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Sons of Anarchy 3.5 – Turning and Turning

There’s been a lot of debate recently over the validity of Father Ashby’s conduct regarding baby Abel, but if he truly is planning on using the kidnapping as a way to get rid of Jimmy O, then the pieces are starting to fall into place. Maureen’s phone call to Gemma has already stirred the pot, and although Jimmy’s right-hand man, Luke, ensures the club that Abel isn’t in Belfast, Jax promises him that if he’s lying, he’s going to personally track down Jimmy and beat the truth out of him. And if I were Jimmy, I’d probably start looking for a good place to hide, because it isn’t long because Jax hears back from Maureen confirming that Abel is in Belfast.

On a side note, I’m really curious to learn more about Maureen in these coming weeks. Though she has obvious ties to the IRA due to her brother’s involvement, her loyalties seem to lie more with SAMCRO – not only because she’s married to the Belfast chapter president (McGee, who might just have the coolest beard on TV), but also because she seems to have a secret history with John Teller. When Jax first brought up Maureen’s name at the hospital, Gemma and Clay shared this telling look of concern. And then, after he had left the room, Gemma declared her apprehensions about Jax going to Belfast because “stones [would] get unturned.” Or in other words, Jax would learn something that Gemma doesn’t want him to know.

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Unfortunately, Gemma can’t do much to stop him as she’s currently stuck in the hospital recovering – not from a heart attack, but her arrhythmia. Plus, she’s under the custody of the Feds after she agreed to turn herself in to Agent Stahl in exchange for a deal that would remove the death sentence from the table and give her weekly visits. But when Stahl informs her that the deal has been denied due to some silly technicality, Gemma’s future seems even more uncertain than everyone thought. And to make matters worse, she blames Tara for Abel’s kidnapping, claiming that she didn’t do enough to save him because he wasn’t her child. It’s a pretty cruel thing to say to anyone, and I don’t think she would have said it were it not meant to transition into one of the night’s big reveals: Tara is six weeks pregnant, and she’s keeping it a secret from everyone, including Jax. How Gemma knew is beyond me, but I guess we can chalk it up to mother’s intuition.

Gemma may know about Tara’s pregnancy, but she has no idea what Jax is about to do to save her from going to prison. And if anyone at the club finds out, they’re not going to be too happy about it, either. This isn’t the first time that Jax has considered turning rat in order to save the club, but now that the deck is so stacked against him and his family, he really has no other choice. It’s a pretty good deal too: Jax gives Stahl the bust of a lifetime by informing on major players in the IRA, and Gemma gets her name cleared and SAMCRO is given a reduced sentence on the assault charges. And as a sign of good faith, Jax has even delivered Luke and a van full of illegal guns on a silver platter to prove that he’s serious. It’s the kind of game changer that not only affects this season, but will have long-term ramifications on the series as a whole, and I just hope it doesn’t prove to be too much of an obstacle for the writers, because it’s risky storytelling like this that makes “SOA” one of the best shows on television.

Beauty and the Beast: Diamond Edition

They have made many phenomenally successful movies since its release, but “Beauty and the Beast” remains Disney’s last true masterpiece. The combination of story, design, songbook, performance and technical achievement is unparalleled by any animated film of its time or since. The computer animation, a very dodgy art form in the early ’90s, still looks spectacular today. We’d challenge anyone to take modern-day equipment and a better-looking ballroom scene than the one here.

Disney’s Diamond Edition of the film is absolutely worth the upgrade, both for the hi-def transfer and the bushels of new extras. The audio commentary is held over from the original DVD release, but all-new interviews were shot for the featurettes, even roping in Jeffrey Katzenberg to go on the record. Alan Menken sits down at the piano with producer Don Hahn and discusses the origins of several of the movie’s songs, even admitting that the final music for “Be Our Guest” was a throwaway track for lyricist Howard Ashman to use as a base until he came up with a “real” track. Menken also includes his original score that he wrote just before Beast’s transformation, and the studio adds the original opening to the movie, a 20-minute (!) piece where Belle has a younger sister and a cat, and Gaston is a wig-wearing fop. It’s fascinating to watch in retrospect, because the studio was right to scrap this opening and start from scratch. There is also a pencil sketch version of “Be Our Guest,” as sung to Belle’s father. A fitting tribute to a truly game-changing film.

Click to buy “Beauty and the Beast: Diamond Edition”

Monday movie news

The Deadline crew has really been working overtime these last few days, so there’s much to talk about as a new week begins.

* I’m not kidding about the pace of news from Deadline today. Just as I was starting to finish writing this, Mike Fleming broke the news that we have a “Superman” director who’ll be working with producer Christopher Nolan, and he is one Zack Snyder of “300,” “Watchmen,’ the “Dawn of the Dead” remake and that owl movie that’s out right now. Expect a fightin’ Supes. Should you expect a good Supes movie? Dunno. I never understood the grief that “Superman Returns” got. It was a nice, fun movie in the best senses of the words “nice” and “fun.” Will this one be all grimness and unnecessary darkness? I hope not.

*  Fox landed the film adaptation rights for apparently the hottest book of the moment, Abraham Lincoln: Vampire Hunter which is being produced by Tim Burton and directed by Timur Bekmanbetov (“Night Watch,” “Wanted“), who purchased the rights with their own money. And it’s not like they were afraid to show they really wanted it:

When Tim and Timur and their entourage of reps came to the Fox…they were met with a huge banner at the gate. It had the title treatment of the script and was emblazoned, “Tim Burton and Timur Bekmambetov present Abraham Lincoln: Vampire Hunter”. At their parking spot were signs saying “Parking For Vampire Hunters Only: park at your own risk,” and so forth. There were bloody footprints lining the walkway and stairs leading from their cars to the meeting in Building 88 with images from the book and lines from the script. As if that were not enough, there also were bloody axes strewn about, and a bugle player in a Confederate uniform playing “Taps” as the filmmakers walked to the meeting..

