Tag: The Sopranos blog (Page 1 of 4)

“Try and remember the times that were good” — Series Finale

The Sopranos finale

I don’t even know what to say right now. I really don’t. Maybe I missed something. Maybe I just didn’t appreciate what David Chase was trying to accomplish. Or maybe my expectations were simply too high. I don’t know.

People have been saying for years that “The Sopranos” peaked too early. I’m not sure if I agree with that or not, but I will say that this final season peaked too early. Last week’s episode was brilliant, maybe one of the finest hours of television you’ll ever see. Seemed the stage was set for a fantastic finale for a series so many of us have been following for so many years.

Instead, we got this. Look, I wasn’t expecting a 65-minute bloodbath tonight. That’s not even what I was hoping for. But I sure wanted some resolution, and I wanted some conflict. Instead, we get AJ telling his parents he wants to go into the Army so he can fulfill his dream of being a private helicopter pilot for Donald Trump, Meadow trying to parallel park her car for 20 minutes, Carm starting the plans for her next spec house, Janice trying to swindle Junior by telling him he was her daughter, Paulie bitching about a stray cat, and Tony shuffling through a tabletop jukebox.

What, the, hell?

Continue reading »

“We decapitate and do business with whatever’s left”

The Sopranos Sil

There’s a part of me that doesn’t even want to blog about this episode. I don’t want to ruin it. I don’t want to overanalyze it. I don’t want to pick it apart. It was a brilliant 50-plus minutes of television, setting things up for what looks to be one helluva memorable finale next week, and that’s really all that needs to be said. The episode speaks for itself.

But what kind of blog would this be if we didn’t actually blog? So let’s start by saying: Here we go. Seems the bloody, shoot-em-up ending that so many viewers wanted has come to be. That early scene with Phil and his two cronies was one of the best scenes of the season, maybe the series. “The Sopranos are nothing more than a glorified crew,” Phil says, quoting Carmine. “We decapitate and do business with whatever’s left.” Seems Phil doesn’t think all that much of his NJ counterparts, or at least, that’s what I gathered when he called them a “Pigmy tribe.” He wants the top three guys gone: Sil, Bobby and, of course, Tony.

A couple of interesting notes here, the first coming from one of the guys from the NY group. Bobby is Tony’s #3. We’ve kinda known it for a while but, as the NY guy pointed out, Bobby used to be Junior’s driver. Then he marries Janice and a couple years later he’s T’s #3? That always seemed strange to me. Turns out they promote everybody, as Phil says, and Bobby’s a very large piece of evidence. But would Bobby be in that position if Chris had still been around? Probably not. Or, at least, you can bet Phil would’ve made Chris a priority over Bobby because he understood that Chris would’ve hurt T more. But Tony gives Chris a friendly push toward his dirt nap a few episodes ago and poor Bobby pays for it. In a hobby store buying an $8,000 train, no less.

Continue reading »

“Where did I lose this kid?”

Jamey is on a much-deserved vacation this week, so he asked me to step in and cover the blog. I’ll do my best to fill his considerable shoes.

I was hoping for a barnburner tonight, the kind of episode where the blog would pretty much write itself, but instead a good 35-40 minutes were devoted to AJ, my least favorite character on the show (save for Livia, but she’s been gone a while now). Normally, he’s just a whiny, spoiled kid, but now that he’s doing some of that fancy book learnin’, he’s a whiny, spoiled, depressed kid. Tony’s reaction to AJ’s spiel about the virus spray on the meat underlined his own inner conflict about his son’s future. On one hand, he has always said he doesn’t want AJ to turn out like him, but when the kid tries to branch out, he threatens to put his head through the wall.

“Twenty years, he won’t crack a book. All of a sudden he’s the world’s foremost authority.”

AJ Soprano suicideDid anyone really think that AJ’s suicide attempt would be successful? Since we lost Chris last week, the odds were against another main character dying so quickly, and honestly, AJ hasn’t been able to follow through on anything. Once the cement block hit the pool floor, he freaked out, and it looked for a moment that he might somehow die accidentally at his own suicide attempt. Tony’s just-in-time arrival made for a very powerful scene. It’s obvious that he loves his kid, but at the same time AJ’s troubles are a giant pain in his ass, both at home and on the job.

