Tag: Michael Madsen (Page 2 of 2)

24 8.18: You’re with stupid now

First, let’s meet the two newest members of of the “24” cast:

– Jim Ricker (Michael Madsen), an ‘I can get things’ kind of guy, off the grid and on the wrong side of a favor to Jack. Official “24” nickname: Mr. Blonde, of course.
– Mark Bledsoe (D.B. Sweeney), a ridiculously mustachioed private security agent who isn’t afraid to dabble in torture. Official “24” nickname: Toepick. My wife came up with that one, as you might imagine.

Welcome to the show, gentlemen. Now please, D.B., shave that damn thing on your face.

Do you want to know how busy Michael Madsen is? His appearance on “24” is already listed as the 34th most recent acting gig he’s done. That man’s a machine.

There is still something about President I.M. Weasels’ motives that bothers me. I’m convinced he still has at least one card, and maybe two, up his sleeve. He can’t just be looking for an image makeover, because he wouldn’t resort to extortion – poorly planned extortion, at that – in order to do it…would he? For as much as he’s supposedly playing the hardliner with the Russians, he’s also protecting them and himself by negotiating Starbuck’s release into Toepick’s custody, willing to live with the consequences in the event that “mistakes are made.” No, the extortion actually looks like a cover for something worse, possibly that he’s in league with the Russians, or a group that stands to take advantage of a post-treaty Russia. I don’t think we’ve seen the full weaselosity of Logan yet, which is saying something.

On the Starbuck front, something deliciously awesome just presented itself as a possibility: Jack and Buffy spring Starbuck, and the three work together to blow the lid on the conspiracy. Now, who saw THAT coming after Starbuck revealed herself to be a double agent? I thought her story ended with a bullet to the head, fired by her fiance. Now, they look like the “24” version of The Losers, government spooks trying to clear their name. Hopefully, this will turn out better than the movie.

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“Well, self, are you ready to commit high crimes against the government?” “Bitch, please.”

Allison, once again, takes a look at the path of righteousness, considers changing course, but ultimately opts for rockier terrain after I.M. Weasel works his bad juju on Allison in private. Thank God, then, that Ethan stood up to her and showed her just how serious he was about the mistakes she’s making. I guess actors can hear me when I yell at the TV, after all.

Back to the Ricker character: the press release says that he will appear in the final six episodes, but I highly doubt that. It’s not like that can say that he’ll be in the next three episodes, because we’ll know that he dies in the third one. Earlier this year, they said that Annie Wersching was in 23 episodes this season, and we all know how that turned out. (*shakes fist at sky*) Nope, Mr. Blonde will only be able to take so many phone calls from Jack before someone sniffs him out. Which is too bad, because he has a pretty sweet lair, with all that gear and security tech.

The single best thing about tonight’s episode was that Jack knew that Chloe would double-cross him, worked that into his battle plan, and appears to forgive Chloe for setting him up. That is friendship, right there. And while the writers have sent Allison hurtling into WTF territory, it’s good to see that they haven’t lost their minds about what makes Chloe tick. She’s done underhanded stuff in the past, yes, but she wasn’t director of CTU then, saddled with a Presidential order. He knew she’d play ball, and he worked that to his advantage. Now when does he let her in on his ruse, and will she be so accommodating the next time?

With the series planning a big-screen conversion, you would think that Jack and Chloe and the series on a good note, but for that to happen, it means that Dalia Hassan has to find out the truth about Allison covering up Russia’s involvement for the sake of the treaty. If that happens, Allison will be disgraced, just like Logan. My question is: does Allison deserve that? Yes, she’s making some major mistakes here, but she’s no I.M. Weasel. Is there a way that Logan can take the fall again, but Allison can be redeemed before it’s too late? I honestly hope so. It doesn’t seem right that she goes down as a baddie.

Tonight’s blog title comes courtesy of Aimee Mann, the unofficial title track to her 1996 pop classic I’m with Stupid. Mann has stated that she hated working under the major labels’ thumb, but as much as it pains me to say this, she also did her best work when she did. Don’t get me wrong, it’s great that she has been able to make a living outside of the system – in fact, she’s made far more money on her own than she ever did working for the Man – but A&R men are not always wrong when they tell their client that they don’t hear a single. Just sayin’.

It’s your end of week movie news dump…

And I mean that in the nicest possible way.

* Champion poker player Chris Ferguson is making movies, writes Mike Fleming. He’s probably as well prepared for the business as anyone could be.

