Tag: Jean-Luc Godard (Page 2 of 3)

All the movie news that fits my schedule

With Cannes starting to wind down — or with people probably starting to leave in the manner of Hollywood folk at lengthy fests much in the way Los Angelenos leave sporting events early — maybe the news will start to slow down a bit as well. In any case, it’s looking like I won’t be around to cover it tomorrow, and then comes the weekend movie preview, so this will have to tide you over for a bit.

Megan Fox in * Our top story tonight, however, is far away from anything likely to screen in, or even out of, competition at the world’s most famous film festival. Seems that Megan Fox, who you might remember compared director Michael Bay to Hitler some time ago, will not be returning in “Transformers 3.” Apparently Bay has finally realized there are lots and lots of unnaturally attractive young women in Hollywood and some of them can act a little.

In any case, Nikki Finke brings you a crash course on the apparent Fox/Bay hate affair, while AICN’s Merrick reminds you of some of those other unnaturally attractive women.

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More movie news and stuff

Cannes is in full swing and there’s plenty other stuff going on besides — way too much to cover completely. So, consider this just me hitting a very few of the highlights of the film world right this moment.

* The critical wars are going full strength at Cannes with the biggest love-it/hate-it proposition appearing to be Alejandro González Iñárritu’s “Biutiful.” I haven’t seen the film, of course, but Iñárritu is most definitely my least favorite of “the three amigos” of Mexican/Spanish/U.S. cinema. (The other two being Alfonso Cuarón and Guillermo del Toro) and not only because his name is the most impossible to type. I mostly liked “Amores Perros” but his “21 Grams” and “Babel” struck me as exercises in touchy-feely realism that was a lot less real than it seemed to fancy itself.

biutiful-inniratu

Still, he’s working with different writers now and everyone seems to agree that the always great Javier Bardem is especially fine in it, so I suppose I should keep an open mind. Still, reading about the film, it’s hard not to side with the anti-faction when much of the commentary echoes my feelings about past films and when the pro-side is being taken by Jeffrey Welles, who really doesn’t seem to respond well when other people don’t love his favorite films. It’s a conspiracy, I tells ya!

In any case, David Hudson does his usual amazing job summarizing the critical reaction from a wide swath of the press; John Horn at the L.A. Times focuses on the reactions of big name critics.

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Movie news and stuff

Where to begin…

* Could the ultimate case of movie development hell finally be unraveling? We’re told that Ewan McGregor will star in Terry Gilliam’s “The Man Who Killed Don Quixote.”

* Lionsgate may be on the block with all kinds of possible ramifications for hardworking and often underpaid workers there. However, just in case you were worried, they’ve got $16 million set aside for five executive golden parachutes if Carl Icahn’s attempt is successful. Whew!

* Anne Thompson discusses the people who didn’t show up at Cannes.  Somehow, she overlooked my absence.

* One of the people who isn’t showing up is living cinema legend/bad boy Jean-Luc Godard, who is citing the chaos in Greece as his reason. Yeah, I have only the vaguest possible idea what he means by that myself. Meanwhile, the Playlist’s Christopher Bell reviews a new documentary about the severed friendship between Godard and Francois Truffuat, who were respectively the Rolling Stones and the Beatles of midcentury French New Wave cinema and, alas, finds it lacking.

francois-truffaut-strike

* Marina Zenovich, the woman whose documentary many credit/blame with restarting the Roman Polanski mess — and, yes, that’s the “evil profligate dwarf” himself next to Godard, Truffaut as well as Claude Lelouche and Louis Malle in the picture above — will next be doing the film version of Mark Harris’s widely acclaimed book, Pictures at a Revolution, which looks at the remarkable five best picture nominees from 1968.

* Speaking of Polanski, Oy vey, Woody. (Via FilmDrunk whose headline repeats the obvious, but still hilarious, joke here.)

* Armando Iannucci, co-writer and director of the outstanding comedy about tragedy, “In the Loop,” has a new film with a preposition and a noun in the title set up.

* Cameron Crowe, who was on an amazing run of movies like “Say Anything” and “Almost Famous” until suddenly, he wasn’t, is getting back on the horse with a fact-based tale that involves all kinds of animals, possibly including horses. It does sound like a heck of a story.

* Nikki Finke thinks James Robinson should pay up before showing his face at Cannes.

It’s late. I’m tired and I want my turkey burger and an Old Fashioned. More to come later.

Saturday morning news dump

A very busy day and technical problems conspired to keep me from posting last night, so I’m back with what I hope will be the Reader’s Digest condensed version of one of my more typical Friday news dumps…okay, maybe not so much.

* Taylor Lautner, who is apparently playing second fiddle these days to his own abdominal muscles, is nevertheless being thought of as the next big action star and he’ll start out in a video-game adaptation. I’m so excited, my mind is already wandering.

* The popular comic heavy-metal documentary, “Anvil!,” has picked up an award.

Anvil

* Believe it or not, I once tried to write a screenplay set in Las Vegas using Dante’s Divine Comedy. Now, a film with a cast of outstanding indie stalwarts led by Steve Buscemi and Sarah Silverman, is just taking Dante’s Inferno (the first third of the long work) to Vegas. Better to keep things simple, though I’m totally up-in-the-air about what I think of JoBlo’s trailer.

* I’m not a particular fan of Roger Friedman‘s reporting, and I think it’s a bit less than intelligent to try to make a scandal of a “Precious” being left out of the National Board of Review’s top 10 without some kind of actual evidence or even an indication. As our own Jason Zingale shows, not everyone loves or even likes the movie. Mileage will always vary. On the other hand, any look into the somewhat shadowy organization’s membership is always of interest. The only member I ever met or even heard about before recently, was this man.

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Trailers: French spoken here

Three very cool trailers you won’t be seeing at the multiplex this weekend.

As you might imagine, this one features some tasteful, yet incredibly sexy, sixties style female nudity. You have been warned/attracted. It’s also Jean-Luc Godard’s idea of a musical.

If that last trailers interests you, check out my Bullz-Eye review of Costa-Gavris’s “Z.”

http://www.youtube.com/watch?v=zOyEj2SKVCQ
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