Tag: Johnny Depp (Page 9 of 9)

Will “Transformers” make “Dinosaurs” of us all?

With the ongoing box office behemoth that is “Transformers: Revenge of the Fallen” seemingly devouring everything in its path, the studios are nevertheless allowing two potentially vulnerable major productions to venture out of the nest a couple of days ahead of the big July 4th holiday weekend.

For the family trade, we have a 3-D CGI animated sequel, “Ice Age: Dawn of the Dinosaurs,” which will be showing on a record number of 3-D screens. (Which I guess means that if you haven’t seen “Up” in 3-D by now, which I finally managed just last night, you may be SOL until at least such time as we start seeing 3-D retrospectives.) In a saner world, this would be the #1 movie this week because of family appeal, I think it’s safe to say. Carl DiOrio of The Hollywood Reporter is calling it at between $45 and $50 million for Friday through Sunday (not counting weekdays), which he thinks will be somewhat below the “Transformers” take based on a very modest 50% drop-off.

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“Public Enemy” awaits a verdict; other stuff happens

* There seems to be some concern out in the world about just how well Michael Mann’s new Johnny Depp/Christian Bale vehicle, “Public Enemies,” will fare when it’s released on Wednesday. Mixed reviews, like the one posted today by Den of Geek’s Michael Leader seem fairly typical and it’s possible audiences will feel mehish on the project. (The Tomatometer is currently at a fair-to-middling 64%, but even some of the “fresh” reviews don’t read as outright positive.) Anne Thompson specifically wonders about just how Depp’s huge star power will register and Mann’s decision to shoot a period film in digital, though it’s not the first period action film to be shot that way (“The Last Samurai” comes to mind). Those still reasonably jazzed about the nouveau-gangster flick (and that includes me, even though I’m not a super big Michael Mann fan), may want to check out our “Between Good and Evil” feature over at Bullz-Eye.

* Speaking of Anne Thompson, she has a festival wrap-up posted (looks like we saw a pretty different selection of films). I’ll be writing about it one-more time tomorrow.

* Nikki Finke has the “actuals” in from “Transformers: Revenge of the Fallen.” It’s $390 million worldwide. I guess that’s enough. She’s also upset over some impending Oscar changes, including a rule that might limit the number of “Best Song” entries and having a separate, non-televised dinner for the humanitarian awards like the Thalberg, which I’ll personally miss, because I’m weird.

Between Good & Evil: Hollywood Heavy Hitters Going Toe to Toe

There’s just something about two great actors going toe-to-toe that makes for some of the most memorable cinematic moments. Call it chemistry if you will, but these days, when you get a couple of Hollywood heavy hitters in the same room, it’s usually guaranteed to light up the screen like the Fourth of July. So when it was announced that Michael Mann had enlisted two of this generation’s greatest actors – Johnny Depp and Christian Bale – to star opposite one another in his new film, “Public Enemies,” we couldn’t help but be reminded of the many other classic face-offs starring the industry’s cream of the crop. Some are as simple as good versus evil, while others are a little more, well, complicated. Below you’ll find a list of our ten favorite match-ups (and what makes them so special), along with five more that just missed the cut.

Here’s a sample entry:

Cinematic showdowns don’t come any more highly anticipated than this. More than two decades after sharing billing (but no scenes) in “The Godfather II,” Robert De Niro and Al Pacino finally had a big screen showdown in Michael Mann’s sleek, stylish 1995 crime epic. Pacino is LAPD Lt. Vincent Hanna, a true-blue cop whose dogged dedication to his job has destroyed two marriages and is on its way to wrecking a third; De Niro is Neil McCauley, a brilliant thief whose ego goads him into attempting the final score that’s supposed to finance his retirement – even though he knows Hanna’s watching him. Though the two characters share just a few of the 171 minutes that make up “Heat,” Mann makes them count, serving up a deliciously tense tête-à-tête in a coffee shop that foreshadows the final showdown between Hanna and McCauley in the film’s last act. After all that buildup, some film fans were a little let down by such an understated clash of titans, but now that we’ve seen what can happen when Pacino and De Niro spend an entire movie together (2008’s “Righteous Kill”), those seem like awfully petty complaints.

Of course, the idea of doing a feature like this without including the most famous movie match-up is kind of like eating a PB&J sandwich minus the actual peanut butter and jelly, but not all of our inclusions are quite as predictable. Head on over to Bullz-Eye to check out the rest of the best.

The very famous are different from you and me

I have no idea whether ol’ F. Scott’s famous quote about the rich applies to the famous, or the rich, but that’s sure what you get from a cursory glance around the filmsphere this oddly muggy SoCal afternoon.

* Kim Masters contemplates the impact of Mel Gibson’s personal mishegas on his bankability. The upshot is the guy’s got chutzpah, even if his behavior is a shanda.

* Johnny Depp hangs out on his Jolly Roger-flying yacht off of a private Caribbean island, drinks daiquiris and gets written about for Vanity Fair by his buddy before heading off for his next film. Must stink to be him.

* Per Nikki Finke, father and on-again Robin Wright husband Sean Penn is taking a year off to work on his marriage. If my dad had taken a year off, for any reason, my mom would’ve either divorced him instantly or checked into an asylum.

* I’m not sure if Judd Apatow is “very famous,” or merely famous for a producer/writer/director/non-actor, but he tells VF he would like to come back as a beloved dog. I’d prefer to be an admired cat. See how different we are? Not even the same species.

* And, suddenly, I’m in the mood for a little Celebrity Jeopardy. After all, they’re just like us; just more famous.

A Chat with Lance Henriksen

In the midst of our discussion with Lance Henriksen, I unabashedly called him out for having carved himself a career as a “that guy” in Hollywood. You know what I mean. He was part of the supporting cast of the original “Terminator” flick, he played Bishop in two “Alien” movies (and even turned up in one of the “Aliens vs. Predator” films), and he played Frank Black…not the one who fronts the Pixies but, rather, the lead character in “Millennium.” And, yet, when I told people I was talking to Lance Henriksen, only a handful knew who I was talking about before I started numbering off the items on his resume…and as soon as I did, they immediately said, “Oh, right: that guy!” On a related note, if you’re a fan of “Screamers,” then you might already be aware that there’s a sequel to the flick – “Screamers: The Hunting” – that’s on video store shelves at this very moment, so when you see Mr. Henriksen’s name on the cover, try to remember this discussion, so you don’t have to wait until he appears on screen to say…well, you know.

Bullz-Eye was fortunate enough to score the opportunity to talk to Henriksen on the occasion of “Screamers: The Hunting” hitting video, and in addition to asking about his experiences on the film, we also did the requisite quizzing about his latest projects (did you catch him on “NCIS”?), his work on “Millennium” and the chances of seeing any new adventures of Frank Black, what it’s like to be under the direction of James Cameron, and how he came to appear in – of all things – a Brazilian soap opera.

Sit back and stay tuned for…

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