Tag: Terminator (Page 5 of 5)

Terminator: The Sarah Connor Chronicles 2.1 – Hey baby, can you bleed like me?

Warning: spoilers abound. If you haven’t seen the episode, stop reading right now.

For as much action as there was in the season premiere for “Terminator: The Sarah Connor Chronicles,” not a whole lot happened. They set up a whole bunch of stuff to happen later, but as a stand-alone episode, it was like a Michael Bay movie: stuff gets blow’d up, and you’re entertained while it’s happening, but the minute it’s over, you think, why did they need that much time to tell that little story? There is a reason for it, of course, but it’s a cart-before-the-horse reason, as if they wrote the episode backwards and worked their way to the beginning. When they got stuck, they inserted a car chase and blew shit up.

But that ending. Man, oh man, is it awesome. The last two minutes, in particular, are of the “Hell, yes” variety. Pity there was so much chaff around that sweet, sweet, wheat.

The episode opens with a decidedly not-dead Cameron, rebooting her frazzled memory chip after surviving a car bomb. (This kind of bomb apparently does not burn hair. Must be from the future.) She finds the culprits in the process of beating Sarah and John, and dispatches with them both. Then she sees John…and her chip tells her to terminate him. Holy shit! Run, John, run! How’s that for a Sweet 16; the robot that he’s wanted to have sex with for a good month or two now wants to kill him. That’s a buzz killer.

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Old Show, New Season: “Terminator: The Sarah Connor Chronicles”

If you’ve read my review of the first season of “Terminator: The Sarah Connor Chronicles,” then you already know that, although I felt the show lost a little momentum after its premiere, it kicked into overdrive with its fifth episode and roared full-throttle from there to the season finale. Granted, there were only a total of nine episodes in the strike-shortened season, but, still, the addition of the character of Derek Reese – John Connor’s uncle – into the mix not only turned the show from “not bad” into “pretty damned awesome” but also forced me to make the admission that, despite being a really terrible rapper, Brian Austin Green is actually quite serviceable as an action hero.

So if you watched the show last season, then there’s probably only one question to which you’re really dying to get the answer: did Cameron (Summer Glau) survive the bombing of her vehicle…?

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Comic-Con 2008: Day Three – Terminator: Salvation

Guests: Director McG and stars Sam Worthington, Anton Yelchin, Bryce Dallas Howard, Moon Bloodgood and Common

When it was announced that McG had signed on to direct a “Terminator” reboot staged in the future, it was met with a fair share of pessimism from diehard fans and moviegoers alike. There was no way the man behind “Charlie’s Angels” could ever make a decent “Terminator” flick, right? Well, after a presentation today that included a rough (but still impressive) trailer cut exclusively for Comic-Con, there’s not a doubt in my mind that those very same cynics are happily eating their words. It’s not that the trailer was so amazing that it’s all anyone could talk about for the rest of the day, but it definitely showed promise for a film that isn’t even done shooting yet. Take that Paramount, and kudos to McG for managing to scrap together some footage to show the crowd.

With Christian Bale away in Japan promoting “The Dark Knight,” McG brought the rest of his cast on stage to discuss the new film, including the possibility of Arnold returning for a cameo, and that pesky controversy over the film’s still undetermined rating. While speaking more on the latter, McG made it clear that the film comes first, and “if it’s an R-rated picture, it’s an R-rated picture.” The crowd seemed pleased with that response, and McG continued to play right into their hands with plenty of juicy details about the look of the film, as well as what Skynet creations to expect to pop up throughout.

Anton Yelchin also spoke on his preparation for the role of Kyle Reese, claiming that he studied the original “Terminator” in order to develop his younger version of the character into who he eventually becomes. Or as Anton himself put it: “I wanted to see him reach the point where Linda Hamilton would sleep with him.” I was actually quite surprised to discover just how much Anton and Sam Worthington (as a new character named Marcus Wright) are in the film, and though this is very much John Connor’s movie, that doesn’t mean there isn’t enough room for everyone to kick a little ass.

TCA Press Tour: Sarah Connor returns!

It’s a little surprising that there hasn’t been a “Terminator” TV series before now, given how popular the franchise has been over the years, but here’s my theory as to why it finally happened: once Ahnuld took over as Governor of California, the producers decided, “Oh, well, if he’s not gonna be available to do more movies, we might as well hit the small screen.” So, we have “Terminator: The Sarah Connor Chronicles” . . .

Hey, I’m psyched.

Yeah, I know, I say that a lot…but, seriously, the special effects in the pilot look sweet. Plus, what red-blooded American male can’t get into a cast which stars Lena Headey (“300”) as Sarah Connor and Summer Glau (“Serenity”) as the latest, sexiest model of Terminator? And in case you fall into a different male demographic – there, how’s that for a politically correct turn of phrase? – it’s worth noting that the shoes of John Connor are being filled by former “Heroes” star Thomas Dekker.

The Sarah Conor Chronicles - TCA Tour 2007

But if you’re a real sci-fi geek, you probably only have one question: where exactly does this series fall into the chronology of the three “Terminator” films?

Producer Josh Friedman attempts to sort out the confusion. “When we first started this,” he explains, “people said, “This takes place between ‘T2’ and ‘T3,” and I think that was incorrect. As far as I’m concerned, this is ‘T3.’ I mean, this is a continuation of what I would call the Sarah Connor trilogy. So I think anything that happens after ‘T2’ is fair game for us. And I think the ending of ‘T2,’ the exploding killing Cyberdine, killing Miles Dyson, sort of changes the timeline for anything in the future.” Friedman went on to clarify that the ultimate fate of Sarah Connor as referenced in “T3” – she succumbed to leukemia, of all things – is no longer to be considered to be a given; fellow producer James Middleton added, “We’re taking a phrase that is very important in ‘T2’: ‘No fate, but what we make.’ And this is a new fate for Sarah Connor, so we are creating an entirely new timeline.”

Of course, it will probably not surprise you to learn that, of our number, at least one person was simply unwilling to accept this answer at face value. “At the end of ‘Terminator 2,'” began a reporter, “it looked as though they had saved the future. And in ‘Terminator 3,’ basically they were stuck with the future that ‘Terminator 1’ came from. Does your show believe that that loop is inevitable, or are they still trying to change the future to the point where it never gets to the rise of the machines?”

Rather than simply saying, “I’m sorry, but answering your question would wreak havoc on the space-time continuum,” Middleton actually responded thoughtfully: “Our characters operate and fight a battle every episode based on faith that they can prevent Judgment Day. Now they’re going to do everything that they can to do that. But the odds against them are formidable. They have a formidable enemy. So how they operate every day is to fight the fight the best they can in each episode.”

(Perhaps more amazingly, the reporter accepted this answer!)

With all these references to the films, you’re probably wondering the same thing we were: what are the odds of us actually managing to see that aforementioned Governor of California on the show?

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