Tag: TCA Blog 2009 (Page 2 of 7)

TCA Tour: “Fringe”

Fox’s “Fringe” premiered last season to a ridiculous amount of buzz, thanks to the combination of J.J. Abrams, Alex Kurtzman, and Roberto Orci, a trio whose various credits (many of them shared) – “Alias,” “Lost,” “Mission: Impossible III,” “Transformers,” and the then-still-forthcoming “Star Trek” – were more than sufficient to get the sci-fi fanboys into a tizzy. Things may have started off a bit rocky, mostly due to a slight uncertainty about exactly what the hell was going on, but by the close of the season finale, when we found ourselves barely getting over that guest appearance by Leonard Nimoy before we found ourselves looking at a still-standing World Trade Center, we were already ready for Season 2 to begin.

“As we went along, I think we got a better handle on the balance of our characters and the plots and making sure that our plots were character-centric,” admitted executive producer Jeff Pinkner. “I think that we learned how to write for these actors, these characters over time, and I think we learned this in ‘Alias’ and ‘Lost.’ The shows that are really about the characters, the characters and the actors playing them start to meld a little bit more, and I think we’ve gotten better at that.”

Orci noted that one of the series’ biggest issue from the very beginning was figuring out the percentage of standalone episodes versus a larger serialization. “We’ve all read the research that says a regular viewer watches three episodes in a year, etcetera, etcetera, so you try to modulate,” he explained. “In the first season, we actually had to sort of plan around resetting the series once or twice and doing it around three- or four-week-long breaks. And that kind of exercise makes us, in Season Two, a little more flexible, a little bit more able to read the green. And I think, you know, the fact that we are closer than we were from New York is also helpful. We can all be up there a little bit more; we can communicate better with each other. I think we’re just a tighter ship this year.”

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TCA: ABC Executive Session

Compared to his broadcast network peers, ABC President Stephen McPherson had a pretty low-key executive session, admitting outright that he didn’t really have any grand announcements to drop on us, but he did discuss the following matters:

* “Who Wants To Be A Millionaire” returns to ABC tomorrow. McPherson describes being on the set with Regis again as “nostalgic and energizing,” and assures us that the show’s return features the best million-dollar question moment in the entire history of the series. Big talk, but we’ll see.

* McPherson’s got class. He didn’t take the bait when asked for the obligatory comment about Ben Silverman’s departure, and he fully acknowledged that he’s interested in seeing what’s going to happen with Jay Leno, given that it’s the first time we’ve seen anything like this on TV in our lifetime.

* On the matter of viewers investing in series that could be yanked out from under them at any given moment, he made it clear that it’s not an arbitrary decision when a show is canceled. “How patient can you be?” he asked. “How much information do you have about the show? Is it being rejected? Is it slowly building? Is it stable at that label? How does it affect the rest of your schedule? The overall network?” Though they try to be as patient as they can be with a series, sometimes it just has to go. “Canceling shows is the worst part of my job,” he said.

* That’s as may be, but it sounds like dealing with Katherine Heigl’s outbursts can’t be a heck of a lot better. When asked about her actions, he replied, “I think it’s unfortunate. It’s not something I think you want to let consume you or your people, because it is what it is, and people are going to behave in the way they choose to behave, but I think there are so many people who work hard on ‘Grey’s Anatomy’ and all of our shows and go without any credit. Those are the people I’d be most concerned about.”

* When “Scrubs,” it’s still gonna be “Scrubs.” “It’s not changing its title,” confirmed McPherson. “It’s gonna be different in the sense of the construct of what’s going on, but it’ll be the same character dynamics as before, but it’s allowing Bill (Lawrence) to introduce new characters and spend time with them. But it’ll be the same tonal show, with the same kind of comedy and storytelling that you’re used to.” As noted, Zach Braff will be turning up for a few episodes, but McPherson says they’re going to “try to convince him to do more.”

* Despite appearances, “FlashForward” was not specifically created to be the heir apparent to “Lost.” “We would love for it to have even a part of the success of ‘Lost,'” McPherson admitted, ‘but the spec script was originally done, I think, for HBO, and we were thrilled to read it. But there was no development where we went, ‘Hey, let’s try to make the next ‘Lost’! It was just about good material.”

* It seems a bit weird that ABC should’ve rescued both Kelsey Grammer and Patricia Heaton after their joint Fox failure, “Back to You,” but McPherson says they came about through very different circumstacnes. “We’d previously developed ‘The Middle’ and even shot it, but we just didn’t feel like we’d gotten the pilot to where it needed to be,” he said. “But then Patti got available, she struck us as the perfect person for the show, and she sparked to the script.” As for Grammer, his new series, “Hank,” was pitched “as a full show with him attached, and we felt it was really in the zeitgeist and a great character for him to be playing.”