How will the suicide attempt affect Tony’s work? It can only be seen as another sign of weakness (in what has become a pretty long line). Pauley’s take was priceless:

“Ask me, it’s all these toxins they’re exposed to. It fucks with their brains. Between the mercury in the fish alone it’s a wonder more kids aren’t jumping off bridges.”

Between the mercury in the fish alone“? Fucking Pauley is fantastic.

Tony talks to Melfi about the suicide attempt and she suggests that it might have been a cry for help – that subconsciously he knew that the rope was too long to keep him submerged. Tony’s reply was classic:

“Or he could just be a fucking idiot. Historically, that’s been the case.”

Regardless, Tony understands that his cursed genes have a large part to do with AJ’s troubles, so he’s empathetic to a certain point, but that doesn’t stop him from getting into it with Carmella once AJ is committed. Is it just me or does it seem like their marriage is once again holding on by a thread? I had to laugh when Tony gave her a watch (out of guilt?) after he took care of Chris’ “business affairs” in Las Vegas. Business, Carm? You sure are a trusting soul. (Or more likely, you’d simply prefer not to think about it.)

Later, in therapy, Tony starts talking about how mothers are buses and all we want to do as children is get back on the bus, but it can never happen. After Melfi says that the theory is insightful, Tony quips, “Jesus, don’t act so surprised.” It’s clear that Tony wants Carmella to accept some of the blame for how his son turned out, and this might be his way of disowning the kid. When Melfi asks if he’s ashamed of AJ, Tony replies, “Yeah, I am. Coward’s way out, right?”

Aside from this week’s depressing depression, the brewing conflict between Tony and Phil finally kicked into high gear. Once Phil rejected Tony’s asbestos-related offer, it led to T pulling a couple of jobs that were designated for Phil’s men and then to that idiot Coco accosting Meadow while she was having dessert in Little Italy. It was funny to watch Tony try to calm his daughter and wife down when you just knew that underneath the surface his blood was boiling and that Coco was about to get one serious beatdown. I wasn’t expecting Tony to go all “American History X” in the restaurant, but it was even more surprising that Coco survived the attack.

It’s clear now that Carmine’s failed peace accord will lead to further escalation, though I think his line to T – “you’re at the precipice of an enormous crossroad” – had more than one meaning. It was strange to hear Phil spouting his obscenities from the safety of his ivory tower. It’s doubtful that he’d be so bold if he were standing face to face with Tony, but even so, you could see from the look in T’s eyes that there is no going back.

With just two episodes left, there are still a number of unanswered questions: Will Tony once again hear from the two suspected terrorists? Will AJ’s stint in the hospital do anything for his outlook on life? Will Tony continue on his existential journey and finally find happiness? Will his marriage survive? And most importantly, will he survive the coming war with Phil?

Game on.

Another one bites the dust

The Sopranos Chris

Well…I guess Chris wound up flipping after all.

Okay, I know – bad taste. But come on, how else would I lead this blog entry off? There have been plenty of shocking moments in TV history, but I was utterly speechless for a good five minutes tonight after Tony suffocated Chris following their car accident. The buildup surrounding Chris’ character in general and his relationship with Tony in particular had been going on for years, and it accelerated the past few episodes, so to see it all end like that was…to be honest…a little disappointing. Sure, it’s one of the biggest moments in the show’s history, but with everything that had been going on – the tension between T and Chris, the possibility that Chris was going to talk to the feds, Carmella suspecting Chris of killing Adrianna, and the ongoing feud between Chris and Paulie – this was just about the most anticlimactic way to wrap up his arc. I thought somehow, some way, that Chris was going to be right in the middle of whatever went down in the final moments of the series, but that’s obviously not the case now. Bummer.

At first, I couldn’t tell why Tony killed Chris…or helped him die, if you prefer to look at it that way. Did he think he was doing Chris a favor since he was high and would therefore lose his license? Well, I suppose it’d be better to be alive and without wheels than six feet under, so probably not. Did he think Chris was a goner anyway? He sure was messed up, coughing up blood and barely able to keep his eyes open, so that may very well have had something to do with it. But the overriding factor, we later learned, was that Tony just wanted Chris dead. And this way he didn’t even have to do the dirty work. Hell, he didn’t even need to plan anything or set it all up; just hold the guy’s nose for a few seconds and let him choke on his own blood. Problem solved.

