Tag: Fox (Page 30 of 31)

Kitchen Nightmares: Ramsay Picks Up Two Saves

Last Thursday we were treated to a double shot of Gordon Ramsay’s “Kitchen Nightmares” on FOX, because the World Series is over and they have some catching up to do. Watching two hours of this show takes time, but I’m going to save you some time by summarizing both episodes into one short blog here.

The first one was a visit to the quaint town of Cranbury, New Jersey. I never knew New Jersey had any quaint towns, but this one looked really nice, at least in the winter time. The restaurant, Hannah & Mason, was a French bistro run by two chefs who were kind of misfits–one who was set in his ways (Chris) and another who had very little passion about anything (Brian). Nick was the 23-year old manager who wanted to make things work but was being held back by the two owners. Ramsay did not like the food at all, and found out that this is why they were losing business–that no one else liked it either, and the restaurant was only open three nights a week for dinner. During the dinner service, Ramsay noticed food going out that was not cooked properly, sometimes not at all, and shut the kitchen down after finding out the fridge was disgusting. It was Valentine’s Day, and Ramsay called the shutdown a “Valentine’s Day massacre.” That was a bit too much drama, but you get the point. He then visited a local apple orchard and came back with a giant bag of apples, and made a special with pork and those apples. He found out there were other farms nearby and after a re-design into more of a bakery/cafe, included many of those fresh produce items on the new menu. Brian was once again re-charged, and Chris was skeptical, but excited too. After a glitch of slow service during dinner, everyone re-grouped and got it going, and Hannah & Mason the cafe was a better success than Hannah & Mason the bistro.

The second episode was to Jack’s On Waterfront in St. Clairs Shores, Michigan, right on the water in a resort town near Detroit. The owners were three body builders, Scott, Bill and Tammer. Tammer’s dad, AJ, was the general manager after they had moved him out of the kitchen. Aaron was the chef now, and he didn’t like the menu at all, which featured canned and frozen fish. Ramsay came in and found this ridiculous, especially when he ordered the “krab” omelet and found out “krab” was spelled that way because it was not real crabmeat. Customers were scared of Scott, who looked like a shaved-head version of Tony Soprano. But the food was the biggest problem. When Ramsay observed that there were also communication problems in the kitchen, he put things in Aaron’s hands. He also gave him a new menu that featured fresh locally caught fish. With a lake outside, that was a no-brainer. But Aaron was still having trouble with his staff until Ramsay came in and kicked them all in the ass to get moving and listen to him as well as to the owners. At the dinner service with the new decor, the restaurant was packed despite a snowstorm. The customers were loving the food but not every dish was going out of the kitchen cooked properly. AJ wound up getting his hours cut, and then was eventually fired. Aaron was able to fire some that weren’t performing and hired some better sous chefs. Jack’s was revamped and so were the friendships of the three owners.

So Gordon Ramsay did it again, twice! Dude tends to butt heads with one or two people who are dragging each place down, and usually finds a disgusting kitchen with a lack of fresh food on the menu. With that kind of pattern, he makes it clear that it doesn’t take much to right any restaurant ship that is sinking, but some effort and imagination. Of course, the respect of Ramsay runs deep in the restaurant business and that’s why it works. See you all next (this) week!

Kitchen Nightmares: Returns Thanks to a 5 Game World Series

Last night Fox had to scramble for extra coverage when the World Series abruptly ended after a two-day rain delay in Game 5. Gordon Ramsay’s “Kitchen Nightmares” returned in its usual slot at 9pm ET, with a bonus re-run episode at 8pm. In the new episode, Ramsay visited South Bend, Indiana….his second venture to the middle of America after doing most of these shows in New York and Los Angeles. The establishment here, a few miles from Notre Dame University, was J. Willy’s, a bar/restaurant focusing on barbecue cuisine.

The restaurant was owned by three people–married couple Rich and Tricia, who owned another restaurant three hours away and were rarely at J. Willy’s, and J. Willy himself, a.k.a. John William. Dave the manager and Steve the chef as well as the rest of the staff were just pawns doing what John made them do, which was to use more and more processed, cheap food and cutting corners everywhere. As a result, this restaurant was $1.2 million in the hole. Yes, you read that correctly.

So Ramsay arrived and noticed the ratty decor and then proceeded to order from the menu….potato pizza (blech), beef ribs and a pulled pork sandwich. He was grossed out by all of the items and I was too watching it. At the dinner serivce that night, Ramsay also noticed that the poor food quality was scaring customers away. So he brought the three owners to a nearby church and posed as a priest at confession, asking them to share their feelings about why the restaurant was failing. The general verdict was that John had lost his passion and it was all his fault. Ramsay convinced him that if he freshened up the menu and got his staff on board, things could quickly change. They went back to the kitchen and started throwing out all of the processed and spoiling food.

