in distress, and in fact performed very admirably under the circumstances. She stabbed the girl in the leg and gave the cops a clean shot at her, and she saved the laptop that led the Feds to the location of Jack and Tony (more on that in a minute). No bear traps or Kwik-E-Mart holdups for our little Kimmy! Wow, maybe she isn’t as helpless as I made her out to be, but that’s no excuse for recycling a plot thread from the show’s first season, when Jack had to shoot Senator Palmer in order to save Kim and Teri. Silly, silly, silly, and that is the only reason I want her to go away. She brings out the worst in the writers.

As for that first hour…

Man oh man, I can’t tell you how many times I either laughed out loud or said, “You’ve gotta be kidding me.” Jack is doing the bidding of Mystery Girl (real name Cara) against his will, and tells Jackie that they’re threatening to kill Kim if he doesn’t cooperate. Seconds later, he tells Cara that he’s awaiting her next instruction…and she gives it to him, without a word of protest. I’m shouting, “Didn’t she just hear what he told them?” Those words should automatically trigger Kim’s death, yes? The only way around this that I see is that Cara would never actually have Kim killed before getting Tony, so it was an empty threat. Which is smart, because if Jack thinks that Kim’s dead, he kills Tony, then he kills Cara, then he hunts down every relative of Cara’s and kills them, their loved ones, their loved one’s neighbords, and their pets. Hell, Jack had a clean shot at her from inside the paddy wagon. He could have just killed her right there. I’m frankly surprised he didn’t.

“So what’s it like being the second-hottest woman on this show?” “That’s funny, I was about to ask you the same thing.”

And speaking of Jack taking shots, dude had pretty good aim when he shot Tony in the hand. This despite the fact that he’s suffering from a biological agent that attacks the nervous system. Funny how composed Jack could be when the moment called for it, and vice versa.

Then comes Tony’s big push to meet Alan Wilson. Ho, ho, and indeed ho, as our colleague Will Harris would say. Just like that, his motives became so transparent. He wants to take the big guy out! Could he be on the side of good after all? Well, no, as it turns out, but as retrofitted motives go, it could have been worse, especially when we discovered that…Michelle was pregnant when she was killed. Holy shit. As a father of two, I have to say that I would have elaborate revenge fantasies as well, had I been in his shoes. Kill my wife, and you only, only, have hell to pay. Kill my wife and son, well, you’re gonna wish the Devil was looking for you instead. I feel for you, Tony, I really do. But I still want to kick your ass for killing Dudley Do-Right.

Now back to that raid on the bad guy lair: Tony is about to hatch his evil scheme to blow up Jack and Alan Wilson with a bunch of C4, when the FBI not only finds them - last I remember, Chloe and Janis were still trying to crack the encryption on Bad Actor’s laptop - but they’re actually able to sneak up on them…by helicopter? Aren’t those things audible from a mile away? Classic moviemaking technique, that. If you don’t see it, then you can’t hear it. I also loved Jacqueline’s side saddle bit on the SUV, followed with the jump and roll. I’d love to see the real-life version of that. Jackie: Pew pew! Bad guys: Pip pip pip pip pip! Jackie: Dead.

But in the end, I’m not sure that anyone found themselves in a more difficult position than Madame President herself. After Kanin checkmated Hillary Clinton with the whole memory chip thing (which we all saw coming), I was surprised that Hillary actually showed genuine remorse and human emotion when confessing everything to her parents. I even felt a little sorry for her, which is something I never thought I’d say a week ago. But thank God that Hillary’s teary confession wasn’t enough to sway Madame Prez from doing the right thing and sending her sorry excuse for a daughter to the slammer. When she walked away from the First Man at the end, I was half-expecting her to have the First Dude escorted from the premises. After all, it’s not as though her marriage is going to survive a decision like that. On an unrelated note, I hope they bring Secret Service Agent Tim Woods back for another season. Not sure how you write him in, but he seems to be playing for the right team.

My hopes are not high that we will see our beloved Jacqueline Bauer again - odds are, she’s getting 20 years in the hole for whatever she was about to do to Wilson - and that makes me sad. I quite liked her character, and she can do Hell-hath-no-fury scorn like no other. Tony, of course, is still alive, but he may as well be dead since he’s just pissed all over the carcass of the Good Tony Almeida that we thought was killed years ago. I hated seeing them bring him back like this. Good people do bad things, yes, but they are still good at their core. I might be capable of committing unspeakable acts against anyone responsible for harming my family, but I wouldn’t kill half a dozen FBI agents to get to that person. I don’t know, maybe I’m just not hardcore enough. I can live with that, I guess.

So there you have it, another 24 hours of our lives, gone. I’m not sure if this show is ever going to give me what I want. Does it sound morbid to want more death and destruction? I don’t have bloodlust; I just want a show that doesn’t cry ‘Wolf!’ nine times out of ten. I think that all serial writers, the “24″ writers in particular, should take a good long look at “The Dark Knight,” and how they mercilessly ratcheted up the tension until the very end, and none of it felt like a bluff or a false promise. There is a reason that movie made half a billion dollars at the box office, you know.

It is now three in the morning, and I have to take my son to day care in five hours. Time to head to bed. Thanks to all you wonderful 24-philes for reading my column, and I’ll see you all in seven months.

Fox: The Fall Schedule

Fox has officially announced its schedule for the fall, but let’s lead with a bit of bad news: “Terminator: The Sarah Connor Chronicles” is not on it. The network officially canceled the series, and while I’m still dumbfounded by that decision, you know they’ll double-back and find a way to get it back onto the schedule if “Terminator: Salvation” is a hit. Or maybe they’ll release a straight-to-DVD movie which picks up where the series ends. Either way, I just cannot imagine that this will be the complete and total end of Sarah Connor’s TV adventures.

