Tag: Giovanni Ribisi (Page 2 of 2)

Friday night movie news dump…

And, for a change, it’s barely even night here on west coast as I begin.

*  We’re seeing some major league “New Moon” girl-power at the box office, already. $26.3 million, to be specific. That’s just for midnight shows.

* Just a few days back I noted the casting of Japanese star Tadanobu Asano as Hogun in Kenneth Branagh’s upcoming “Mighty Thor” flick. As a part of Norse (i.e., Viking) mythology, Asgard is, by definition, a pretty strictly Nordic place, so I thought this casting was interesting.  Visually, the Marvel comics Hogun was based on Charles Bronson, whose face had a definite Asiatic/Mongolian-by-way-of-Lithuania cast, so going with the star of “Mongol” was a stretch worth noting, but maybe not a definite sign of completely race blind nontraditional  casting.

However, Branagh has now cast the very fine African-English actor Idris Elba of “The Wire” and several great episodes of “The Office” in the part of Heimdall, guardian of Asgard. As a commentor at the Heat Vision blog that spread the news mentioned, Branagh did something very similar when he cast Denzel Washington as an Italian warrior-prince in his version of “Much Ado About Nothing.” I’ll quote myself from the Bullz-Eye piece I did on less well known Denzel Washington performances:

As a major production featuring truly race-blind “nontraditional” casting in a key role, “Much Ado About Nothing” is something of an onscreen first. In fact, audiences and critics had no more problem accepting Washington as an Italian prince than they did accepting the extremely British, pasty-faced Branagh as a Mediterranean nobleman.

Especially in films set far away from a realistic context and where the actor has as much authority as both Washington and Elba have, I think we’re sophisticated enough about the nature of movies that this will not be a problem, even for viewers who know a little about mythology. And here’s the best part: it will piss off some white supremacists. I’ve personally heard about young Neo-Nazis who dig the comic book “Mighty Thor” and apparently are too stupid and ignorant to realize that the series was created by Stan Lee and Jack Kirby, a.k.a., Stanley Leiber and Jacob Kurtzberg, two rather brilliant New York Jews. As always, the joke is on the hate fetishists.

Like I said before, this is not your father’s Asgard, and I’m fine with that.

800px-Asgard

* It’s thirty days before the release of “Avatar,” the movie isn’t quite done yet, and some of us insist on going about our business as if life as we have always known it was not about to be forever altered. Quick, send out Sigourney Weaver and Giovanni Ribisi to say nice things about James Cameron!

* He’s brought us everything from “School of Rock” to “Chuck and Buck”, but very talented quirk/comedy writer/actor Mike White’s next film is about Santa war, but I doubt it’ll be very violent. On the other hand, he appeared in the comically mega-violent “Zombieland,” so perhaps his thinking has evolved some. I pretty violently disagreed with his op-ed, but he gets credit for even thinking about stuff like this.

* And, now for something completely different, from OC Weekly restaurant critic Edwin Goei comes his list of the five greatest food movies. I’d steal some of his YouTube clips, but I’m starving and I’m supposed to go to the gym later, dammit. Just go see for yourselves.

Entourage 5.2 – Unlike a Virgin

Turtle: You wanna go to the Villa tonight, E?
Eric: What, just you and me?
Turtle: Yeah, you’re right.

If there’s one thing I learned from tonight’s episode, it’s that the writers have no reservations about taking things slow. That’s actually good news, since it means they’re serious about the show’s future, despite the fact that some fans were probably hoping the new season would start off with a little more of a bang. All I can say is, be patient, because although the first two episodes have been relatively tame, they’ve also shown real promise for the things to come.

Even Vince is taking things more seriously since being courted back to Hollywood. He’s busy reading scripts, and though the films he’s interested in already have actors attached, he’s willing to do whatever it takes to get back into the game. Unfortunately, no one is listening, and while Eric would love for him to do an indie film called “Nine Brave Souls” from a duo of up-and-coming screenwriters, he agrees with Ari that Vince’s next project should be a studio film. He’s also probably not willing to gamble away what little left there is of Vince’s career, but that doesn’t stop him from tracking down the writers to discuss the possibility of signing with him.

Entourage 5.2

What he doesn’t expect is for LB (Lukas Haas) and Nick (Giovanni Ribisi) to be so demanding. A little too demanding for a pair of unknowns, perhaps, but they also have a point. After all, if Eric is Vincent Chase’s manager, then why can’t he convince him to star in their movie? Eric explains that Vince is only interested in doing a studio movie right now, but Nick doesn’t want to hear it. Instead, he suggests that Eric sell their script first before they begin worrying about any kind of contract.

When Eric goes to Ari for help selling the script and is immediately blown off, however, Eric takes it to the one person who I honestly thought we’d never see again: Amanda (Carla Gugino), Ari’s temporary replacement from season three. Depending on whether or not she likes the script (and why wouldn’t she, if they’ve gone through the trouble of bringing her back into the fold?), it’ll be interesting to see how her involvement will affect Vince’s relationship with Ari. The fact that Vince wants to do the film, combined with Ari’s recent confession that Vince isn’t a good actor, will likely play a major role in the weeks to come.

For the time being, Vince is sticking with Ari, but how much longer is Ari willing to stick with Vince? Sure, he’s movie star quality, but if he can’t get the guy a job, what exactly is the point of keeping him on the client list? It looks like he’s willing to commit to Vince’s career for now (“This town loves a comeback, and since Britney fucked hers up, it’s all you!”), but wouldn’t it be fun if Vince had to completely rebuild his career from the ground up without the help of a super agent? It would certainly be different, and it might help the show regain its identity without feeling like it’s selling out.

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