Then Ramsay taught the kitchen staff how to make homemade BBQ sauce, and they served it that night along with fresh hamburgers and fresh cut fries. Everything was a hit until they ran out of food and started using frozen stuff again that had somehow been saved from the purge, angering Ramsay. So before he gave them a re-design of the restaurant, Ramsay made sure the owners were all committed to making changes. They agreed, he made it beautiful and brought in four of his own chefs to help re-design the menu further. The kitchen got behind and was making mistakes again, but manager Dave, and the three owners were able to rally their staff and have a great dinner service.

Ah, success. And they showed the restaurant months later still enjoying success and winning BBQ sauce competitions. Good for them, and hopefully they are climbing out of that big financial hole. Ramsay, you bugger, you’ve done it again.

Fringe 1.2

This won’t be a formal blog, mostly because I wasn’t able to watch the episode when it originally aired, but given the discussion that evolved from my initial preview of the pilot, I thought I’d at least offer up a few brief comments about Episode #2.

* First off, I didn’t mention it in my original write-up about the series, but I really dig the way they set the location: with huge letters that look like they’re part of the scenery. It’s one of those accepted parts of a series that you wouldn’t think they could do anything particularly unique with, but damned if they didn’t.

* Like the pilot, the opening sequence is nice and harrowing, making it the perfect way to get you caught up in the episode right off the bat, and the decision to provide it with limited commercial interruptions – timed down to the second – was certainly appreciated as well. Also, the method of offering flashbacks to the pilot was a nice, unobtrusive way to giving first-timers just enough info to walk into this episode without feeling lost.

* The character of Dr. Walter Bishop continues to be fascinatingly eccentric, with his memories ebbing and flowing like the tide, but the reality is that John Noble’s performance in the role is enthralling to watch. His quiet, innocent delivery makes even the strangest lines work, and his sudden explosion of anger at one point is downright shocking.

* Thankfully, they have indeed attempted to downplay the Pacey-isms being delivered by Joshua Jackson. There are still a couple of moments where he throws out snappy lines which feel inappropriate, but the character of Peter is startling to feel more like a real guy caught up in a weird situation. (I can only presume that his aptitude at police work comes from years of watching procedurals on TV.)

* Okay, maybe Anna Torv is a little glum in her delivery, but I don’t really have a problem with her performance. I had to laugh when my wife made a comment about how she needed to get her roots done, but she accepted my argument (or pretended to, at least) that a real government agent wouldn’t be all that concerned about maintaining a glamorous look, anyway.

* Obviously, things don’t really kick into high gear until the last 15 minutes of the episode, but between the unfolding of the man-baby plot, Walter remembering where he parked his car, the tie-in to the case to Walter’s research, and Olivia trying to work out how much of her work over the past year was tainted by her traitorous partner, I remained thoroughly interested from beginning to end.

* All hail the cow!

Greetings to the New Show: “Fringe”

There’s a tendency among viewers to see the name “J.J. Abrams” and instantly consider it to be a mark of quality television. This is called “The ‘Lost’ Effect,” so named because Abrams is so intrinsically linked to “Lost” that those of us who are fans of the series – and, yes, I consider myself to be one – will tend to shrug off his failures because, hey, the guy was still responsible for “Lost,” so we’ve gotta at least give his stuff a shot, right? Now, in the interest of fairness, we should acknowledge that there are other individuals who subscribe to “The ‘Alias’ Effect” and “The ‘Felicity’ Effect”…though, oddly, you don’t hear much about “The ‘What About Brian’ Effect.” But I digress. My point here, really, is this: when it comes to the latest series to have Abrams’ name listed a producer, Fox’s “Fringe,” let’s all just try to keep things in perspective, view the show on its own merits, and try not to love it or hate it solely because he’s a part of it.

As it happens, “Fringe” has the advantage of featuring a couple of other names which give it added credibility, particularly amongst sci-fi fans: Roberto Orci and Alex Kurtzman. Fox has really been pushing the fact that the duo wrote the script for “Transformers,” but for some reason, they don’t mention that they were called upon by Zack Snyder to assist with the script for “Watchmen.” Funny, that. Probably more important than either of those credits, however, is their longstanding working relationship with Abrams, having done time with him on “Alias” as both writers and executive producers and writing the screenplays for both “Mission: Impossible III” and the new “Star Trek” film. The collaboration has worked out well in the past, so there’s every reason to be hopeful that…

Dammit! See what I mean? I almost fell into being optimistic about “Fringe” just because Abrams is involved. Granted, he was only a third of that particular equation, but even so, I don’t want to do that. Not again. I did it with “Six Degrees,” and 13 episodes later, I was left a bitter shell of a TV critic. I can’t handle that kind of heartbreak a second time…particularly not when “Fringe” reminds me so much of still another show that was canceled too soon: “Threshold.”

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