Okay, onto what is on the schedule, along with a few editorial comments…

MONDAY

8:00 PM - House
9:00 PM - LIE TO ME

Looks like another year of having to watch “House” and “Lie To Me” as full-season sets when they come out on DVD, because I’m still going to be watching “The Big Bang Theory,” “How I Met Your Mother,” and “Heroes.”

TUESDAY

8:00 PM - So You Think You Can Dance

WEDNESDAY

8:00 PM - So You Think You Can Dance Results Show

9:00 PM - Glee

The distinctive new comedy from Ryan Murphy (“Nip/Tuck”) starring Jane Lynch (“The 40 Year Old Virgin”) and newcomers Matthew Morrison (Broadway’s “Hairspray”), Lea Michele (“Spring Awakening”) and Cory Monteith (“Kyle XY”). Combining biting humor with a soundtrack of hit music from past to present, the inventive series follows an optimistic high school teacher who – against all odds – attempts to restore McKinley High’s fading Glee Club to its former glory, while helping a group of underdogs realize their true star potential.

THURSDAY

8:00 PM - Bones
9:00 PM - Fringe

When my wife finds out that “Fringe” is going to be competing against her beloved “Office,” she’s gonna be so pissed…

FRIDAY

8:00 PM - Brothers

A new half-hour comedy about a former big-city NFL hot shot who returns home to his family – and his mother’s house – to get his life back on track. Starring Michael Strahan (“FOX NFL Sunday”) and Daryl “Chill” Mitchell (“Ed,” “Veronica’s Closet”).

8:30 PM - ‘Til Death

9:00 PM - Dollhouse

Really? They canceled “Sarah Connor” for this? And do they really think this coupling is going to help the “Dollhouse” numbers?

SATURDAY

8:00 PM - Cops

8:30 PM - Cops

9:00 PM - America’s Most Wanted

11:00 PM - The Wanda Sykes Show - The irreverent Saturday late-night series will feature Sykes’ outspoken comedic perspective on current events along with topical, high-energy roundtable discussions.

12:00 AM - Animation Domination encores

SUNDAY

7:00 PM - The OT (NFL Post-Game Show)

8:00 PM - The Simpsons

8:30 PM - The Cleveland Show - Everyone’s favorite soft-spoken FAMILY GUY neighbor, Cleveland Brown, moves with his son back to his hometown in Virginia and settles down with his high school sweetheart and her unruly kids.

9:00 PM - Family Guy

9:30 PM - American Dad

MIDSEASON

MONDAY

8:00 PM - House
9:00 PM - 24

TUESDAY

8:00 PM - American Idol

9:00 PM - Past Life

A fast-paced emotional thriller inspired by the book “The Reincarnationist.” The series stars Kelli Giddish (“All My Children”) as a gifted psychologist and Nicholas Bishop (“Home and Away”) as a former NYPD detective who work together to explore and unravel mysteries that must be solved in both the past and the present.

Wow, that doesn’t sound at all like “Life on Mars.”

WEDNESDAY

8:00 PM - American Idol Results Show

9:00 PM - Human Target

A full-throttle, action-packed thrill ride from executive producers McG (“Terminator Salvation”) and Simon West (“Con Air,” “Tomb Raider”). Based on the popular DC Comics graphic novel and starring Mark Valley (FRINGE), Chi McBride (“Pushing Daisies”) and Academy Award nominee Jackie Earle Haley (“Watchmen”), the series follows CHRISTOPHER CHANCE (Valley), a unique private contractor who will stop at nothing – even if it means becoming a human target – to keep his clients alive.

Anyone else noting the irony that the director of the new “Terminator” movie is getting a show just as the “Terminator” TV series is getting canceled?

THURSDAY

8:00-9:00 PM BONES

9:00-10:00 PM FRINGE

FRIDAY

8:00-8:30 PM BROTHERS

8:30-9:00 PM ‘TIL DEATH

9:00-10:00 PM DOLLHOUSE

SATURDAY

8:00-8:30 PM COPS

8:30-9:00 PM COPS

9:00-10:00 PM AMERICA’S MOST WANTED

11:00 PM-Midnight THE WANDA SYKES SHOW (working title)

Midnight-12:30 AM ANIMATION DOMINATION ENCORES

SUNDAY

7:00 PM - Animation Domination encores

7:30 PM - American Dad

8:00 PM - The Simpsons

8:30 PM - Sons of Tucson

From three-time Emmy Award winner Todd Holland (“Malcolm in the Middle”), the non-traditional family comedy stars Tyler Labine (“Reaper”) as a charming but wayward schemer hired by three young brothers whose father is in prison.

9:00 PM - Family Guy

9:30 PM - The Cleveland Show

TV Roundup: “The Shield” creator joins “Lie to Me,” “24″ gets real and more

- I haven’t watched “Lie to Me” because I am generally anti-procedural these days, but the news that “The Shield” and “The Unit” creator/producer Shawn Ryan is joining the series as its showrunner has me intrigued. Unfortunately, this probably means the end for “The Unit.” R.I.P., my friend.

- Even though the finale to the eighth season felt a lot like a series finale, a ninth season of “Scrubs” looks like a lock because Zach Braff has agreed to appear in six episodes. Six episodes? For real? What’s the point?

- “Glee,” the latest from “Nip/Tuck” creator Ryan Murphy, got a great review from EW.com, even though the reviewer is not a musical kind of guy. “Glee” is a musical comedy, with an emphasis on comedy. It debuts next Tuesday on Fox.

