Tag: FX (Page 4 of 4)

Old Show, New Season (sort of): “Nip/Tuck”

Chalk it up to another case of there simply not being enough hours in the day, but the truth of the matter is that I’ve never watched a single episode of “Nip/Tuck” until now…and since this is the second half of the show’s next-to-last season, it’s probably not exactly the best time for me to decide to get involved in the adventures of Drs. Sean McNamara and Christian Troy. The decision, however, came as a result of two simultaneous events: Ross Ruediger’s review of the first half of the 5th season, which was just released on DVD, and the arrival of a screener of the first episode of the second half of the 5th season. Stupid ol’ Ross. If his positive review of “Criminal Minds: Season 2” hadn’t introduced me to that show, then I wouldn’t be trusting his opinion of “Nip/Tuck,” but when the guy describes it as “tasteless, vulgar, trashy, over-the-top fare that most people probably don’t care to admit they enjoy,” then I’m left wondering why I never took a chance on it before now.

And with that, let us hit “play” on “Ronnie Chase,” the first new “Nip/Tuck” of 2009.

The use of the O’Jays’ “Backstabber” within the opening sequence is inspired, as is the Mark Ronson cover of “Stop Me If You Think That You’ve Heard This One Before,” since what we’re watching is, after all, more or less an expanded flashback to events which occurred during the last episode of the season’s first half. After we catch up to the cliffhanging moment where Sean was lying in a pool of his own blood, things move pretty fast. Christian and Liz manage to keep Annie from crashing, and even after being dragged from the operating room into his office by Colleen, Sean successfully extracts revenge on his crazed assailant and keeps the show from becoming “Misery: The Series.” But poor Doc McNamara is in bad shape: as Christian arrives and tells his partner to hold on, Sean groans, “I can’t feel my legs.”

Suddenly, it’s four months later…and Sean’s doing his best Ironside impression, making his appearance by rolling out of an elevator in a wheelchair.

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Nip/Tuck: Season Five, Part One

At the conclusion of Season Four, plastic surgeons Drs. McNamara (Dylan Walsh) and Troy (Julian McMahon) had packed up their scalpels and headed for sunny Beverly Hills – after all, what better place for two amoral surgeons than Hollywood – so Season Five is something of a new start for the offices of McNamara/Troy. At season’s start, however, business isn’t so hot, so they agree to join a crappy TV series called “Hearts ‘N Scalpels” as technical advisors who will also briefly appear onscreen during the surgery sequences. At first, Christian is certain that this is his ticket to fame, while Sean is reluctant about the entire affair, but the tables quickly turn when the camera favors Sean, and Christian sulks away to soothe his bruised ego in all manner of seedy ways. Sean becomes the toast of the town, begins dating the show’s leading lady, Kate (Paula Marshall), and becomes party buds with the vacuous leading man, Aidan (Bradley Cooper). Then Sean’s ex Julia (Joely Richardson) shows up with kids Annie and Connor in tow, and mama’s got a new brand new bag: a girlfriend, Olivia, played by none other than Portia de Rossi! Olivia’s got a kid, too: Eden (Annalynne McCord, “90210”), a twisted little teen who sets her sights on destroying everything in her path. But an even greater evil lurks in the shadows, waiting to pounce, and perhaps there are worse things waiting in Hollywood than an attention-starved teenager.

Oddly, when this batch of episodes played on FX, I really didn’t care for them and saw a show struggling for air. If you felt at all the same, I urge you to give this set a spin, because I saw the season in a whole new light this time around and actually found myself having a lot of fun with the series, something I hadn’t really done in a couple years. As far as the whole “Season Five, Part One” thing goes, the series is gearing up another round of eight episodes which technically will finish up Season Five, although creator Ryan Murphy has said that the labeling is more of an internal thing, and that the new episodes probably won’t have much to do with what’s on this set. In other words, just think of this as Season Five and be done with it.

Click to buy “Nip/Tuck: Season Five, Part One”

Greetings to the New Series: “Sons of Anarchy”

With “The Shield” entering its final season and “Nip/Tuck” heading to a conclusion in 2010, it’s high time that FX found itself a new signature drama or two…and given that “Dirt” has been cancelled, “The Riches” hasn’t gotten a third-season pick-up, and “Damages” is more popular among TV critics than actual viewers, they really to step up their game and hunt up a new series that can be embraced by a larger audience.

Enter “Sons of Anarchy,” a show which is somewhat Shakespearean in spirit but ultimately comes off more like “The Sopranos” if members of the Mafia were replaced with motorcycle-straddling toughs. Not that that’s a bad thing…especially not when Drea de Matteo’s in the cast of this show, too.

I was able to check out the first episode of the series when I was out in L.A. at the TCA Press Tour, but it was late and I was exhausted, so although I walked away from it feeling that it was too dark for its own good, I also felt like I wasn’t giving it my all as a critic, so I vowed to watch it again when it made its formal debut on FX. Now that I’ve done so, I admit that I found myself enjoying it a little more this time around…but it’s still pretty damned dark.

Not that the darkness is all that surprising. After all, “Sons of Anarchy” is the creation of Kurt Sutter, who’s done just about everything there is to do on “The Shield,” having produced, directed, written, and story-edited on that series, not to mention the fact that he played the role of Margos Dezerian. So, basically, the guy knows dark.

Setting aside the darkness, however, the bigger concern is whether or not the saga of a biker gang can be made into a series that the average viewer can latch onto.

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