Yes, like Camelot, Hollywood is a silly place, and I sort of like it that way. I just wished I enjoyed Bekmambetov’s movies, because I didn’t.

* Re: silliness. Check out this promotion for “Jackass 3D”

* I seriously dislike writing about stories that say that so-and-so is “about to be” “offered” a part. There are simply too many items like that and too many “ifs” (maybe the studio will change their minds; maybe the star will say “no,” etc.) and I prefer to wait until the story is further down the road. Nevertheless, Mike Fleming has reported that Emma Stone is about to be offered the part of Mary Jane Watson in the Marc Webb-directed 3D “Spiderman” reboot opposite Andrew Garfield.

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A full trailer with “True Grit,” and choppy editing

After last week’s very nice teaser trailer for the Coen Brothers version of Charles Portis’s “True Grit,” we have the full trailer right here. It’s longer, there’s more plot and some nice comic business between Matt Damon and Jeff Bridges. Also, it looks like it’s going to be a bit more violent than the relatively graphic — but still somehow G-rated — 1969 version. What a surprise.

This trailer feels a bit rushed, as if they were trying to fit in too much. It’s probably a good sign, however, that they have a lot of good stuff to fit in. As both an admirer of the Coens and a fan of old school Westerns, I’m even more stoked than average about this brutal little Christmas present.

H/t /Film.

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Mad Men 4.11 – Too Little, Too Late

When I saw that this week’s episode was entitled “Chinese Wall,” I found myself overwhelmed by a sudden wave of deja vu. “Now, wait a minute,” I thought. “I know damned well that phrase has been utilized before, because I posted the video for Philip Bailey’s ‘Walking on a Chinese Wall’ when it happened.” And, indeed, that was true: Faye made the reference back in Episode 4.9.

If you’re not familiar with the term, it’s an expression which, according to the never-fallible Wikipedia, means “an information barrier implemented within a firm to separate and isolate persons who make investment decisions from persons who are privy to undisclosed material information which may influence those decisions.” In this case, the wall in question has been constructed by Roger, and he’s put everyone else on the other side of it.

And, now, on with the episode!

Hey, look, Peggy’s hanging with the lesbian from Life and her pals, including the guy who pissed her off with his writings a few episodes back. I guess all is forgiven now that he’s asking permission to quote her, since she immediately brings him back to her pad (I was disappointed, though, that Peggy’s reference to her roommate didn’t result in an appearance from Carla Gallo), and a good night evolves into an even better morning. We’re seeing a whole new Peggy, people!

Ray Wise in the house! Ken Cosgrove and his fiancee are having dinner with her parents – yep, Mr. Wise is her dad – when he gets word that Lucky Strike is moving out of business with Sterling Cooper Draper Pryce. As you can imagine, this information scares the heck out of him…so much so, in fact, that he rushes out of dinner and into the waiting room at the maternity ward, where Pete is waiting for Trudy to have their baby. Pete’s immediately on the phone to Don, and although he interrupts his makeout session with Faye to take the call, the topic of conversation instantly puts a damper on his libido. The next thing you know, everyone who’s anyone – minus Lane, of course, though it’s acknowledged that he’s been duly informed – is at the office, ready to pounce on Roger the second he walks in. He claims it’s an impossibility and immediately calls Lee, except we know from his comments that he’s clearly not talking to him.

Don heads back to his place and immediately starts drinking, and you know that ain’t a good sign. He acknowledges that he’s more or less dreaded this possibility for quite some time, but although Faye tries to remind him of how valuable a player he is, Don dismisses her level of concern, saying, “I’m not at that point yet.” Clearly, he’s not going to go down without a fight. Pete’s father-in-law, meanwhile, is almost immediately dismissive of any chance of the firm’s survival, basically saying, “Ah, well, you had your fun, now back to the real world.”

Should I feel sympathetic for Roger? Well, I did, at least a little bit. It’s not his fault that Lucky Strike decided to pull out, and I can’t blame him for not wanting to admit the loss to the firm, but at the same time, he’s clearly getting in over his head with this chicanery, getting a highly warranted smackdown from Joan for keeping his mouth shut when something could’ve been done to save the situation. After she once again relents and lets him swing by her pad, they share a sweet embrace, but even though he’s pretty pitiful when he departs from the premises, she’s seriously disappointed the next day by the fact that he’s continuing to weave his web of lies, and the awkwardness between them is palpable. I don’t think she’d betray him to them, mostly because it’s not like they could save the account at this point, anyway, but his actions are putting her job in jeopardy, too, and I think it’s pretty well established how much she enjoys her niche at the firm. For his part, Roger seems to have been temporarily swayed by the arrival of his book. Maybe he’ll be inspired to become the ad man he once was…?

After Bert and Don give the State of the Union address, the feeling on the floor is that everything’s more or less under control, but Don’s not pulling any punches when he sits his team down. The best moment, though, came when it was just him and Peggy. They’ve definitely got their own special relationship now…if, uh, not quite as special as the one she had last night, which has put her in a stellar mood. Unfortunately, it’s pretty transparent to everyone around her, which results in Stan being an Alpha Male to the Nth degree. What a jackass that guy is. Still, even his minor-league attempt at getting revenge on her for her rebuffing of his advances didn’t do any damage: it takes more than a little lipstick on the teeth to stop the creative force that is Peggy Olson!

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