- Kiefer Sutherland tells Reuters that the eighth season of “24″ is probably the “most realistic” yet. This is good news because the last seven seasons have gotten increasingly ridiculous.

24 7.22: If you build it, Kim Bauer will fall into it

Previously, on the “24″ Blog:

Now watch us find out next week that it was Hillary’s contract killer that blew up the car. Wouldn’t that suck? I mean really, how boring, how logical.

Damn, damn, damn. I work up this super-fun conspiracy theory, only to discover that the reason they kept Janis around is for one last catfight with Chloe. Ugh. Even after Janis had won the battle, I pumped my fist in the air when Chloe told her that she’s not the person you come to for validation. God, I could kiss her. I’d still like to know why Janis was the one helping in Jonas Brother’s transfer, though. Was it just to get her some additional screen time? Or to mess with bloggers like me? I’m still holding out hope that there is still a chance that she’s a mole, but I realize that it’s not very likely.

I am amused, though, at how completely and totally fucked Hillary Clinton is at this point. There is practically a trail of bodies that follows her wherever she goes. Even Old Yeller is susipcious of her - which surely began the moment he shared an elevator with her after she’d just had sex, as one Mr. Codding astutely observed - to the point where he called Warden Norton to see if the digital recorder stashed in the office was still running. How awesome was Norton’s response: “I’ll be there within the half-hour.” It’s SIX IN THE MORNING, but Warden is both ready and willing to exact his revenge. How about that, the system works after all.

I was glad to see the whole canister thing get resolved - man, how about that beatdown Jack gave Tony? - but as Jibraan locates the bomb and begins to scramble out of the station, I’m thinking to myself, “Leave the bomb inside the subway car and tell the authorities to close the goddamn doors.” It wouldn’t be airtight, but once you’ve scared everyone off, it wouldn’t matter. Hell, John McClane would have thrown it down the subway tunnel, then shot it to pieces. Dunno, it just seemed like overkill to me.

“And Iiiiiiiiii-eeeeee-iiiiiiiiii-eeeee-iiiiiiiii will always, love youuuu-hooooooooo-ohhhhhhhhh…”

All right, Kim Bauer fans, it is time for you to come to Jesus. Why is it, exactly, that you like her so much? Because she’s cute? No question, Elisha Cuthbert is a lovely woman, but Kim Bauer is death incarnate. Look at how they handled those scenes of her at the airport. It was both clumsy and convenient at the same time. She’s suspicious of the federal agent - here’s an idea: have the agent walk up to Kim and tell her that Jack asked him to look after her, and get Daddy on the phone if she’s unsure - and then she just happens to befriend the two people assigned to abduct her? Meanwhile, the male goon, who’s the worst actor ever, kills the agent in the bathroom without anyone walking in on them, which is ridiculous on two levels. For one, that agent had a gun. Grab it and shoot the guy! The other problem with that scene is that it’s rush hour at a DC airport. Those bathrooms aren’t empty that time of day, ever. So now Jack has to break Tony (his smirk once Jack hopped in the van is some of the finest acting Carlos Bernard’s ever done) out of FBI custody again in order to save Danger-prone Daphne for the seventeenth time in the show’s history.

Kim Bauer is not worth this much trouble.

Remember, the girl of a thousand disguises can only hear Jack, which means she can’t see him speak to someone else using sign language or write a note saying “HELP ME!” Ugh. So much conflict, so little need. The only way they can make up for this is if the bad actor goon is strangled to death by a cougar trap, then shot by a guy who just held a standoff at a Kwik-E-Mart. Seriously, resolving the bomb attack two hours early was a severe tactical mistake. Now we have to pretend to care whether Kim Bauer lives to see the final clock tick, and I gotta be honest, I don’t care what happens to her. The rest of the time will be spent covering the downfall of either Hillary Clinton, Madame Prez, or possibly both of them, which would be a gross injustice to the show’s finest President since David Palmer. Can’t say that either of those prospects excites me. Sigh.

Is Kiefer Sutherland starting to think that he’s actually Jack Bauer?

The “24″ star is in trouble with the law again after a run-in at a gala.

The 24 star has been accused of head-butting a famous fashion designer at a gala in New York City.

According to reports, Sutherland allegedly delivered the forehead-to-forehead blow (seriously, a headbutt?) to fashion designer Jack McCollough on Monday night. Sutherland’s action was said to be in response to McCollough bumping into actress Brooke Shields and not apologizing for the incident.

What really happened that night is still unclear. Reps for Shields have said nothing happened to the actress, and McCollough’s reps allege Sutherland was drunk. Sutherland’s camp says the fashion designer rudely bumped into Shields.

Maybe Jack Bauer can go around headbutting people when the safety of the United States is on the line, but it’s uncalled for at a gala. (Unless, of course, the fashion designer he headbutted had information crucial to the safety of the United States.)

24 7.20: Baby did a bad, bad thing

I just realized something: “24″ has been liberal in the past with product placement shots of Ford F150s barreling through the streets of Los Angeles, but not once can I recall anyone on the show drinking anything that would either help with either hydration or the fact that it’s four in the morning and all concerned have to be freaking exhausted. No coffee, no soda, no Red Bull…no way, dude. All I know is that if I’m Chloe, I’ve got a Big Gulp filled with Diet Pepsi next to my keyboard (and a flask of Jack Daniel’s in my top drawer to slip into it once the situation is officially under control). It’s a natural fit in terms of realistic product placement. The Red Bull, that is, not the Jack.

