Tag: Peter Petrelli (Page 4 of 4)

Heroes 3.3 – You Can Dress Him Up, But You Can’t Take Him Out

I know I made this comment at the tail end of last week’s blog, but after watching the “previously on” segment at the beginning of this week’s episode, I found myself saying to myself yet again, “Thank God we’re back to just one hour of ‘Heroes’ this week.” After this week, though, it seems that the producers are trying to pack that much storytelling into every episode this season. This is going to be a very exhausting year…

The evilest Petrelli – I’m referring to Sylar, of course – is on the slab and still trying to reconcile himself with this new information about his parentage. Enter Bridget, with her awesome ability to see the history of anything she touches, and…whoops! Bye-bye, Bridget! The relationship between Mama Petrelli and her little Gabriel is a little creepy, but whether it’s true that she’s Sylar’s mother or not, he clearly believes in the possibility enough to be off-balance. Advantage: Mama.

I’m really enjoying the way HRG is playing both sides of the fence, serving as Mama Petrelli’s right-hand man even though he’s clearly got his own agenda. Granted, you know she knows he’s got his own agenda…just as surely as she knows how he’s going to react when she tells him who his new partner is. But she knows she’s got HRG over a barrel, and when he’s presented with the choice to team up with Sylar or let the psychotic run amuck without supervision, his options are limited. And, thus, Sylar puts on a spiffy new suit and enters society. Nice line from Sylar about whether or not Mama is playing them: “Maybe…but aren’t you curious to see how it all plays out?” It looks promising for a few minutes or so, with Sylar taking on the role of authority figure with ease, but despite his success at getting free coffee, things ultimately played out about like I expected they would, with Sylar succumbing to his dark urges, with the only surprise being that HRG seemed legitimately horrified about it. (I figured he’d just shrug and say, “I knew this was gonna happen.”)

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Heroes 3.1 / 3.2 – The Old One-Two Punch

“Heroes” is back, baby…and to celebrate, NBC gave us a one-hour recap special, followed by two brand-new, full-length episodes. Rather than waste time, let’s get to talking ’bout what happened, shall we?

Episode 3.1

After a close encounter with his niece which proves that Claire is still about as dumb in the future as she is in the present, FuturePeter jumps back to the day Nathan was originally going to reveal his powers to the world at large and attempts to change history with a couple of quick gunshots. I’ve already read a few bloggers who’re asking, “Why did he only go back to a few minutes before Nathan made his revelation? Why didn’t he go farther back and, y’know, catch Nathan in a less public place?” And, really, there’s only one answer to that question: because if he’d done that, then there wouldn’t have been much of a story. And, thus, FuturePeter pops a couple of caps in his brother…and successfully, no less. Yeah, we knew the bullets connected, but who would’ve thought that he’d really die? Not that it’s a permanent situation, but, still…

It was so nice to see Hiro getting back to being the same loveably funny and hopelessly heroic guy that we saw in the first season. The guy just loves to be a hero, and he can’t resist that instinct, no matter how many times Ando may plead with him to do otherwise. It was great when Hiro decided to open the safe despite his father’s posthumous order, only to meet with a second message from him. (“I asked you not to open the safe!”) So who has the purity of blood…? I loved the special effects used to designate the motion of the new speedster hero – c’mon, Hollywood, let’s get that “Flash” flick fast-tracked now, shall we? – as well as the way she cold-cocked him. (“But I am on my feet.” BAM!)

Sylar’s dialogue when he paid a call on Claire was deliciously villainous and comic-book-y, though I could’ve done without his awful description of his time spent south of the border. (“It’s all behind me now, like a long night after a bad taco”? Really?) The sequence with Claire wandering through the dark house, trying to avoid capture, was straight out of a grade-B thriller, but it was still effectively creepy, particularly when he finally succeeded. Okay, when he was first poking around in Claire’s head (literally), all I could think of was the scene at the end of “Hannibal,” when Dr. Lecter popped the top off Paul Krendler’s skull, but Sylar definitely got my attention…and Claire’s…when he said that she could never die. What, never…? (Well, hardly ever…)

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