Tag: HBO (Page 12 of 12)

Greetings to the New Show: “True Blood”

You’ve got to give HBO credit: they know how to hype a new series.

The amount of pre-publicity for “True Blood,” the new series from Alan Ball (creator of the late, great “Six Feet Under”), has been so tremendous that it’s been almost impossible to ignore. I certainly saw my fair share of the hype when I was out in L.A., but the network’s viral marketing campaign for the show has taken awareness of the series far beyond California. It all started with BloodCopy.com, but there have been billboards, fake ad campaigns for a product called TruBlood, MySpace accounts, and more.

All this for a TV show about vampires…?

Actually, it’s a pretty savvy move on HBO’s part to throw their marketing muscle behind “True Blood,” which is based on Charlaine Harris’ Southern Vampires Mysteries book series. Anyone who reads this blog knows that vampire-themed shows make for dedicated…oh, who are we kidding? They inspire straight-up obsession in their viewership, whether we’re talking about “Forever Knight,” “Angel,” or – yeah, baby! – “Moonlight.” HBO’s just playing it smart and getting the word out about the show from the get-go, to make sure it’s full-fledged event television when it premieres.

But is it…?

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HBO moves on

With the series finale of “The Sopranos,” HBO is facing a crossroads. I’m not sure what percentage of the network’s subscribers were mainly (or only) interested in Tony Soprano and his family, but it has to be significant. HBO is aware that they need to quickly develop more good programming if they hope to keep the train going down the tracks.

Their first hour-long effort is “John from Cincinnati” (from “Deadwood” creator David Milch). The series revolves around San Diego family of surfers as they encounter a strange visitor, who acts as if he might be from another planet. In just two episodes, Milch has introduced a bevy of interesting characters and, as far as the language and dialogue goes, the show actually has a very “Deadwood” feel to it. There are a number of familiar faces in the cast, including Rebecca De Mornay (who is excellent as the family’s matriarch), Ed O’Neill, Luis Guzman and Luke Perry.

In the half-hour comedy category, “Flight of the Conchords” follows Jemaine and Bret, two aspiring musicians from New Zealand, as they navigate New York City. It’s a musical of sorts, as the duo occasionally break out into quirky songs that relate to whatever is going on in their life. The premiere was quite funny, especially the song Jemaine sings to a girl at a party. If the Barenaked Ladies had developed a sitcom (and never released “One Week,” which made them too popular) and enlisted Wes Anderson to direct, it might have turned out like this.

So far, so good.

Rome: “Passover”

It’s been more than a year since we’ve had a new episode of “Rome” to watch, and I always find it interesting, especially with these shows on HBO, how our everyday lives roll on as the cast and crew work furiously to but together twelve or thirteen episodes to entertain us for three months before the process starts all over again for another season.

Tonight’s episode picks up moments after Caesar’s murder, and all hell’s breaking loose in the city. For the most part, the creators did a beautiful job of seamlessly rolling the first season into the second. But Atia (Polly Walker) looks quite different to me, so much so that I almost didn’t recognize her when she first hit the screen. It’s possible that they wanted her character to look like she’s aged five to ten years and gained ten to twenty pounds, but something tells me that was an issue the creators had to deal with when they started shooting for the second season.

This episode dealt with the aftermath of not only Caesar’s death, but Niobe’s as well. It’s not often that a show will kill off two of their main characters at the same time, but the parallel storylines make for compelling television.

First, the political implications of Caesar’s death had to be dealt with and it was clear right from the start that Octavian was stepping up his role in the political realm. He’s extremely savvy, so it’s no wonder why Caesar bequeathed his estate to the young man, effectively making Octavian his son. As his mother tres to get the family out of the city, he quickly formulates a plan, and with Mark Antony’s help (and his mother’s approval), he effectively seizes control of the city. Brutus made the mistake of trusting Antony against the advice of all of his advisors, including Servilia. When she put in her two cents, his line – “You too, mother?” – was priceless.

Meanwhile, Lucius is reeling from Niobe’s suicide, but it was clear that he was going to kill her anyway for having a child by another man while he was away at war. He made the mistake of cursing and banishing his children and almost immediately regrets it.

Titus and his slave girl have a nice moment in the woods when he had the best line of the show: “I know I didn’t get us started off on the right foot, killing your man, and I’m sorry for that.” He proposes to her and she agrees to be his wife, but it’s clear that she’s having a tough time understanding that she’s a free woman now. Anyway, once someone rides by yelling about Caesar’s death, Titus hilariously knocks the guy off his horse and uses it to head back to the city.

There, he finds Lucius in a serious tailspin, but helps his friend pull things together. Lucius is torn up about placing a curse his children and the two men discover that their old boss abducted them. After a bloody attack on the boss’ hideout, the man informs the duo that for Lucius’ past transgressions, he “f*cked them, killed them and threw them in the river.” And that was the end of that guy.

It may take a while for Lucius to recover from he day’s events, and he’s not unlike the city of Rome trying to recover from Caesar’s death. Brutus has been sent to the country, so it looks like Antony, Octavian and Atia will control the city for the time being. Octavian and Titus also had words during the episode and it’s clear that kid trusts the big man. Over the season, Octavian is going to develop into more of a leader and it will be interesting to see what role Titus (and Lucius, for that matter) play in the future of the empire.

All in all, it was a great premiere and I can’t wait to see more.

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