It was a rather atypical “24″ episode in that only one man died, but that man was the man. Godspeed, Jonas Brother. You will be missed. (Loved his line about his new alias of Robert Tippett: “Sounds like a breed of dog.”) Of course, I knew that he was going to bite it even after Hillary Clinton realized the limits of her self-absorbed righteousness, because that’s just what happens on this show. But here’s my working theory on this, and I don’t think this is a stretch: Hillary’s contract killer didn’t do the job. Let’s face it, they don’t kill people pro bono. It’s too risky. No, I think the shadowy company with whom Jonas was in league orchestrated that hit, but for them to pull it off, there must be one more person on the inside that could have provided them with Jonas’ travel arrangements.

Janis.

“I worked at a box factory? Really, that’s my new back story? Man, you guys suck at this. Oh well, it doesn’t matter, because I’ll be dead in five minutes anyway.”

Let’s examine the circumstantial evidence. She can monitor everything the Feds are doing to find the weapon. (This would also explain why she was so paranoid about Billy Walsh earlier in the day.) She whines about racial profiling and Big Brother, which is a great cover for a military contractor’s informant. She knew Jonas Brother’s itinerary, because we saw her in his room shortly before he was released. But most importantly, from a storytelling perspective, her character has nothing else to offer at this point. Chloe’s doing all the tech work. Janis’ role for the last two hours has been to impede the investigation with her righteous bleating. Hello, mole!

Now watch us find out next week that it was Hillary’s contract killer that blew up the car. Wouldn’t that suck? I mean really, how boring, how logical.

I was impressed with the way the brother of the framed Muslim shattered the mirror and dispatched the hostile in about 9.8 milliseconds. That was a pretty dope move for a civilian. Hmmm…

It’s clear to me that Hillary Clinton is going to get her ass handed to her before all is said and done. The only question is for which one of the many offenses she committed today. There is a quote from her in the scenes for next week’s episode (cover your eyes, Mr. Paulsen) about how the Justice Department is inquiring about her whereabouts, but if that’s true, then it must be looking into time she spent outside of the White House. Does the camera phone sex video come back into play? And maybe they’ll seize the opportunity to portray a leaked sex tape as a bad thing? (Seriously, sex tapes are calculated career moves for C-list celebrities these days. How fucked up is that? End of rant.) Can’t wait to see the look on Madame Prez’s face when she’s forced to watch that puppy. The only way that scene would be better is if afterward, she bends Hillary over her knee and spanks her like the insolent child that she is. Hey, a blogger can dream.

24 7.20: Synchronize your watches, there’s still time to kill

Hi everyone, I’m back. So, what did I miss? (*thinks about using emoticon, decides to move on*)

Thanks to the many people that sent in quotes for the captions. They were all quite entertaining, though the one of Jack and Senator Dumbass supposedly looking at a woman with a horse was easily my favorite. It was crude, yes, but smartly written. Nicely done, Jay. And now, back to the blog…

The people that write Entertainment Weekly’s “In the Bullseye” section love Sprague Grayden and her Hillary Clinton character. I want whatever drugs they’re taking, because she makes me craaaaaaaaaaazy. When is someone going to finally grab her by the scruff of her neck and say, “This isn’t about you, Olivia”? Nothing about her character rings true to me. She’s a clock killer, a device the writers have installed when they need to manufacture a little conflict. Jonas Brother may be a sociopath, but he’s a hell of a lot more fun to watch. She’s both a pain and a bore. Kill her now, please.

On the plus side, we get Chloe back, and not a moment too soon. Not even Janis’ own people seem thrilled to have her on staff at this point, as she took verbal dress-downs from both Bauers Jack and Jacqueline (Chloe resorted to her usual passive-aggressive snide remark). I pictured GiantGary waving his arms in the air like he was at a Sunday revival in the deep south when Jack laid into Janis. Even though he said David Palmer instead of Allison Taylor, he still PWND her. I guess I don’t understand Janis’ reluctance to use CTU’s server. It’s a government database, and they need to find a bioweapon. What’s the problem?

“Can I count on you to do the right thing?” “If by that you mean completely fuck up everything you put in motion for my own selfish interests, then I’m your girl, Mom.”

Lastly, we must discuss Tony Almeida’s sudden transformation into Woody Harrelson from “Natural Born Killers.” Dude popped three people this week alone, which has to be a record for him. With his official Dead Feds count at three (*pours out a 40 for Dudley Do-Right*), I think it’s safe to say that there is no way that Tony is still undercover as the dude playing the dude disguised as a bad dude, if that makes any sense. He has to be bad and nothing but bad. Otherwise, he would have wounded those agents tonight and only knocked Larry out. The only question is just how far Jack shoves his foot up Tony’s ass in the final minutes. After Kim saves Jack from the Howard Hughes bioweapon, of course. “It’s the way of the future, the way of the future…”

All right, one more thought. I found it very curious that that shots were fired in Tony’s Sleaz-E Motel room, and yet that did not arouse the suspicion of management. You have to think that at least one guest at that hotel is not a wanted fugitive and would be spooked, right? Maybe they’re all sound sleepers. It is three in the morning, after all.

TV Roundup: Shorter seasons for “Heroes,” ABC shows in limbo and more

- NBC wants shorter seasons from “Heroes,” according to AdAge.com. The network is looking for 18 to 20 episodes instead of the usual 25, with fewer in-season breaks. I’m all for shorter seasons, as shorter usually equals better.

- ABC has renewed “Lost,” “Grey’s Anatomy,” — no surprises there — “Brothers & Sisters,” “Desperate Housewives,” “Ugly Betty” and “Private Practice,” but “Cupid,” “Better Off Ted,” “Castle,” “Scrubs,” “Samantha Who?” and “The Unusuals” are still in limbo. TV.com thinks that “Castle” has the best chance of surviving.

