Tag: Kick Ass (Page 3 of 8)

Almost midweek movie news

Some fairly big news to report tonight.

* It might be a bit meta for a lead, but I can’t help my happiness that Roger Ebert has been named person of the year by the Webby Awards people. I’ve been a big fan of his writing for a very long time and always thought he was the best straight-up writer of any of the major critics, but recently he has really emerged as an inspirational figure. He’s also been one of the most generous supporters of film writing on the web in a million different ways. It’s not really bragging when I mention that he’s thrown some small nods my way as well as some occasionally very funny e-mail responses over the years. He’s done the same for countless others.

And, if that wasn’t cool enough, the great cinephile social networking and blog site, the Auteurs also won an award. Well, done, folks.

* In actual movie news, remember that item last week when I said that Matthew Vaughn, most recently of “Kick-Ass,” was not going to be directing the next X-Men movie? If not, you can just keep right on forgetting because, it turns out, he is directing the film they’ll call “X-Men: First Class” — a prequel. I’m a big fan of Vaughn, though not so much of the X-Men films so far, so I find this intriguing. Some of you may remember, Vaughn departed from “X-Men 3” and the film that was, as per Cinema Blend, Matthew Vaughn, and I, almost definitely the worse for it.

* More really good news from my point of view, one of my favorite actors currently working, Chewitel Ejiofor, has been cast as definitely my favorite Afro-pop musician — okay, the only African musician I can think of that I’ve ever actually bought an album or CD by. Ejiofor will be starring in a biopic of the legendary maestro Fela Anikulapo Kuti in a film to be directed by Steve McQueen of “Hunger.” This film is not related, except by topic, to the musical “Fela!” which just got eleven Tony nominations. The cool part is not only that the Ejiofor, a first-generation Brit born of Nigerian parents, is the actor to play the part, he’s also apparently learning to play piano and saxophone (Kuti’s instruments, I believe) and had, we’re told,  become quite good.

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Friday night movie news dump

I’ve got a bunch of other stuff to get to, so let’s see how efficient and selective I can be tonight.

* We have a Bat-date and it’s July 20, 2012.

* “Iron Man 2” is already starting to rake it in.

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* I can’t believe I failed to mention this a couple of days back, but writer-director Bill Condon is handling the next “Twilight” film. These days, Condon is best known for “Dreamgirls,” and he did a brilliant job turning Bob Fosse’s anti-dramatic theater-piece, “Chicago,” into an audience-friendly hit as a writer. However, he’s made a horror film (one of the “Candyman” films) and also his terrific “Gods and Monsters” was an homage to “Frankenstein” director and all-around filmmaking great James Whale. In other words, he’s far more interesting a guy to do this than you would expect.

* News-flash: “Kick-Ass” man Matthew Vaughn will, once again, not be directing an X-Men movie. Don’t stop the presses!

* If James Cameron paid such careful attention to the science in “Avatar,” why couldn’t he also spend a little time on the dialogue?

* With all the sequels being made, why the f*** not “Anchorman 2”? Too many comedy superstars means too much $, I suppose.

* Speaking of money, you’d think it would be easy for David O. Russell to get enough money for two or so days of shooting to finish “Nailed,” written by Kristen Gore (Al and Tipper’s  funny daughter). It seems the quirky comedy (the extremely talented, conflict-prone Russell makes no other kind) has been sent to cinema hell — or purgatory if we’re all lucky — not by Russell, who for once seems to have things nicely under control, but by seriously troubled producer David Bergstein. For those of you with enough time, check out the long version of what left this film literally hanging as written by Kim Masters. Sad/fascinating stuff.

* Justly respected critic Todd McCarthy is back after being canned by Variety and blogging for Indiewire. Good news.

* J.J. Abrams may be doing something with Steven Spielberg. Quoth Beaks:

[It] will be “both a tribute to and a collaboration with Steven Spielberg”. The film, about which nothing specific is known, is intended as an homage to Spielberg’s ’70s and early ’80s output; “…an interpretation of some of Spielberg’s earlier films, but done in a personal way.”

…This is either kinda cool, or a little creepy. I can’t decide.

Your TCM Fest ultra-quick box office report.

It TCM Fest‘s closing day and I’m determined to see “The Magnificent Ambersons,” “The Good Earth” (with an appearance by centenarian film legend Luise Rainer), and the new, new, new “Metropolis” but today’s box office estimates are bit too interesting to ignore completely.