* I can’t help but think that this Anne Thompson item about two sets of brothers bidding for Miramax — one pair of them being Mira and Max’s sons, Harvey and Bob Weinstein, and the other being the wealthy Tom and Alec Gores — is somehow related to an odd claim by actor Michael Madsen. In a radio interview, the voluble and consistently amusing Madsen stated that Quentin Tarantino‘s long shelved concept for a combined “Pulp Fiction” and “Reservoir Dogs” prequel about his and John Travolta‘s characters has been revived. How? Well, it will now be a sequel and…well, you have to go over to Peter Hall’s post at Cinematical, but it also involves two pairs of siblings.

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Do I buy this? Well, it does sounds like Tarantino in that it’s kind of a doubling up of a gimmick used by a favorite director of his to overcome a similar sequel obstacle.  (If anyone out there has seen John Woo’s great 1980’s Hong Kong pistol operas, “A Better Tomorrow” and “A Better Tomorrow II,” they’ll know what I’m getting at.) Still, the whole thing has a shaggy dog story vibe to it that I suspect means we’ll never, ever see a “Vega Brothers” movie of any sort. I also get the vague feeling that it’s just possible Mr. Madsen and/or Tarantino is having us all on, as the Brits say. Still, I’m sure Mr. Tarantino’s trips to Tijuana can have a way of stimulating the imagination.

* Anne Thompson also brings up a very real issue that we Angelenos will recognize regarding the move of the Los Angeles Film Festival to Downtown L.A. L.A.’s downtown is in the middle of, I guess, a rebirth of sorts, but the issues associated with setting it there are legion. We’ll start with the exorbitant cost of parking.

* The porno “Big Lebowski” is upon us. Great production values for porn but, otherwise, I can’t say the (sex free) trailer looks in any way “good,” though I guess Tom Byron does qualify as the Jeff Bridges of the porn world. (Ron Jeremy is it’s Pacino/De Niro, I suppose.) Also, spoofs of comedies almost never work. Still, kind of gives a whole new meaning to “Achievers.”

* I’ve never heard anyone say they miss Michael Ovitz and his noxious effect on Hollywood back in the eighties and nineties. However, Nikki Finke’s lingering venom towards him fifteen years after his departure from the scene is utterly pointless.

* Could it be? An Asian-American comic headlining his own comedy and his character is named neither “Harold” nor “Kumar”? Yes, maybe. The very funny Indian-American stand-up/actor Aziz Ansari, who first came on my radar screen championing the cause of movie consumer rights, could be in the new comedy from “Zombieland” director Ruben Fleischer, writes Jeff Schneider of the Wrap.

* RIP Meinhart Raabe who has passed on at age 94. He was the Coroner of Munchkin City, so I’m not sure who’ll confirm his passing. (I’m so sorry for that, really, but I’m sure the late Mr. Raabe had a sense of humor about that kind of thing, assuming that what I wrote qualifies as something resembling humor.)

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A real reservoir dog

In the last item in the post below, I mentioned an incident on the set of “Reservoir Dogs” between Quentin Tarantino and actor Lawrence Tierney. Well, this highly entertaining post-mortem tribute to this most dangerous of actors from Tarantino, Michael Madsen, Tim Roth, the late Chris Penn, the late Eddie Bunker, and Chris Gore of the currently offline Film Threat, explains a bit more about it.

Hell Ride

There’s a rule of thumb to follow regarding movies involving Quentin Tarantino: those he writes and directs are usually good, and those he produces are usually bad. There are a few exceptions to both sides of this rule (perhaps most famously Zhang Yimou’s “Hero”) which led me to believe that “Hell Ride” could be a fun little film, but as it turns out, it’s yet another low-rent vanity project from one of QT’s less-talented friends. Larry Bishop writes, directs and stars as Pistolero, president of the Victors biker gang. When one of their own is tortured and killed by rival gang member Billy Wings (Vinnie Jones) of the Six Six Sixers, Pistolero teams up with his two most trusted members, The Gent (Michael Madsen) and Commanche (Eric Balfour), and sets out to exact revenge.

Hell Ride

Unfortunately, the film isn’t even remotely as entertaining as the red band trailer makes it out to be, and in the process, puts some really cool characters to waste. Bishop sure has the look of a badass biker, but he can’t act the part, nor can he write the kind of dialogue Tarantino is famous for. He certainly tries with these silly rhymes and play-on-word conversations that he must think sound ultra-hip, but they only make the boring mess of a plot even that much more difficult to sit through. Only Dennis Hopper and David Carradine (as veteran members of the rival gangs) truly deliver performances worth remembering, and it’ll make you wish the film spent more time developing their characters instead of focusing so much time and energy on Bishop getting his freak on with a horde of naked chicks. “Hell Ride” may sound like one hell of a time, but you’d be better off checking out FX’s “Sons of Anarchy” instead.

Click to buy “Hell Ride”

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