- Television Without Pity lists 10 series that deserve a movie before “CSI.”

- Yahoo TV highlights 16 season finales that are coming up over the next five weeks.

24 7.19: Nothing good happens after 2:00 AM

Hello, my fellow Bauerphiles. Did you like tonight’s episode? Let’s hear your thoughts, your hopes and fears. And if you have a minute, why don’t we go somewhere only we know…I’m telling you, fatherhood has turned me into a giant sap.

But enough about my girliness. I have some more photos that need captioning. Do you feel funny? Well, do ya, punk? Let’s see it.

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I will announce the winners for each caption in a special blog next week. Tune in next week, dammit.

“24″ moving to New York City

The city so nice they named it twice is about to get a taste of a little Jack Bauer, according to EW.com.

Sources confirm to me exclusively that 24 will be relocating to New York next season — at least on screen. (The show will still be primarily shot in Los Angeles, with some NY location footage mixed in.)

Production on Day 8 gets underway next month, but already details are emerging. In addition to the move to the Big Apple, CTU will make a comeback under the leadership of a new, yet-to-be-cast male character by the name of Brian Hastings. Described as an MBA type with a razor sharp intellect, Hastings will be joined by two new twentysomething agents (one male, one female), as well as Mary Lynn Rajskub’s returning Chloe.

New York City has been pretty ignored in the world of “24,” as a show about terrorist strikes in the Big Apple probably hit a little too close to home. The producers have apparently deemed it the right time to make the move.

“Lost” time warps its way to #1 spot on Bullz-Eye’s TV Power Rankings

With the writers’ strike finally behind us, the television industry has sprung back remarkably well. Granted, it isn’t all puppy dogs and ice cream for all of our favorite shows, but after the strike forced us to cancel the spring edition of our semi-annual TV Power Rankings, it’s nice to be able to show some love for those series that had been gone for far too long. A quick look at our Winter 2008 list may suggest that a major shakeup has occurred in our new Top 20 below, but seven of the shows from last November are either on hiatus or cancelled. Likewise, nearly every eligible show previously on hiatus has snuck its way back into the Top 20, while five new shows have also cracked the list. Most of these are experiencing some of their best seasons ever, and though “Heroes” continues its mighty fall, the return of “24″ only further cements the notion that TV is back and better than ever.

Below you’ll find a few entries, but be sure to check out the full list, where we’ve also included links to DVD reviews and interviews, as well as a host of Honorable Mentions and our list of favorite shows currently on hiatus.

Read the rest of this entry »

24 7.18: Well, that just happened

In the interest of full disclosure, I’m writing this post on Wednesday, April 8, because I do not want to leave you good people hanging while I disappear for a couple weeks to spend some time with my new kiddo, hence the generic title for this week’s blog. The downside to taking next week off is that just yesterday I interviewed Jacqueline Bauer herself, the lovely Annie Wersching, and she said she was going to check out my blog this week. D’oh! Please come back in two weeks, Annie. I swear I’ll make it worth your while.

Update: Holy fucking shit, I picked a bad week to go on baby leave. Tony killed Dudley! Nooooooooo!

In the meantime, faithful “24″ blog readers, let’s have some fun. I’ve attached some “episodic photos” from various episodes of this season’s “24.” Your assignment is to come up with a killer caption for each.

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This one’s for you, GiantGary…

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I will announce the winners for each picture when I return on April 27. In the meantime, we will post another blog entry - and more photos, yay! - the following Monday night to give you guys the chance to vent about that week’s episode. Have fun!

24 7.17: And it starts sometime around midnight…

In the interest of full disclosure, this blog entry is not receiving the thorough once-over that I try to give the others. It’s Opening Day (go Cubs), and I am expecting my second child to arrive no later than Thursday. “24″ is not really first and foremost in my thoughts at the moment. Hopefully I haven’t left you guys with a complete dud of a blog entry before I take a couple weeks off to spend some time with Lil Med #2. (Don’t worry, we’ll post a blog entry each Monday night if you good people still wish to come here and talk/vent about it.) I certainly don’t want to leave you with a dud after an episode as craptacular as the one they aired tonight.

In the opening scene, I was expecting my TV screen to implode, because Jon Voight started chewing up the scenery like he hadn’t eaten in weeks. Jonas Pacino, hoo-ahhh! Fortunately, he toned it down for the rest of the episode…except when he confronted Starkwood’s CEO, at which point he morphed into Jonas DeNiro and used a decanter to beat the CEO to death, “Untouchables”-style. How that man thought he would live to tell the tale of anything he did after answering Jack’s call, I’ll never know. A call from Jack is like a call from Daveigh Chase in “The Ring.” Forty minutes…

I found the entire exchange between Hillary Clinton and her weasel news contact Ken to be one of the most unintentionally funny things in “24″ history. For starters, Ken tries to blackmail Hillary into sleeping with him in order to kill a story he had already approved, and Hillary trumps him by using her camera phone to record the two of them having sex. To quote George Clooney in “Out of Sight,” this is the dumbest shakedown in the history of shakedowns. If he runs the news story, she has no choice but to leak the video, which will ruin both of them. Her idea for leverage wasn’t well thought out, if you axe me.

“Tell me, Doctor, when do I get to do some real acting?” “Trust me, Mr. Bauer, as soon as this wears off, your eyes will bulge like Arnold Schwarzenegger on Mars in ‘Total Recall.’” “Sweet.”