The short version is that, as per the mighty Box Office Mojo chart, “How to Train Your Dragon” won the weekend box office with just over $15 million. “The Back-Up Plan,” a comedy vehicle for Jennifer Lopez, opened with a rather lame $12.25 million which should please our own David Medsker, who hated, hated, hated it. Graphic-novel based action fest “The Losers” made only $9.6 million, but seeing as it’s budget was $30 million less than the J-Lo film, it’s actually doing a lot bettter despite grossing less.

Date Night” is hanging in there very nicely in its third week. Like, “Dragon” it defeated both newcomers and came in at the #2 spot, earning $10.6 million for an accumulation nearing $65 million, $10 million more than its budget. Familiar and reliable comedy faces still mean something at the box office if the movie makes people laugh. Expect to see more family films and wide-audience PG-13 comedies and a bit less ultra-violence.

And that leads us to Matthew Vaughn, a director who has a lot less luck than talent and smarts, is no doubt thanking his reasonably lucky stars for keeping the budget on “Kick-Ass” reasonable.  The controversial black-comedy action flick dropped by 52%, roughly average for genre films that aren’t setting the world on fire. Still, the total gross is actually already $4 million above the $30 million budget. Assuming  the budget number is correct and what I can only imagine will be a long and healthy life on home video, he’s actually done rather well even as a something of a disappointment. Hope for the best, prepare for the worst.

Oh, and I guess I should see “Kick-Ass” myself before it leaves theaters. I always seem to catch Vaughn’s films after they’re declared failures and find myself really liking them. I guess I like underdogs.

Live from TCM Fest

Yes, I’m typing this from the lobby of the Beautiful Hollywood Roosevelt and rushing to make the 3:15 screening of the soon to see the rediscovered western, “Jubal.” But here are two very quick news bits.

Ryan Reynolds is * We have two new major releases this weekend, “The Back-Up Plan” (which our own David Medsker hated, particularly on behalf of those who have given birth or been associated with those who have) and “The Losers.” Neither is expected to hit the #1 mark. That will be either “Kick-Ass” or, once again, “How to Train Your Dragon.”  In limited release, we also have not another superhero-related comedy, but I take it more of a superhero related drama or dramedy, definitely a tad more sensitive than “Kick-Ass,” “Paper Man.” It’s yet another film which has Ryan Reynolds doing the long-underwear hero thing.

* Thanks to my friend, once and, I hope, future blogger and all-around good guy Zayne Reeves, I heard about the revelations regarding an “Alien” prequel that Ridley Scott told MTV News, Onion A.V. Club has the short version for hurried people like you and I. Basically, it’s about the dead “space jockey” the original crew of the Nostromo found all those years back.

No leave me alone, I’ve got movies to see!

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Midweek movie news

Regular readers might have noticed that I’ve taken a couple of days off, and with the TCM Film Festival kicking off tomorrow night, and some other things possibly brewing, I might not be following my exact usual schedule for the next several days, though I’m sure I’ll be posting stuff, but we’ll have to see.  In the meantime, there’s plenty going on and I’m sure I’ve missed something.

Chloe Moretz smashes face* We eventually did get a clear, but narrow, victor in the weekend box-office battle, but nobody’s too excited about the performance of “Kick-Ass.” The film will make money, $19.8 million is not bad for a $30-40 million dollar movie, and it should help everyone’s career, but I wouldn’t bet on a sequel unless it holds really extremely well and also cleans up in home video. Also, it should be noted that the superhero comedy had a slightly unfair advantage because of its late Thursday night opening getting included in the take — at least I think it was. Steven Zeitchik, who thought the film would break out in a major way, offers a post-not-quite-mortem.

* James Cameron‘s new interview with the L.A. Times will annoy conservative anti-environmentalists and climate deniers as well as fans of contemporary written science fiction. (It’s too complicated and self-referential to make a movie out of, Cameron states, apparently unafraid of the sweeping generalization.) However, “Avatar” fans will be delighted to know that two more movies appear to be in the offing along with that extended August 3-D/Imax re-release. Cameron’s cast and crew will be, I imagine, much less happy to learn that “Avatar 2” will involve water, and lots of it. What is it with this guy and moisture? (H/t the Playlist.)

Titanic 1996

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