* “Romantically Challenged,” the new Alyssa Milano / Kyle Bornheimer sitcom, is in talks for a midseason run, but McPherson isn’t sure where to put it at the moment.

* Despite rumors to the contrary, “Ugly Betty” was never canceled. It was just taken off the air to offer up episodes of “Samantha Who?” and “In the Motherhood,” and McPherson is very excited about the new season.

* In regards to Violet’s storyline on “Private Practice” last season, he acknowledged that he was “frightened by it” when heard about it, but “while it’s polarizing, it’s gained excitement about the show and the characters and the potential where we can go with it. We can go edgier at 10 PM, and it can be a different show than ‘Grey’s.'” McPherson declared the storyline to be a perfect example of why you should trust great show runners.

* And, lastly, for all of you “American Idol” fans, McPherson admitted that he has indeed reached out to Paula Abdul, and although he first said that he was sorry about what she was going through, he did managed to slip in that he’d love to see her on ABC.

TCA Tour: “Medium”

During NBC’s portion of the January TCA press tour, I spotted “Medium” creator Glenn Gordon Caron at the network’s cocktail party. I cornered him long enough to tell him how excited I was for the series to return, then I asked him why the show hadn’t scored its own panel that day, even though the miniseries “The Last Templar” had. Caron shrugged and acknowledged that “The Last Templar” was an NBC-Universal production and “Medium” wasn’t, but if he had anything else to say about his show’s home, he was polite enough to hold his tongue.

Now that “Medium” has found a new home on CBS…well, Caron’s still polite, but he doesn’t mind acknowledging that he had some problems with the way the show was underpromoted in its time on NBC. (He also didn’t mind getting off a one-liner about how “the last time we came here, NBC made us walk here.”)

“You know, it’s so hard in this environment to launch a show and sustain a show,” Caron acknowledged. “I think we’re all incredibly grateful to NBC, we were on their air for five years, and nobody wants to take shots. I think there were times along the way when everyone, even people inside NBC, thought, ‘Gee, maybe if we gave that show a little more attention, if we publicized it a little more vigorously, it might actually do better for us and might bring more viewers to the network.’ I don’t think there’s been any great secret there. It’s been written about; it’s been talked about. Having said that, we had five fairly fruitful years at NBC. Looking back, could things have been done differently? Absolutely. Ben (Silverman), who is actually a friend, said some harsh things I’m sure he regrets about our show…and, by the way, you guys play no role in this whatsoever.”

Ahem.

Medium: Season 1 – 4.5 stars
Medium: Season 2 – 4 stars
Medium: Season 3 – 4 stars
Medium: Season 4 – 4 stars

I’m just saying: there are critics who’ve been supportive of the show, and I’m definitely one of ’em.

Okay, back to business.

“Truthfully, we’re grateful to NBC,” said Caron. “We had a nice run there. But the good news is we’re on CBS now, and for the first time in three years, we’re going to do 22 episodes. We’re beginning a season, knowing when we’re premiering: in the Fall and doing 22 episodes. And as a storyteller, that’s a huge thing. It means I can say to you, sir, ‘And on Halloween, we will be doing thus and so.’ That’s a luxury we’ve not had for three years, and those are the sorts of things that are frustrating when you’re doing a show. But it beats not working.”

Indeed, it does. But as happy as he was about bringing the show to CBS (it’s perfect, really, since it’s a CBS production, anyway), Caron did at least try to keep the show where it was by writing a cliffhanger ending to the Season 5 finale…not that the plan actually worked.

“What I was trying to do was write an ending that was so provocative that it would be impossible to cancel the show,” he explained. “You saw how that worked out. It was sort of me being a wiseguy, frankly, and really trying to stack the deck in such a way. And for what it’s worth, NBC was complicit. We don’t make the shows in secret. I said, ‘This is what I’m going to do: she’s going to have a brain tumor, she’s going to go into a coma, and we’re going to put up a sign that says, ‘To be continued.’ And they said, ‘Great.'”

Caron gave us a big scoop, by the way.

“There’s so many of you here, I guess I can let the cat out of the bag: she comes out of the coma,” he revealed, with a grin. “And she’s on a different network. It’s the damnedest thing!”