We have yet another Kim Bauer reference, which means she will absolutely be appearing before season’s end. I hope they show her looking like any of us would look if we received a call in the middle of the night saying our father was sick and needed our immediate help: hair pulled up under a baseball cap and wearing sweats. Of course, this is Kim Bauer we’re talking about, which means she’ll be decked out in Donna Karan. The doctor said that Jack would need an immediate family member to serve as a donor, and my clever wife beat me to the punch line: “What about his son?”

Oh, and how about the bug-eyed scene by Jack when the virus first took effect? “Look, ma, I’m acting!”

I’m not sure what to make of the standoff between Jonas and Madame Prez. Would she really back down? Was Jonas telling her that she can’t tell anyone what’s going on, or just that she can’t leak to the press what’s going on? I suppose, given that she has no idea that her own daughter is her biggest liability, she is right to be suspicious of her cabinet, but if she doesn’t give the Joint Chiefs a little something to nibble on, she’s going to lose their trust.

Lastly, there was Tony’s ability to float through a locked-down facility containing a bioweapon, shooting video of it on his phone, without drawing a single person’s attention. I can’t wait to see how he gets out of that. Or maybe he doesn’t, and this is the moment where he goes down brandishing an AK-47 and a flamethrower. Quick, where’s the hooker and the blow?

Our man Will Harris is interviewing Jacqueline Bauer herself on Tuesday April 7 at 1PM EST. If you have any questions for the lovely Annie Wersching, please post them here. Now if you’ll excuse me, I’m off to bed, since sleep is about to be a very scarce commodity in my life.

Hey, “24″ fans! Got a question for Agent Renee Walker?

Those who block out a part of their afternoon to watch their “stories” may best know Annie Wersching for her role as Amelia Joffee on “General Hospital,” and if you’re like our man Ross Ruediger, then a look at her resume will remind you of her role as a white supremacist on a very special episode of “Boston Legal.” For the most part, however, the average Premium Hollywood reader will look at this woman and say, “Hey, that’s Jacqueline Bauer!”

(John Paulsen will say, “Hey, that’s Freckles,” of course, but, then, he’s always been a little contrary.)

“What? An interview? Look, pal, I’m kind of in the middle of something here…”

Bullz-Eye will be talking to the lovely Ms. Wersching in conjunction with the appearance of “24″ on our upcoming TV Power Rankings, and we’d like to give the dedicated readers of the show’s blog the chance to ask her some questions. Whether they’re about her characters, her experiences on the show, or even some other item on her resume, just leave them in the comments section and we’ll add ‘em to our list. Then check back here and on Bullz-Eye.com on April 15th to read Agent Renee Walker’s responses…and, of course, to find out where “24″ turns up in the TV Power Rankings!

24 7.16: It’s a rat trap, Judy, and we’ve been caught

Tonight’s episode of “24″ is the first one I can remember that didn’t have a ‘B’ story. I guess the ‘B’ story was Madame Prez’s boneheaded decision to appoint First Succubus Hillary Clinton as her temporary Chief of Staff until they find a replacement, but since that move won’t yield any (rotten) fruit until next week, it hardly counts as a subplot. Nope, tonight was all about the Feds getting their ducks in a row so they can keep Starkwood Country Club from committing the country’s most heinous act of treason since “24″ parent company Fox released “From Justin to Kelly” in 2003. And it was all going so smoothly, too. Hey, the good guys are gonna win this time!

Uh, not quite. You have to admit, though, the amateur one-act play between Jonas Brother and Jonas Jr. was good for a laugh, right? Come on, there is no way Jonas Jr. — who looks like he could be the son of President Charles “Buck Buck Brawwwwwwk!” Logan — is going to speak of destroying the weapons in front of Tony, nuh-uh. And in any other episode in the history of “24,” Tony doesn’t fall for that ruse. Instead, he waits until the President is about to sign the immunity agreement and says, “Stop,” then beats the shit out of Jonas Jr. for an hour and a half. You know that Carlos Bernard read the script for this week’s episode and said, “Noooooooooooooooooooooo!” And to make matters worse, he’s probably going to die before the season’s over (just a hunch, that’s not based on any gossip), and for this to be one of his last acts would just be wrong. Tony should go out like Bill Buchanan, only bigger. AK-47 in one hand, flamethrower in the other, while snorting coke off a stripper’s ass. Make it happen, guys.

“Everything’s in place, boss.” “Thanks, lackey. You know I crap bigger than you, right?”

On the plus side, my wish to see Kiefer Sutherland do some Serious Acting is about to come true. It turns out that, shocker, Jack’s tested positive for the Starkwood bioweapon, which sounds like an accelerated strain of Mad Cow Disease. And there’s no cure, dunt dunt duuuuunh. Why was I tempted to laugh at Jacqueline’s single solitary tear when she heard the news? I believe that she is truly broken up about this, but she needs to remember that this is Jack freaking Bauer we’re talking about here. He’s not going to let some stinking virus take him down. Instead, he’ll go undercover as a smaller virus, infiltrate the Mad Cow virus, and roundhouse kick it until it leaves his body. And anyway, Sutherland begins shooting the next season of “24″ in April, and I don’t think they’re pulling a Patrick Duffy to make that work. Man, does anyone under 30 even get that reference? God, I’m old.