Continue reading »

“Things are about to change”

Okay, four episodes to go and David Chase has set up just about every possible storyline imaginable. “Things are about to change,” we were promised tonight during the preview for next week’s episode, and it sure seems like we’re on the cusp of something big.

AJ’s not taking the breakup well. Okay, so that’s an understatement. It was interesting watching Tony try to talk to AJ about what he was going through, especially when his advice is to get a blowjob and go to a party at a strip club. I mean, how funny is it that Tony forced his 20-year-old kid to go to a strip club? “I’m not debating this with you.” Okay, fine, if you insist, Pop. Tony did throw some decent advice in there, though, something along the lines of the old “there are other fish in the sea” pep talk. AJ wasn’t biting, not until his new therapist put him on anti-depressants, anyway. Once that happened, well, life is apparently all good again. AJ’s going to parties, boozing it up with a bunch of frat buddies, and helping said frat buddies pour sulfuric acid on a welcher’s foot.

That’s the ironic thing in all of this: so AJ had his heart broken. Fine. It happens. Granted, if your kid starts talking about killing himself, you’ve got to get him some help. But while Tony’s heart was definitely in the right place, pushing him to hang out with some of his guys’ kids was clearly the wrong choice. He’s talked before about how he doesn’t want AJ to follow in his footsteps and get involved in the kinds of things he’s doing, but that’s exactly what seems to be happening. AJ got a kick out of the way that kid reacted when he learned that he was Tony Soprano Jr., and he was wired when he got home after the sulfuric acid incident. There’s clearly something there that he’s drawn to, and while Tony may think that depression is in his blood (“My rotten fucking genes have infected my kid’s soul,” he tells Melfi), it’s clear that emotional problems aren’t the only thing AJ’s inherited from dear old Dad.

And right about now it’s time to admit that I was wrong about Chris: he hasn’t already flipped. In my defense, that was just one of my theories, but it became clear tonight that he’s still siding with the good guys…whoops, make that the bad guys, I guess. Anyway, it also became clear tonight that it’s a very real possibility that Chris will flip at some point. Hell, he was kicking around that very idea tonight with his AA buddy J.T., right after he nearly spilled the beans about Adrianna and Ralph Cifaretto. J.T. knew he was in trouble when Chris started talking about that stuff, and he tried like hell to get him to shut up and leave. Chris finally agreed to go home, but not before shooting J.T. in the head. Damn, didn’t see that one coming. I kept expecting something to happen, but for some reason I wasn’t expecting that. Chris grabbed the doorknob with his hand in his sleeve when he left, but it won’t take too much digging for the feds to figure out who may have been involved with this, considering everyone knows J.T. wrote the screenplay for Chris’ movie. Is this going to be the heat that’ll turn Chris against Tony? At this point, it’s clear it wouldn’t take much pushing to get Chris to turn, considering how much bad blood there is these days between him and Tony.

Sorry to jump backwards (that’s what happens when you write without thinking), but is this tension between Chris and Paulie finally going to come to a head? Those two have been at each other’s throats for years, and I thought for sure there was going to be some fireworks tonight. We came close, but aside from Chris tossing Paulie’s nephew out of a window for robbing his father-in-law and Paulie then turfing the shit out of Chris’ front yard (which was hilarious, by the way – does anybody have a funnier pissed-off face than Paulie Walnuts?), it all blew over. Chris decides to have a drink with Paulie in a show of good faith, and that’s when the trouble began. Paulie started busting his balls again, made some pretty low cracks about his daughter, and Chris, who already felt disconnected from the group because he doesn’t hang out and drink with them anymore, didn’t appreciate everyone laughing at him so he bailed. But, damn – I was expecting more there. In fact, I kept waiting for Chris to smash his rock glass into Paulie’s face. Instead he killed his AA buddy.

Finally, how uncomfortable do you think Tony was giving agent Harris that information? Sure, it had nothing to do with him and he was doing it mainly because he hoped cooperating with them on the terrorism stuff would pay off down the road should he ever be convicted of any crime…but still. It’s the feds, T! They’re the bad guys. Okay, the good guys, whatever.

« Older posts

© 2023 Premium Hollywood

Theme by Anders NorenUp ↑