Tag: Public Enemies (Page 2 of 2)

Robots and ancient critters fight to a draw

Let’s see if we can’t keep it simple. After a bit of seesawing over the weekend, it looks like we have a straight tie for domestic box office in the battle of the colon-ized sequels, at least in the domestic estimates. “Transformers: Revenge of the Fallen” and “Ice Age: Dawn of the Dinosaurs” both yielded a very healthy estimated $42.5 million. ” So says both Variety and The Hollywood Reporter. Of course, the tie will be broken when the b.o. “actuals” will yield a winner, Franken v. Coleman style, tomorrow night, however.

“Transformers” also continued its strong performance overseas and is nearing the $300 million mark for its cumulative total. As Nikki Finke points out, however, the $215 million that “Ice Age” took sets a new international record for an animated film. So everyone’s going to have no problem getting a good table at the restaurant of their choice this week.

Johnny Depp and Marion CotillardReturning to the domestic market, the strong numbers also continued in the #3 spot, with “Public Enemies” netting an estimated $26.2 million over the weekend and $41 million for the five days since it’s Wednesday opening. That assuages some of the fears about the film and proves that some adults will still leave the house to turn out for a movie with a bit of heft into it, even in the face of somewhat mixed reviews. Meanwhile “The Hangover” (which I really need to go see now), crossed the $200 million mark, proving that making audiences laugh will never hurt you, assuming they’re supposed to laugh.

In smaller release news, Kathryn Bigelow’s extremely well reviewed Iraq-set bomb disposal thriller, “The Hurt Locker,” really is starting to look like the possible break-out film among limited releases. It’s generating good word of mouth in my actual real life from actual real people and netting the best per-screen average of any film two weeks running. That’s in a minuscule nine theaters — about 4,223 fewer screens than “Transformers” — so we’ll see how it does when it expands to non-mega-metropolises.

Before the fireworks

A few odds and ends as we head into the big holiday weekend…

* It’s not really about the reviews (neither film was liked by critics), but as a human being who likes to watch movies about human beings (and anthropomorphic animals, too), I find it somewhat reassuring to report that, according to Variety and everyone else, “Ice Age: Dawn of the Dinosaurs” edged out “Transformers: Revenge of the Fallen” $13.8 to $10.9 million.

Christian Bale in In other mildly good news for movies that at least attempt to tell actual stories, “Public Enemies” came in an unsurprising third, but performed somewhat above expectations with $8.2 million on its first day. I’ll give you more definitive box office info on Sunday, as usual.

* The Hollywood Reporter says that the very old video game, “Asteroids,” is being turned into a movie. I guess “Pong: The Movie” was already taken. (That joke can’t be original, can it?) Begging the question: Why?????????!!!!!!! I’m not saying it couldn’t turn out to be a fun movie — miracles happen. However, in a world where we have thousand of science fiction novels, comics, and TV shows of all levels of quality to adapt, why use a game only old guys like me remember as an excuse to make a silly sci-fi flick? I don’t see even a small marketing advantage here.

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Will “Transformers” make “Dinosaurs” of us all?

With the ongoing box office behemoth that is “Transformers: Revenge of the Fallen” seemingly devouring everything in its path, the studios are nevertheless allowing two potentially vulnerable major productions to venture out of the nest a couple of days ahead of the big July 4th holiday weekend.

For the family trade, we have a 3-D CGI animated sequel, “Ice Age: Dawn of the Dinosaurs,” which will be showing on a record number of 3-D screens. (Which I guess means that if you haven’t seen “Up” in 3-D by now, which I finally managed just last night, you may be SOL until at least such time as we start seeing 3-D retrospectives.) In a saner world, this would be the #1 movie this week because of family appeal, I think it’s safe to say. Carl DiOrio of The Hollywood Reporter is calling it at between $45 and $50 million for Friday through Sunday (not counting weekdays), which he thinks will be somewhat below the “Transformers” take based on a very modest 50% drop-off.

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“Public Enemy” awaits a verdict; other stuff happens

* There seems to be some concern out in the world about just how well Michael Mann’s new Johnny Depp/Christian Bale vehicle, “Public Enemies,” will fare when it’s released on Wednesday. Mixed reviews, like the one posted today by Den of Geek’s Michael Leader seem fairly typical and it’s possible audiences will feel mehish on the project. (The Tomatometer is currently at a fair-to-middling 64%, but even some of the “fresh” reviews don’t read as outright positive.) Anne Thompson specifically wonders about just how Depp’s huge star power will register and Mann’s decision to shoot a period film in digital, though it’s not the first period action film to be shot that way (“The Last Samurai” comes to mind). Those still reasonably jazzed about the nouveau-gangster flick (and that includes me, even though I’m not a super big Michael Mann fan), may want to check out our “Between Good and Evil” feature over at Bullz-Eye.

* Speaking of Anne Thompson, she has a festival wrap-up posted (looks like we saw a pretty different selection of films). I’ll be writing about it one-more time tomorrow.

* Nikki Finke has the “actuals” in from “Transformers: Revenge of the Fallen.” It’s $390 million worldwide. I guess that’s enough. She’s also upset over some impending Oscar changes, including a rule that might limit the number of “Best Song” entries and having a separate, non-televised dinner for the humanitarian awards like the Thalberg, which I’ll personally miss, because I’m weird.

Between Good & Evil: Hollywood Heavy Hitters Going Toe to Toe

There’s just something about two great actors going toe-to-toe that makes for some of the most memorable cinematic moments. Call it chemistry if you will, but these days, when you get a couple of Hollywood heavy hitters in the same room, it’s usually guaranteed to light up the screen like the Fourth of July. So when it was announced that Michael Mann had enlisted two of this generation’s greatest actors – Johnny Depp and Christian Bale – to star opposite one another in his new film, “Public Enemies,” we couldn’t help but be reminded of the many other classic face-offs starring the industry’s cream of the crop. Some are as simple as good versus evil, while others are a little more, well, complicated. Below you’ll find a list of our ten favorite match-ups (and what makes them so special), along with five more that just missed the cut.

Here’s a sample entry:

Cinematic showdowns don’t come any more highly anticipated than this. More than two decades after sharing billing (but no scenes) in “The Godfather II,” Robert De Niro and Al Pacino finally had a big screen showdown in Michael Mann’s sleek, stylish 1995 crime epic. Pacino is LAPD Lt. Vincent Hanna, a true-blue cop whose dogged dedication to his job has destroyed two marriages and is on its way to wrecking a third; De Niro is Neil McCauley, a brilliant thief whose ego goads him into attempting the final score that’s supposed to finance his retirement – even though he knows Hanna’s watching him. Though the two characters share just a few of the 171 minutes that make up “Heat,” Mann makes them count, serving up a deliciously tense tête-à-tête in a coffee shop that foreshadows the final showdown between Hanna and McCauley in the film’s last act. After all that buildup, some film fans were a little let down by such an understated clash of titans, but now that we’ve seen what can happen when Pacino and De Niro spend an entire movie together (2008’s “Righteous Kill”), those seem like awfully petty complaints.

Of course, the idea of doing a feature like this without including the most famous movie match-up is kind of like eating a PB&J sandwich minus the actual peanut butter and jelly, but not all of our inclusions are quite as predictable. Head on over to Bullz-Eye to check out the rest of the best.

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