I have to admit, even though I knew full well that the warehouse Dudley Do-Right and his merry men raided at episode’s end would be empty, I liked the Americans vs. Americans standoff, a la “The Rock.” I saw the guys on the roof, and immediately heard Ed Harris’ voice in my head. “Your unit is covered from an elevated position, Commander.” Still, the fact that Starkwood set up the Feds like this — is Jonas Jr.’s immunity agreement still binding if he lied through his teeth in order to get it? — has to be a dead giveaway that the real bioweapon is on the complete opposite end of the compound, right? Hell, I did that move in Stratego 30 years ago. Build a wall of bombs, take out a bunch of my opponent’s highest ranking men, and then when he came in with the miner (he was the 8 then; he’s the 3 now) to capture my flag, he’d realize that I was protecting…a 7, pow. Meanwhile, my flag would be in the opposite corner, guarded by one bomb and my 1. It was dangerous, but it was incredibly effective. Just sayin’, guys. If the Feds don’t know where the mad cows are with Starkwood’s bait-and-switch, then God help us all.

Next week (Mr. Paulsen, you may turn your eyes away now if you do not wish to see my “spoilers”): Hillary Clinton sleeps with her TV contact in order to get him to bury a story? In what universe is that the right play? Even if she gets her comeuppance at season’s end and goes to jail, it won’t be enough. She needs to die a slow death. I’m thinking flesh-eating beetles.

24 7.15: Infected

We had a surprisingly straight-forward hour of “24″ tonight. Starkwood will stop at nothing to acquire their bioweapon, Hillary Clinton is in fact a vengeful succubus (as we knew she was), and Jack Bauer is impervious to bullets. Now, I’ve never shot at someone from a helicopter, but I’d like to think that if I had someone trapped behind a rock, with a search light on them, I’d eventually hit them. Huh, maybe it’s harder than it looks. (Psst: probably not.)

I was amused at how quickly Hillary called her buddy at the TV station after seeing Warden Norton leave. She’s the neighborhood tattletale, the one that couldn’t wait to get the other kids in trouble. I would have loved to see Norton walk back in after she got off the phone, say, “Whoops, I forgot something,” and then reach under some papers on his desk and pull out a recorder. “You’re toast, rookie!” Seriously, what does she hope to accomplish by having the TV station run the story anyway? Won’t that just expose her as the leak? I understand ‘Hell hath no fury,’ but you’d think she would have enough common sense to exercise a little self-preservation. I knew Sherry Palmer, and you, missy, are no Sherry Palmer. I’m bored with her already.

“Madame President, by my best estimate, you will find out within the hour what a complete power-hungry psycho your daughter is.”

Jack had this convincing argument for why he and Tony couldn’t call the FBI to have them help contain the weapon, but I’m sorry, he still should have called the FBI. Dudley Do-Right might be hunting him, but he’s also kept an open mind when Jack has contacted him to explain what is Really Going On. But Jack’s bit to Tony was nothing compared to the lengthy speech Tony hit Jack with, the one about putting himself before the public in order to save the guard, blah blah blah. That speech just hung in the air, didn’t it? Didn’t feel at all natural. I also loved how communications were jammed at the port, so when they were finally ready to call the Feds, they couldn’t. The bad guys’ walkies worked, though. Uh, huh.

The big takeaway from the shipyard scene was that Jacqueline Bauer’s humanity was starting to get under Jack’s skin, which is why he put himself and Tony in harm’s way in order to save the guard. There is no way that Jack is not hitting that before the final clock ticks.

Assuming Jack lives to the final clock tick, that is. He just willingly exposed himself to Starkwood’s bioweapon in order to prevent it from going off in a populated area. Clearly, the weapon is a slow-acting one, as it didn’t seem to affect Jack at all while he was taking it into his lungs. Kiefer Sutherland has said that not even Jack should be untouchable on the show, but it’s well known that he has one year left on his “24″ contract, so don’t start thinking that they’ll kill him off here. Still, what did Jack say the symptoms were of the stuff that Candyman was testing? Something about the victims being delusional, delirious, something like that. Is Sutherland going to get to do some Serious Acting? That should be fun.

I speculated a couple weeks ago that Tony might be working for Starkwood, and upon being recognized by Jonas Brother’s lead goon, it indeed appears that he’s done some work for them, whether he was aware of it or not. The only question at this point is whether it matters in the grand scheme of things. We have seven hours left. I’m sure they’ll find a way to make it matter for an hour.

Damn, I miss Chloe. Please bring her back soon.

24 7.14: And you will know us by the trail of dead

Terrorism, thy name is Starkwood. Sounds more like a country club, doesn’t it?

With ten hours to go, “24″ finally gives up the name and occupation of Jonas Brother’s company, and I feel like a complete idiot for not guessing that they were a private army. What other organization would have a trained killer like Quinn on payroll, not to mention do business with the Butcher of Sangala? God, it was right there in front of me. (*slaps forehead*)

I like how they’re writing characters’ absences from the screen with the ‘put ‘em in holding’ trick. Chloe is finally sprung from the writers’ purgatory - and sorry, babe, but if we were Morris, we would have given up Jack’s location in order to secure your freedom too - but now Jacqueline is being put away for aiding Jack in acquiring Quinn’s identity and giving him Senator Dumbass’ address. I was a bit puzzled, though, that Jackie has better hacking skills than Janis, but I’m sure that’s just me.

“Tell me, Dudley, have you been in a ‘Saw’ movie? Then you don’t really know the meaning of the word ‘terror,’ now, do you?”