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TCA Tour: Gordon Ramsay

During Fox’s session to promote Gordon Ramsay’s three series on their network, we enjoyed a rare bit of interactivity between panelist and audience, and…oh, wait: if you’re a Ramsay fan, then you probably noticed that I said that he has three series on Fox. Well, okay, you’re right, he does only have two at the moment, but come December 15th, you can say “hello” to his latest endeavor, “Gordon Ramsay: Cookalong Live.” To celebrate this development, Chef Ramsay led us all through an attempt to whip up some topping for Baked Alaska, promising that the person who did the best job would earn themselves a table for four at Hell’s Kitchen.

Sadly, I did not win…and when I say I didn’t win, what I mean to say is that it wasn’t even close. I added too much of the egg-white mixture, resulting in a topping so pitiful that Chef Ramsay took one look at it and said sadly, “Oh, mate…” But I took comfort in the fact that it still had enough substance to it to be browned a bit when he took his pocket blowtorch to it, and when I met up with him post-panel, it definitely seemed to be a case of “no harm, no foul.” (What, like he’s not used to dealing with the occasional sub-par chef…?)

I just want you to know that your sad delivery of the words, “Oh, mate,” about my Baked Alaska will ring in my ears forever.

Oh, shit. Really? Was it that bad?

No, thankfully, there were others that were worse. But it was just the way you said it…

Well, I just wanted to have a little bit of interactivity…and it was fun doing it as well!

I had the added bonus of Fox’s photographer snapping a picture of me when you were hitting my Baked Alaska with the blowtorch.

Oh, really? Even better.

So, Gordon, when do you sleep? You’ve got three shows now on Fox, and that’s not even counting what you’ve got going in the UK.

Yeah, good question! Chefs aren’t very good at sleeping, anyway. Guy Savoy said to me 20 years ago, when I was in his kitchen and said, “Sorry, Chef, I’m a little bit tired,” he said, “Tired? How many hours sleep did you have last night?” I said, “Six.” He said, “Fucking way too much.” I said, “What?” He said, “Think about it: the average person sleeps for eight hours a day, so when you get to sixty years of age, that means you would’ve slept for twenty years. Does that scare you?” I said, “Yeah!” He said, “So shut the fuck up, sleep four hours a night, get to sixty, and only have slept for ten years of your life!” And so that’s ringing in now. That’s in there now.

Is every contestant who appears on “Hell’s Kitchen” really an aspiring chef? Because you get someone like Joseph on there, and he’s too good for TV to actually be real.

If I had to cast for that program, then I would be looking at one-star, two-star, three-star Michelin chefs all day long. Did they try with Thomas Keller? Did they spend time with Jean Georges or Daniel? Did they come out and advertise? Because I want to be surrounded by, sort of, chefs in that environment. Out of respect for them, I never get to see any of their resumes before we meet, and so it’s quite an interesting fact because they all seem excited and motivated on winning the challenge. This year’s responsibility in terms of running that restaurant at the Araxi up in British Columbia, Vancouver, is a perfect setup. 99.9 percent of the ingredients are located within a hundred miles of that radius. So, from a chef’s point of view, it’s a dream come true, even the wine, meat, fish, vegetables located within a hundred miles of that radius. So that outburst was ridiculous because no one could ever foresee what was going to happen. I didn’t realize that he was acting, you know, the way he was behind the scenes of the dorm. I never see any of that stuff going on because it’s unfair for me to judge them on the downtime because that is purely off my limits, and I didn’t know what to do in terms of — I asked him a very simple question three times, and he didn’t want to answer it. It was hard because I’ve been to Afghanistan, and I’ve been out, cooking for the Marines last year for a thousand of them, U.S. and the U.K., and the atmosphere was electric. The banter was phenomenal, and to go and change their view and give them something that they deserve in terms of a decent meal on Christmas Eve was a dream come true. So to have that kind of negativity from him, I think there were issues on a personal front that needed to be solved before he came into “Hell’s Kitchen.”

Which “Hell’s Kitchen” contestant over the years has surprised you the most from when they started to when they finished?

Elsie (from Season 1). Yeah, what, from a Waffle House chef to cooking the most amazing, authentic American food? And then an extraordinary palate like that…? That was amazing. Yeah, Elsie. She’s good.

Are you surprised when people take your comments as personally as they do, given that they’ve gone out of their way to be on your show?