Chloe wasn’t the only character sprung from ‘holding’ this week. Tony’s back in play after Jack calls him and gives him orders to assemble a bunch of gear and meet at Alexandria Port to stop Starkwood from acquiring their Candyman-tested bio weapon. God help the show if Jack and Tony try to take Starkwood down - a private military, mind you - by themselves. Come on, really? I know that Jack looks guilty as sin right now after he was the last person seen in the company of Dumbasses Senator and Lil (a moment of silence for the former, please), but the first thing he should do after hanging up with Tony is call Dudley Do-Right, and explain everything to him. “Larry, bomb, Starkwood, Alexandria Port. See you in 20 minutes.” That should do it, right? The Feds see what’s going down, problem solved. Ah, who am I kidding, that makes too much sense. I also wouldn’t rule out the possibility that Tony’s in bed with Starkwood, that his connection to them is just one of those “bad things” he alluded to earlier. I hope that isn’t the case, but we do have ten more hours left. Lots of time for an obstacle or three.

How, exactly, did Quinn get to Senator Dumbass’ house ahead of the police? Were we supposed to think that he got there by monitoring the police band, or was he already planning on killing the Senator as a means of covering their tracks? For their sake, I hope it’s the latter.

And even though we got a glimpse of what mayhem Jonas Brother has planned, it turns out that the show’s deadliest character is in the freaking White House, baby! The ink is still wet on the paperwork that brought the First Daughter onto her mother’s staff, and Olivia has already set Ethan up to take the fall for Lil Dumbass’ death and Jack’s subsequent escape from custody. Kitten doesn’t just have claws; she has machetes. The pieces are clearly in place for Olivia to be the new Sherry Palmer, though at present, Olivia isn’t nearly as interesting (or fun) as Sherry was. But let’s get to the important part: we have a female character who a) resides in the White House, b) has no ethical standards, and c) will lie to anyone and everyone if it meets her needs. Gosh, her ideal nickname seems too obvious, doesn’t it? Do I dare christen her Hillary Clinton?

24 7.13: Ask not for whom the silent clock ticks…

…it ticks for Bill Buchanan.

Even stranger, I had a thought earlier today that Bill might die in tonight’s episode. It just seemed to be floating out there, as if Death itself was taunting me with the knowledge that life goes on within you and without you. Thankfully, 4B’s death was far more honorable than the one that I feared, which is that he would die on his knees at the hands of Candyman as retaliation for misleading them with Madame Prez’s tracker. Instead, they saved the meaningless death for a red shirt character. As it should be.

Jack Bauer must have read what I wrote last week about how anything worth shooting is worth shooting twice, because he offered an on-screen retort that anything worth shooting is in fact worth shooting five times. And seriously, how dumb is Candyman? Jack has his gun up and ready, and Candyman still thinks he can reach for his gun, aim, and fire in less time than it will take Jack to pull the trigger? Also, Jack emptied all of those shots in Candyman’s torso. Was he not wearing a bullet-proof vest? To a siege on the White House? ‘Cause I know that whenever I raid the White House, I wear Kevlar. Maybe it all goes in line with the reasoning that Candyman never intended to walk out of the White House alive since, if the Feds didn’t take him down, Jonas Brother certainly would.

Go with God, Big Balls Bill.

And speaking of Jonas Brother, he is already my favorite villain in the history of “24.” I love how calm and absolutely fearless he is, and most importantly, how much he seems to be enjoying what he’s doing. When they send the spook to kill Senator Dumbass’ weasel assistant, Jonas asks his assistant which spook they sent. “Quinn,” his aide replies. Jonas raises his brow and very casually observes, “Quinn’s good. Bauer’s good.” He was savoring the match-up! Even better was after Quinn killed Lil Dumbass and the next phase of their plan was back on track. “Now we’re having fun,” he said. Couldn’t agree more. Genius casting on the part of the producers to get Jon Voight to play Jonas. I hope he gets an Emmy for his troubles.

The one character who developed overnight - man, I sound like I’m talking about a teenage girl, which will make sense in a second - is Olivia Taylor. Holy cow, what a back story. Fired from her mother’s staff after trying to sabotage her run for office? That’s a therapist’s wet dream, right there. For the moment, it looks as though this near-death experience has realigned her priorities, and the new target of her unbridled rage is Warden Norton for being too stupid to see that the entire government has been corrupted on his watch. Help me out, readers. Olivia needs a nickname, something that expresses both her rage (or lust for vengeance) and her tendency to act like a sullen teen.

Our sullen teen also worked a little “24″ history into the conversation during her chat with Old Yeller. She not so subtly asked him about the former First Lady of Crazy, and the phrasing of it suggested that she’s dead. Old Yeller responded with a terse “I’d rather not talk about it,” but I hope they resolve this long-dangling thread. The last we saw FLOC and her ex-husband, President Buck Buck Brawwwwwwk, he was flatlining in an ambulance after she stabbed him. I need closure, damn it. (*takes drink*)

Lastly, I must give props to Dudley Do-Right for playing the role of in-house foil so gamely. He is an endless source of what our fellow blogger John Paulsen likes to call manufactured conflict, but amazingly, the way that things played out this week, his actions created all kinds of conflict, but did not feel forced. He began by telling the Vice President to grow a pair and authorized the attack on Candyman’s men himself - God, I hope that Madame Prez rips Vice President Billy Bob Thornton’s nuts off the next time she speaks with him - and then he suspended Jacqueline Bauer for insubordination after she refused to abandon the idea that Jack could get Lil Dumbass to talk, and went over Dudley’s head to get it done. One act may contradict the other, since he’s suspending Jackie for disobeying a direct order while he saved the day by disobeying another, but neither seemed out of character. He just wants to protect the President, and I think this will ultimately prove to be what puts Jack and Dudley on the same page, where DDR finally “gets it” and understands that they’re fighting the same battle in different ways. Hopefully, it won’t end in a debate over which one can be the other’s wingman, followed by a Kenny Loggins song.