I’ve gotten a little bit sort of surprised, in a way. But I don’t edit it, because I’m a chef, not an entertainer, so I call it as I see it. If you had to come in my kitchen tonight at The London West Hollywood, and things went wrong, of course I’m going to cane someone’s ass! But when things go right, I’m going to equally compliment them! When we’re in the middle of that pressurized environment, getting straight to the point is the healthiest thing. I don’t want it becoming cancerous, where they come into work the next day and it’s still on their shoulders. I get straight to the point. Don’t question me in there; question me after it. When we come out of it, if you want to talk to me and you want insight, fine. Because it’s not that one incident, it’s the 25 chefs behind and 180 people sitting in the dining room as well. So sitting and discussing it at length…? You haven’t got that time. It’s live, and…that’s what I said earlier about the “Cookalong.” For me, it’s how I am, and cooking along…I think it’s going to be a huge insight into what I can really do, because not enough people see me cooking, and that’s been frustrating for the last three or four years! All they say is, “Stop cursing and cook more!” So I’m going to do it!

And, lastly, are you surprised that your shows have taken off as well as they have in the States? Because, y’know, we’re not always necessarily known for embracing the abrasive.

No, I suppose I just try to keep it real. I am somewhat surprised, but, y’know, we work hard at it. That’s the most important thing.

(Special thanks to our man Mike Farley for the questions. Wish you could’ve been here, sir; I know you would’ve dug it.)

TCA Tour: “Hung”

It’s been several days since we were treated to HBO’s panel on their new series, “Hung,” but I just hadn’t been rushing to write it up, mostly because I still haven’t checked out the show yet. I didn’t get advance screeners for the first two episodes, then I did get screeners for the second two episodes, but by that point, I had too many other things in my pile that were more important for me to watch, and…well, here we are. But even without having watched the show, I still got several laughs out of some of the exchanges during the panel, so the least I can do is offer those bits up for your reading enjoyment.

Thomas Jane in Hung season 1

Colette Burson (series co-creator): I think we see what makes him special all the time in terms of dealing with the women.
Jane Adams: I know *I* do.

_ _ _ _ _

Colette Burson: Thomas actually is someone we had thought of long before this audition process happened, and he actually didn’t really go through the audition process in quite the same way. Itt happened afterwards, and we talked to him, and we met with him, and then he read some. But, again, none of these issues really came up. It was just all about he sort of captured the essence of Ray.
Thomas Jane: I did have to go into the next room to disrobe, so I wouldn’t hit anybody in the eye.

_ _ _ _ _

Critic: Even today, we’ve sort of been tripping over double entendres and things. But did you think maybe this was going to lead to a funny press tour session?
Thomas Jane: Or bigger things?
Critic: Extend your career?
Jane Adams: Like while you are holding that mic, too. Really, it’s become surreal.
Thomas Jane: Speak into the mic and tell me how you feel about my penis.

_ _ _ _ _

Thomas Jane: You know, the fact is that it’s all fucking fate and luck, man. This is fate and luck that we are all up here together talking to you about a show about a guy with a big dick. Right? Fate and luck. There is no reason this show should be good. The show should be bad. It’s about a guy with a big dick who fucks people for money. Fuck you.

_ _ _ _ _

Critic: Given that it seems like most women who would purchase those services are interested in the totality of the experience rather than the size issue, as this is about a heterosexual gigolo, how did you wind up focusing on “Hung”?
Colette Burson: We don’t really make the marketing decisions. But interestingly enough, I think that the marketing was designed to not focus on that, actually. Like, not to focus on his penis.
Thomas Jane: Are you asking, why is the show called “Hung” if we’re not showing how big this guy’s cock is?
Critic: Well, if it’s more about the totality of the gigolo experience rather than size, why the emphasis on size in the title?
Thomas Jane: Because it grabs you.
Jane Adams: It’s funny that you said “cock.” Isn’t it Mo’Nique that has a joke about, like, Black guys say “dick” and white people say “cock”?
Thomas Jane: “Cock.” Yeah. I wouldn’t say “dick.” I say “cock.”
Sue Naegle (President, HBO Entertainment):We have time for one more long, hard question…

Thomas Jane and Jane Adams in Hung season 1.jpg

Critic: I wanted to ask Mr. Jane if this has made you think about what women want, and…
Thomas Jane: Absolutely not. Don’t get the impression that I’m going to think about what women want.
Critic: …what women want, and also about what women go through. Say, for example, female prostitutes.
Thomas Jane: Right, those poor sullied creatures of the night. No. Absolutely not. I just don’t want to know what they go through after I give them my $300.
Jane Adams: Are you guys Twittering? Did anybody get that? Because I can’t wait to read that shit later.
Thomas Jane: There was a syntax in there. I have given them. In the distant past.
Jane Adams: Anyway…
Thomas Jane: I knew people who used to give $300 or $400 to people who I didn’t care about.
Sue Naegle: Is it safe to say we’re done…?

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